NOTE IMDb
7,5/10
23 k
MA NOTE
La mort d'une autostoppeuse entraîne Mike Hammer dans un tourbillon mortel d'intrigues, tournant autour d'un mystérieux « formidable cékoi ».La mort d'une autostoppeuse entraîne Mike Hammer dans un tourbillon mortel d'intrigues, tournant autour d'un mystérieux « formidable cékoi ».La mort d'une autostoppeuse entraîne Mike Hammer dans un tourbillon mortel d'intrigues, tournant autour d'un mystérieux « formidable cékoi ».
- Récompenses
- 1 victoire et 1 nomination au total
Marian Carr
- Friday
- (as Marion Carr)
Mady Comfort
- Nightclub Singer
- (as Madi Comfort)
Histoire
Le saviez-vous
- AnecdotesThe Kefauver Commission, a federal unit dedicated to investigating corrupting influences in the 1950s, singled this out as 1955's number one menace to American youth. Because of this, Robert Aldrich felt compelled to conduct a writing campaign for the free speech rights of independent filmmakers.
- GaffesAt the beginning, Christina (Cloris Leachman) is shown running at the side of the highway, but the shots of only her feet show her running along the painted center line of the highway.
- Citations
Mike Hammer: You're never around when I need you.
Velda: You never need me when I'm around.
- Crédits fousThe opening credits scroll down instead of the usual up, resulting in needing to read them bottom to top.
- Versions alternativesUntil 1997, all known copies in circulation of "Kiss Me Deadly" ended rather abruptly: the wounded Mike Hammer stumbling through the beach house looking for his partner Velda, and then there's a couple of brief shots of the house exploding and burning, with "The End" superimposed on the final shot. The music is cut off instead of fading out, and the screen turns black; it looks like Mike and Velda died in the blaze.
- ConnexionsEdited into American Cinema: Film Noir (1995)
- Bandes originalesRather Have the Blues
Sung by Nat 'King' Cole
Written by Frank De Vol (uncredited)
[Played on the car radio during the opening title card and credits]
Commentaire à la une
Man, I saw this movie for the first time a few years ago and I still don't know what to think about it. Ralph Meeker as a fascistic Mike Hammer, a crazy hitch-hiker, an opera fan and a box that can destroy the world. I dunno.
From what I understand Alderitch (the director) hated Mikey Spillane's story (which was about a briefcase full of drugs or money or something else), thought Mike Hammer was an image of brutality and fascism and made a film that reflected it. He makes Hammer out to be some kind of sadist and makes the suitcase out be some kind of nuclear device. The movie turns from a simple detective story to some wierd-ass, sci-fi cold war parable.
It's sort of like the X-Files meets film-noir PI, or something to that effect.
All that being said, this is a GREAT film and is well worth watching by anyone who like apocalyptic film-noir (in fact, this may be the only film in that sub-genre). Anyone who is a fan of bizarre camera work, weird symbolism and a stranger storyline, should really check this out.
Observe the many bizarre inconsistencies (clocks that jump ahead and back, screams that don't jibe right with the soundtrack, camera angles that jump mysteriously) and keep in mind that these were INTENDED! When you get a feel for this film and start noticing what the director was attempting to do with this bizarre film I think that you will enjoy it even more. Truly a unique piece of film making.
From what I understand Alderitch (the director) hated Mikey Spillane's story (which was about a briefcase full of drugs or money or something else), thought Mike Hammer was an image of brutality and fascism and made a film that reflected it. He makes Hammer out to be some kind of sadist and makes the suitcase out be some kind of nuclear device. The movie turns from a simple detective story to some wierd-ass, sci-fi cold war parable.
It's sort of like the X-Files meets film-noir PI, or something to that effect.
All that being said, this is a GREAT film and is well worth watching by anyone who like apocalyptic film-noir (in fact, this may be the only film in that sub-genre). Anyone who is a fan of bizarre camera work, weird symbolism and a stranger storyline, should really check this out.
Observe the many bizarre inconsistencies (clocks that jump ahead and back, screams that don't jibe right with the soundtrack, camera angles that jump mysteriously) and keep in mind that these were INTENDED! When you get a feel for this film and start noticing what the director was attempting to do with this bizarre film I think that you will enjoy it even more. Truly a unique piece of film making.
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Kiss Me Deadly
- Lieux de tournage
- Clay Street, Bunker Hill, Downtown, Los Angeles, Californie, États-Unis(Mike parks his Corvette and takes the back steps up to the Hillcrest Hotel)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 410 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 726 000 $US
- Montant brut mondial
- 952 000 $US
- Durée1 heure 46 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant
Lacune principale
By what name was En quatrième vitesse (1955) officially released in India in English?
Répondre