The San Francisco Jewish Film Festival has slated two world premieres and one international premiere for its 2024 edition, which runs July 18-Aug. 4. This year’s full lineup, which will be announced June 18, will highlight the diversity of Jewish experience across the globe.
One of the films getting its world premiere at this year’s Sf Jewish Film Festival is “www.rachelormont.com” from writer-director Peter Vack. Starring Betsey Brown, Jane Brown, Ron Brown, Chloe Cherry and Dasha Nekrasova, the film follows Rachel, a woman who doesn’t realize she has grown up in captivity working for an advertising agency where her job is to assess Mommy 6.0 – her favorite pop star. The film will screen as part of the Sfjff Next Wave program at the Roxie Theater.
“Torah Tropical” will also receive its world premiere at Sfjff. Directed by Jimmy Ferguson, Ezra Axelrod and Gloria Nancy Monsalve, the documentary follows a...
One of the films getting its world premiere at this year’s Sf Jewish Film Festival is “www.rachelormont.com” from writer-director Peter Vack. Starring Betsey Brown, Jane Brown, Ron Brown, Chloe Cherry and Dasha Nekrasova, the film follows Rachel, a woman who doesn’t realize she has grown up in captivity working for an advertising agency where her job is to assess Mommy 6.0 – her favorite pop star. The film will screen as part of the Sfjff Next Wave program at the Roxie Theater.
“Torah Tropical” will also receive its world premiere at Sfjff. Directed by Jimmy Ferguson, Ezra Axelrod and Gloria Nancy Monsalve, the documentary follows a...
- 6/5/2024
- by Jack Dunn
- Variety Film + TV
Hey,"Today Show" fans. We're back on here to let you know that NBC will be serving up another new episode of the Today Show this morning, June 13, 2023, and we're going to tell you all about what you can expect to see from it when it arrives. We have an official press release for today's new episode straight from NBC. So, we're going to dive into it right now. Let's go. The first description for today's 6am to 8am central standard time slot episode reveals that there will be a segment titled, "Today on the Move: Al Roker Pays Tribute to NYC Bus Drivers and Shares Memories of His Dad Who Was a Longtime NYC Bus Driver." The second description reveals that there will be a segment titled, "Today’s Talker: Jay Rosenblatt on How Do You Measure A Year."...
- 6/13/2023
- by Andre Braddox
- OnTheFlix
President of Bisff, Minchol Cha, announced that the Busan International Short Film Festival will be celebrating its 40th anniversary this year with a variety of special programs, including screenings of award-winning films from previous BISFFs and other significant international film festivals.
Bisff, South Korea’s longest running short film festival with a contemporary sensibility, is celebrating its 40th edition this year, marking 42 years since the festival’s inaugural event in 1980. The festival was originally held biennially until it was decided to host it every year, and this year marks its 40th anniversary.
The theme for this year’s festival is “Cinema & Heritage,”which will examine cinema’s past, present, and future, as well as assess cinema’s substantial heritage.
The theme for this year’s festival is “Cinema & Heritage,”which will examine cinema’s past, present, and future, as well as assess cinema’s substantial heritage.
The festival will run...
Bisff, South Korea’s longest running short film festival with a contemporary sensibility, is celebrating its 40th edition this year, marking 42 years since the festival’s inaugural event in 1980. The festival was originally held biennially until it was decided to host it every year, and this year marks its 40th anniversary.
The theme for this year’s festival is “Cinema & Heritage,”which will examine cinema’s past, present, and future, as well as assess cinema’s substantial heritage.
The theme for this year’s festival is “Cinema & Heritage,”which will examine cinema’s past, present, and future, as well as assess cinema’s substantial heritage.
The festival will run...
- 4/7/2023
- by Rhythm Zaveri
- AsianMoviePulse
How long does a documentary need to be? Frederick Wiseman frequently goes long, and Oscar-winning “Oj: Made in America” ran nearly eight hours. Lately, with “Bill Russell: Legend” and “Boom! Boom! The World vs. Boris Becker,” streamers have embraced the “two-part documentary” — a fancy term for what used to be called a miniseries. So, while there are no limits on how much longer docs can get, it’s refreshing to see a compelling subject covered in 40 minutes or less, and doubly rewarding to realize that four of the five packaged in ShortsTV’s “2023 Oscar Nominated Short Films: Documentary” found audiences on their own merits, even without theatrical distribution.
The only one you can’t see for free is Jay Rosenblatt’s charming “How Do You Measure a Year?,” a 29-minute assembly of home-movie footage. Every year, Rosenblatt sat his daughter Ella down on her birthday and peppered her with questions,...
The only one you can’t see for free is Jay Rosenblatt’s charming “How Do You Measure a Year?,” a 29-minute assembly of home-movie footage. Every year, Rosenblatt sat his daughter Ella down on her birthday and peppered her with questions,...
- 3/11/2023
- by Peter Debruge
- Variety Film + TV
HBO Documentary Films has acquired worldwide and television streaming rights to the Academy Award®-nominated documentary short, How Do You Measure A Year?, from longtime HBO collaborator Jay Rosenblatt. Coinciding with Father’s Day, the documentary will debut in June 2023 on HBO and will be available to stream on HBO Max.
Synopsis: For 17 years, filmmaker Jay Rosenblatt filmed his daughter Ella on her birthday, asking her the same questions. In just 29 minutes, we watch her grow from a toddler to a young woman with all the beautiful and awkward stages in between. Each phase is captured fleetingly but makes an indelible mark. Her responses to her father’s questions are just a backdrop for a deeper story of parental love, acceptance, and ultimately, independence.
Director Jay Rosenblatt quote: “I am thrilled HBO has acquired How Do You Measure A Year?. Given that HBO has debuted two previous films I made with my daughter,...
Synopsis: For 17 years, filmmaker Jay Rosenblatt filmed his daughter Ella on her birthday, asking her the same questions. In just 29 minutes, we watch her grow from a toddler to a young woman with all the beautiful and awkward stages in between. Each phase is captured fleetingly but makes an indelible mark. Her responses to her father’s questions are just a backdrop for a deeper story of parental love, acceptance, and ultimately, independence.
Director Jay Rosenblatt quote: “I am thrilled HBO has acquired How Do You Measure A Year?. Given that HBO has debuted two previous films I made with my daughter,...
- 2/28/2023
- by TV Shows Martin Cid Magazine
- Martin Cid - TV
Exclusive: HBO Documentary Films has acquired worldwide and television streaming rights to the Oscar-nominated short How Do You Measure a Year?, a film director Jay Rosenblatt shot over the course of 17 years with his daughter Ella.
Every year on Ella’s birthday, from the ages of 2 to 18, he recorded as he asked his daughter the same set of questions, such as how she would describe herself and how she defines the word “power.” Her answers – funny, poignant, wise, surprising — form the basis of the 29-minute film. At age 9, for instance, Ella describes herself as “fun, funny, jokeful, loving, peaceful — sometimes.” Two years later, as she turns 11, she offers this definition of power: “Power is being yourself. That takes a lot of power.”
Director Jay Rosenblatt
HBO Documentary Films says it will premiere How Do You Measure a Year? on HBO in June 2023, coinciding with Father’s Day. The film will...
Every year on Ella’s birthday, from the ages of 2 to 18, he recorded as he asked his daughter the same set of questions, such as how she would describe herself and how she defines the word “power.” Her answers – funny, poignant, wise, surprising — form the basis of the 29-minute film. At age 9, for instance, Ella describes herself as “fun, funny, jokeful, loving, peaceful — sometimes.” Two years later, as she turns 11, she offers this definition of power: “Power is being yourself. That takes a lot of power.”
Director Jay Rosenblatt
HBO Documentary Films says it will premiere How Do You Measure a Year? on HBO in June 2023, coinciding with Father’s Day. The film will...
- 2/28/2023
- by Matthew Carey
- Deadline Film + TV
When it comes to telling stories, most filmmakers prefer to let the material do the talking. That was the case for the six Oscar-nominated directors of doc shorts who gathered with TheWrap’s Executive Awards Editor, Steve Pond, as part of TheWrap’s 2022-2023 Awards Season Screening Series: Kartiki Gonsalves (“The Elephant Whisperers”), Evgenia Arbugaeva and Maxim Arbugaev (“Haulout”), Anne Alvergue (“The Martha Mitchell Effect”), Jay Rosenblatt (“How Do You Measure a Year?”) and Joshua Seftel (“Stranger at the Gate”).
For Gonsalves, whose film focuses on a couple from a small village in southern India who rescues an orphaned elephant, less was more. “I just wanted ‘The Elephant Whisperers’ to let viewers understand both the elephant and the human carers with very little, almost minimal outside interpretation,” she said. “I was really trying to focus on the dignity of both the elephants and the indigenous people who have literally lived...
For Gonsalves, whose film focuses on a couple from a small village in southern India who rescues an orphaned elephant, less was more. “I just wanted ‘The Elephant Whisperers’ to let viewers understand both the elephant and the human carers with very little, almost minimal outside interpretation,” she said. “I was really trying to focus on the dignity of both the elephants and the indigenous people who have literally lived...
- 2/27/2023
- by Libby Hill
- The Wrap
The Elephant Whisperers
Kartiki Gonsalves’ documentary debut, “The Elephant Whisperers,” released on Netflix, shines a spotlight on the ways in which climate change and human encroachment are rapidly destroying the habitats of Asian elephants. The film’s dire warning is subtly woven into a heartfelt narrative about forging family in unlikely places with elephant caretakers Bomman and Bellie at its core. The duo raise an orphaned elephant named Raghu, whom they’ve cared for since infancy, as well as another calf named Ammu. “[Bomman and Bellie] are still understanding the process of what the Oscars exactly are, but they’re just overwhelmed with messages and calls and really happy to share their lives with such a large audience,” Helmer Kartiki Gonsalves told Variety. “I don’t think they’ve ever had this kind of recognition before.”
Haulout
For their documentary debut, Maxim Arbugaev and Evgenia Arbugaeva spent 3½ months in close quarters with Russian scientist Maxim Chakilev,...
Kartiki Gonsalves’ documentary debut, “The Elephant Whisperers,” released on Netflix, shines a spotlight on the ways in which climate change and human encroachment are rapidly destroying the habitats of Asian elephants. The film’s dire warning is subtly woven into a heartfelt narrative about forging family in unlikely places with elephant caretakers Bomman and Bellie at its core. The duo raise an orphaned elephant named Raghu, whom they’ve cared for since infancy, as well as another calf named Ammu. “[Bomman and Bellie] are still understanding the process of what the Oscars exactly are, but they’re just overwhelmed with messages and calls and really happy to share their lives with such a large audience,” Helmer Kartiki Gonsalves told Variety. “I don’t think they’ve ever had this kind of recognition before.”
Haulout
For their documentary debut, Maxim Arbugaev and Evgenia Arbugaeva spent 3½ months in close quarters with Russian scientist Maxim Chakilev,...
