The Marrakech Film Festival, which opened Friday with Justin Kurzel’s timely thriller “The Order,” has more than 70 films in its lineup, which, as is customary, mixes known titles and fresh fare.
“The Order” is part of the event’s gala screenings that also comprise French-Moroccan auteur Nabil Ayouch’s feminist musical drama “Everybody Loves Touda,” Walter Salles’ “I’m Still Here” and Mohammad Rasoulof’s “The Seed of the Sacred Fig,” all of which will be accompanied by their directors.
The 14-title competition dedicated to first and second works includes Moroccan director Saïd Hamich Benlarbi’s melodrama “Across the Sea,” about North African exiles in Marseilles, and Hind Meddeb’s doc “Sudan, Remember Us,” which pays homage to Sudanese people and culture by chronicling their 2019 revolution. “Sudan, Remember Us” is among films supported by the fest’s Atlas Workshops industry initiative, aimed at fostering and supporting the emergence of a new generation of Moroccan,...
“The Order” is part of the event’s gala screenings that also comprise French-Moroccan auteur Nabil Ayouch’s feminist musical drama “Everybody Loves Touda,” Walter Salles’ “I’m Still Here” and Mohammad Rasoulof’s “The Seed of the Sacred Fig,” all of which will be accompanied by their directors.
The 14-title competition dedicated to first and second works includes Moroccan director Saïd Hamich Benlarbi’s melodrama “Across the Sea,” about North African exiles in Marseilles, and Hind Meddeb’s doc “Sudan, Remember Us,” which pays homage to Sudanese people and culture by chronicling their 2019 revolution. “Sudan, Remember Us” is among films supported by the fest’s Atlas Workshops industry initiative, aimed at fostering and supporting the emergence of a new generation of Moroccan,...
- 30/11/2024
- Nick Vivarelli के द्वारा
- Variety Film + TV
The Marrakech Film Festival unveiled its 2024 lineup on Thursday and set that Luca Guadagnino would replace Thomas Vinterberg as its jury president. The other jury members will be Andrew Garfield, Jacob Elordi, Virginie Efira, and Ali Abbasi. Vinterberg “had to excuse himself for family reasons,” festival organizers said.
The Marrakech fest on Thursday also unveiled the lineup for its competition, 11th Continent, and Moroccan Panorama sections, as well as gala and special screenings. In the competition, 14 films will compete for the Étoile d’Or, or Golden Star.
The 21st edition of the fest in Morocco will also honor Sean Penn, David Cronenberg and, posthumously, pay homage to Moroccan star Naïma Elmcherqui. The Marrakech fest takes place Nov. 29-Dec. 7.
Check out the full lineup for the 2024 edition below.
Competition
Across The Sea (LA Mer Au Loin)
by Saïd Hamich Benlarbi / France, Morocco, Belgium
with Ayoub Gretaa, Anna Mouglalis, Grégoire Colin, Omar Boulakirba,...
The Marrakech fest on Thursday also unveiled the lineup for its competition, 11th Continent, and Moroccan Panorama sections, as well as gala and special screenings. In the competition, 14 films will compete for the Étoile d’Or, or Golden Star.
The 21st edition of the fest in Morocco will also honor Sean Penn, David Cronenberg and, posthumously, pay homage to Moroccan star Naïma Elmcherqui. The Marrakech fest takes place Nov. 29-Dec. 7.
Check out the full lineup for the 2024 edition below.
Competition
Across The Sea (LA Mer Au Loin)
by Saïd Hamich Benlarbi / France, Morocco, Belgium
with Ayoub Gretaa, Anna Mouglalis, Grégoire Colin, Omar Boulakirba,...
- 7/11/2024
- Georg Szalai के द्वारा
- The Hollywood Reporter - Movie News
France’s Les Arcs Film Festival has unveiled the line-up for its 16th edition of its mountaintop movie marathon, taking place from December 14-21, 2024.
Eight European films will vie for the festival’s Crystal Arrow awards.
