Unthinking Eurocentrism
Most of the films cited in Unthinking Eurocentrism
not on imdb:
From Eurocentrism to Polycentrism:
* Ritual Clowns (1988), Victor Masayesva [From Eurocentrism to Polycentrism: Fourth World and Indigenous Media]
*Unbidden Voices (1989) [From Eurocentrism to Polycentrism: The Postcolonial and the Hybrid]
*Knowing Her Place (1990) [From Eurocentrism to Polycentrism: The Postcolonial and the Hybrid]
Formations of Colonialist Discourse:
*Columbus on Trial (1992), Lourdes Portillo [Formations of Colonialist Discourse: Revisionist Film and the Quincentennial]
*The Columbus Invasion: Colonialism and the Indian Resistance (1992) [Formations of Colonialist Discourse: Revisionist Film and the Quincentennial]
*Falsas Historias (False Histories, 1992), Cesary Jaworsky and John Petrizzelli [Formations of Colonialist Discourse: Revisionist Film and the Quincentennial]
*Outros Quinhentos (Another Five Hundred Years, 1993) [Formations of Colonialist Discourse: Revisionist Film and the Quincentennial]
*Return of the Country (1984), Bob Hicks [Formations of Colonialist Discourse: Revisionist Film and the Quincentennial]
*Magellan's Slave, Kidlat Tahimik [Formations of Colonialist Discourse: Revisionist Film and the Quincentennial]
*The Eye of the Empire (1989) [Formations of Colonialist Discourse: Antinomies of Enlightenment and Progress]
The Imperial Imaginary:
*Landing of U.S. Troops near Santiago (1902) [The Imperial Imaginary: Projecting the Empire]
Tropes of Empire:
*The Sudan (1953) [Tropes of Empire: Mapping Terra Incognita]
*The Mask (1980), Ugbona [Tropes of Empire: Mummies and Egyptology]
*Ahlam Mumkina / Permissible Dreams (1983), Atteyat El-Abnoudi [Tropes of Empire: The Imaginary of the Harem]
*The Veiled Revolution (1982), Elizabeth Fernea [Tropes of Empire: The Imaginary of the Harem]
Stereotype, Realism and the Struggle over Representation:
*Hi Lo Broadway (1933), Al Jolson [Stereotype, Realism and the Struggle over Representation: The Racial Politics of Casting; Ethnicities-in-Relation: Dialectics of Presence/Absence]
*From Here, from This Side (1988), Gloria Ribe [Stereotype, Realism and the Struggle over Representation: Writing Hollywood and Race]
*Yellow Tale Blues (1990), Christine Choy and Renee Tajima [Stereotype, Realism and the Struggle over Representation: Writing Hollywood and Race]
*Color Schemes (1989), Shu Lea Cheang [Stereotype, Realism and the Struggle over Representation: Writing Hollywood and Race; Esthetics of Resistance: Paradigms of Looks]
*Fade to Black (1990), Tony Cokes [Stereotype, Realism and the Struggle over Representation: Writing Hollywood and Race]
*Angela Fontanez's The Orixa Tradition [Stereotype, Realism and the Struggle over Representation: The Limits of the Stereotype]
*Lil Fenn's Honoring the Ancestors [Stereotype, Realism and the Struggle over Representation: The Limits of the Stereotype]
*João Negrinho (1954), Oswaldo Censoni [Stereotype, Realism and the Struggle over Representation: Perspective, Address, Focalization]
Ethnicities-in-Relation:
*Birth of the Blues and Syncopation (1943) [Ethnicities-in-Relation: Good Neighbors and Border Crossers]
*Mulato (1917), Azevedo [Ethnicities-in-Relation: The Mutual Illumination of Cultures]
*The Maids (1985), Muriel Jackson [Ethnicities-in-Relation: The Mutual Illumination of Cultures]
The Third Worldist Film:
*Victory of the Chinese People (1950) [The Third Worldist Film: Rewriting Colonial History]
