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{{Short description|Canadian poet, playwright, librettist and professor}}
{{Infobox writer <!-- for more information see [[:Template:Infobox writer/doc]] -->
{{Infobox writer <!-- for more information see [[:Template:Infobox writer/doc]] -->
| name = James Reaney
| name = James Reaney
| image = MJ-James-Reaney.jpg
| image = MJ-James-Reaney.jpg
| caption = ''The Sun and the Moon''
| caption =

The stark contrast of black and white, the strong face, the pock-marked background suggestive of the surface of the moon counterpointed by the Haida sun mask, even the reflection in the poet's left eyeglass simulating the astronaut's visor, sum up the recurrently juxtaposed images (the sun and the moon) in Reaney's ''A Suit of Nettles''.
| pseudonym =
| pseudonym =
| birth_date = {{Birth date |1926|9|1|}}
| birth_date = {{Birth date |1926|9|1|}}
| birth_place = Easthope, [[Ontario]], [[Canada]]
| birth_place = Easthope, [[Ontario]], Canada
| death_date = {{Death date |2008|06|11|}}
| death_date = {{Death date |2008|06|11|}}
| death_place = [[London, Ontario]], Canada
| death_place = [[London, Ontario]], Canada
| occupation = Writer, Artist, Poet, Playwright,
| occupation = Writer, Artist, Poet, Playwright,
| language = English
| language = English
| nationality = {{flagicon|Canada}} [[Canadians|Canadian]]
| period =
| period =
| genre =
| genre =
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| movement =
| movement =
| notableworks = ''Poems'' (1972), ''The Donnellys''
| notableworks = ''Poems'' (1972), ''The Donnellys''
| spouse = Colleen Thibaudeau
| spouse = [[Colleen Thibaudeau]]
| partner =
| partner =
| children = James Stewart, John Andrew, Susan Alice Elizabeth
| children = James Stewart, John Andrew, Susan Alice Elizabeth
| relatives =
| relatives = James Nesbitt Reaney, Elizabeth Henrietta Crear
| influences = [[Northrop Frye]], [[John Beckwith (composer)|John Beckwith]]
| influenced = [[Jay Macpherson]], [[Margaret Atwood]], [[Al Purdy]], [[Milton Acorn]], and bp Nichol
| awards = Order of Canada, FRSC, Governor General's Award
| awards = Order of Canada, FRSC, Governor General's Award
| signature =
| signature =
| signature_alt =
| signature_alt =
| website = {{URL|http://www.jamesreaney.com/}}
| website = {{URL|jamesreaney.com}}
| portaldisp =
| portaldisp =
}}
}}


'''James Crerar Reaney''', {{Post-nominals|country=CAN|OC|FRSC}} (September 1, 1926 &ndash; June 11, 2008) was a [[Canadian poetry|Canadian poet]], playwright, [[libretto|librettist]], and [[professor]],<ref name="University of Waterloo">[http://www.lib.uwo.ca/ University of Waterloo]</ref> "whose works transform small-town [[Ontario]] life into the realm of dream and symbol."<ref>""[http://www.britannica.com/EBchecked/topic/493180/James-Crerar-Reaney James Crerar Reaney]," ''Encyclopædia Britannica," Britannica Online, Web, Apr. 11, 2011.</ref> Reaney won [[Canada]]'s highest literary award, the [[Governor General's Awards|Governor General's Award]], three times and received the Governor General's Award for Poetry or Drama for both his poetry and his drama.
'''James Crerar Reaney''', {{Post-nominals|country=CAN|OC|FRSC}} (September 1, 1926 &ndash; June 11, 2008) was a [[Canadian poetry|Canadian poet]], playwright, [[libretto|librettist]], and [[professor]],<ref name="University of Waterloo">[http://www.lib.uwo.ca/ University of Waterloo]</ref> "whose works transform small-town [[Ontario]] life into the realm of dream and symbol."<ref>""[http://www.britannica.com/EBchecked/topic/493180/James-Crerar-Reaney James Crerar Reaney]," ''Encyclopædia Britannica," Britannica Online, Web, Apr. 11, 2011.</ref> Reaney won [[Canada]]'s highest literary award, the [[Governor General's Awards|Governor General's Award]], three times and received the Governor General's Awards for Poetry or Drama for both his poetry and his drama.


==Life==
==Life==
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Reaney married fellow poet Colleen Thibaudeau on December 29, 1951 in [[St. Thomas, Ontario|St. Thomas]].<ref name=reaney/> He has three children: two sons, James Stewart (born 1952) and John Andrew (1954), born in [[Toronto|Toronto, Ontario]]<ref name=stingle/> and a daughter, Susan Alice Elizabeth, born 1959 in [[Winnipeg, Manitoba]].<ref name=stingle/>
Reaney married fellow poet Colleen Thibaudeau on December 29, 1951 in [[St. Thomas, Ontario|St. Thomas]].<ref name=reaney/> He has three children: two sons, James Stewart (born 1952) and John Andrew (1954), born in [[Toronto|Toronto, Ontario]]<ref name=stingle/> and a daughter, Susan Alice Elizabeth, born 1959 in [[Winnipeg, Manitoba]].<ref name=stingle/>