They include Rich Peppiatt’s Kneecap, a comedy about titular west Belfast hip-hop trio that is Ireland’s entry for the best international feature Oscar race and leads the Bifa 2024 nominations, Runar Runarsson’s Icelandic drama When the Light Breaks that opened this year’s Cannes Un Certain Regard, and Kurdwin Ayub’s Moon about a former Austrian martial arts master hired to train...
Eight European films will vie for the festival’s Crystal Arrow awards.
They include Rich Peppiatt’s Kneecap, a comedy about titular west Belfast hip-hop trio that is Ireland’s entry for the best international feature Oscar race and leads the Bifa 2024 nominations, Runar Runarsson’s Icelandic drama When the Light Breaks that opened this year’s Cannes Un Certain Regard, and Kurdwin Ayub’s Moon about a former Austrian martial arts master hired to train...
- 6/11/2024
- ScreenDaily
The American French Film Festival unveiled the full-line up of its upcoming edition at a press conference at the Résidence de France in Beverly Hills on Wednesday, as the event returns after a one-year hiatus due to the Hollywood strikes.
The 28th edition, running October 29 to November 3 in the Director’s Guild of America Theatre Complex, will showcase 60 films and series, with 14 shorts, 14 Series and TV movies, and 32 feature films and documentaries, many of which are International, North American and U.S. premiere presentations.
As previously announced the event will be book-ended by Jacques Audiard’s Emilia Pérez as the opening film and The Count of Monte Cristo, which will close the event.
The American French Film Festival was created and is produced by the Franco-American Cultural Fund, a collaboration between the Directors Guild of America (DGA), the Motion Picture Association (MPA), France’s Society of Authors, Composers and Publishers...
The 28th edition, running October 29 to November 3 in the Director’s Guild of America Theatre Complex, will showcase 60 films and series, with 14 shorts, 14 Series and TV movies, and 32 feature films and documentaries, many of which are International, North American and U.S. premiere presentations.
As previously announced the event will be book-ended by Jacques Audiard’s Emilia Pérez as the opening film and The Count of Monte Cristo, which will close the event.
The American French Film Festival was created and is produced by the Franco-American Cultural Fund, a collaboration between the Directors Guild of America (DGA), the Motion Picture Association (MPA), France’s Society of Authors, Composers and Publishers...
- 2/10/2024
- Melanie Goodfellow के द्वारा
- Deadline Film + TV
Just a day after New York Film Festival and Toronto International Film Festival made major announcements, Venice Film Festival is here with their full lineup ahead of the festival taking place August 28 through September 7.
Highlights include Pedro Almodóvar’s The Room Next Door, Luca Guadagnino’s Queer, Brady Corbet’s The Brutalist, Kiyoshi Kurosawa’s Cloud, Alex Ross Perry’s Pavements, Harmony Korine’s Baby Invasion, Pablo Larraín’s Maria, Takeshi Kitano’s Broken Rage, Errol Morris’ Separated, Lav Diaz’s Phantosmia, Thomas Vinterberg’s Families Like Ours, Dea Kulumbegashvili’s April, and more.
Check out the lineup below with a hat tip to Cineuropa.
Competition
The Room Next Door – Pedro Almodóvar
Campo di battaglia – Gianni Amelio
Leurs enfants après eux – Ludovic & Zoran Boukherma
The Brutalist – Brady Corbet
Jouer avec le feu – Delphine & Muriel Coulin
Vermiglio – Maura Delpero
Iddu (Sicilian Letters) – Fabio Grassadonia & Antonio Piazza
Queer – Luca Guadagnino
Love – Dag Johan Haugerud...
Highlights include Pedro Almodóvar’s The Room Next Door, Luca Guadagnino’s Queer, Brady Corbet’s The Brutalist, Kiyoshi Kurosawa’s Cloud, Alex Ross Perry’s Pavements, Harmony Korine’s Baby Invasion, Pablo Larraín’s Maria, Takeshi Kitano’s Broken Rage, Errol Morris’ Separated, Lav Diaz’s Phantosmia, Thomas Vinterberg’s Families Like Ours, Dea Kulumbegashvili’s April, and more.
