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Current waveguide brass instruments appear to capture the essential
features of brass tones [14,15,20,21,60]. The horn itself is well understood up to the bell
[6,8,3,7,21].
However, there is apparently no complete theory which describes what
happens at the bell exit aperture [8]. For example,
nonlinear vortex shedding has been measured downstream from the bell
output [28].
Models for the brass-player's lips are rapidly developing
[,18,1,14,46], and there appears
to be a trend in the direction of the one- and two-mass models which
have been used for years to model the vocal folds in speech
[29]. It is clear that the lip model should
vary with pitch since the motion of the lips qualitatively changes as
the pitch increases [, see Figure 3].
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