After teaching English at the [[University of Manitoba]] from 1949 until 1956, Reaney returned to the University of Toronto to complete a doctorate awarded in 1958; [[Northrop Frye]] was his thesis supervisor.<ref name="answers"/> Also in 1958 Reaney released a second book of poetry, ''A Suit of Nettles'', which again won the Governor-General's Award.<ref name=ross>Catherine Ross, "[http://www.thecanadianencyclopedia.com/index.cfm?PgNm=TCE&Params=A1ARTA0006706 Reaney, James Crerar]," ''Canadian Encyclopedia'' (Edmonton:Hurtig, 1988), 1831.</ref>
After teaching English at the [[University of Manitoba]] from 1949 until 1956, Reaney returned to the University of Toronto to complete a doctorate awarded in 1958; [[Northrop Frye]] was his thesis supervisor.<ref name="answers"/> Also in 1958 Reaney released a second book of poetry, ''A Suit of Nettles'', which again won the Governor-General's Award.<ref name=ross>Catherine Ross, "[http://www.thecanadianencyclopedia.com/index.cfm?PgNm=TCE&Params=A1ARTA0006706 Reaney, James Crerar] {{Webarchive|url=https://web.archive.org/web/20100202210812/http://thecanadianencyclopedia.com/index.cfm?PgNm=TCE&Params=A1ARTA0006706 |date=2010-02-02 }}," ''Canadian Encyclopedia'' (Edmonton:Hurtig, 1988), 1831.</ref>


During the 1940s and 1950s Reaney also wrote and published short stories. While not published in book form until years later, his stories were influential in establishing the style of writing later called [[Southern Ontario Gothic]]<ref name=answers/> (later made world-famous by [[Alice Munro]]).
During the 1940s and 1950s Reaney also wrote and published short stories. While not published in book form until years later, his stories were influential in establishing the style of writing later called [[Southern Ontario Gothic]]<ref name=answers/> (later made world-famous by [[Alice Munro]]).
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For Reaney, the new decade also coincided with "a shift of emphasis from poetry to the public and communal form of drama," starting with ''The Killdeer''.<ref name=ross/> "Though he had been interested in drama since childhood, he was encouraged by a friend to write a piece for the University of Toronto's Alumnae Theatre and the work he created, ''The Killdeer'', launched his drama career (and won a prize in the [[Dominion Drama Festival]])."<ref name=theatre>"[http://www.canadiantheatre.com/dict.pl?term=Reaney%2C%20James Reaney, James]," ''Canadian Theatre Encyclopedia'', CanadianTheatre.com, Web, Apr. 11, 2011,</ref> In [[1962 Governor General's Awards|1962]] he won the Governor General's Award for Poetry or Drama a third time, this time for both his newest book of poetry, ''Twelve Letters to a Small Town,'' and his first book of plays, ''The Killdeer and Other Plays''.<ref name=ross/>
For Reaney, the new decade also coincided with "a shift of emphasis from poetry to the public and communal form of drama," starting with ''The Killdeer''.<ref name=ross/> "Though he had been interested in drama since childhood, he was encouraged by a friend to write a piece for the University of Toronto's Alumnae Theatre and the work he created, ''The Killdeer'', launched his drama career (and won a prize in the [[Dominion Drama Festival]])."<ref name=theatre>"[http://www.canadiantheatre.com/dict.pl?term=Reaney%2C%20James Reaney, James]," ''Canadian Theatre Encyclopedia'', CanadianTheatre.com, Web, Apr. 11, 2011,</ref> In [[1962 Governor General's Awards|1962]] he won the Governor General's Award for Poetry or Drama a third time, this time for both his newest book of poetry, ''Twelve Letters to a Small Town,'' and his first book of plays, ''The Killdeer and Other Plays''.<ref name=ross/>


Reaney "followed up ''The Killdeer'' with ''[[Colours in the Dark]]'' (1969), ''Listen to the Wind'' (1972), ''Masks of Childhood'' (1972) and plays for children."<ref name=ross/> His play ''Colours in the Dark'' was produced at the [[Stratford Shakespeare Festival]] in 1967.
Reaney "followed up ''The Killdeer'' with ''[[Colours in the Dark]]'' (1969), ''Listen to the Wind'' (1972), ''Masks of Childhood'' (1972) and plays for children."<ref name=ross/> His play ''Colours in the Dark'' was produced at the [[Stratford Shakespeare Festival]] in 1967.<ref>{{cite web | url =https://archives.stratfordfestival.ca/AIS/Details/productions/86 | title = Colours in the Dark (1967) production credits | website = Stratford Festival Archives | access-date = 2019-06-23}}</ref>


