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In wind instrument models, turbulence is generally modeled using ad hoc
filtered noise injection. It would be considerably more convenient, and
presumably more accurate, to generate the turbulence automatically using a
model for turbulence generation. For example, given air velocity and
mouthpiece geometry, the noise spectrum can sometimes be predicted fairly
well from theory. Early ideas along these lines were pursued in
articulatory speech synthesis [23]. A recent
turbulence model for flue pipes based on the Lighthill theory is described
in [73], and more extensively in [72, Chapter 5].
Another based on sound produced by vortex shedding was proposed in
[10]. An advantage of automatically generated noise due to
turbulence is that pulsed modulation at the pitch rate falls out
automatically [9].
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