*I Miss the Sun (1983), Mary Halawane [The Third Worldist Film: Third Worldist Reflexivity]
Esthetics of Resistance:
*Ogum (1990) [Esthetics of Resistance: The Archaic Sources of Alternative Esthetics]
*Heaven, Earth & Hell (1993), Thomas Allen Harris [Esthetics of Resistance: The Archaic Sources of Alternative Esthetics]
*Cycles (1989), Zeinabu Davis [Esthetics of Resistance: The Archaic Sources of Alternative Esthetics]
*Coyote Goes Underground (1989) [Esthetics of Resistance: The Archaic Sources of Alternative Esthetics]
*Ancient Spirit, Living Word - the Oral Tradition (1983) [Esthetics of Resistance: The Archaic Sources of Alternative Esthetics]
*Live and Remember (1986) [Esthetics of Resistance: The Archaic Sources of Alternative Esthetics]
*Sun, Moon and Feather (1989), Spiderwoman Theater [Esthetics of Resistance: Media Jujitsu]
*It's a Dictatorship, Eat! (1983) Carlos Anzaldua [Esthetics of Resistance: Media Jujitsu]
Thinking about Unthinking:
*Baktun [Thinking about Unthinking: Twenty Years After: Transnational Indigeneity]
*I Married a Xavante (1955) [Thinking about Unthinking: Twenty Years After: Transnational Indigeneity]
*A India (1980) [Thinking about Unthinking: Twenty Years After: Transnational Indigeneity]
*Terra dos Indios (2005) [Thinking about Unthinking: Twenty Years After: Transnational Indigeneity]
*Xina Bena - New Era (2006) [Thinking about Unthinking: Twenty Years After: Transnational Indigeneity]
*Prinop: My First Contact (2007) [Thinking about Unthinking: Twenty Years After: Transnational Indigeneity]
*Two Villages, One Walk (2007) [Thinking about Unthinking: Twenty Years After: Transnational Indigeneity]
*The Master and the Divine (2013), Thiago da Costa [Thinking about Unthinking: Twenty Years After: Transcultural Becomings]
not on imdb:
From Eurocentrism to Polycentrism:
* Ritual Clowns (1988), Victor Masayesva [From Eurocentrism to Polycentrism: Fourth World and Indigenous Media]
*Unbidden Voices (1989) [From Eurocentrism to Polycentrism: The Postcolonial and the Hybrid]
*Knowing Her Place (1990) [From Eurocentrism to Polycentrism: The Postcolonial and the Hybrid]
Formations of Colonialist Discourse:
*Columbus on Trial (1992), Lourdes Portillo [Formations of Colonialist Discourse: Revisionist Film and the Quincentennial]
*The Columbus Invasion: Colonialism and the Indian Resistance (1992) [Formations of Colonialist Discourse: Revisionist Film and the Quincentennial]
*Falsas Historias (False Histories, 1992), Cesary Jaworsky and John Petrizzelli [Formations of Colonialist Discourse: Revisionist Film and the Quincentennial]
*Outros Quinhentos (Another Five Hundred Years, 1993) [Formations of Colonialist Discourse: Revisionist Film and the Quincentennial]
*Return of the Country (1984), Bob Hicks [Formations of Colonialist Discourse: Revisionist Film and the Quincentennial]
*Magellan's Slave, Kidlat Tahimik [Formations of Colonialist Discourse: Revisionist Film and the Quincentennial]
*The Eye of the Empire (1989) [Formations of Colonialist Discourse: Antinomies of Enlightenment and Progress]
The Imperial Imaginary:
*Landing of U.S. Troops near Santiago (1902) [The Imperial Imaginary: Projecting the Empire]
Tropes of Empire:
*The Sudan (1953) [Tropes of Empire: Mapping Terra Incognita]
*The Mask (1980), Ugbona [Tropes of Empire: Mummies and Egyptology]
*Ahlam Mumkina / Permissible Dreams (1983), Atteyat El-Abnoudi [Tropes of Empire: The Imaginary of the Harem]
*The Veiled Revolution (1982), Elizabeth Fernea [Tropes of Empire: The Imaginary of the Harem]