From 1973 to 1975 Reaney wrote the trilogy The Donnellys, which the ''Canadian Theatre Encyclopedia'' calls "one of the nation's most important dramas." The three plays debuted at Toronto's [[Tarragon Theatre]], directed by Keith Turnbull.<ref name=theatre/> ''The St. Nicholas Hotel,'' Part II of the trilogy, won the [[Floyd S. Chalmers Canadian Play Award|Chalmers Award]]. The [[Donnellys]] toured nationally in 1975, from [[Halifax Regional Municipality|Halifax]] to [[Vancouver]] with the [[NDWT Theatre Company]],<ref name=reaney/> again with Turnbull directing.<ref name=donnellys >"[http://www.canadiantheatre.com/dict.pl?term=The%20Donnellys The Donnellys]," ''Canadian Theatre Encyclopedia'', CanadianTheatre.com, Web, Apr. 11, 2011,</ref>
From 1973 to 1975 Reaney wrote the trilogy The Donnellys, which the ''Canadian Theatre Encyclopedia'' calls "one of the nation's most important dramas." The three plays debuted at Toronto's [[Tarragon Theatre]], directed by Keith Turnbull.<ref name=theatre/> ''The St. Nicholas Hotel,'' Part II of the trilogy, won the [[Floyd S. Chalmers Canadian Play Award|Chalmers Award]]. The [[Donnellys]] toured nationally in 1975, from [[Halifax Regional Municipality|Halifax]] to [[Vancouver]] with the [[NDWT Theatre Company]],<ref name=reaney/> again with Turnbull directing.<ref name=donnellys >"[http://www.canadiantheatre.com/dict.pl?term=The%20Donnellys The Donnellys]," ''Canadian Theatre Encyclopedia'', CanadianTheatre.com, Web, Apr. 11, 2011,</ref>
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As well, Reaney coauthored several operas with musician [[John Beckwith (composer)|John Beckwith]], including ''Night-Blooming Cereus'' (1960), ''The Shivaree'' (1982), and ''Crazy To Kill'' (1988).<ref name=reaney/>
As well, Reaney coauthored several operas with musician [[John Beckwith (composer)|John Beckwith]], including ''Night-Blooming Cereus'' (1960), ''The Shivaree'' (1982), and ''Crazy To Kill'' (1988).<ref name=reaney/>


Other notable Reaney plays include ''Names and Nicknames'', which premiered at the [[Manitoba Theatre Centre]] in 1963, directed by [[John Hirsch]] and Robert Sherrin); and ''Alice Through the Looking Glass'', which played at the Stratford Festival in 1994 and in 2015.<ref name=theatre/>
Other notable Reaney plays include ''Names and Nicknames'', which premiered at the [[Manitoba Theatre Centre]] in 1963, directed by [[John Hirsch]] and Robert Sherrin); and ''Alice Through the Looking Glass'', which played at the Stratford Festival in 1994, 1995 and in 2014.<ref name=theatre/><ref>{{cite web | url = https://archives.stratfordfestival.ca/AIS/Details/productions/447 | title = Alice Through the Looking Glass (1994) production credits | website = Stratford Festival Archives | access-date = 2019-06-23 | archive-date = 2022-08-28 | archive-url = https://web.archive.org/web/20220828022131/https://archives.stratfordfestival.ca/AIS/Details/productions/447 | url-status = dead }}</ref><ref>{{cite web | url =https://archives.stratfordfestival.ca/AIS/Details/productions/728 | title = Alice Through the Looking Glass (2014) production credits | website = Stratford Festival Archives | access-date = 2019-06-23}}</ref>


Reaney also enjoyed painting and drawing and his art works, from the 1940s to 1990s, were put on exhibit at the McMichael Canadian Art Collection in [[Kleinberg, Ontario|Kleinburg, Ontario]] in 2008.<ref name=reaney/>
Reaney also enjoyed painting and drawing and his art works, from the 1940s to 1990s, were put on exhibit at the McMichael Canadian Art Collection in [[Kleinberg, Ontario|Kleinburg, Ontario]] in 2008.<ref name=reaney/>
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==Writing==
==Writing==


Reaney's complex symbolic and poetic regional drama defies categorizing. Reaney’s plays are a combination of symbol, metaphor, chant, poetic incantation, choral speaking, improvisation, miming, and child play. Reaney depends on the concept that we, the audience, are all “children of an older growth” and his audience have responded to this expectation. The symbolic quest as the children search for truth and end in reconciliation with the adult world are the basis of Reaney’s plays.<ref>[http://www.uogulph.com/ University of Guelph website]{{dead link|date=January 2018 |bot=InternetArchiveBot |fix-attempted=yes }}</ref> Critics have called him a colonial, a rationalist and internationalist, a rabid nationalist, a symbolist, and a poet with the myth of coherence who is yet able to say something in an age of the random.<ref name=stingle/>
Reaney's complex symbolic and poetic regional drama defies categorizing. Reaney's plays are a combination of symbol, metaphor, chant, poetic incantation, choral speaking, improvisation, miming, and child play. Reaney depends on the concept that we, the audience, are all "children of an older growth" and his audience have responded to this expectation. The symbolic quest as the children search for truth and end in reconciliation with the adult world are the basis of Reaney's plays.<ref>[http://www.uogulph.com/ University of Guelph website]{{dead link|date=January 2018 |bot=InternetArchiveBot |fix-attempted=yes }}</ref> Critics have called him a colonial, a rationalist and internationalist, a rabid nationalist, a symbolist, and a poet with the myth of coherence who is yet able to say something in an age of the random.<ref name=stingle/>


