Un rappresentante delle assicurazioni si lascia convincere da una casalinga seduttrice in un piano di omicidio che suscita il sospetto di un investigatore assicurativo.Un rappresentante delle assicurazioni si lascia convincere da una casalinga seduttrice in un piano di omicidio che suscita il sospetto di un investigatore assicurativo.Un rappresentante delle assicurazioni si lascia convincere da una casalinga seduttrice in un piano di omicidio che suscita il sospetto di un investigatore assicurativo.
- Candidato a 7 Oscar
- 2 vittorie e 9 candidature totali
Lev Abramov
- Stage Hand
- (non citato nei titoli originali)
James Adamson
- Pullman Porter
- (non citato nei titoli originali)
John Berry
- Bit Part
- (non citato nei titoli originali)
Raymond Chandler
- Man Reading Magazine Outside Keyes' Office
- (non citato nei titoli originali)
Edmund Cobb
- Train Conductor
- (non citato nei titoli originali)
Kernan Cripps
- Conductor
- (non citato nei titoli originali)
Betty Farrington
- Nettie - Dietrichsons' Maid
- (non citato nei titoli originali)
Bess Flowers
- Norton's Secretary
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizThe house used as Barbara Stanwyck's character's home still stands today at 6301 Quebec Drive.
- BlooperAlthough set in 1938, Walter Neff makes reference to the "The Philadelphia Story", which did not debut on Broadway until 1939, and on film until 1940.
- Citazioni
[last lines]
Walter Neff: Know why you couldn't figure this one, Keyes? I'll tell ya. 'Cause the guy you were looking for was too close. Right across the desk from ya.
Barton Keyes: Closer than that, Walter.
Walter Neff: I love you, too.
- Curiosità sui creditiOpening credits are shown over a silhouette of a man on crutches, walking toward the camera.
- ConnessioniEdited into Il mistero del cadavere scomparso (1982)
Recensione in evidenza
I've now seen this movie 14 times in 25 years, at all times of the year, in all moods, sober or not etc - but always at night. I recorded my copy off TV in 1987 so I can only imagine what a remaster would do for it. With an atmosphere thick enough to cut with a knife it never fails to engross and enchant me, and although it's been dated for 40 years or more still seems relevant and watchable today. TV, answer phones, recordable CD/DVD, memory sticks and the internet have all come between us and yet I can still watch Fred MacMurray speaking into a Dictaphone without a qualm. Who wears a hat in California nowadays? Who buys beer whilst driving! Lift attendants have gone but I can still believe in Charlie working and laughing away in the garage past 11 at night.
Woman and man agree to murder woman's husband but on the way to the cemetery they face grilling by insurance company. I think everything has been said before on the IMDb - by those who think it's one of the best films ever made! To those who simply think the main problem is that it's dated I wish you could see the TV commercials that dug into DI back in '87 - what a hoot - and compare. I've just noticed the print TCM UK is showing in 2005 is lip-synced out, very wobbly Rosza music track, fading and ageing fast - worse than my 1987 video tape (maybe logically). They're supposed to be encouraging people to enjoy the classics but they won't do that with such inferior screening copies. Dear TCM UK, this is an impressive iconic film - it deserves a billion dollar remaster authorised by the Library of Congress, not repeatedly trotting out unimpressive cheap worn dupes to fill those 2 hour slots.
Everything about DI from the acting, production, direction, and music is superbly dignified and is as "close to perfection" as human beings are probably allowed to get with this form of Art - especially with the more limited technology at their disposal in '44. When most films from now are long forgotten and dated DI will still be getting re-runs on TV and art-house cinemas - God and remasters willing - that is the fact of it.
Fortunia Bonanova certainly was fortunate to have appeared in bit parts in 2 of the best films ever made - Citizen Kane the other.
Woman and man agree to murder woman's husband but on the way to the cemetery they face grilling by insurance company. I think everything has been said before on the IMDb - by those who think it's one of the best films ever made! To those who simply think the main problem is that it's dated I wish you could see the TV commercials that dug into DI back in '87 - what a hoot - and compare. I've just noticed the print TCM UK is showing in 2005 is lip-synced out, very wobbly Rosza music track, fading and ageing fast - worse than my 1987 video tape (maybe logically). They're supposed to be encouraging people to enjoy the classics but they won't do that with such inferior screening copies. Dear TCM UK, this is an impressive iconic film - it deserves a billion dollar remaster authorised by the Library of Congress, not repeatedly trotting out unimpressive cheap worn dupes to fill those 2 hour slots.
Everything about DI from the acting, production, direction, and music is superbly dignified and is as "close to perfection" as human beings are probably allowed to get with this form of Art - especially with the more limited technology at their disposal in '44. When most films from now are long forgotten and dated DI will still be getting re-runs on TV and art-house cinemas - God and remasters willing - that is the fact of it.
Fortunia Bonanova certainly was fortunate to have appeared in bit parts in 2 of the best films ever made - Citizen Kane the other.
- Spondonman
- 1 mag 2004
- Permalink
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Pacto de sangre
- Luoghi delle riprese
- 6301 Quebec Drive, Hollywood Hills, Los Angeles, California, Stati Uniti(Dietrichson house)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 927.262 USD (previsto)
- Lordo in tutto il mondo
- 19.543 USD
- Tempo di esecuzione1 ora 47 minuti
- Colore
- Proporzioni
- 1.33 : 1
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What is the streaming release date of La fiamma del peccato (1944) in Australia?
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