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The formula for a general first-order (bilinear) conformal mapping of
functions of a complex variable is conveniently expressed by
[3, page 75]
 |
(2) |
It can be seen that choosing three specific points and their images
determines the mapping for all
z and
.
Bilinear transformations map circles and lines into circles and lines
(lines being viewed as circles passing through the point at infinity).
In digital audio, where both domains are ``z planes,'' we normally
want to map the unit circle to itself, with dc mapping to dc
(
) and half the sampling rate mapping to half the
sampling rate (
). Making these substitutions in
Eq.(2) leaves us with transformations of the form
 |
(3) |
The constant
provides one remaining degree of freedom which can
be used to map any particular frequency
(corresponding to the
point
on the unit circle) to a new location
.
All other frequencies will be warped accordingly. The allpass
coefficient
can be written in terms of these frequencies as
![\begin{displaymath}
\rho = {\sin\{[a(\omega )-\omega ]/2\} \over \sin\{[a(\omega )+\omega ]/2\} },
\end{displaymath}](img31.png) |
(4) |
In this form, it is clear that
is real and that the inverse of
is
. Also,
since
, and
for a Bark
map, we have
for a Bark map from the z plane to the
plane.
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