Of his poetry, ''The [[Canadian Encyclopedia]]'' says: "Reaney's poetry, collected in ''Poems'' (1972), has earned him a reputation as an erudite poet at once deriving structures from metaphor, mythology, and a [[wikt:cosmopolitan|cosmopolitan]] literary tradition while deeply rooted in a regional sense of place."<ref name=ross/>
Of his poetry, ''The [[Canadian Encyclopedia]]'' says: "Reaney's poetry, collected in ''Poems'' (1972), has earned him a reputation as an erudite poet at once deriving structures from metaphor, mythology, and a [[wikt:cosmopolitan|cosmopolitan]] literary tradition while deeply rooted in a regional sense of place."<ref name=ross/>


Reaney's fiction of the 1940s and 1950s (collected in the 1994 book ''The Box Social and Other Stories,'' was "influential in establishing the style of writing that has since become known as ‘Southern Ontario Gothic’. [[Margaret Atwood]] has remarked that ‘without “The Bully”, my fiction would have followed other paths'.... Playing sophisticated games by switching voice, he achieves a kind of ‘magic realism’, often through the distorted perspective and sense of disproportion of his child narrators."<ref name=answers/>
Reaney's fiction of the 1940s and 1950s (collected in the 1994 book ''The Box Social and Other Stories,'' was "influential in establishing the style of writing that has since become known as ‘Southern Ontario Gothic’. [[Margaret Atwood]] has remarked that ‘without "The Bully", my fiction would have followed other paths'.... Playing sophisticated games by switching voice, he achieves a kind of ‘magic realism’, often through the distorted perspective and sense of disproportion of his child narrators."<ref name=answers/>


==Awards==
==Awards==
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* Honorary doctorates from [[Carleton University]](1975), [[McMaster University]](1979), [[Brock University]](1991), and the [[University of Western Ontario]](1992)<ref name=reaney/>
* Honorary doctorates from [[Carleton University]](1975), [[McMaster University]](1979), [[Brock University]](1991), and the [[University of Western Ontario]](1992)<ref name=reaney/>
* [[Floyd S. Chalmers Canadian Play Award]] in 1975 for ''The St. Nicholas Hotel''<ref name=answers/>
* [[Floyd S. Chalmers Canadian Play Award]] in 1975 for ''The St. Nicholas Hotel''<ref name=answers/>
* [[University of Alberta]] National Award in Letters for ''The Donnellys'' trilogy.<ref name=reaney>[http://www.jamesreaney.com/ JamesReaney.com]</ref>
* [[University of Alberta]] National Award in Letters for ''The Donnellys'' trilogy.<ref name=reaney>{{Cite web |url=http://www.jamesreaney.com/ |title=JamesReaney.com |access-date=2010-11-03 |archive-url=https://web.archive.org/web/20110203055327/http://www.jamesreaney.com/ |archive-date=2011-02-03 |url-status=dead }}</ref>


==Publications==
==Publications==
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* ''Performance: Poems''. Goderich, ON: Moonstone, [[1990 in poetry|1990]].<ref name=open/> {{ISBN|0-920259-32-4}}
* ''Performance: Poems''. Goderich, ON: Moonstone, [[1990 in poetry|1990]].<ref name=open/> {{ISBN|0-920259-32-4}}
* ''Souwesto Home''. Stan Dragland, ed. Brick Books, [[2005 in poetry|2005]].<ref name=open/> 9781894078436
* ''Souwesto Home''. Stan Dragland, ed. Brick Books, [[2005 in poetry|2005]].<ref name=open/> 9781894078436
* ''The Essential James Reaney''. Brian Bartlett, ed. Porcupine’s Quill, [[2009 in poetry|2009]]).<ref name=reaney/>
* ''The Essential James Reaney''. Brian Bartlett, ed. Porcupine's Quill, [[2009 in poetry|2009]]).<ref name=reaney/>