Check out the lineup below with a hat tip to Cineuropa.
Competition
The Room Next Door – Pedro Almodóvar
Campo di battaglia – Gianni Amelio
Leurs enfants après eux – Ludovic & Zoran Boukherma
The Brutalist – Brady Corbet
Jouer avec le feu – Delphine & Muriel Coulin
Vermiglio – Maura Delpero
Iddu (Sicilian Letters) – Fabio Grassadonia & Antonio Piazza
Queer – Luca Guadagnino
Love – Dag Johan Haugerud...
- 23/7/2024
- Jordan Raup के द्वारा
- The Film Stage
Venice Film Festival has revealed the programme for its 81st edition, featuring a 21-strong Competition that includes new films from Todd Phillips, Pedro Almodovar, Luca Guadagino, Pablo Larrain, Brady Corbet and Justin Kurzel.
Scroll down for full line-up
The selection was unveiled by festival president Pietrangelo Buttafuoco and artistic director Alberto Barbera. It marked Buttafuoco’s first time at the annual press conference, after replacing Roberto Cicutto in October 2023.
Further filmmakers in Competition include Wang Bing, Luis Ortega, Dea Kulumbegashvili, Dag Johan Haugerud, Athina Rachel Tsangari and Walter Salles.
The line-up also includes Jon Watt’s Wolfs, starring Brad Pitt and George Clooney,...
Scroll down for full line-up
The selection was unveiled by festival president Pietrangelo Buttafuoco and artistic director Alberto Barbera. It marked Buttafuoco’s first time at the annual press conference, after replacing Roberto Cicutto in October 2023.
Further filmmakers in Competition include Wang Bing, Luis Ortega, Dea Kulumbegashvili, Dag Johan Haugerud, Athina Rachel Tsangari and Walter Salles.
The line-up also includes Jon Watt’s Wolfs, starring Brad Pitt and George Clooney,...
- 23/7/2024
- ScreenDaily
Orange Studio has boarded true-crime-tinged psychological thriller “An Ordinary Case” and will launch sales at this week’s Unifrance Rendez-Vous in Paris. Top-lined, co-written and directed by French cinema stalwart Daniel Auteuil, this pulled-from-the-headlines drama also boasts “Borgen” and “Westworld” star Sidse Babett Knudsen alongside acclaimed actor Grégory Gadebois (“An Officer and a Spy”).
Auteuil adapted the feature from the work of Jean-Yves Moyart – a jurist-turned-blogger-turned-bestselling author who wrote of his experiences in the French legal system – and will star as Jean Monier, a disillusioned lawyer defending a man accused of murdering his wife. While all signs point to the accused’s guilt, Monier remains steadfast in his presumption of innocence. What begins as an ordinary case turns out to be anything but.
Following in the footsteps of Alice Diop’s Venice and César winner “Saint Omer,” of Cédric Kahn’s Cannes-acclaimed “The Goldman Case,” and of Justine Triet’s...
Auteuil adapted the feature from the work of Jean-Yves Moyart – a jurist-turned-blogger-turned-bestselling author who wrote of his experiences in the French legal system – and will star as Jean Monier, a disillusioned lawyer defending a man accused of murdering his wife. While all signs point to the accused’s guilt, Monier remains steadfast in his presumption of innocence. What begins as an ordinary case turns out to be anything but.
Following in the footsteps of Alice Diop’s Venice and César winner “Saint Omer,” of Cédric Kahn’s Cannes-acclaimed “The Goldman Case,” and of Justine Triet’s...
- 15/1/2024
- Ben Croll के द्वारा
- Variety Film + TV
Melvil Poupaud, an actor in Francois Ozon’s “By the Grace of God” and Maiwenn’s “Jeanne du Barry,” will receive the French Cinema Award from Unifrance, the French promotion organization.