- 2/23/2023
- by Katie Reul
- Variety Film + TV
The title that saw Riz Ahmed stifle laughter, the press room crack up and Allison Williams murmur “no comment” at Oscar nominations last month hits theaters today as ShortsTV presents Oscar Nominated Short Films at circa 380 locations in 75 markets.
The program, three feature-length presentations of the five nominees for Live Action, Animated and Documentary short films, will expand to 500-600 screens by Academy Awards week. Exhibitors can play any or all of the trio. Some are splitting the doc shorts, at 160 minutes, in two. “We leave that up to theaters,” said ShortsTV founder-ceo Carter Pilcher. My Year Of Dicks is an animation entry.
ShortsTV has been releasing these theatrically for 18 years and they do pretty well, hitting 3.5 million in box office pre-Covid. That fell to 1.8 million in 2021 but Pilcher is hoping for a rebound, calling this year’s crop “absolutely some of the best and most audience-friendly films we’ve...
The program, three feature-length presentations of the five nominees for Live Action, Animated and Documentary short films, will expand to 500-600 screens by Academy Awards week. Exhibitors can play any or all of the trio. Some are splitting the doc shorts, at 160 minutes, in two. “We leave that up to theaters,” said ShortsTV founder-ceo Carter Pilcher. My Year Of Dicks is an animation entry.
ShortsTV has been releasing these theatrically for 18 years and they do pretty well, hitting 3.5 million in box office pre-Covid. That fell to 1.8 million in 2021 but Pilcher is hoping for a rebound, calling this year’s crop “absolutely some of the best and most audience-friendly films we’ve...
- 2/17/2023
- by Jill Goldsmith
- Deadline Film + TV
In the abysmal landscape of short film distribution, documentaries have had the easiest time translating to streaming and internet consumption. Often overlapping with hard-hitting video journalism, documentary shorts appeal to establishment news outlets like The New Yorker and The New York Times, and both outlets have funded numerous short documentaries over the last decade.
In its effort to earn industry clout by wracking up Oscar nominations, Netflix joined the fray, and its two nominations for Best Documentary Short this year are by far the most accessible.
This year’s nominees lean far lighter than in most years, which is somewhat surprising seeing as the terrible news just keeps piling up. Perhaps voters needed a little levity this year, or perhaps filmmakers themselves are seeking out more uplifting stories.
From saving baby elephants in India to a shocking tale of a changed perspective, the films in this category offer more than...
In its effort to earn industry clout by wracking up Oscar nominations, Netflix joined the fray, and its two nominations for Best Documentary Short this year are by far the most accessible.
This year’s nominees lean far lighter than in most years, which is somewhat surprising seeing as the terrible news just keeps piling up. Perhaps voters needed a little levity this year, or perhaps filmmakers themselves are seeking out more uplifting stories.
From saving baby elephants in India to a shocking tale of a changed perspective, the films in this category offer more than...
- 2/16/2023
- by Jude Dry
- Indiewire
We will update these predictions throughout awards season, so keep checking IndieWire for all our 2023 Oscar picks. Final voting is March 2 through 7, 2023. The 95th Oscars telecast will be broadcast on Sunday, March 12 and air live on ABC at 8:00 p.m. Et/ 5:00 p.m. Pt.
See IndieWire’s previous Oscars Predictions for this category and more here.
The State of the Race
It’s a good time to pay attention to the Best Documentary Short category.
While the recent documentary boom has had its pros and cons, one exciting by-product has been that the contenders in this category have become more accessible than ever. Two of the films are available for free on YouTube, while another two are streaming on Netflix. Only “How Do You Measure a Year?” is still working on finding a simple way to watch it outside the Academy Screening Room (and the upcoming theatrical run...
See IndieWire’s previous Oscars Predictions for this category and more here.
The State of the Race
It’s a good time to pay attention to the Best Documentary Short category.
While the recent documentary boom has had its pros and cons, one exciting by-product has been that the contenders in this category have become more accessible than ever. Two of the films are available for free on YouTube, while another two are streaming on Netflix. Only “How Do You Measure a Year?” is still working on finding a simple way to watch it outside the Academy Screening Room (and the upcoming theatrical run...
- 2/6/2023
- by Marcus Jones
- Indiewire
The short film categories can be the hardest ones to predict at the Oscars. In the spirit of this, we at Gold Derby are looking to help you out by not only telling you what each of the contenders for Best Documentary Short is about, but also where you can watch some of them right now. Be sure to bookmark this page as it will be updated with more streaming links as they become available. Don’t forget to make your predictions in this category and the other 22 contests in our predictions center.
As a recap, the last four winners in this category were “The Queen of Basketball” (2021), “Colette” (2020), “Learning to Skateboard in a Warzone (If You’re a Girl)” (2019) and “Period. End of Sentence” (2018).
See 2023 Oscar nominations: Full list of nominees in all 23 categories
Best Documentary Short Oscar 2023: Where to watch the nominees
“The Elephant Whisperers” – An indigenous...
As a recap, the last four winners in this category were “The Queen of Basketball” (2021), “Colette” (2020), “Learning to Skateboard in a Warzone (If You’re a Girl)” (2019) and “Period. End of Sentence” (2018).
See 2023 Oscar nominations: Full list of nominees in all 23 categories
Best Documentary Short Oscar 2023: Where to watch the nominees
“The Elephant Whisperers” – An indigenous...
- 1/25/2023
- by Charles Bright
- Gold Derby
Stephanie Hsu, Michelle Yeoh, and Ke Huy Quan in ‘Everything Everywhere All At Once’ (Photo Credit: Allyson Riggs / A24)
Nominees have been announced for the 95th Oscars and members of the Academy of Motion Picture Arts and Sciences fell in line with most critics groups, awarding Everything Everywhere All At Once the most nominations with 11. The 2023 Academy Awards also recognized All Quiet on the Western Front with nine nominations, making it the eighth feature film to score nominations in both the Best Picture and Best International Feature categories.
The Banshees of Inisherin also picked up nine nominations, including the first-ever Oscar nominations for Colin Farrell, Brendan Gleeson, Barry Keoghan, and Kerry Condon. Elvis earned eight nominations, with Austin Butler picking up his first Oscar nomination for channeling the King of Rock and Roll.
The Fabelmans was nominated in seven categories, followed by Tar and Top Gun: Maverick with six.
The...
Nominees have been announced for the 95th Oscars and members of the Academy of Motion Picture Arts and Sciences fell in line with most critics groups, awarding Everything Everywhere All At Once the most nominations with 11. The 2023 Academy Awards also recognized All Quiet on the Western Front with nine nominations, making it the eighth feature film to score nominations in both the Best Picture and Best International Feature categories.
The Banshees of Inisherin also picked up nine nominations, including the first-ever Oscar nominations for Colin Farrell, Brendan Gleeson, Barry Keoghan, and Kerry Condon. Elvis earned eight nominations, with Austin Butler picking up his first Oscar nomination for channeling the King of Rock and Roll.
The Fabelmans was nominated in seven categories, followed by Tar and Top Gun: Maverick with six.
The...
- 1/24/2023
- by Rebecca Murray
- Showbiz Junkies
Variety Awards Circuit section is the home for all awards news and related content throughout the year, featuring the following: the official predictions for the upcoming Oscars, Emmys, Grammys and Tony awards ceremonies, curated by Variety senior awards editor Clayton Davis. The prediction pages are Davis’ assessment of the current standings of the race and do not reflect personal preferences for any film or performance. Like any organization or body that votes, each individual category is fluid and subject to change. Predictions are updated every Thursday.
Last Updated: Dec. 22, 2022
2023 Oscars Predictions: Best Documentary Short Image from “38 at the Garden”
Category Commentary: It’s an eclectic mixture of short films in the running for the documentary short race.
The New Yorker’s “Nuisance Bear” is among the most acclaimed, making multiple stops at festivals and picking up various trophies.
Frank Chi’s “38 at the Garden,” looking at the cultural impact of...
Last Updated: Dec. 22, 2022
2023 Oscars Predictions: Best Documentary Short Image from “38 at the Garden”
Category Commentary: It’s an eclectic mixture of short films in the running for the documentary short race.
The New Yorker’s “Nuisance Bear” is among the most acclaimed, making multiple stops at festivals and picking up various trophies.
Frank Chi’s “38 at the Garden,” looking at the cultural impact of...
- 12/22/2022
- by Clayton Davis
- Variety Film + TV
Darn, those short film categories at the Oscars can be a difficult field to navigate, can’t they? Predicting the winners is one thing, but predicting the nominees in those categories can be an even bigger headache. Never fear, Derbyites, as you no longer have to worry about this since we’ve got your back covered! We’ve looked over the recently announced shortlist for Best Documentary Short Film at the 2023 Oscars and have provided you with descriptions of each one of the 15 finalists that you can use to help choose the five that you think will get nominated in our predictions center.
As a reminder, the four most recent Oscar winners in the Best Documentary Short Film category were “The Queen of Basketball” (2021), “Colette” (2020), “Learning to Skateboard in a Warzone (If You’re a Girl)” (2019) and “Period. End of Sentence.” (2018). What will join the list this year? Here are...
As a reminder, the four most recent Oscar winners in the Best Documentary Short Film category were “The Queen of Basketball” (2021), “Colette” (2020), “Learning to Skateboard in a Warzone (If You’re a Girl)” (2019) and “Period. End of Sentence.” (2018). What will join the list this year? Here are...
- 12/22/2022
- by Charles Bright
- Gold Derby
On May 30, 2022 the 19th edition of the Vienna Shorts Film Festival came to an end with prizes, flowers and champagne for the lucky winners at Stadtkino. Austrian director Mo Harawe celebrated a triumph, receiving not only the Austrian Short Film Award for his haunting film Will My Parents Come to See Me, but also qualifications for the Academy Award®, the European Film Award and the Austrian Film Award. The top prizes in the two international competitions went to the Qatari film And Then They Burn the Sea and the Japanese animation Bird in the Peninsula. Double honored with the new Social Responsibility Award and the Orf.at Audience Award was the essay Invisible Hands by Lia Sudermann and Simon Nagy. The awards in detail:
© And Then They Burn The Sea (Majid Al-Remaihi), Au Revoir Jérôme!, How Do You Measure A Year? (Jay Rosenblatt)
Fido Fiction & Documentary
The main prize in...
© And Then They Burn The Sea (Majid Al-Remaihi), Au Revoir Jérôme!, How Do You Measure A Year? (Jay Rosenblatt)
Fido Fiction & Documentary
The main prize in...