===Plays===
===Plays===
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* ''Geography Match'' (1967) Vancouver: Talonbooks, 1978.<ref name=open/> {{ISBN|0-88922-153-7}}
* ''Geography Match'' (1967) Vancouver: Talonbooks, 1978.<ref name=open/> {{ISBN|0-88922-153-7}}
* ''Ignoramus'' (1967) Vancouver: Talonbooks, 1978.<ref name=open/> {{ISBN|0-88922-155-3}}
* ''Ignoramus'' (1967) Vancouver: Talonbooks, 1978.<ref name=open/> {{ISBN|0-88922-155-3}}
* ''[[Colours in the Dark]]'' ([[Talonbooks]], 1969)<ref>{{cite book |first=James |last=Reaney |title=Colours in the Dark |publisher=Talonbooks |year=1969 |isbn=0-88922-001-8}}</ref> {{ISBN|978-0-88922-001-0}} | {{ISBN|0-88922-001-8}}
* ''[[Colours in the Dark]]'' ([[Talonbooks]], 1969)<ref>{{cite book |first=James |last=Reaney |title=Colours in the Dark |publisher=Talonbooks |year=1969 |isbn=0-88922-001-8 |url-access=registration |url=https://archive.org/details/coloursindark0000unse }}</ref> {{ISBN|978-0-88922-001-0}} | {{ISBN|0-88922-001-8}}
* ''Masks of Childhood''. Toronto: New Press, 1972.<ref name=open/>
* ''Masks of Childhood''. Toronto: New Press, 1972.<ref name=open/>
* ''Listen to the Wind''. Vancouver: Talonbooks, 1972.<ref name=open/>
* ''Listen to the Wind''. Vancouver: Talonbooks, 1972.<ref name=open/>
* ''Apple Butter and Other Plays for Children''. Vancouver: Talonbooks, 1973.<ref name=open/> {{ISBN|0-88922-043-3}}
* ''Apple Butter and Other Plays for Children''. Vancouver: Talonbooks, 1973.<ref name=open/> {{ISBN|0-88922-043-3}}
* ''Wacousta!'' Wingham, ON: Jubilee, 1974. Erin, ON: Porcépic, 1979.<ref name=open/> {{ISBN|0-88878-175-X}}
* ''Wacousta!'' Wingham, ON: Jubilee, 1974. Erin, ON: Porcépic, 1979.<ref name=open/> {{ISBN|0-88878-175-X}}
* ''Sticks and Stones: The Donnellys, Part I'' Erin, ON: Porcepic, 1975.<ref name=open>[http://openlibrary.org/search?q=james+reaney Search Results: James Reaney], May 9, 2011.</ref>
* ''Sticks and Stones: The Donnellys, Part I'' Erin, ON: Porcepic, 1975.<ref name=open>[https://openlibrary.org/search?q=james+reaney Search Results: James Reaney], May 9, 2011.</ref>
* ''Baldoon'', with C.H. Gervais. Erin, ON: Porcupine’s Quill, 1976.<ref name=open/> {{ISBN|978-0-88984-016-4}}
* ''Baldoon'', with C.H. Gervais. Erin, ON: Porcupine's Quill, 1976.<ref name=open/> {{ISBN|978-0-88984-016-4}}
* ''The St. Nicholas Hotel, Wm. Donnelly, Prop: The Donnellys, Part II''. Erin ON: Porcepic, 1976.<ref name=open/> {{ISBN|978-0-88878-050-8}}, {{ISBN|0-88878-051-6}}
* ''The St. Nicholas Hotel, Wm. Donnelly, Prop: The Donnellys, Part II''. Erin ON: Porcepic, 1976.<ref name=open/> {{ISBN|978-0-88878-050-8}}, {{ISBN|0-88878-051-6}}
* ''Handcuffs: The Donnellys, Part III''. Erin, ON: Porcepic, 1977.<ref name=open/> {{ISBN|0-88878-052-4}} {{ISBN|0888780532}}
* ''Handcuffs: The Donnellys, Part III''. Erin, ON: Porcepic, 1977.<ref name=open/> {{ISBN|0-88878-052-4}} {{ISBN|0888780532}}
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* ''The Dismissal'' [[drama]]. (Erin, ON: Press Porcépic/Beach Holme Publishers, 1978.<ref name=open/> {{ISBN|0-88878-147-4}}
* ''The Dismissal'' [[drama]]. (Erin, ON: Press Porcépic/Beach Holme Publishers, 1978.<ref name=open/> {{ISBN|0-88878-147-4}}
* ''Gyroscope'' Toronto: Playwrights Canada Press, 1983.<ref name=open/> {{ISBN|0-88754-321-9}}
* ''Gyroscope'' Toronto: Playwrights Canada Press, 1983.<ref name=open/> {{ISBN|0-88754-321-9}}
* ''King Whistle!'' (1980) &mdash; about the [[Stratford General Strike of 1933]]<ref>{{cite book|title=The Buried Astrolabe: Canadian Dramatic Imagination and Western Tradition|author1-first=Craig Stewart|author1-last=Walker|publisher=McGill-Queen's University Press|year=2001|isbn=9780773520752|chapter=James Reaney: Metamorphic masks |url=https://books.google.com/books?id=KBj1A0JglTUC |pages=67–68}}</ref>
* ''King Whistle!'' (1980)
* ''Plays of James Reaney''. ECW P, 1985. {{ISBN|978-9996512667}}
* ''Plays of James Reaney''. ECW P, 1985. {{ISBN|978-9996512667}}
* ''Lewis Carroll's Alice Through the Looking Glass adapted for the stage.'' Erin, ON: Porcupine's Quill, 1994.<ref name=open/> {{ISBN|0-88984-147-0}}
* ''Lewis Carroll's Alice Through the Looking Glass adapted for the stage.'' Erin, ON: Porcupine's Quill, 1994.<ref name=open/> {{ISBN|0-88984-147-0}}
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===Fiction===
===Fiction===
* "The Box Social," ''Liberty'' (Toronto), July 19, 1947.<ref name=open/>
* "The Box Social," ''Liberty'' (Toronto), July 19, 1947.<ref name=open/>
* ''The Boy with an R in His Hand''. Toronto: Macmillan, 1965. Erin, ON: Porcupine’s Quill, 1980. {{ISBN|0-88984-031-8}} Juvenile.<ref name=open/>
* ''The Boy with an R in His Hand''. Toronto: Macmillan, 1965. Erin, ON: Porcupine's Quill, 1980. {{ISBN|0-88984-031-8}} Juvenile.<ref name=open/>
* ''Take the Big Picture''. Erin, ON: Porcupine’s Quill, 1986. {{ISBN|0-88984-087-3}} Juvenile.<ref name=open/>
* ''Take the Big Picture''. Erin, ON: Porcupine's Quill, 1986. {{ISBN|0-88984-087-3}} Juvenile.<ref name=open/>
* ''The Box Social & Other Stories'' Erin, ON: Porcupine's Quill, 1996.<ref name=open/> {{ISBN|0-88984-173-X}}
* ''The Box Social & Other Stories'' Erin, ON: Porcupine's Quill, 1996.<ref name=open/> {{ISBN|0-88984-173-X}}