The ceremony will be held on Jan. 18 at the Culture Ministry during the Rendez-Vous With French Cinema market. The French Cinema Award was created in 2016 to honor actors, filmmakers and producers who have contributed to making French cinema shine abroad. Past recipients include actor Juliette Binoche, director Olivier Assayas and producers Aton Soumache and Dimitri Rassam, among others.
Poupaud started his career as a child actor in the 1980 and has worked with auteurs such as Raoul Ruiz, Eric Rohmer, James Ivory and Ozon, with whom he has made four movies. His latest film directed by Ozon, “By the Grace of God,” won the Silver Bear in Berlin and earned him a Cesar nomination for best actor. He also worked with several well-established female directors,...
The ceremony will be held on Jan. 18 at the Culture Ministry during the Rendez-Vous With French Cinema market. The French Cinema Award was created in 2016 to honor actors, filmmakers and producers who have contributed to making French cinema shine abroad. Past recipients include actor Juliette Binoche, director Olivier Assayas and producers Aton Soumache and Dimitri Rassam, among others.
Poupaud started his career as a child actor in the 1980 and has worked with auteurs such as Raoul Ruiz, Eric Rohmer, James Ivory and Ozon, with whom he has made four movies. His latest film directed by Ozon, “By the Grace of God,” won the Silver Bear in Berlin and earned him a Cesar nomination for best actor. He also worked with several well-established female directors,...
- 4/1/2024
- Elsa Keslassy के द्वारा
- Variety Film + TV
Orange Studio is launching several French projects at the Cannes Film Market, including Simon Bouisson’s “Drone,” a thriller produced by Haut et Court (“The Night of the 12th”), and “Miss Violet,” a period drama directed by Eric Besnard (“Delicious”) and starring Alexandra Lamy (“Rolling to You”).
Bouisson, who is directing “Drone,” previously penned and directed the short-format series “Stalk” which was hit on France Televisions’ youth-centered service and has been optioned for a remake in the U.S. The thriller stars Marion Barbeau, the dancer-turned-actor who broke through in Cedric Klapisch’s “Rise,” as well as Eugénie Derouand (“Paris Police”), Cédric Kahn (“November”) and Stefan Crepon (“Peter Von Kant”)
“Drone” follows Emilie who has freshly arrived in Paris to study architecture. At night, to make ends meet, she works as a cam-girl, something which she keeps to herself. One evening, a mysterious drone appears at her apartment window. From then on,...
Bouisson, who is directing “Drone,” previously penned and directed the short-format series “Stalk” which was hit on France Televisions’ youth-centered service and has been optioned for a remake in the U.S. The thriller stars Marion Barbeau, the dancer-turned-actor who broke through in Cedric Klapisch’s “Rise,” as well as Eugénie Derouand (“Paris Police”), Cédric Kahn (“November”) and Stefan Crepon (“Peter Von Kant”)
“Drone” follows Emilie who has freshly arrived in Paris to study architecture. At night, to make ends meet, she works as a cam-girl, something which she keeps to herself. One evening, a mysterious drone appears at her apartment window. From then on,...
- 12/5/2023
- Elsa Keslassy के द्वारा
- Variety Film + TV
Melvil Poupaud: "They are doing a little retrospective of my work at the Fi:af, French Institute, and I have a masterclass at NYU." Photo: Anne-Katrin Titze
Nicolas Pariser’s The Great Game (Le Grand Jeu); Éric Rohmer’s A Tale Of Summer (Conte d'été); François Ozon’s By The Grace Of God (Grâce à Dieu); Charles de Meaux’s The Lady In The Portrait (Le Portrait Interdit); two from Raúl Ruiz, Genealogies Of A Crime (Généalogies d'Un Crime) and Treasure Island (L'Île Au Trésor); Zoe R Cassavetes’ Broken English, and Xavier Dolan’s Laurence Anyways will all be screened in Magnetic Melvil Poupaud.
