File:Fore and aft craft and their story; an account of the fore and aft rig from the earliest times to the present day (1922) (14597483609).jpg

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Jan Abrahamsz Beerstraaten: View of a Foreign Harbor with Various Vessels  wikidata:Q24578904 reasonator:Q24578904
Artist
Jan Abrahamsz Beerstraaten  (1622–1666)  wikidata:Q2604246
 
Jan Abrahamsz Beerstraaten
Alternative names
Joannes Abrahamsz. Beerstraaten, Johannes Abrahamsz. Beerstraaten, Johannis Abrahamsz. Beerstraaten, Jan Abrahamsz. Beerstraten, Joannes Abrahamsz. Beerstraten, Johannes Abrahamsz. Beerstraten, Johannis Abrahamsz. Beerstraten
Description Dutch painter and drawer
Date of birth/death 1 March 1622 Edit this at Wikidata 1 July 1666 (buried)
Location of birth/death Amsterdam Edit this at Wikidata Amsterdam Edit this at Wikidata
Work period 1639-1666
Work location
Amsterdam (1642-1666), Friesland (1662), Norway
Authority file
artist QS:P170,Q2604246
image of artwork listed in title parameter on this page
Title
Dutch:
Gezicht op buitenlandse havenstad met verschillende vaartuigen; op de achtergrond een bergketen Edit this at Wikidata

View of a Foreign Harbor with Various Vessels
label QS:Len,"View of a Foreign Harbor with Various Vessels"
label QS:Lnl,"Gezicht op een buitenlandse havenstad met verschillende vaartuigen"
Object type painting Edit this at Wikidata
Genre marine art Edit this at Wikidata
Description
English:

Identifier: foreaftcraftthei00chat2 (find matches)
Title: Fore and aft craft and their story; an account of the fore and aft rig from the earliest times to the present day
Year: 1922 (1920s)
Authors: Chatterton, E. Keble (Edward Keble), 1878-1944
Subjects:
Publisher: London : Seeley, Service
Contributing Library: New York Public Library
Digitizing Sponsor: MSN

View Book Page: Book Viewer
About This Book: Catalog Entry
View All Images: All Images From Book
Click here to view book online to see this illustration in context in a browseable online version of this book.

Text Appearing Before Image:
at all the craftwere literally smothered in canvas, and with the smalldisplacement which these vessels possessed, with theirhghtness and great length, their speed before the windmust have been something enormous. And even when the Venetians, Genoese, theSpaniards, and the Portuguese took to building big-bellied cargo craft, and left the galley type merely forwarlike purposes, the lateen-sail was still employed.No matter whether the merchant craft carried one orthree masts they were fitted with the triangular lateenand not the square-sail. Thus it was that Moorishpirates, Italian cargo-carriers, or Spanish galleys sworeby the excellencies of the lateen fore-and-aft rig. Itspread everywhere in the south, and stiU prevails evento this day. Even the Swiss lakes retain it, as thetourist is well aware. The resemblance of this lateen-rig to the Arabian dhows is very marked. But actualexperience shows that these Swiss craft embody all thedisadvantages of the dhow-rig, for the high peak whilst
Text Appearing After Image:
ORIGIN OF THE FORE-AND-AFT RIG 33 of unquestionable benefit in light winds, is the mostunsuitable of all in sudden squalls. These Swiss shipshave wonderful reputations for ghosting, yet whenthose sudden and hard winds blow down on to thesurface of the lake from the mountains above, thesesails are positively dangerous. But for all that, sopowerful is the conservative spirit of sailors, whetheron sea or fresh water, that the rig has never beendiscarded. To-day the lateen-rig is to be found from one end ofthe JNIediterranean to the other. You will note all sortsof modifications, you may notice three masts instead ofone, and even in the one-sticker you w411 occasionallyfind that, not content with its lateen canvas projectingboth forward and abaft the mast, other sails have beensometimes added. A moderate instance of this is to befound in such a craft as the Marseilles fishing-boat, whichhas added a foresail. The accompanying photograph(Fig. 1), taken from a picture in the Boijmans Museum,

Note About Images

Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.
Date 1654
date QS:P571,+1654-00-00T00:00:00Z/9
Medium oil on canvas
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
Dimensions height: 59 cm (23.2 in); width: 82 cm (32.2 in)
dimensions QS:P2048,59U174728
dimensions QS:P2049,82U174728
institution QS:P195,Q679527
Accession number
1034
Place of creation Amsterdam
Object history by 1922
date QS:P,+1922-00-00T00:00:00Z/7,P1326,+1922-00-00T00:00:00Z/9
: Museum Boijmans Van Beuningen, Rotterdam
Inscriptions

Signature and date center right:

I. BEER-STRATEN 1654
References

AnonymousUnknown author, RKDimages, Art-work number 8976, as Gezicht op buitenlandse havenstad met verschillende vaartuigen; op de achtergrond een bergketen

E. Keble Chatterton (1922) Fore & aft craft and their story. An account of the fore & aft rig from the earliest times to the present day, London: Seeley, Service & Co., Limited, p. 33, with image in black and white (ill. 1), as Italian Harbour with Lateneer.
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22 September 2015

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Date/TimeThumbnailDimensionsUserComment
current09:45, 14 June 2016Thumbnail for version as of 09:45, 14 June 20162,389 × 1,599 (1.31 MB)Vincent Steenberg (talk | contribs)cropped, contrast
10:01, 10 May 2016Thumbnail for version as of 10:01, 10 May 20162,384 × 1,762 (643 KB)SteinsplitterBot (talk | contribs)Bot: Image rotated by 90°
21:52, 22 September 2015Thumbnail for version as of 21:52, 22 September 20151,762 × 2,390 (647 KB) (talk | contribs)== {{int:filedesc}} == {{information |description={{en|1=<br> '''Identifier''': foreaftcraftthei00chat2 ([https://commons.wikimedia.org/w/index.php?title=Special%3ASearch&profile=default&fulltext=Search&search=insource%3A%2Fforeaftcraftthei00chat2%2F f...

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