"El Jockey" (2024), directed by Luis Ortega, is a visually striking and narratively audacious film that delves into the tumultuous life of Remo Manfredini, portrayed with remarkable depth by Nahuel Pérez Biscayart. Once a celebrated jockey, Remo's descent into self-destructive behaviors threatens not only his career but also his relationships, particularly with his partner Abril, played by Úrsula Corberó. Abril, an aspiring jockey herself, faces the dilemma of pursuing her racing ambitions or embracing impending motherhood. Their shared association with the enigmatic businessman Sirena, interpreted by Daniel Giménez Cacho, adds layers of complexity to the narrative.
Ortega's direction is both bold and unconventional, blending elements of drama, surrealism, and dark humor to craft a story that is as unpredictable as it is engaging. The film's visual aesthetic, captured through the lens of cinematographer Timo Salminen, offers a dreamlike portrayal of Buenos Aires, enhancing the narrative's exploration of identity and transformation.
The supporting cast, including Daniel Fanego, Osmar Núñez, and Roberto Carnaghi, deliver compelling performances that enrich the film's intricate tapestry. The eclectic soundtrack, featuring artists like Virus and Nino Bravo, further immerses the audience in the film's unique atmosphere.
While "El Jockey" may challenge viewers with its non-linear storytelling and abstract themes, it stands as a testament to Ortega's distinctive cinematic vision. The film invites audiences to reflect on the nature of identity, redemption, and the perpetual quest for self-discovery.
In summary, "El Jockey" is a daring and evocative piece of Argentine cinema that captivates with its originality and emotional depth. It's a journey that, while unconventional, offers a rewarding experience for those willing to embrace its artistic boldness.