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There are many kinds of signal models to consider for musical
instruments and audio effects. This book emphasizes
physical signal models,
that is, signal models derived from
mathematical physical descriptions of acoustic instruments or
electronic effects. To set a more general context, some of the more
successful non-physical signal models are mentioned below. After that,
we will consider only physics-based models in this book. The next
volume [459] in the music signal processing series discusses
spectral signal models, which are models based on the encoding
of sound by the ear (the ``receiver'') as opposed to the mechanics of
sound production (the ``source''). In all cases, a good signal model
must have the property that it generates the desired sound in response
to intuitive controls by the performing musician.
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