- 6/1/2022
- by Suzie Cho
- AsianMoviePulse
The 2022 Oscar Winners and Nominees Winners & Nominees Actor In A Leading Role Winner Will Smith King Richard Nominees Javier Bardem Being the Ricardos Benedict Cumberbatch The Power of the Dog Andrew Garfield tick, tick…Boom! Denzel Washington The Tragedy of Macbeth Actor In A Supporting Role Winner Troy Kotsur Coda Nominees CIARÁN Hinds Belfast Jesse Plemons The Power of the Dog J.K. Simmons Being the Ricardos Kodi Smit-mcphee The Power of the Dog Actress In A Leading Role Winner Jessica Chastain The Eyes of Tammy Faye Nominees Olivia Colman The Lost Daughter PENÉLOPE Cruz Parallel Mothers Nicole Kidman Being the Ricardos Kristen Stewart Spencer Actress In A Supporting Role Winner Ariana Debose West Side Story Nominees Jessie Buckley The Lost Daughter Judi Dench Belfast Kirsten Dunst The Power of the Dog Aunjanue Ellis King Richard Animated Feature Film Winner Encanto Jared Bush, Byron Howard, Yvett Merino and Clark Spencer Nominees Flee Jonas Poher Rasmussen,...
- 3/31/2022
- by HollywoodNews.com
- Hollywoodnews.com
Well… Oscar night 2022 was certainly one to remember. Many obituaries will have received their first lines last night, and there’s a few moments that will appear half way down for some of them.
But – here’s the good news: Sian Heder’s Coda won Best Picture, and genuine living legend Troy Kotsur took home the Best Supporting Actor award. It may have been a surprise for some, as Jane Campion’s The Power of the Dog was hotly favoured. In the second piece of excellent news it was Campion herself who took home the Best Director gong, many would argue it’s long overdue.
Elsewhere Encanto, Will Smith, Jessica Chastain all took to the stage to collect their awards, and it’s pleasing to see another year when the awards were well spread out. It’s a sign of an industry in fine fettle, which is just as well given,...
But – here’s the good news: Sian Heder’s Coda won Best Picture, and genuine living legend Troy Kotsur took home the Best Supporting Actor award. It may have been a surprise for some, as Jane Campion’s The Power of the Dog was hotly favoured. In the second piece of excellent news it was Campion herself who took home the Best Director gong, many would argue it’s long overdue.
Elsewhere Encanto, Will Smith, Jessica Chastain all took to the stage to collect their awards, and it’s pleasing to see another year when the awards were well spread out. It’s a sign of an industry in fine fettle, which is just as well given,...
- 3/28/2022
- by Jon Lyus
- HeyUGuys.co.uk
People make documentaries about all kinds of things: some slight and silly, others educational or emotional. But if you want to be nominated for an Oscar in the doc short category, it’s best to zero in on an issue the Academy can get behind, like homelessness, bullying or prejudice. Just imagine if any other category were the same way — say, if the award for best sound mixing recognized only engineers who’d worked on movies that make the world a better place — but so it goes. At least all five of this year’s nominees are solid (sometimes quite sophisticated) treatments of their subjects. As Roger Ebert used to say, “It’s not what a movie is about, it’s how it is about it.”
“Audible” is art, even if the project originated as a TV commercial. One of three Netflix-acquired entries in the mix (all of this...
“Audible” is art, even if the project originated as a TV commercial. One of three Netflix-acquired entries in the mix (all of this...
- 3/26/2022
- by Peter Debruge
- Variety Film + TV
This year’s race for Best Documentary Short looks like it has a clear front-runner. Based on our combined racetrack odds, “The Queen of Basketball” is the one to beat on Sunday night. These odds are derived from the predictions made by Expert film industry journalists, Gold Derby Editors, our Top 24 Users, and thousands of Derbyites the world over.
But could another film dethrone “The Queen”? What else could take it down? Let’s take a closer look into this category and examine all five nominees in order of their odds as of this writing.
SEEBen Proudfoot (‘The Queen of Basketball’) describes finding a treasure trove of Lucy Harris footage at Delta State [Exclusive Video Interview]
“The Queen of Basketball” (odds of winning: 16/5)
The film examines the life of Lusia “Lucy” Harris, who led the Delta State University women’s basketball team to three championships and became the first woman ever drafted by an NBA team.
But could another film dethrone “The Queen”? What else could take it down? Let’s take a closer look into this category and examine all five nominees in order of their odds as of this writing.
SEEBen Proudfoot (‘The Queen of Basketball’) describes finding a treasure trove of Lucy Harris footage at Delta State [Exclusive Video Interview]
“The Queen of Basketball” (odds of winning: 16/5)
The film examines the life of Lusia “Lucy” Harris, who led the Delta State University women’s basketball team to three championships and became the first woman ever drafted by an NBA team.
- 3/25/2022
- by Charles Bright
- Gold Derby
Variety's Awards Circuit is home to the official predictions for the upcoming Oscars and Emmys ceremonies from film awards editor Clayton Davis. Following history, buzz, news, reviews and sources, the Oscar and Emmy predictions are updated regularly with the current year's list of contenders in all categories. Variety's Awards Circuit Prediction schedule consists of four phases, running all year long: Draft, Pre-Season, Regular Season and Post Season. The eligibility calendar and dates of awards will determine how long each phase lasts and is subject to change.
To see all the latest predictions, of all the categories, in one place, visit The Oscars Collective
Visit each category, per the individual awards show from The Oscars Hub
Revisit the prediction archive of the 2021 season The Archive
Link to television awards is atTHE Emmys Hub
2022 Oscars Predictions:
Best Documentary Short
Updated: March 24, 2022
Awards Prediction Commentary:
Three Netflix films manage to make the cut – Matthew Ogens’ “Audible,...
To see all the latest predictions, of all the categories, in one place, visit The Oscars Collective
Visit each category, per the individual awards show from The Oscars Hub
Revisit the prediction archive of the 2021 season The Archive
Link to television awards is atTHE Emmys Hub
2022 Oscars Predictions:
Best Documentary Short
Updated: March 24, 2022
Awards Prediction Commentary:
Three Netflix films manage to make the cut – Matthew Ogens’ “Audible,...
- 3/24/2022
- by Clayton Davis
- Variety Film + TV
When the initial announcement was made that eight categories would be pre-taped and then edited into the 2022 Oscars broadcast, we all knew the short film categories — Best Documentary Short, Best Live Action Short and Best Animated Short — would be the first on the chopping block. While these projects are the least seen of all the Oscar nominees, the categories have given us some amazing moments over the years. So rather than wallow in our sadness about not seeing these doled out live, let’s take a look back at five of the best speeches from past Best Documentary Short winners. Hopefully the academy realizes soon that the short categories are something special and should be left alone.
As a reminder, the five Best Documentary Short nominees at the 2022 Oscars are: “Audible” (Matt Ogens and Geoff McLean), “Lead Me Home” (Pedro Kos and Jon Shenk), “The Queen of Basketball” (Ben Proudfoot...
As a reminder, the five Best Documentary Short nominees at the 2022 Oscars are: “Audible” (Matt Ogens and Geoff McLean), “Lead Me Home” (Pedro Kos and Jon Shenk), “The Queen of Basketball” (Ben Proudfoot...
- 3/24/2022
- by Charles Bright
- Gold Derby
I’m sorry. Everyone feels bad about it now. Everyone wishes you well. It was a different time.
If you were ever bullied, and you’ve reconnected with the people who did it, these will be familiar lines. Variants on every one of them appear in Jay Rosenblatt’s film, positioned near the end, framed as if they mean something. If Rosenblatt expects them to impress the victim, he is sadly deluded – but this is one of those films whose real power lies outside the span of its intentions.
Although there are any number of films out there which explore the experience of being bullied, few reflect on the psychology of bullies themselves. This one begins with Rosenblatt’s realisation – prompted by an old educational film – that he once collaborated in bullying himself. When he happens to meet Richard J Silberg, who went to the same elementary school, they discuss the incident which.
If you were ever bullied, and you’ve reconnected with the people who did it, these will be familiar lines. Variants on every one of them appear in Jay Rosenblatt’s film, positioned near the end, framed as if they mean something. If Rosenblatt expects them to impress the victim, he is sadly deluded – but this is one of those films whose real power lies outside the span of its intentions.
Although there are any number of films out there which explore the experience of being bullied, few reflect on the psychology of bullies themselves. This one begins with Rosenblatt’s realisation – prompted by an old educational film – that he once collaborated in bullying himself. When he happens to meet Richard J Silberg, who went to the same elementary school, they discuss the incident which.
- 3/24/2022
- by Jennie Kermode
- eyeforfilm.co.uk
When We Were Bullies Trailer — HBO‘s When We Were Bullies (2022) short film trailer has been released. The When We Were Bullies trailer stars Mark Athitakis, Ruth Bromberg, Wendy Newman, Jay Rosenblatt, and Richard J. Silberg. Crew Jay Rosenblatt directed When We Were Bullies. Jay Rosenblatt wrote the screenplay for When We Were Bullies. [...]
Continue reading: When We Were Bullies (2022) Movie Trailer: A Bulling Incident is Examined 50-years later in HBO’s Doc...
Continue reading: When We Were Bullies (2022) Movie Trailer: A Bulling Incident is Examined 50-years later in HBO’s Doc...
- 3/23/2022
- by Rollo Tomasi
- Film-Book
"Why didn't I say 'stop?'" HBO has revealed an official trailer for the documentary short film titled When We Were Bullies, a 30-minute short doc that originally premiered at the 2021 Sundance Film Festival last year. The film is already nominated this year for Best Documentary Short at the Oscars - and might just win this weekend coming up. In When We Were Bullies, a coincidence leads filmmaker Jay Rosenblatt to track down his fifth-grade class and fifth-grade teacher to examine their memory of and complicity in a bullying incident 50 years ago. "In a playful yet poignant reflection, Rosenblatt begins to understand his complicity, his sense of shame and the shared nature of such incidents and their aftermath." A lot to process... There have been many docs recently on bullying and how to deal with it, I just hope they are making a difference. Here's the official trailer (+ poster) for...
- 3/22/2022
- by Alex Billington
- firstshowing.net
HBO Documentary Films has released the poster (see below) and trailer (see above) for the Academy Award®-nominated documentary short, When We Were Bullies, from longtime HBO collaborator Jay Rosenblatt.
When We Were Bullies begins with a mind boggling coincidence from 25 years ago, which ultimately leads filmmaker Jay Rosenblatt to track down his fifth grade class to see what they remember from a bullying incident that occurred 50 years ago. Weaving together a collage of archival material, found footage, stop-motion animation and interviews with classmates and a teacher from the time, the film is a highly personal look back at a Brooklyn schoolyard incident that had been obscured by the elusive nature of memory but had resonated for decades. In a playful yet poignant reflection, Rosenblatt begins to understand his complicity, his sense of shame and the shared nature of such incidents and their aftermath.
About The Film Genre: Documentary, Short Cast: Mark Athitakis,...
