Films set in the old west , but not the usual gunslinging , cowboys and indians , plus films set in the wild east / north / south / and other places . Mostly from the classic era , forties to sixties .

Kathleen Crowley and Michael Pate in Curse of the Undead (1959)

Most of the films cited in Unthinking Eurocentrism

not on imdb:

From Eurocentrism to Polycentrism: * Ritual Clowns (1988), Victor Masayesva [From Eurocentrism to Polycentrism: Fourth World and Indigenous Media] *Unbidden Voices (1989) [From Eurocentrism to Polycentrism: The Postcolonial and the Hybrid] *Knowing Her Place (1990) [From Eurocentrism to Polycentrism: The Postcolonial and the Hybrid]

Formations of Colonialist Discourse: *Columbus on Trial (1992), Lourdes Portillo [Formations of Colonialist Discourse: Revisionist Film and the Quincentennial] *The Columbus Invasion: Colonialism and the Indian Resistance (1992) [Formations of Colonialist Discourse: Revisionist Film and the Quincentennial] *Falsas Historias (False Histories, 1992), Cesary Jaworsky and John Petrizzelli [Formations of Colonialist Discourse: Revisionist Film and the Quincentennial] *Outros Quinhentos (Another Five Hundred Years, 1993) [Formations of Colonialist Discourse: Revisionist Film and the Quincentennial] *Return of the Country (1984), Bob Hicks [Formations of Colonialist Discourse: Revisionist Film and the Quincentennial] *Magellan's Slave, Kidlat Tahimik [Formations of Colonialist Discourse: Revisionist Film and the Quincentennial] *The Eye of the Empire (1989) [Formations of Colonialist Discourse: Antinomies of Enlightenment and Progress]

The Imperial Imaginary: *Landing of U.S. Troops near Santiago (1902) [The Imperial Imaginary: Projecting the Empire]

Tropes of Empire: *The Sudan (1953) [Tropes of Empire: Mapping Terra Incognita] *The Mask (1980), Ugbona [Tropes of Empire: Mummies and Egyptology] *Ahlam Mumkina / Permissible Dreams (1983), Atteyat El-Abnoudi [Tropes of Empire: The Imaginary of the Harem] *The Veiled Revolution (1982), Elizabeth Fernea [Tropes of Empire: The Imaginary of the Harem]

Stereotype, Realism and the Struggle over Representation:  *Hi Lo Broadway (1933), Al Jolson [Stereotype, Realism and the Struggle over Representation: The Racial Politics of Casting; Ethnicities-in-Relation: Dialectics of Presence/Absence] *From Here, from This Side (1988), Gloria Ribe [Stereotype, Realism and the Struggle over Representation: Writing Hollywood and Race] *Yellow Tale Blues (1990), Christine Choy and Renee Tajima [Stereotype, Realism and the Struggle over Representation: Writing Hollywood and Race] *Color Schemes (1989), Shu Lea Cheang [Stereotype, Realism and the Struggle over Representation: Writing Hollywood and Race; Esthetics of Resistance: Paradigms of Looks] *Fade to Black (1990), Tony Cokes  [Stereotype, Realism and the Struggle over Representation: Writing Hollywood and Race] *Angela Fontanez's The Orixa Tradition [Stereotype, Realism and the Struggle over Representation: The Limits of the Stereotype] *Lil Fenn's Honoring the Ancestors [Stereotype, Realism and the Struggle over Representation: The Limits of the Stereotype] *João Negrinho (1954), Oswaldo Censoni [Stereotype, Realism and the Struggle over Representation: Perspective, Address, Focalization]

Ethnicities-in-Relation: *Birth of the Blues and Syncopation (1943) [Ethnicities-in-Relation: Good Neighbors and Border Crossers] *Mulato (1917), Azevedo [Ethnicities-in-Relation: The Mutual Illumination of Cultures] *The Maids (1985), Muriel Jackson [Ethnicities-in-Relation: The Mutual Illumination of Cultures]

The Third Worldist Film: *Victory of the Chinese People (1950) [The Third Worldist Film: Rewriting Colonial History] *I Miss the Sun (1983), Mary Halawane [The Third Worldist Film: Third Worldist Reflexivity]

Esthetics of Resistance: *Ogum (1990) [Esthetics of Resistance: The Archaic Sources of Alternative Esthetics] *Heaven, Earth & Hell (1993), Thomas Allen Harris [Esthetics of Resistance: The Archaic Sources of Alternative Esthetics] *Cycles (1989), Zeinabu Davis [Esthetics of Resistance: The Archaic Sources of Alternative Esthetics] *Coyote Goes Underground (1989) [Esthetics of Resistance: The Archaic Sources of Alternative Esthetics] *Ancient Spirit, Living Word - the Oral Tradition (1983) [Esthetics of Resistance: The Archaic Sources of Alternative Esthetics] *Live and Remember (1986) [Esthetics of Resistance: The Archaic Sources of Alternative Esthetics] *Sun, Moon and Feather (1989), Spiderwoman Theater [Esthetics of Resistance: Media Jujitsu] *It's a Dictatorship, Eat! (1983) Carlos Anzaldua [Esthetics of Resistance: Media Jujitsu]

Thinking about Unthinking:  *Baktun [Thinking about Unthinking: Twenty Years After: Transnational Indigeneity] *I Married a Xavante (1955) [Thinking about Unthinking: Twenty Years After: Transnational Indigeneity] *A India (1980) [Thinking about Unthinking: Twenty Years After: Transnational Indigeneity] *Terra dos Indios (2005) [Thinking about Unthinking: Twenty Years After: Transnational Indigeneity] *Xina Bena - New Era (2006) [Thinking about Unthinking: Twenty Years After: Transnational Indigeneity] *Prinop: My First Contact (2007) [Thinking about Unthinking: Twenty Years After: Transnational Indigeneity] *Two Villages, One Walk (2007) [Thinking about Unthinking: Twenty Years After: Transnational Indigeneity] *The Master and the Divine (2013), Thiago da Costa [Thinking about Unthinking: Twenty Years After: Transcultural Becomings]

Dolores Del Río and Joel McCrea in Bird of Paradise (1932)

British movies released between 1930 and 1979 still needed for my collection.

List of best films from 1928 to 1939 of USA. Excluding films with mixed, negative or panned reception. Excluding silent films between 1928 to 1929 including those believed to be lost. 

Helene Costello and Cullen Landis in Lights of New York (1928)

Crate Digger Film Canon: All Films of the 30s

Susan Fleming and Buck Jones in The Range Feud (1931)

Rosita Ballesteros and Gilbert Roland in Men of the North (1930)

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