See the 10 movie IMDb users are most excited to see in 2025, including James Gunn's [i]Superman[/i], [i]28 Years Later[/i], and Disney's [i]Snow White[/i].

The 10 Most Anticipated Movies of 2025

See the 10 movie IMDb users are most excited to see in 2025, including James Gunn&#39;s Superman, 28 Years Later, and Disney&#39;s Snow White.

Take a look at the IMDb staff picks for the best movies and series coming to theaters and streaming.

Staff Picks: What to Watch in January

Take a peek at the biggest new and returning series coming to your screens in 2025, including new seasons of "The Last of Us," "The White Lotus," and "Wednesday."

IMDb's 2025 TV Guide

Take a peek at the biggest new and returning series coming to your screens in 2025, including new seasons of &quot;The Last of Us,&quot; &quot;The White Lotus,&quot; and &quot;Wednesday.&quot;

A mining engineer's daughter, blond, blue-eyed Betty Compson began in show business playing the violin in a Salt Lake City vaudeville establishment for $15 a week. Following that, she went on tour, accompanied by her mother, with an act called 'The Vagabond Violinist'. Aged eighteen, she appeared on the Alexander Pantages Theatre Circuit, again doing her violin solo vaudeville routine, and was spotted there by comedy producer Al Christie. Christie quickly changed her stage name from Eleanor to Betty. For the next few years, she turned out a steady stream of one-reel and two-reel slapstick comedies, frequently paired with Roscoe 'Fatty' Arbuckle.

In 1919, Betty was signed by writer-director George Loane Tucker to co-star opposite Lon Chaney as Rose in The Miracle Man (1919). The film was a huge critical and financial success and established Betty Compson as a major star at Paramount (under contract from 1921 to 1925). One of the more highly paid performers of the silent screen, her weekly earnings exceeded $5000 a week at the peak of her career. She came to own a fleet of luxury limousines and was able to move from a bungalow in the hills overlooking Hollywood to an expensive mansion on Hollywood Boulevard. From 1921, Betty also owned her own production company. She went on to make several films in England between 1923 and 1924 for the director Graham Cutts.

During the late 1920's, Betty appeared in a variety of dramatic and comedic roles. She received good reviews acting opposite George Bancroft as a waterfront prostitute in The Docks of New York (1928), and was even nominated for an Academy Award for her portrayal of a carnival girl in The Barker (1928). She gave a touching performance in The Great Gabbo (1929), directed by her then husband James Cruze, as the assistant of a demented ventriloquist (Erich von Stroheim), with whom she is unhappily in love. That same year, she appeared in RKO's first sound film, Street Girl (1929), and was briefly under contract to that studio, cast in so-called 'women's pictures' such as The Lady Refuses (1931) and Three Who Loved (1931).

The stature of her roles began to diminish from the mid 1930s, though she continued to act in character parts until 1948.

Betty's personal fortunes also declined. This came about primarily as a result of her marital contract to the alcoholic Cruze, whom she had divorced in 1929. For several years, Cruze had failed to pay his income tax and Betty (linked financially to Cruze) ended up being sued by the federal government to the tune of $150,000. This forced her to sell her Hollywood villa, her cars and her antiques.

In later years, Betty Compson developed her own cosmetics label and ran a business in California producing personalized ashtrays for the hospitality industry.

Betty Compson, Paramount Photo, early 1920s, **I.V.

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