When We Were Bullies begins with a mind boggling coincidence from 25 years ago, which ultimately leads filmmaker Jay Rosenblatt to track down his fifth grade class to see what they remember from a bullying incident that occurred 50 years ago. Weaving together a collage of archival material, found footage, stop-motion animation and interviews with classmates and a teacher from the time, the film is a highly personal look back at a Brooklyn schoolyard incident that had been obscured by the elusive nature of memory but had resonated for decades. In a playful yet poignant reflection, Rosenblatt begins to understand his complicity, his sense of shame and the shared nature of such incidents and their aftermath.
About The Film Genre: Documentary, Short Cast: Mark Athitakis,...
- 3/22/2022
- by Editor
- CinemaNerdz
HBO has acquired the Oscar-nominated documentary short “When We Were Bullies,” which will premiere on March 30.
“When We Were Bullies” focuses on director Jay Rosenblatt, as he tries to track down people from his 5th grade class to interview them about a severe bullying incident that occurred at their school 50 years ago. Using a mix of archival footage, animation and modern day interviews, Rosenblatt both reconstructs the event and comes to terms with his own sense of shame about what occurred.
“Everyone carries pain,” Rosenblatt narrates in the trailer for the short that HBO released. “Yet through that pain, I can see yours.”
In addition to directing, Rosenblatt wrote, produced and edited “When We Were Bullies.” The short is one of five nominees in the best documentary short category at the 94th Academy Awards.
“When We Were Bullies” will premiere on HBO at 9 p.m Et on March 30. The short...
“When We Were Bullies” focuses on director Jay Rosenblatt, as he tries to track down people from his 5th grade class to interview them about a severe bullying incident that occurred at their school 50 years ago. Using a mix of archival footage, animation and modern day interviews, Rosenblatt both reconstructs the event and comes to terms with his own sense of shame about what occurred.
“Everyone carries pain,” Rosenblatt narrates in the trailer for the short that HBO released. “Yet through that pain, I can see yours.”
In addition to directing, Rosenblatt wrote, produced and edited “When We Were Bullies.” The short is one of five nominees in the best documentary short category at the 94th Academy Awards.
“When We Were Bullies” will premiere on HBO at 9 p.m Et on March 30. The short...
- 3/21/2022
- by Sasha Urban and Wilson Chapman
- Variety Film + TV
If you typically fill out your Oscar ballots after consulting with the predictions of Gold Derby’s Experts, you may have noticed something unique this year. In exactly two of the 23 categories — Best Actress and Best Documentary Short — all of the nominees have the support of at least one of our Experts from major media outlets. Are these races still too close to call? The other 21 categories at the 2022 Oscars are less scattershot and feature at least one nominee with zero Experts predicting it to win.
See 2022 Oscar nominations: Full list of nominees in all 23 categories at the 94th Academy Awards
For Best Actress, a leading 17 of 24 Experts predict a victory for Jessica Chastain (“The Eyes of Tammy Faye”), who recently cleaned up at the Critics Choice and SAG Awards for her role as televangelist Tammy Faye Bakker. Despite only being nominated twice before at the Academy Awards, for “The Help...
See 2022 Oscar nominations: Full list of nominees in all 23 categories at the 94th Academy Awards
For Best Actress, a leading 17 of 24 Experts predict a victory for Jessica Chastain (“The Eyes of Tammy Faye”), who recently cleaned up at the Critics Choice and SAG Awards for her role as televangelist Tammy Faye Bakker. Despite only being nominated twice before at the Academy Awards, for “The Help...
- 3/17/2022
- by Marcus James Dixon
- Gold Derby
The documentary short competition has long been a prime stage for nonfiction talent, and thanks to the renewed interest of streamers and new platforms, the format is as lively as ever. This year’s nominees encompass a wide range of subjects, from female sports pioneers to homelessness, love in a warzone and childhood bullying. And don’t let the running times fool you: these docs are every bit as rigorous, inventive and heartbreaking as anything the feature competition has to offer. As nominee Jay Rosenblatt quips when asked of the advantages of the short format: “Some would say it’s harder. Mark Twain’s quote comes to mind: ‘I didn’t have time to write a short letter, so I wrote a long one instead.’”
Audible
Director Matt Ogens has a personal connection to the Maryland School for the Deaf — he grew up nearby, his aunt taught sign language at...
Audible
Director Matt Ogens has a personal connection to the Maryland School for the Deaf — he grew up nearby, his aunt taught sign language at...
- 3/7/2022
- by Andrew Barker
- Variety Film + TV
The only Oscar-nominated documentary without a distributor has finally found a home.
HBO Documentary Films has acquired the Academy Award-nominated documentary short, When We Were Bullies, from longtime HBO collaborator Jay Rosenblatt. The documentary debuts Wednesday, March 30 at 9 Et/Pt on HBO, and will be available to stream on HBO Max.
The short begins with a mind boggling coincidence from 25 years ago. That ultimately leads filmmaker Rosenblatt to track down his fifth grade class to see what they remember from a bullying incident that occurred 50 years ago. Weaving together a collage of archival material, found footage, stop-motion animation and interviews with classmates and a teacher from the time, the film is a highly personal look back at a Brooklyn schoolyard incident that resonated for decades.
“When We Were Bullies has found the perfect home. I am honored to have another one of my films air on HBO,...
HBO Documentary Films has acquired the Academy Award-nominated documentary short, When We Were Bullies, from longtime HBO collaborator Jay Rosenblatt. The documentary debuts Wednesday, March 30 at 9 Et/Pt on HBO, and will be available to stream on HBO Max.
The short begins with a mind boggling coincidence from 25 years ago. That ultimately leads filmmaker Rosenblatt to track down his fifth grade class to see what they remember from a bullying incident that occurred 50 years ago. Weaving together a collage of archival material, found footage, stop-motion animation and interviews with classmates and a teacher from the time, the film is a highly personal look back at a Brooklyn schoolyard incident that resonated for decades.
“When We Were Bullies has found the perfect home. I am honored to have another one of my films air on HBO,...
- 3/3/2022
- by Bruce Haring
- Deadline Film + TV
HBO Documentary Films has acquired the rights to Academy Award-nominated documentary short “When We Were Bullies.”
Directed by Jay Rosenblatt, the 36-minute short is a meditation of a Brooklyn schoolyard incident that occurred between the director and his fellow fifth grade classmates 50 years ago.
“When We Were Bullies” was, until now, the only Oscar nominated short docu to not have a distributor. Fellow nominee “The Queen of Basketball” was distributed by New York Times Op-Doc while Netflix is behind three of the nominated short docus: “Audible,” “Lead Me Home” and “Three Songs for Bashir.”
“When We Were Bullies” premiered at the 2021 Sundance Film Festival, where it was nominated for a jury prize.
In its tenure, HBO Documentary Films has garnered over 15 Oscars in the docu shorts category and over a dozen doc feature Academy Awards. This year “When We Were Bullies” is the division’s sole nonfiction nod.
“When We...
Directed by Jay Rosenblatt, the 36-minute short is a meditation of a Brooklyn schoolyard incident that occurred between the director and his fellow fifth grade classmates 50 years ago.
“When We Were Bullies” was, until now, the only Oscar nominated short docu to not have a distributor. Fellow nominee “The Queen of Basketball” was distributed by New York Times Op-Doc while Netflix is behind three of the nominated short docus: “Audible,” “Lead Me Home” and “Three Songs for Bashir.”
“When We Were Bullies” premiered at the 2021 Sundance Film Festival, where it was nominated for a jury prize.
In its tenure, HBO Documentary Films has garnered over 15 Oscars in the docu shorts category and over a dozen doc feature Academy Awards. This year “When We Were Bullies” is the division’s sole nonfiction nod.
“When We...
- 3/3/2022
- by Addie Morfoot
- Variety Film + TV
When Jay Rosenblatt was working on his Oscar-nominated short documentary, “When We Were Bullies,” he wasn’t actively thinking about using animation to help tell the film’s story. “This is the first time I’ve used animation in any of my films. I’m very, very picky about animation and I don’t like a lot of animation,” he tells Gold Derby in our recent webchat (watch the exclusive video interview above). The animator he ended up working with, Jeremy Rourke, ended up being one of his favorite collaborators as he felt that he matched his aesthetic really well. He also felt that keeping it all within an old class photo really enhanced the film. “I think that forced a certain kind of creativity and it also fit into the found footage that I was using. It just felt right.”
“When We Were Bullies” finds Rosenblatt remembering an instance...
“When We Were Bullies” finds Rosenblatt remembering an instance...
- 3/2/2022
- by Charles Bright
- Gold Derby
With a dedicated awards operation and a seemingly infinite budget, Netflix has moved from Oscars dark horse to one to beat in just a few short years. After scoring its first Best Picture contender with Alfonso Cuarón’s “Roma” in 2019, the streamer now has the clear frontrunner in Jane Campion’s nomination leader “The Power of The Dog.” With more modest budgets and an international bent, the short form categories have historically presented a wider spread of indies to studio-produced fare. That is, until Netflix got into the fray.
Netflix produced three of the five documentary shorts nominees this year — “Audible,” “Lead Me Home,” and “Three Songs for Benazir — its most in any short film category. All five contenders run the gamut in both style and substance. There’s a feel-good story about a pioneering woman basketball player, and a personal experimental film following the director’s probing of a childhood bullying incident.
Netflix produced three of the five documentary shorts nominees this year — “Audible,” “Lead Me Home,” and “Three Songs for Benazir — its most in any short film category. All five contenders run the gamut in both style and substance. There’s a feel-good story about a pioneering woman basketball player, and a personal experimental film following the director’s probing of a childhood bullying incident.
- 2/18/2022
- by Jude Dry
- Indiewire
Netflix didn’t earn any Oscar nominations in the Documentary Feature category Tuesday, but it made up for that with documentary shorts.
The streaming platform claimed three of the five nominations for Best Documentary Short Subject, between Audible, Lead Me Home and Three Songs for Benazir.
Audible, directed by Matt Ogens and executive produced by Nyle Dimarco, tells a coming-of-age story of Amaree McKenstry, a high school senior at the Maryland School for the Deaf in Frederick.
“It took about 12 years to get this film made — which means to get it to a group of people that understood it and were willing to support it and make it, and that was ultimately Netflix,” Ogens told Deadline today. “I believed in the film so long and these kids at Maryland School for the Deaf that just through thick and thin, rain or shine, I just kept pursuing it for a dozen years.
The streaming platform claimed three of the five nominations for Best Documentary Short Subject, between Audible, Lead Me Home and Three Songs for Benazir.
Audible, directed by Matt Ogens and executive produced by Nyle Dimarco, tells a coming-of-age story of Amaree McKenstry, a high school senior at the Maryland School for the Deaf in Frederick.
“It took about 12 years to get this film made — which means to get it to a group of people that understood it and were willing to support it and make it, and that was ultimately Netflix,” Ogens told Deadline today. “I believed in the film so long and these kids at Maryland School for the Deaf that just through thick and thin, rain or shine, I just kept pursuing it for a dozen years.
