Season of Fear

I didn't expect too much so I wasn't disappointed. In fact Back in the 80's when this movie came out, American Murder, I was one of the investors. I thought it would be a "blockbuster" but apparently it was just a "Bust". All I got was to get to sit next to Michael J Pollard at the premiere, a VCR of the movie and a loss of my $5000.00. It went straight to video. Overall I thought it was a decent movie. basic plot and it took my mind off of the outside world. It had all the plot people go to a movie for, at least in the 80's. Besides I got to meet and hang out with the Hollywood types. They don't even they have this movie in the back room of Hollywood video, much less in the front. SO if any one has a name of someone connected to the movie that I can call to try and get some of my money back leave a message. So all I can say is....Bah Humbug

Uncle Martin

This was such an awkward watch and not for the reasons I expected. It's not the sexuality or erotic tension, it's the painfully clunky acting. The story is predictable, its not particularly good looking but it is impossible to take it seriously with how bad the performances are.

Short and sweet, don't watch this. If you want an older erotic thriller then go watch Basic Instinct or... Ok, that might be the only film from that genre I'm familiar with. Not worth it, skip it, avoid it, enjoy that 89 minutes and put it to better use elsewhere.

I was surprised at the low rating this film got from viewers. I saw it one late night on TV and it hit the spot - I actually think it was back in 1989 when it first appeared. Yet I remember it pretty well, with a nice twist or two, and an interesting ambiance on a windmill farm. Michael Pollard looks suitably seedy for his role which pretty much sums up the unfulfilled early promise of his career, and everyone else plays it pretty straight ahead. I definitely recommend it as a rental, although some of the themes, which might have seemed a bit edgy in 1989, now may seem tame, which is a shame, considering that contemporary "edginess" is often just used as a necessary marketing tool, sort of like clamoring just to get noticed.

This is a terrible movie, terrible script, bad direction and nonsensical ending. Also, bad performances, except from Clancy Brown who is criminally underused here, and Michael Pollard. Watching this movie was purgatory--you do it to unload enough bad movie karma to actually see a good one further down the line.

The movie presents a father and son who look like they couldn't every possibly have been related. The part of the male lead is not well written and seems uncharismatic in this role. You can see the plot points a mile away. The actions of the female lead and that of her brother, the cop, also make no sense. So, a major action on her part at the end of the movie makes no sense script-wise.

Michael Bowen plays an innocentish young man who hitchhikes a thousand miles to visit his absentee millionaire father (the creepy Ray Wise) at a sprawling, windmill-powered ranch and ends up tangled in the dangerous web of his young, scheming and seductive stepmother from hell (the yummy Clare Wren), thus causing trouble for the already dysfunctional family. An edgy, stylish and exciting drama that received no promotion and was sent straight to VHS and cable TV--where I first saw it. It is beautifully written, smartly acted, and tightly directed from a script that keeps you biting your nails. I cannot believe the reviewers who disliked it ever actually saw it. It is an undiscovered classic.