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==Discography==
==Discography==
*''Celebration: Famous Canadian Poets CD'' [[Canadian Poetry Association]] &mdash; 2001 {{ISBN|1-55253-022-1}} (CD#4) (with [[F. R. Scott]] )
*''Celebration: Famous Canadian Poets CD'' [[Canadian Poetry Association]] &mdash; 2001 {{ISBN|1-55253-022-1}} (CD#4) (with [[F. R. Scott]] )
*''Souwesto Words: 25 poets in Southwestern Ontario'' Ergo Books 2002 (Poets on the CD: Penn Kemp, John Tyndall, [[Molly Peacock]], Emily Chung, Paul Langille, Sheila Martindale, [[Roy McDonald (poet)|Roy McDonald]], Sadiqa Khan, Jan Figurski, Jody Trevail, Beryl Baigent, [[John B. Lee]], [[Cornelia Hoogland]], James Reaney, Colleen Thibaudeau, Michael Wilson, Aimee O'Beirn, Jason Dickson, Marianne Micros, Skot Deeming, Victor Elias, David J. Paul, April Bulmer, Julie Berry, [[Don Gutteridge (writer)|Don Gutteridge]])
*''Souwesto Words: 25 poets in Southwestern Ontario'' Ergo Books 2002 (Poets on the CD: [[Penn Kemp]], John Tyndall, [[Molly Peacock]], Emily Chung, Paul Langille, Sheila Martindale, [[Roy McDonald (poet)|Roy McDonald]], Sadiqa Khan, Jan Figurski, Jody Trevail, Beryl Baigent, [[John B. Lee]], [[Cornelia Hoogland]], James Reaney, Colleen Thibaudeau, Michael Wilson, Aimee O'Beirn, Jason Dickson, Marianne Micros, Skot Deeming, Victor Elias, David J. Paul, April Bulmer, Julie Berry, [[Don Gutteridge (writer)|Don Gutteridge]])


==References==
==References==
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* ''Two Plays'' (Ergo Books, 2002) {{ISBN|0-920516-17-3}}
* ''Two Plays'' (Ergo Books, 2002) {{ISBN|0-920516-17-3}}


===Notes===
===References===
{{Portal|Poetry|Theatre|Biography|Canada|Ontario}}
{{Portal|Poetry|Theatre|Biography|Canada|Ontario}}
<references/>
<references/>


==External links==
==External links==
* [http://www.jamesreaney.com/ JamesReaney.com]
* [https://web.archive.org/web/20110203055327/http://www.jamesreaney.com/ JamesReaney.com]
* ''[https://books.google.com/books?id=QNvXLE69eJQC A Suit of Nettles]'' on Google Books.
* ''[https://books.google.com/books?id=QNvXLE69eJQC A Suit of Nettles]'' on Google Books.
* ''[https://books.google.com/books?id=t_ZRQWq2mJIC Selected Shorter Poems]'' on Google Books.
* ''[https://books.google.com/books?id=t_ZRQWq2mJIC Selected Shorter Poems]'' on Google Books.
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[[Category:Canadian modernist poets]]
[[Category:Canadian modernist poets]]
[[Category:Fellows of the Royal Society of Canada]]
[[Category:Fellows of the Royal Society of Canada]]
[[Category:Governor General's Award-winning poets]]
[[Category:Governor General's Award–winning poets]]
[[Category:Members of the Order of Canada]]
[[Category:Members of the Order of Canada]]
[[Category:University of Toronto alumni]]
[[Category:University of Toronto alumni]]

Latest revision as of 15:55, 2 November 2024

James Reaney
Born(1926-09-01)September 1, 1926
Easthope, Ontario, Canada
Died(2008-06-11)June 11, 2008
London, Ontario, Canada
OccupationWriter, Artist, Poet, Playwright,
LanguageEnglish
Notable worksPoems (1972), The Donnellys
Notable awardsOrder of Canada, FRSC, Governor General's Award
SpouseColleen Thibaudeau
ChildrenJames Stewart, John Andrew, Susan Alice Elizabeth
RelativesJames Nesbitt Reaney, Elizabeth Henrietta Crear
Website
jamesreaney.com

James Crerar Reaney, OC FRSC (September 1, 1926 – June 11, 2008) was a Canadian poet, playwright, librettist, and professor,[1] "whose works transform small-town Ontario life into the realm of dream and symbol."[2] Reaney won Canada's highest literary award, the Governor General's Award, three times and received the Governor General's Awards for Poetry or Drama for both his poetry and his drama.