Stereotype, Realism and the Struggle over Representation:
*Hi Lo Broadway (1933), Al Jolson [Stereotype, Realism and the Struggle over Representation: The Racial Politics of Casting; Ethnicities-in-Relation: Dialectics of Presence/Absence]
*From Here, from This Side (1988), Gloria Ribe [Stereotype, Realism and the Struggle over Representation: Writing Hollywood and Race]
*Yellow Tale Blues (1990), Christine Choy and Renee Tajima [Stereotype, Realism and the Struggle over Representation: Writing Hollywood and Race]
*Color Schemes (1989), Shu Lea Cheang [Stereotype, Realism and the Struggle over Representation: Writing Hollywood and Race; Esthetics of Resistance: Paradigms of Looks]
*Fade to Black (1990), Tony Cokes [Stereotype, Realism and the Struggle over Representation: Writing Hollywood and Race]
*Angela Fontanez's The Orixa Tradition [Stereotype, Realism and the Struggle over Representation: The Limits of the Stereotype]
*Lil Fenn's Honoring the Ancestors [Stereotype, Realism and the Struggle over Representation: The Limits of the Stereotype]
*João Negrinho (1954), Oswaldo Censoni [Stereotype, Realism and the Struggle over Representation: Perspective, Address, Focalization]
Ethnicities-in-Relation:
*Birth of the Blues and Syncopation (1943) [Ethnicities-in-Relation: Good Neighbors and Border Crossers]
*Mulato (1917), Azevedo [Ethnicities-in-Relation: The Mutual Illumination of Cultures]
*The Maids (1985), Muriel Jackson [Ethnicities-in-Relation: The Mutual Illumination of Cultures]
The Third Worldist Film:
*Victory of the Chinese People (1950) [The Third Worldist Film: Rewriting Colonial History]
*I Miss the Sun (1983), Mary Halawane [The Third Worldist Film: Third Worldist Reflexivity]
Esthetics of Resistance:
*Ogum (1990) [Esthetics of Resistance: The Archaic Sources of Alternative Esthetics]
*Heaven, Earth & Hell (1993), Thomas Allen Harris [Esthetics of Resistance: The Archaic Sources of Alternative Esthetics]
*Cycles (1989), Zeinabu Davis [Esthetics of Resistance: The Archaic Sources of Alternative Esthetics]
*Coyote Goes Underground (1989) [Esthetics of Resistance: The Archaic Sources of Alternative Esthetics]
*Ancient Spirit, Living Word - the Oral Tradition (1983) [Esthetics of Resistance: The Archaic Sources of Alternative Esthetics]
*Live and Remember (1986) [Esthetics of Resistance: The Archaic Sources of Alternative Esthetics]
*Sun, Moon and Feather (1989), Spiderwoman Theater [Esthetics of Resistance: Media Jujitsu]
*It's a Dictatorship, Eat! (1983) Carlos Anzaldua [Esthetics of Resistance: Media Jujitsu]
Thinking about Unthinking:
*Baktun [Thinking about Unthinking: Twenty Years After: Transnational Indigeneity]
*I Married a Xavante (1955) [Thinking about Unthinking: Twenty Years After: Transnational Indigeneity]
*A India (1980) [Thinking about Unthinking: Twenty Years After: Transnational Indigeneity]
*Terra dos Indios (2005) [Thinking about Unthinking: Twenty Years After: Transnational Indigeneity]
*Xina Bena - New Era (2006) [Thinking about Unthinking: Twenty Years After: Transnational Indigeneity]
*Prinop: My First Contact (2007) [Thinking about Unthinking: Twenty Years After: Transnational Indigeneity]
*Two Villages, One Walk (2007) [Thinking about Unthinking: Twenty Years After: Transnational Indigeneity]
*The Master and the Divine (2013), Thiago da Costa [Thinking about Unthinking: Twenty Years After: Transcultural Becomings]
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