- 2/8/2022
- by Matthew Carey
- Deadline Film + TV
As always, this year’s Oscar nominees for documentary short subject is a compelling roster of incisive journalistic portraits of urgent world issues. Topics covered this year include the housing crisis, life in present day Afghanistan, a pioneering Black woman athlete, a deaf high school, and bullying. In a marked shift from previous years, the 2022 films skew heavily towards more human stories with strong narrative leanings. None of the hard-hitting investigative pieces from the shortlist, like contenders from Laura Poitras and Field of Vision, made the cut. Unsurprisingly at this point, awards dominator Netflix came out ahead, with three films on the list: “Audible,” “Lead Me Home,” and “Three Songs for Benazir.”
“Audible” follows a deaf high school footballer and his classmates throughout their senior year, and is directed by Matt Ogens and Geoff McLean and counts deaf actor and model Nyle Dimarco as a producer. Netflix also has Pedro...
“Audible” follows a deaf high school footballer and his classmates throughout their senior year, and is directed by Matt Ogens and Geoff McLean and counts deaf actor and model Nyle Dimarco as a producer. Netflix also has Pedro...
- 2/8/2022
- by Jude Dry
- Indiewire
It’s that time again. Oscars noms!
The 2022 Oscar nominations are currently underway and we’ll be updating this post with all of the nominees as they come in. Will The Power of the Dog run riot this year, or will Denis Villenueve’s massive adaptation of Dune rule. Or will Don’t Look Up surprise us? Let’s find out.
Soctt Davis and Linda Marric are currently watching the nominations come in live – watch along with them for all the fun of the fair.
Here is the complete list of nominations for the 2022 Oscars.
Actor In A Leading Role Nominees Javier Bardem Being the Ricardos Benedict Cumberbatch The Power of the Dog Andrew Garfield tick, tick…Boom! Will Smith King Richard Denzel Washington The Tragedy of Macbeth Actor In A Supporting Role Nominees CIARÁN Hinds Belfast Troy Kotsur Coda Jesse Plemons The Power of the Dog J.K. Simmons Being...
The 2022 Oscar nominations are currently underway and we’ll be updating this post with all of the nominees as they come in. Will The Power of the Dog run riot this year, or will Denis Villenueve’s massive adaptation of Dune rule. Or will Don’t Look Up surprise us? Let’s find out.
Soctt Davis and Linda Marric are currently watching the nominations come in live – watch along with them for all the fun of the fair.
Here is the complete list of nominations for the 2022 Oscars.
Actor In A Leading Role Nominees Javier Bardem Being the Ricardos Benedict Cumberbatch The Power of the Dog Andrew Garfield tick, tick…Boom! Will Smith King Richard Denzel Washington The Tragedy of Macbeth Actor In A Supporting Role Nominees CIARÁN Hinds Belfast Troy Kotsur Coda Jesse Plemons The Power of the Dog J.K. Simmons Being...
- 2/8/2022
- by Jon Lyus
- HeyUGuys.co.uk
The Jewish Film Institute has selected six projects for its second cycle of Completion Grants Program, Variety has learned.
Jfi, the Bay Area curatorial voice for Jewish film and media, announced the grants at the virtual awards ceremony for the 41st San Francisco Jewish Film Festival.
This year, Jfi has awarded $100,000 in film completion grants, ranging from $5,000 to $30,000, to filmmakers who are expanding and evolving the Jewish story for audiences “everywhere in every genre — narrative, documentary, short, episodic program and web series.”
Recipients include “Remember This,” “1341 Frames of Love and War,” “The Liegnitz Plot,” “Sons of Detroit,” “A Reel War: Shalaal” and “I Will Take Your Shadow.”
Directed by Jeff Hutchens and Derek Goldman, “Remember This” stars David Strathairn as Jan Karski in a true story of a reluctant World War II hero and Holocaust witness.
Ran Tal’s “1341 Frames of Love and War” documentary follows Israel’s celebrated war photographer,...
Jfi, the Bay Area curatorial voice for Jewish film and media, announced the grants at the virtual awards ceremony for the 41st San Francisco Jewish Film Festival.
This year, Jfi has awarded $100,000 in film completion grants, ranging from $5,000 to $30,000, to filmmakers who are expanding and evolving the Jewish story for audiences “everywhere in every genre — narrative, documentary, short, episodic program and web series.”
Recipients include “Remember This,” “1341 Frames of Love and War,” “The Liegnitz Plot,” “Sons of Detroit,” “A Reel War: Shalaal” and “I Will Take Your Shadow.”
Directed by Jeff Hutchens and Derek Goldman, “Remember This” stars David Strathairn as Jan Karski in a true story of a reluctant World War II hero and Holocaust witness.
Ran Tal’s “1341 Frames of Love and War” documentary follows Israel’s celebrated war photographer,...
- 8/2/2021
- by Ethan Shanfeld
- Variety Film + TV
Jay Rosenblatt’s latest inventive short When We Were Bullies, world premiering at this year’s Sundance Film Festival, originated with a stranger than fiction coincidence surrounding a guy named Richard and the making of Rosenblatt’s 1994 short The Smell of Burning Ants — which itself had been influenced by another Richard, who is likewise the spark for this film. Fifty years ago the director and the former Richard, fifth-grade classmates, had been on the bullying side of a bizarre incident involving the latter Richard — a moment in time subsequently frozen in both their minds in similar, yet distinctly different, ways. So to get at […]
The post “Complicity Comes in Many Forms”: Jay Rosenblatt on His Sundance Short About Bullying, When We Were Bullies first appeared on Filmmaker Magazine.
The post “Complicity Comes in Many Forms”: Jay Rosenblatt on His Sundance Short About Bullying, When We Were Bullies first appeared on Filmmaker Magazine.
- 2/1/2021
- by Lauren Wissot
- Filmmaker Magazine - Blog
Jay Rosenblatt’s latest inventive short When We Were Bullies, world premiering at this year’s Sundance Film Festival, originated with a stranger than fiction coincidence surrounding a guy named Richard and the making of Rosenblatt’s 1994 short The Smell of Burning Ants — which itself had been influenced by another Richard, who is likewise the spark for this film. Fifty years ago the director and the former Richard, fifth-grade classmates, had been on the bullying side of a bizarre incident involving the latter Richard — a moment in time subsequently frozen in both their minds in similar, yet distinctly different, ways. So to get at […]
The post “Complicity Comes in Many Forms”: Jay Rosenblatt on His Sundance Short About Bullying, When We Were Bullies first appeared on Filmmaker Magazine.
The post “Complicity Comes in Many Forms”: Jay Rosenblatt on His Sundance Short About Bullying, When We Were Bullies first appeared on Filmmaker Magazine.
- 2/1/2021
- by Lauren Wissot
- Filmmaker Magazine-Director Interviews
There will be no Telluride Film Festival this Labor Day in Colorado, but the programmers have unveiled what this year’s selections would have been. Much like the Cannes Film Festival’s 2020 lineup, this year’s Telluride films can at least carry the imprimatur of the festival as we head into the fall circuit. The 47th edition of the Telluride Film Festival was scheduled for September 3-7. See the full lineup, as revealed on Monday, below.
The idea in presenting the Telluride selections is to recommend the best in film this year in hopes that audiences will seek out these movies at other fall festivals (or what remains of them) down the line. With the 2021 Academy Awards pushed way out to April 25, there’s at once less pressure on these films to perform for awards but also a crush of movies backlogged since quarantine hit, making for a competitive season.
The idea in presenting the Telluride selections is to recommend the best in film this year in hopes that audiences will seek out these movies at other fall festivals (or what remains of them) down the line. With the 2021 Academy Awards pushed way out to April 25, there’s at once less pressure on these films to perform for awards but also a crush of movies backlogged since quarantine hit, making for a competitive season.
- 8/3/2020
- by Ryan Lattanzio
- Indiewire
This is Part Three in a series about Chicago’s Experimental Film Coalition; and covers their annual experimental film festival. You can read Part One here and Part Two here.
In addition to their monthly screenings, the Coalition founded what was initially called either the Festival of Experimental Film or the Experimental Film Festival. The first one was most likely in 1984. By 1987 it was called the Onion City Film Festival, which it has been called ever since. The Coalition ran Onion City annually until 2001 when it was taken over by Chicago Filmmakers, and continues to run to this day.
1984
Of the first Experimental Film Festival, the dates it ran and the exact list of films that screened are not known as of this writing. However, filmmaker Paul Glabicki lists that his film, Film-Wipe-Film won a Jury Award.
1985
For the second Experimental Film Festival, again the dates and films screened are not known.
In addition to their monthly screenings, the Coalition founded what was initially called either the Festival of Experimental Film or the Experimental Film Festival. The first one was most likely in 1984. By 1987 it was called the Onion City Film Festival, which it has been called ever since. The Coalition ran Onion City annually until 2001 when it was taken over by Chicago Filmmakers, and continues to run to this day.
1984
Of the first Experimental Film Festival, the dates it ran and the exact list of films that screened are not known as of this writing. However, filmmaker Paul Glabicki lists that his film, Film-Wipe-Film won a Jury Award.
1985
For the second Experimental Film Festival, again the dates and films screened are not known.
- 12/31/2017
- by Mike Everleth
- Underground Film Journal
Mubi is continuing its partnership with Dok Leipzig to showcase highlights from their tribute Visual Electrics. The Cinema of Jay Rosenblatt in this year’s 60th festival edition. Mubi's retrospective is showing November 3, 2017 - March 4, 2018 in most countries around the world.It is a common and justified rhetorical device to begin an article on the retrospective of a filmmaker with an impression, a little observation or the description of a scene. However, being confronted with the work of San Francisco-based found footage worker Jay Rosenblatt the idea of a single, autonomous moment vanishes behind multicolored layers of streaming emotions. Just a few days after the International Leipzig Festival for Documentary and Animated Film I find it enormously hard to remember a single scene. As the filmmaker said himself during one of the Q&A sessions in Leipzig, “They [the films] all kind of blend together.” Well, they do and in this one might find the personal,...
- 11/17/2017
- MUBI
This year we are seeing many films from Mena, that is an acronym for the Middle East and North Africa. More commonly called “Arab” cinema, (though the term is inaccurate because several countries in the region are not actually “Arab”) the films of this region are winning many awards and garnering much interest worldwide.
More than 10 Arab films participated in the Berlinale’s Forum and Forum Expanded programs this year, in addition to the ones which participated in the Official Competition (“Inhebek Hedi”/ “Hedi” from Tunisia and “A Dragon Arrives!” by Mani Haghighi from Iran). This makes an especially remarkable year for Arab cinema’s presence in Berlin.
The Forum focus on Arab cinema, represented with films from Egypt, Palestine, Lebanon, Syria and Saudi Arabia highlights mostly young directors whose works explore both the past and present of their homelands.