Life

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Reaney was born on a farm in Easthope near Stratford, Ontario[3] to James Nesbitt Reaney and Elizabeth Henrietta Crerar.[4] Almost all of Reaney's poems, stories, and plays are articulations of where he grew up.[4] At a young age he was interested in theatre, and created a puppet show for children while in his early teens.[5]

Poet and story writer

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Reaney studied English at University College, University of Toronto, receiving his M.A. in 1949.[6] The same year he also received the Governor General's Award, the first of three, at the age of 23, for his first book of poetry, Red Heart..[7]

Reaney married fellow poet Colleen Thibaudeau on December 29, 1951 in St. Thomas.[3] He has three children: two sons, James Stewart (born 1952) and John Andrew (1954), born in Toronto, Ontario[4] and a daughter, Susan Alice Elizabeth, born 1959 in Winnipeg, Manitoba.[4]

After teaching English at the University of Manitoba from 1949 until 1956, Reaney returned to the University of Toronto to complete a doctorate awarded in 1958; Northrop Frye was his thesis supervisor.[6] Also in 1958 Reaney released a second book of poetry, A Suit of Nettles, which again won the Governor-General's Award.[8]

During the 1940s and 1950s Reaney also wrote and published short stories. While not published in book form until years later, his stories were influential in establishing the style of writing later called Southern Ontario Gothic[6] (later made world-famous by Alice Munro).

In 1960 Reaney began teaching in the University of Western Ontario's English Department.[8] Also in 1960 he put out the first issue of his journal,Alphabet: A Semi-Annual Devoted to the Iconography of the Imagination,[6] which he would edit until 1971. This journal published a variety of poets, including Jay Macpherson, Margaret Atwood, Al Purdy, Milton Acorn,[3] and bp Nichol, and work from such artists as Tony Urquhart, and Greg Curnoe.[1]

Playwright

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For Reaney, the new decade also coincided with "a shift of emphasis from poetry to the public and communal form of drama," starting with The Killdeer.[8] "Though he had been interested in drama since childhood, he was encouraged by a friend to write a piece for the University of Toronto's Alumnae Theatre and the work he created, The Killdeer, launched his drama career (and won a prize in the Dominion Drama Festival)."[9] In 1962 he won the Governor General's Award for Poetry or Drama a third time, this time for both his newest book of poetry, Twelve Letters to a Small Town, and his first book of plays, The Killdeer and Other Plays.[8]

Reaney "followed up The Killdeer with Colours in the Dark (1969), Listen to the Wind (1972), Masks of Childhood (1972) and plays for children."[8] His play Colours in the Dark was produced at the Stratford Shakespeare Festival in 1967.[10]

From 1973 to 1975 Reaney wrote the trilogy The Donnellys, which the Canadian Theatre Encyclopedia calls "one of the nation's most important dramas." The three plays debuted at Toronto's Tarragon Theatre, directed by Keith Turnbull.[9] The St. Nicholas Hotel, Part II of the trilogy, won the Chalmers Award. The Donnellys toured nationally in 1975, from Halifax to Vancouver with the NDWT Theatre Company,[3] again with Turnbull directing.[11]

As well, Reaney coauthored several operas with musician John Beckwith, including Night-Blooming Cereus (1960), The Shivaree (1982), and Crazy To Kill (1988).[3]

Other notable Reaney plays include Names and Nicknames, which premiered at the Manitoba Theatre Centre in 1963, directed by John Hirsch and Robert Sherrin); and Alice Through the Looking Glass, which played at the Stratford Festival in 1994, 1995 and in 2014.[9][12][13]

Reaney also enjoyed painting and drawing and his art works, from the 1940s to 1990s, were put on exhibit at the McMichael Canadian Art Collection in Kleinburg, Ontario in 2008.[3]

Reaney died on June 11, 2008, in London, Ontario.[7]

Writing

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Reaney's complex symbolic and poetic regional drama defies categorizing. Reaney's plays are a combination of symbol, metaphor, chant, poetic incantation, choral speaking, improvisation, miming, and child play. Reaney depends on the concept that we, the audience, are all "children of an older growth" and his audience have responded to this expectation. The symbolic quest as the children search for truth and end in reconciliation with the adult world are the basis of Reaney's plays.[14] Critics have called him a colonial, a rationalist and internationalist, a rabid nationalist, a symbolist, and a poet with the myth of coherence who is yet able to say something in an age of the random.[4]

Of his poetry, The Canadian Encyclopedia says: "Reaney's poetry, collected in Poems (1972), has earned him a reputation as an erudite poet at once deriving structures from metaphor, mythology, and a cosmopolitan literary tradition while deeply rooted in a regional sense of place."[8]

Reaney's fiction of the 1940s and 1950s (collected in the 1994 book The Box Social and Other Stories, was "influential in establishing the style of writing that has since become known as ‘Southern Ontario Gothic’. Margaret Atwood has remarked that ‘without "The Bully", my fiction would have followed other paths'.... Playing sophisticated games by switching voice, he achieves a kind of ‘magic realism’, often through the distorted perspective and sense of disproportion of his child narrators."[6]

Awards

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James Reaney won a number of awards in his lifetime:

Publications

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Poetry

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  • The Red Heart. Toronto: McClelland & Stewart, 1949.[15]
  • A Suit of Nettles. Toronto, Macmillan, 1958. Porcupine's Quill, 2010.[15] ISBN 0-88984-330-9
  • Twelve Letters to a Small Town. Toronto: Ryerson, 1962.[15]
  • The Dance of Death at London, Ontario. London, ON: Alphabet, 1963.[15]
  • Poems. Toronto: New Press, 1972.[15]
  • Selected Shorter Poems Germaine Warkenton ed. Erin, ON: Porcepic, 1975.[15] ISBN 0-88878-063-X
  • Selected Longer Poems. Germaine Warkenton ed. Erin, ON: Porcepic, 1976.[15] ISBN 0-88878-090-7 ISBN 0888780915
  • Imprecations: The Art of Swearing. Windsor, ON: Black Moss, 1984.[15] ISBN 0-88753-123-7
  • Performance: Poems. Goderich, ON: Moonstone, 1990.[15] ISBN 0-920259-32-4
  • Souwesto Home. Stan Dragland, ed. Brick Books, 2005.[15] 9781894078436
  • The Essential James Reaney. Brian Bartlett, ed. Porcupine's Quill, 2009).[3]

Plays

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Fiction

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  • "The Box Social," Liberty (Toronto), July 19, 1947.[15]
  • The Boy with an R in His Hand. Toronto: Macmillan, 1965. Erin, ON: Porcupine's Quill, 1980. ISBN 0-88984-031-8 Juvenile.[15]
  • Take the Big Picture. Erin, ON: Porcupine's Quill, 1986. ISBN 0-88984-087-3 Juvenile.[15]
  • The Box Social & Other Stories Erin, ON: Porcupine's Quill, 1996.[15] ISBN 0-88984-173-X

Non-Fiction

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Edited

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  • Major Plays of the Canadian Theatre, 1934-1984 (Irwin,1984)
  • Modern Canadian Plays (Talonbooks,1985)

Except where noted, Bibliography from JamesReaney.com.[3]

Discography

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References

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  • Margaret Atwood, "Reaney Collected", Canadian Literature 57 (1973).
  • Stan Dragland, "James Reaney's 'Pulsating Dance in and Out of Forms'", The Human Elements: Critical Essays, ed. David Helwig (1978).
  • Stan Dragland, ed. Approaches to the Work of James Reaney (1983).
  • Louis Dudek, "Problem of Meaning," Canadian Literature 59 (1974).
  • Thomas Gerry, The Emblems of James Reaney (Porcupine's Quill, 2013).
  • Manina Jones. "The Collage in Motion: Staging the Document in Reaney's Sticks and Stones." That Art of Difference: 'Documentary-Collage and English-Canadian Writing. (1993).
  • W.J. Keith, "James Reaney's 'Scrutumnus' and the Critics: An Individual Response", Canadian Poetry: Studies/Documents/Reviews (1980).
  • Alvin A. Lee, James Reaney (1968).
  • James Stewart Reaney, James Reaney (1977).
  • Richard Stingle, James Reaney and His Works (ECW Press, 1990).
  • Craig Stewart Walker, "James Reaney: Metamorphic Masques,"The Buried Astrolabe: Canadian Dramatic Imagination and Western Tradition (2001).
  • Ross G. Woodman, James Reaney (1971).
  • Two Plays (Ergo Books, 2002) ISBN 0-920516-17-3

References

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  1. ^ a b University of Waterloo
  2. ^ ""James Crerar Reaney," Encyclopædia Britannica," Britannica Online, Web, Apr. 11, 2011.
  3. ^ a b c d e f g h i j k "JamesReaney.com". Archived from the original on 2011-02-03. Retrieved 2010-11-03.
  4. ^ a b c d e Richard Stingle, James Reaney and his Works (ECW Press, 1990)
  5. ^ everything2.com
  6. ^ a b c d e f g "James Reaney," Oxford Companion to Canadian Literature, Answers.com, Web, Apr. 11, 2001.
  7. ^ a b CBC News
  8. ^ a b c d e f g h i Catherine Ross, "Reaney, James Crerar Archived 2010-02-02 at the Wayback Machine," Canadian Encyclopedia (Edmonton:Hurtig, 1988), 1831.
  9. ^ a b c "Reaney, James," Canadian Theatre Encyclopedia, CanadianTheatre.com, Web, Apr. 11, 2011,
  10. ^ "Colours in the Dark (1967) production credits". Stratford Festival Archives. Retrieved 2019-06-23.
  11. ^ "The Donnellys," Canadian Theatre Encyclopedia, CanadianTheatre.com, Web, Apr. 11, 2011,
  12. ^ "Alice Through the Looking Glass (1994) production credits". Stratford Festival Archives. Archived from the original on 2022-08-28. Retrieved 2019-06-23.
  13. ^ "Alice Through the Looking Glass (2014) production credits". Stratford Festival Archives. Retrieved 2019-06-23.
  14. ^ University of Guelph website[permanent dead link]
  15. ^ a b c d e f g h i j k l m n o p q r s t u v w x y z aa ab ac ad ae Search Results: James Reaney, May 9, 2011.
  16. ^ Reaney, James (1969). Colours in the Dark. Talonbooks. ISBN 0-88922-001-8.
  17. ^ Walker, Craig Stewart (2001). "James Reaney: Metamorphic masks". The Buried Astrolabe: Canadian Dramatic Imagination and Western Tradition. McGill-Queen's University Press. pp. 67–68. ISBN 9780773520752.
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