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This perspective, along with a number of taciturn observations made by Kaufman himself, led to a simplistic but commonly held belief that Hart was the emotional soul of the creative team while Kaufman was a misanthropic writer of punchlines. Kaufman preferred never to leave Manhattan. He once said: "I never want to go any place where I can't get back to Broadway and 44th by midnight."<ref>{{cite book| last=Meryman| first=Richard| author-link=Richard Meryman|title=Mank: The Wit, World, and Life of Herman Mankiewicz| url=https://archive.org/details/mankwitworldlife00mery| url-access=registration|publisher=William Morrow|year=1978|location=New York|page=[https://archive.org/details/mankwitworldlife00mery/page/100 100]| isbn=9780688033569}}</ref>
Called "Public Lover Number One", he "dated some of the most beautiful women on Broadway".<ref name=wallace174>Wallace 2008, p. 174.</ref> Kaufman found himself in the center of a scandal in 1936 when, in the midst of a child custody suit, the former husband of actress [[Mary Astor]] threatened to publish one of Astor's diaries purportedly containing extremely explicit details of an affair between Kaufman and the actress.<ref name=wallace174/> The diary was eventually destroyed, unread by the courts in 1952, but details of the supposed contents were published in ''[[Confidential (magazine)|Confidential]]'' magazine, ''[[Hollywood Babylon]]'' by [[Kenneth Anger]] (Both always have been considered unreliable sources)<ref>
Kaufman joined the theatre club, The Lambs, in 1944.<ref>
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