The films included: “A Magical Substance Flows into Me” by artist Jumana Manna (Palestine), “Akher ayam el madina”/ “In the Last Days of the City” (Egypt) by Tamer El Said (international sales by Still Moving), documentary “Makhdoumin”/ “A Maid for Each” (Lebanon) by Maher Abi Samra (Isa: Docs & Film), “Barakah yoqabil Barakah”/ “Barakah Meets Barakah” (Saudi Arabia) by Mahmoud Sabbagh and Manazil (Isa: Mpm), “Bela abwab”/ “Houses without Doors” by Syrian-Armenian director Avo Kaprealian. Of course the 46th Berlinale Forum also screens films from European, Latin American and Asian directors.
The Tunisian film in Competition “Inhebek Hedi”/ “Hedi” by Mohamed Ben Attia, won the Best First Feature Award and its leading man, Majd Mastoura, received the prestigious Silver Bear for Best Actor for his role as Hedi. Attia’s debut feature film is a thoughtful love story about identity and independence in Tunisian society. It is being sold internationally by Luxbox.
Palestinian director Mahdi Fleifel won the Silver Bear Jury Prize for Short Film for “ A Man Returned”, a 30-minute portrayal of a young refugee struggling to make a life for himself in Lebanon’s Ain El-Helweh camp, being sold internationally by 3.14 Collectif. He previously made an award-winning documentary about his own experience as a refugee. The short film was also selected as the Berlin Short Film Nominee for the European Film Awards.
The Ecumenical Jury awarded the Forum Prize to Saudi filmmaker Mahmoud Sabbagh for his well-received romantic comedy “Barakah Yoqabil Barakah”/ “Barakah Meets Barakah”, a social commentary on the lives of young people in Saudi Arabia. It shared the prize with Danish production “Les Sauteurs”/ “Those Who Jump” – a film that also highlights the plight of Europe-bound refugees.
Egyptian filmmaker Tamer El-Said’s feature film “Akher Ayam El-Madina”/ “In the Last Days of the City” won the Caligari Film Prize. The film looks at a young filmmaker’s struggle to complete a film about Cairo. It was the only Egyptian film to participate in the 2016 Berlinale Forum.
Lebanese filmmaker Maher Abi Samra’s documentary “Makhdoumin”/ “A Maid for Each”, a look at the legal system that controls the lives of Lebanon’s foreign domestic workers, won the Peace Film Prize.
“Zinzana”/ “Rattle the Cage” director, Majid al Ansari, from the Arab Emirates, was honored with Variety’s Mid-East Filmmaker of the Year Award at the Berlinale. The film is the first genre movie of its kind produced in the UAE. It was financed and produced by Abu Dhabi’s ImageNation. It is repped for Us by Cinetic and international sales are by Im Global.
Projects “Mawlana”, based on Ibrahim Issa’s best-selling novel and shortlisted for the Arabic Booker Prize and director’s Mohamed Yassein’s “Wedding Song” based on Naguib Mahfouz’s novel, the Nobel Prize Winner for Literature were being promoted at the Arab Cinema Center at the Market. Reflecting a decadent Egypt from the 1970s, “Wedding Song” is one of the largest TV productions in the Arab World in 2016.
“Theeb”, a Jordanian Epic about Bedouins, is the Academy Award nomination for Best Foreign Language Film. It played in Venice. International sales agent Fortissimo has licensed it to Film Movement for U.S., ABC for Benelux, New Wave for U.K., As Fidalgo for Norway, Jiff for Australia, trigon-film for Switzerland. Mad Solutions is handling the Middle East. “Ave Maria” a 14-minute Palestine satirical short is the Academy Award nomination for Best Short Fiction and is being sold internationally by Ouat Media. “ The Idol” (Palestine) played Tiff 2015 and other top fests and has sold widely throughout the world through Canada-based international sales agent Seville. Not since Elia Suleiman won the Grand Jury Prize at the 2002 Cannes Film Festival for “Divine Intervention” has a Palestinian film director made as much of an impact as “The Idol” director Hany Abu-Assad whose “Paradise Now” and “Omar” both went to the Academy Awards.
Kudos for much of the success of Arab cinema go to Mad Solutions, the Cairo, Abu Dhabi and New York based marketing and distribution company for its marketing and social media strategies as well as its release of “Theeb”, “Zinzana” and “Ave Maria”. It also helped create the Arab Cinema Center which was launched last year at the Berlinale and Efm.
In all, 20 Mena films played in the Festival and Market this year.
And what of that other small country in the region called Israel (and/ or Palestine) which is not included in the term Mena? While Israeli films that showed in Berlin received international praise, they will never show in any of the Arab countries and are sometimes boycotted by international film festivals who succumb to censorship tactics.
Most of the larger Israeli features go to Cannes, Venice and Toronto; “Afterthought” went to Cannes, “Mountain” to Venice, “Barash” to San Sebastian”, “Wedding Doll” to London and “A.K.A. Nadia” to Talinn Black Nights Film Festival. In Berlin many are screened as German Premieres.
What Israeli films have won acclaim lately? Is it possible that our hero, Katriel Schory, head of the Israel Film Fund, whose stand for true art has earned him Israeli government censure at home (A prophet is never honored in his own land) and fame abroad with new countries striving to create national cinema, is being eclipsed by the growth of “Arab” cinema?
“Sandstorm” directed by Elite Zexer (international sales by Beta) made its way to Panorama from its world premiere in Sundance where it won the Best Actress Award for Palestinian actress Lamis Ammar’s portrayal of a young Bedouin woman forced to choose between modern freedom or traditional societal strictures within an arranged marriage.
Panorama also screened “Junction 48” (international sales by The Match Factory) which received international praise and audience acclaim. The Israeli-Palestinian hip-hop movie by Israeli-American filmmaker, Udi Aloni, was supported by the Israel-based Rabinovich Foundation. The story is about Kareem who lives in a mixed Jewish-Arab crime-ridden ghetto outside Tel Aviv. He deals drugs and lives dangerously until he discovers hip-hop and decides to express his life as a Palestinian youth along with young singer Manar. Palestinian and Israeli musicians drive this music movie and for Aloni, just seeing the film made, and then shown at the Berlin Film Festival proves its success.
“Suddenly a group of people just choose to make a film and the film is extremely professional. It’s very important that this bi-national energy can create high quality stuff, the high quality is almost the symbol of the resistance. We should not even have to tell the story about the issue. The fact that we could create it is amazing,” Aloni told Euronews.
Thirty-seven-year-old Arab-Israeli rapper Tamer Nafar plays the lead role, and has known the 56-year-old Aloni for some time. “We have been on the same demonstrations, in the parties since 2000, so we live in each other’s world. He has been to my concerts many times, he directed a video clip, I was in his movies as a producer a few times. It’s not about an old generation and new generation, it’s just about creating the right generation,” he said. “He has that gift of being a good story teller and director but he gives us the stage, no, he doesn’t give us a stage, we are building a stage together… he has his own perspective but we are all on the same level,” said actress Samar Qupty. The struggle for equal rights for Palestinians or Arab Israelis inside Israel is at its crux.
Panorama Documents screened “Who’s Gonna Love Me Now?” directed by Tomer Haymann and Barak Heymann co-directed by Alexander Bodin Saphir and being sold by Austria’s Autlook. Forum showed “ Inertia” by Idan Haguel being sold by Oration Films’ Timothy O’Brian of the U.S., and “Between Fences” by Avi Mograbi, being sold by Docs & Film’s Daniela Elstner of France. Culinary Cinema showed “Café Nagler” by Mor Kaplansky and Yariv Barel is being sold internationally by Go2Films.
Teddy 30 (the retrospective of Teddy Award winners over the past 30 years) honored Dan Wolman’s 1979 film “Hide and Seek”/ “Machboim”. Berlinale Shorts screened Rotem Murat’s “Winds Junction” from Sapir College which also holds international rights; Generation 14 Plus screened “Mushkie” by Aleeza Chanowitz from the Jerusalem San Spiegel Film School, being sold by Cinephil. Seven other films were sold in the market by various sales agents.
One of the very special events I attended at the Berlinale this year was the Shabbat Dinner, held the first Friday in the Festival and hosted by Nicola Galliner, Founder and Force of the Berlin Jewish Film Festival. There was a table full of Jews: the new Director of the Jerusalem Film Festival, Noa Regev, PhD; Jay Rosenblatt, Program Director of San Francisco’sJewish Film Institute and its former Director, Peter Stein, now the Senior Programmer of Frameline, San Francisco’s Lgbtq Film Festival; Judy Ironside, the Founder and President of UK Jewish Film and of the sixth edition of the Geneva and Zurich Jewish Film Festivals, the new young director of the Boston Jewish Film Festival, Ariana Cohen-Halberstam who recently moved from the New York Jcc to Boston, the prolific Israeli director, filmmaker Dan Wolman whose new film will soon be out and whose 1979 film “Hide and Seek”/ “Machboim” was part of the Teddy 30th Anniversary Retrospective held by the Berlinale Panorama.
Talk was about films, about politics including gender politics, about our concerns, (we Jews are better worriers than warriors) and just plain gossip.
Now if my readers will excuse my interjecting myself into this article:
It is my opinion that the region of the world called the Middle East, and the three major monotheistic religions of the world whose origin is there had better learn to do more than merely co-exist peacefully if we are to see peaceful and fruitful consequences which will set the world back upon its proper axis.
Art breaks down borders; it is subversive rather than observant of the exigencies of ever changing governments. It creates new perspectives and breaks down old ways of seeing. What I call “Cinema” is Art. Other movies may simply entertain and not aspire to more or they may propagate dogmas, but Art serves no master; it is not tethered; it is freedom of expression which should be honored with freedom to travel.
More than 10 Arab films participated in the Berlinale’s Forum and Forum Expanded programs this year, in addition to the ones which participated in the Official Competition (“Inhebek Hedi”/ “Hedi” from Tunisia and “A Dragon Arrives!” by Mani Haghighi from Iran). This makes an especially remarkable year for Arab cinema’s presence in Berlin.
The Forum focus on Arab cinema, represented with films from Egypt, Palestine, Lebanon, Syria and Saudi Arabia highlights mostly young directors whose works explore both the past and present of their homelands.
The films included: “A Magical Substance Flows into Me” by artist Jumana Manna (Palestine), “Akher ayam el madina”/ “In the Last Days of the City” (Egypt) by Tamer El Said (international sales by Still Moving), documentary “Makhdoumin”/ “A Maid for Each” (Lebanon) by Maher Abi Samra (Isa: Docs & Film), “Barakah yoqabil Barakah”/ “Barakah Meets Barakah” (Saudi Arabia) by Mahmoud Sabbagh and Manazil (Isa: Mpm), “Bela abwab”/ “Houses without Doors” by Syrian-Armenian director Avo Kaprealian. Of course the 46th Berlinale Forum also screens films from European, Latin American and Asian directors.
