John Alton(1901-1996)

He became one of the most controversial cinematographers during the 1940s and 1950s in Hollywood, causing all of the MGM cinematographers to file a complaint with studio head Dore Schary and MGM exec E.J. Mannix and the AMPAS regarding his contribution to An American in Paris (1951). The charges were refuted by the film's director Vincente Minnelli and star 'Gene Kelly (I)' . Alton further incited the wrath of American cinematographers by charging that the use of light beds above the sets was not only unnatural but forced cinematographers to work more slowly. He was a brilliant iconoclast who was forced to work on low-budget features because of his flamboyant behavior, which was considered outside of the norm for a very flamboyant Hollywood.

I stopped because I wanted to live. That was no life, to work at the studio, get up at six every morning and fight the producers. I had enough. I looked at my bank book and I said, 'That's it!'