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Despite his claim that he knew nothing about music and hated it in the theater, Kaufman collaborated on many [[musical theater]] projects. His most successful of such efforts include two Broadway shows crafted for the Marx Brothers, ''[[The Cocoanuts (musical)|The Cocoanuts]]'', written with [[Irving Berlin]], and ''[[Animal Crackers (musical)|Animal Crackers]]'', written with [[Morrie Ryskind]], [[Bert Kalmar]], and [[Harry Ruby]]. According to Charlotte Chandler, "By the time ''Animal Crackers'' opened ... the Marx Brothers were becoming famous enough to interest Hollywood. Paramount signed them to a contract".<ref>Chandler, Charlotte (2007). ''Hello, I Must Be Going: Groucho and His Friends'', Simon and Schuster, {{ISBN|1-4165-6521-3}}.</ref> Kaufman was one of the writers who excelled in writing intelligent nonsense for [[Groucho Marx]], a process that was collaborative, given Groucho's skills at expanding upon the scripted material. Though the Marx Brothers were notoriously critical of their writers, Groucho and [[Harpo Marx]] expressed admiration and gratitude towards Kaufman. [[Dick Cavett]], introducing Groucho onstage at [[Carnegie Hall]] in 1972, told the audience that Groucho considered Kaufman to be "his god".
While ''The Cocoanuts'' was being developed in Atlantic City, Irving Berlin was hugely enthusiastic about including the song "[[Always (1925 song)|Always]]", which he had written as a wedding present for his bride.{{efn|1=Both Kaufman and Marx describe the song as having been written expressly for the show,<ref name="Kaufman site">{{Cite web |url=http://www.georgeskaufman.com/play-catalogue/16-play-catalogue/critics-choice/80-the-cocoanuts-1925.html |title=The Cocoanuts (1925) |last1=Schneider |first1=Anne Kaufman |last2=Maslon |first2=Laurence |author-link2=Laurence Maslon |year=2013 |website=George S. Kaufman website |access-date=May 17, 2019 }}</ref><ref>{{Cite web |url=https://thelifeandtimesofhollywood.com/irving-berlins-always-that-groucho-complained-was-for-the-marx-brothers-play-the-cocoanuts/ |title=Irving Berlin's 'Always' That Groucho Complained was for the Marx Brothers play 'The Cocoanuts.' |date=June 29, 2017 |website=The Life and Times of Hollywood
Kaufman recalled the matter differently. In an article in ''Stage'' magazine, he recalled that Berlin woke him up at 5 am one morning to play a new song he had just written. "Even ''my'' deficient musical sense recognized that here was a song that was going to be popular. I listened to it two or three times, then took a stab at it myself, and as dawn came up over the Atlantic, Irving and I were happily singing 'Always' together—its first performance on any stage. I went back to bed a happy man, and stayed happy until rehearsals started, when it turned out that 'Always' had not been written for our show at all, but purely for Irving's music-publishing house. In its place in ''The Cocoanuts'' was a song called 'A Little Bungalow,' which we never could reprise in Act Two because the actors couldn't remember it that long."<ref>"Music to My Ears", ''Stage'', August 1938. Reprinted in ''By George: A Kaufman Collection'', 1979.</ref>
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This perspective, along with a number of taciturn observations made by Kaufman himself, led to a simplistic but commonly held belief that Hart was the emotional soul of the creative team while Kaufman was a misanthropic writer of punchlines. Kaufman preferred never to leave Manhattan. He once said: "I never want to go any place where I can't get back to Broadway and 44th by midnight."<ref>{{cite book| last=Meryman| first=Richard| author-link=Richard Meryman|title=Mank: The Wit, World, and Life of Herman Mankiewicz| url=https://archive.org/details/mankwitworldlife00mery| url-access=registration|publisher=William Morrow|year=1978|location=New York|page=[https://archive.org/details/mankwitworldlife00mery/page/100 100]| isbn=9780688033569}}</ref>
Called "Public Lover Number One", he
Kaufman joined the theater club, The Lambs, in 1944.<ref>{{cite web |url=https://the-lambs.org/history/roster/ |title=Member Roster |date=November 6, 2015 |publisher=[[The Lambs]] |access-date=March 14, 2018 |archive-date=May 31, 2022 |archive-url=https://web.archive.org/web/20220531032150/https://the-lambs.org/history/roster/ |url-status=dead }}</ref>
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[[Category:20th-century American dramatists and playwrights]]
[[Category:20th-century American non-fiction writers]]
[[Category:Members of The Lambs Club]]
[[Category:American contract bridge players]]
[[Category:American humorists]]
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[[Category:American theater critics]]
[[Category:American theatre managers and producers]]
[[Category:
[[Category:Donaldson Award winners]]
[[Category:Jewish American dramatists and playwrights]]
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