The Tunisian film in Competition “Inhebek Hedi”/ “Hedi” by Mohamed Ben Attia, won the Best First Feature Award and its leading man, Majd Mastoura, received the prestigious Silver Bear for Best Actor for his role as Hedi. Attia’s debut feature film is a thoughtful love story about identity and independence in Tunisian society. It is being sold internationally by Luxbox.
Palestinian director Mahdi Fleifel won the Silver Bear Jury Prize for Short Film for “ A Man Returned”, a 30-minute portrayal of a young refugee struggling to make a life for himself in Lebanon’s Ain El-Helweh camp, being sold internationally by 3.14 Collectif. He previously made an award-winning documentary about his own experience as a refugee. The short film was also selected as the Berlin Short Film Nominee for the European Film Awards.
The Ecumenical Jury awarded the Forum Prize to Saudi filmmaker Mahmoud Sabbagh for his well-received romantic comedy “Barakah Yoqabil Barakah”/ “Barakah Meets Barakah”, a social commentary on the lives of young people in Saudi Arabia. It shared the prize with Danish production “Les Sauteurs”/ “Those Who Jump” – a film that also highlights the plight of Europe-bound refugees.
Egyptian filmmaker Tamer El-Said’s feature film “Akher Ayam El-Madina”/ “In the Last Days of the City” won the Caligari Film Prize. The film looks at a young filmmaker’s struggle to complete a film about Cairo. It was the only Egyptian film to participate in the 2016 Berlinale Forum.
Lebanese filmmaker Maher Abi Samra’s documentary “Makhdoumin”/ “A Maid for Each”, a look at the legal system that controls the lives of Lebanon’s foreign domestic workers, won the Peace Film Prize.
“Zinzana”/ “Rattle the Cage” director, Majid al Ansari, from the Arab Emirates, was honored with Variety’s Mid-East Filmmaker of the Year Award at the Berlinale. The film is the first genre movie of its kind produced in the UAE. It was financed and produced by Abu Dhabi’s ImageNation. It is repped for Us by Cinetic and international sales are by Im Global.
Projects “Mawlana”, based on Ibrahim Issa’s best-selling novel and shortlisted for the Arabic Booker Prize and director’s Mohamed Yassein’s “Wedding Song” based on Naguib Mahfouz’s novel, the Nobel Prize Winner for Literature were being promoted at the Arab Cinema Center at the Market. Reflecting a decadent Egypt from the 1970s, “Wedding Song” is one of the largest TV productions in the Arab World in 2016.
“Theeb”, a Jordanian Epic about Bedouins, is the Academy Award nomination for Best Foreign Language Film. It played in Venice. International sales agent Fortissimo has licensed it to Film Movement for U.S., ABC for Benelux, New Wave for U.K., As Fidalgo for Norway, Jiff for Australia, trigon-film for Switzerland. Mad Solutions is handling the Middle East. “Ave Maria” a 14-minute Palestine satirical short is the Academy Award nomination for Best Short Fiction and is being sold internationally by Ouat Media. “ The Idol” (Palestine) played Tiff 2015 and other top fests and has sold widely throughout the world through Canada-based international sales agent Seville. Not since Elia Suleiman won the Grand Jury Prize at the 2002 Cannes Film Festival for “Divine Intervention” has a Palestinian film director made as much of an impact as “The Idol” director Hany Abu-Assad whose “Paradise Now” and “Omar” both went to the Academy Awards.
Kudos for much of the success of Arab cinema go to Mad Solutions, the Cairo, Abu Dhabi and New York based marketing and distribution company for its marketing and social media strategies as well as its release of “Theeb”, “Zinzana” and “Ave Maria”. It also helped create the Arab Cinema Center which was launched last year at the Berlinale and Efm.
In all, 20 Mena films played in the Festival and Market this year.
And what of that other small country in the region called Israel (and/ or Palestine) which is not included in the term Mena? While Israeli films that showed in Berlin received international praise, they will never show in any of the Arab countries and are sometimes boycotted by international film festivals who succumb to censorship tactics.
Most of the larger Israeli features go to Cannes, Venice and Toronto; “Afterthought” went to Cannes, “Mountain” to Venice, “Barash” to San Sebastian”, “Wedding Doll” to London and “A.K.A. Nadia” to Talinn Black Nights Film Festival. In Berlin many are screened as German Premieres.
What Israeli films have won acclaim lately? Is it possible that our hero, Katriel Schory, head of the Israel Film Fund, whose stand for true art has earned him Israeli government censure at home (A prophet is never honored in his own land) and fame abroad with new countries striving to create national cinema, is being eclipsed by the growth of “Arab” cinema?
“Sandstorm” directed by Elite Zexer (international sales by Beta) made its way to Panorama from its world premiere in Sundance where it won the Best Actress Award for Palestinian actress Lamis Ammar’s portrayal of a young Bedouin woman forced to choose between modern freedom or traditional societal strictures within an arranged marriage.
Panorama also screened “Junction 48” (international sales by The Match Factory) which received international praise and audience acclaim. The Israeli-Palestinian hip-hop movie by Israeli-American filmmaker, Udi Aloni, was supported by the Israel-based Rabinovich Foundation. The story is about Kareem who lives in a mixed Jewish-Arab crime-ridden ghetto outside Tel Aviv. He deals drugs and lives dangerously until he discovers hip-hop and decides to express his life as a Palestinian youth along with young singer Manar. Palestinian and Israeli musicians drive this music movie and for Aloni, just seeing the film made, and then shown at the Berlin Film Festival proves its success.
“Suddenly a group of people just choose to make a film and the film is extremely professional. It’s very important that this bi-national energy can create high quality stuff, the high quality is almost the symbol of the resistance. We should not even have to tell the story about the issue. The fact that we could create it is amazing,” Aloni told Euronews.
Thirty-seven-year-old Arab-Israeli rapper Tamer Nafar plays the lead role, and has known the 56-year-old Aloni for some time. “We have been on the same demonstrations, in the parties since 2000, so we live in each other’s world. He has been to my concerts many times, he directed a video clip, I was in his movies as a producer a few times. It’s not about an old generation and new generation, it’s just about creating the right generation,” he said. “He has that gift of being a good story teller and director but he gives us the stage, no, he doesn’t give us a stage, we are building a stage together… he has his own perspective but we are all on the same level,” said actress Samar Qupty. The struggle for equal rights for Palestinians or Arab Israelis inside Israel is at its crux.
Panorama Documents screened “Who’s Gonna Love Me Now?” directed by Tomer Haymann and Barak Heymann co-directed by Alexander Bodin Saphir and being sold by Austria’s Autlook. Forum showed “ Inertia” by Idan Haguel being sold by Oration Films’ Timothy O’Brian of the U.S., and “Between Fences” by Avi Mograbi, being sold by Docs & Film’s Daniela Elstner of France. Culinary Cinema showed “Café Nagler” by Mor Kaplansky and Yariv Barel is being sold internationally by Go2Films.
Teddy 30 (the retrospective of Teddy Award winners over the past 30 years) honored Dan Wolman’s 1979 film “Hide and Seek”/ “Machboim”. Berlinale Shorts screened Rotem Murat’s “Winds Junction” from Sapir College which also holds international rights; Generation 14 Plus screened “Mushkie” by Aleeza Chanowitz from the Jerusalem San Spiegel Film School, being sold by Cinephil. Seven other films were sold in the market by various sales agents.
One of the very special events I attended at the Berlinale this year was the Shabbat Dinner, held the first Friday in the Festival and hosted by Nicola Galliner, Founder and Force of the Berlin Jewish Film Festival. There was a table full of Jews: the new Director of the Jerusalem Film Festival, Noa Regev, PhD; Jay Rosenblatt, Program Director of San Francisco’sJewish Film Institute and its former Director, Peter Stein, now the Senior Programmer of Frameline, San Francisco’s Lgbtq Film Festival; Judy Ironside, the Founder and President of UK Jewish Film and of the sixth edition of the Geneva and Zurich Jewish Film Festivals, the new young director of the Boston Jewish Film Festival, Ariana Cohen-Halberstam who recently moved from the New York Jcc to Boston, the prolific Israeli director, filmmaker Dan Wolman whose new film will soon be out and whose 1979 film “Hide and Seek”/ “Machboim” was part of the Teddy 30th Anniversary Retrospective held by the Berlinale Panorama.
Talk was about films, about politics including gender politics, about our concerns, (we Jews are better worriers than warriors) and just plain gossip.
Now if my readers will excuse my interjecting myself into this article:
It is my opinion that the region of the world called the Middle East, and the three major monotheistic religions of the world whose origin is there had better learn to do more than merely co-exist peacefully if we are to see peaceful and fruitful consequences which will set the world back upon its proper axis.
Art breaks down borders; it is subversive rather than observant of the exigencies of ever changing governments. It creates new perspectives and breaks down old ways of seeing. What I call “Cinema” is Art. Other movies may simply entertain and not aspire to more or they may propagate dogmas, but Art serves no master; it is not tethered; it is freedom of expression which should be honored with freedom to travel.
- 3/6/2016
- by Sydney Levine
- Sydney's Buzz
Something of his sad freedom
As he rode the tumbril
Should come to me, driving,
Saying the names
Tollund, Grauballe, Nebelgard,
Watching the pointing hands
Of country people,
Not knowing their tongue.
Out here in Jutland
In the old man-killing parishes
I will feel lost,
Unhappy and at home.
—Seamus Heaney, The Tollund Man
It ended, like all journeys do, in Solitude, a long way from any cinema. Solitude—or rather Zolitūde, in Latvian—is a suburb of Riga, four miles as the crow flies from the fancy Scandi-Gothic-Art Nouveau city centre; six miles on foot if the pedestrian avoids diversions. But by the time I reached Solitude on that cold December Saturday afternoon, however, my inadvertent divagations must have pushed the total to the ten-mile mark. I'd looked at maps prior to departing from my hotel, of course but deliberately didn't bring one along (not a fan); I don't...
As he rode the tumbril
Should come to me, driving,
Saying the names
Tollund, Grauballe, Nebelgard,
Watching the pointing hands
Of country people,
Not knowing their tongue.
Out here in Jutland
In the old man-killing parishes
I will feel lost,
Unhappy and at home.
—Seamus Heaney, The Tollund Man
It ended, like all journeys do, in Solitude, a long way from any cinema. Solitude—or rather Zolitūde, in Latvian—is a suburb of Riga, four miles as the crow flies from the fancy Scandi-Gothic-Art Nouveau city centre; six miles on foot if the pedestrian avoids diversions. But by the time I reached Solitude on that cold December Saturday afternoon, however, my inadvertent divagations must have pushed the total to the ten-mile mark. I'd looked at maps prior to departing from my hotel, of course but deliberately didn't bring one along (not a fan); I don't...
- 1/4/2015
- by Neil Young
- MUBI
Birdman, Fury and Leviathan among main competition titles; Roland Joffé to preside over main jury.
Alejandro G Ińárritu, Yimou Zhang, Mike Leigh and Jean-Marc Vallée are among the directors with films screening in competition at the 22nd Camerimage (Nov 15-22), the International Film Festival of the Art of Cinematography.
The main competition at the festival, held in the Polish city of Bydgoszcz, comprises:
Alejandro G Ińárritu’s Birdman (The Unexpected Virtue of Ignorance); USA, 2014; Cinematographer: Emmanuel Lubezki
Yimou Zhang’s Coming Home (Gui lai); China, 2014; Cinematographer: Zhao Xiaoding
Richard Raymond’s Desert Dancer; UK, 2014; Cinematographer: Carlos Catalán Alucha
Lech J. Majewski’s Field of Dogs - Onirica (Onirica - Psie pole); Poland, 2014; Cinematographers: Paweł Tybora and Lech J. Majewski
Krzysztof Zanussi’s Foreign Body (Obce cialo); Poland, Italy, Russia, 2014; Cinematographer: Piotr Niemyjski
David Ayer’s Fury; USA, 2014; Cinematographer: Roman Vasyanov
Tate Taylor’s Get on Up; USA, 2014; Cinematographer: Stephen Goldblatt
Łukasz Palkowski’s Gods (Bogowie); Poland, 2014; Cinematographer:...
Alejandro G Ińárritu, Yimou Zhang, Mike Leigh and Jean-Marc Vallée are among the directors with films screening in competition at the 22nd Camerimage (Nov 15-22), the International Film Festival of the Art of Cinematography.
The main competition at the festival, held in the Polish city of Bydgoszcz, comprises:
Alejandro G Ińárritu’s Birdman (The Unexpected Virtue of Ignorance); USA, 2014; Cinematographer: Emmanuel Lubezki
Yimou Zhang’s Coming Home (Gui lai); China, 2014; Cinematographer: Zhao Xiaoding
Richard Raymond’s Desert Dancer; UK, 2014; Cinematographer: Carlos Catalán Alucha
Lech J. Majewski’s Field of Dogs - Onirica (Onirica - Psie pole); Poland, 2014; Cinematographers: Paweł Tybora and Lech J. Majewski
Krzysztof Zanussi’s Foreign Body (Obce cialo); Poland, Italy, Russia, 2014; Cinematographer: Piotr Niemyjski
David Ayer’s Fury; USA, 2014; Cinematographer: Roman Vasyanov
Tate Taylor’s Get on Up; USA, 2014; Cinematographer: Stephen Goldblatt
Łukasz Palkowski’s Gods (Bogowie); Poland, 2014; Cinematographer:...
- 10/31/2014
- by [email protected] (Michael Rosser)
- ScreenDaily
Polish film festival sets competition juries; Roland Joffe to preside over main competition.
Camerimage (Nov 15-22), the International Film Festival of the Art of Cinematography, has set an impressive roster of jurors for its various competition categories.
The Killing Fields director Roland Joffe will preside over the main competition jury, which incldues cinematographers Christian Berger and Manuel Alberto Claro.
Caleb Deschanel has been appointed president of the Polish Films Competition.
The full list of jurors is below.
Main Competition
Roland Joffé – Jury President (director, producer; The Killing Fields, The Mission, Vatel)
Christian Berger (cinematographer; The Piano Teacher, Hidden, The White Ribbon)
Ryszard Bugajski (director, screenwriter; Interrogation, General Nil, The Closed Circuit)
Ryszard Horowitz (photographer)
David Gropman (cinematographer; The Cider House Rules, Chocolat, Life of Pi)
Arthur Reinhart (cinematographer, producer; Crows, Tristan + Isolde, Venice)
Oliver Stapleton (cinematographer; The Cider House Rules, Pay It Forward, Don’t Be Afraid of the Dark)
Manuel Alberto Claro (cinematographer; Reconstruction, Melancholia, Nymphomaniac...
Camerimage (Nov 15-22), the International Film Festival of the Art of Cinematography, has set an impressive roster of jurors for its various competition categories.
The Killing Fields director Roland Joffe will preside over the main competition jury, which incldues cinematographers Christian Berger and Manuel Alberto Claro.
Caleb Deschanel has been appointed president of the Polish Films Competition.
The full list of jurors is below.
Main Competition
Roland Joffé – Jury President (director, producer; The Killing Fields, The Mission, Vatel)
Christian Berger (cinematographer; The Piano Teacher, Hidden, The White Ribbon)
Ryszard Bugajski (director, screenwriter; Interrogation, General Nil, The Closed Circuit)
Ryszard Horowitz (photographer)
David Gropman (cinematographer; The Cider House Rules, Chocolat, Life of Pi)
Arthur Reinhart (cinematographer, producer; Crows, Tristan + Isolde, Venice)
Oliver Stapleton (cinematographer; The Cider House Rules, Pay It Forward, Don’t Be Afraid of the Dark)
Manuel Alberto Claro (cinematographer; Reconstruction, Melancholia, Nymphomaniac...
- 10/31/2014
- by [email protected] (Andreas Wiseman)
- ScreenDaily
Paul Harrill’s Something, Anything, which co-premiered recently at the Wisconsin Film Festival and the Sarasota Film Festival, is a portrait of a young woman in crisis. Peggy [Ashley Shelton] has already achieved her “stereotypically Southern” (as she’s described in the press kit) ambitions: a successful career in realty, a husband, a house in the suburbs, and a baby on the way. In the opening moments of the film, however, she’s forced to confront her dissatisfaction with it all. A family tragedy sends Peggy on a sojourn that leads her to the Abbey of Gethsemani in Kentucky and, eventually, to a simpler life in a small apartment overlooking the Tennessee River.
Harrill first gained recognition in 2001 when his short film, Gina, An Actress, Age 29, won the top prize at Sundance and enjoyed an impressive run of screenings at international festivals. Starring Amy Hubbard and Frankie Faison (Burrell from The Wire...
Harrill first gained recognition in 2001 when his short film, Gina, An Actress, Age 29, won the top prize at Sundance and enjoyed an impressive run of screenings at international festivals. Starring Amy Hubbard and Frankie Faison (Burrell from The Wire...
- 4/14/2014
- by Darren Hughes
- MUBI
Hunger Games DoP Tom Stern and 12 Years a Slave cinematographer Sean Bobbitt among those chosen for jury duty.
The 21st Camerimage, the International Film Festival of the Art of Cinematography (Nov 16-23), has revealed the competition jurors who will judge entries at this year’s event in Bydgoszcz, Poland.
Jury members of the main competition jury are:
Tom Stern, cinematographer (Million Dollar Baby, Gran Torino, The Hunger Games);Ed Lachman, cinematographer (Erin Brockovich, The Virgin Suicides, I’m Not There);Todd McCarthy, journalist and film critic;Denis Lenoir, cinematographer (Paris, je t’aime, Righteous Kill, 88 Minutes);Adam Holender, cinematographer (Midnight Cowboy, Smoke, Fresh);Timo Salminen, cinematographer (The Man Without a Past, La Havre, The Match Factory Girl);Franz Lustig, cinematographer (Don’t Come Knocking, Land of Plenty, Palermo Shooting);Jeffrey Kimball, cinematographer (Top Gun, Mission: Impossible II, The Expendables).Polish Films Competition
Jost Vacano, the cinematographer behind several Paul Verhoeven films including Total Recall, RoboCop and [link...
The 21st Camerimage, the International Film Festival of the Art of Cinematography (Nov 16-23), has revealed the competition jurors who will judge entries at this year’s event in Bydgoszcz, Poland.
Jury members of the main competition jury are:
Tom Stern, cinematographer (Million Dollar Baby, Gran Torino, The Hunger Games);Ed Lachman, cinematographer (Erin Brockovich, The Virgin Suicides, I’m Not There);Todd McCarthy, journalist and film critic;Denis Lenoir, cinematographer (Paris, je t’aime, Righteous Kill, 88 Minutes);Adam Holender, cinematographer (Midnight Cowboy, Smoke, Fresh);Timo Salminen, cinematographer (The Man Without a Past, La Havre, The Match Factory Girl);Franz Lustig, cinematographer (Don’t Come Knocking, Land of Plenty, Palermo Shooting);Jeffrey Kimball, cinematographer (Top Gun, Mission: Impossible II, The Expendables).Polish Films Competition
Jost Vacano, the cinematographer behind several Paul Verhoeven films including Total Recall, RoboCop and [link...
- 11/8/2013
- by [email protected] (Michael Rosser)
- ScreenDaily
Nb: Films by Robert Beavers, Peter Hutton, and Luther Price were unavailable for preview. However, I said some very nice things about these men and their work in general over at The Dissolve.
In years past, I have attempted to present this extended article as a preview; my aim has been to send it off into the world either the day before of the day of Tiff's kick-off. That has proven impossible this year, and, dear reader, I am heartily sorry for having offended thee... But the fact that Wavelengths is a beat that is becoming harder and harder for one person to adequately cover is undoubtedly a sign of good health. Since last year, when Tiff enfolded the former Visions section (a space for formally adventurous narrative features) into Wavelengths (Tiff's experimental showcase), not only has interest in the section grown exponentially. The section can now more fully reflect...
In years past, I have attempted to present this extended article as a preview; my aim has been to send it off into the world either the day before of the day of Tiff's kick-off. That has proven impossible this year, and, dear reader, I am heartily sorry for having offended thee... But the fact that Wavelengths is a beat that is becoming harder and harder for one person to adequately cover is undoubtedly a sign of good health. Since last year, when Tiff enfolded the former Visions section (a space for formally adventurous narrative features) into Wavelengths (Tiff's experimental showcase), not only has interest in the section grown exponentially. The section can now more fully reflect...
- 9/9/2013
- by Michael Sicinski
- MUBI
Film festivals are just about perpetual temptations in the San Francisco Bay Area. The discerning filmgoer here has to pick and choose her obsessions. One of mine is the well-programmed, easily-accessible San Francisco Jewish Film Festival, running July 25 through August 12, whose 33rd annual program was just announced at its ritually haimishe press conference (Bagels n'schmear! Strong coffee! And fresh plums just plucked from one of the festival employee's tree!). An equally haimishe reason that I look forward to the Jewish Film Festival every year: it's my father's favorite film festival, and now that he's semi-retired, I can count on his enthusiastic companionship at a daunting number of movies a day.Equally enthusiastic as they hit on highlights of the upcoming fest were the triumvirate of Executive Director Lexi Leban, Program Director Jay Rosenblatt, and Associate Programmer Joshua Moore. This year the Festival (the first and largest ...
- 6/27/2013
- by Meredith Brody
- Thompson on Hollywood
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