François Ozon's By the Grace of God in Magnetic Melvil Poupaud Photo: Anne-Katrin Titze
The CinéSalon series opens on Tuesday, March 7 with Carine Tardieu’s The Young Lovers (Les Jeunes Amants) at 7:30pm followed by a Q&a with Melvil Poupaud inside Florence Gould Hall...
Nicolas Pariser’s The Great Game (Le Grand Jeu); Éric Rohmer’s A Tale Of Summer (Conte d'été); François Ozon’s By The Grace Of God (Grâce à Dieu); Charles de Meaux’s The Lady In The Portrait (Le Portrait Interdit); two from Raúl Ruiz, Genealogies Of A Crime (Généalogies d'Un Crime) and Treasure Island (L'Île Au Trésor); Zoe R Cassavetes’ Broken English, and Xavier Dolan’s Laurence Anyways will all be screened in Magnetic Melvil Poupaud.
François Ozon's By the Grace of God in Magnetic Melvil Poupaud Photo: Anne-Katrin Titze
The CinéSalon series opens on Tuesday, March 7 with Carine Tardieu’s The Young Lovers (Les Jeunes Amants) at 7:30pm followed by a Q&a with Melvil Poupaud inside Florence Gould Hall...
- 4/3/2023
- Anne-Katrin Titze के द्वारा
- eyeforfilm.co.uk
Melvil Poupaud with Anne-Katrin Titze on Arnaud Desplechin: “For me he is one of the best metteurs en scène that I’ve worked with because of where he puts the camera, the choice of the lens, everything means something.”
In the second instalment with Melvil Poupaud on Arnaud Desplechin’s Brother And Sister, screenplay with Julie Peyr we discuss inspiration from Forest Whitaker in Clint Eastwood’s Bird and Jack Nicholson In Bob Rafelson’s Five Easy Pieces, Grégoire Hetzel’s score, a very particular smile shared by him and Marion Cotillard, a cowboy movie showdown in the supermarket, contradictions, and hungry ghosts.
Melvil Poupaud on Arnaud Desplechin: “He doesn’t want to be realistic or naturalistic. ” Photo: Anne-Katrin Titze
Magnetic Melvil Poupaud opens on Tuesday, March 7 with a screening of Carine Tardieu’s The Young Lovers (Les Jeunes Amants) at 7:30pm followed by a Q&a with Melvil inside Florence Gould.
In the second instalment with Melvil Poupaud on Arnaud Desplechin’s Brother And Sister, screenplay with Julie Peyr we discuss inspiration from Forest Whitaker in Clint Eastwood’s Bird and Jack Nicholson In Bob Rafelson’s Five Easy Pieces, Grégoire Hetzel’s score, a very particular smile shared by him and Marion Cotillard, a cowboy movie showdown in the supermarket, contradictions, and hungry ghosts.
Melvil Poupaud on Arnaud Desplechin: “He doesn’t want to be realistic or naturalistic. ” Photo: Anne-Katrin Titze
Magnetic Melvil Poupaud opens on Tuesday, March 7 with a screening of Carine Tardieu’s The Young Lovers (Les Jeunes Amants) at 7:30pm followed by a Q&a with Melvil inside Florence Gould.
- 27/2/2023
- Anne-Katrin Titze के द्वारा
- eyeforfilm.co.uk
Louis Garrel’s “The Innocent” and Dominik Moll’s thriller “The Night of the 12th” are leading the race at the 48th Cesar Awards, France’s equivalent to the Oscars.
Nominated for 11 Cesar nominations, “The Innocent” is a heist romantic comedy starring Garrel, Roschdy Zem and Noemie Merlant, who previously starred in “Portrait of a Lady on Fire” and most recently in “Tár.” Produced by Anne-Dominique Toussaint at Les Films des Tournelles, the crowdpleaser world premiered out of competition at Cannes for the 75th anniversary of the festival.
“The Night of the 12th,” meanwhile, is in the running for 10 Cesar awards. The brooding topical procedural, which also opened as part of Cannes’ Premiere section, stars Bastien Bouillon and Bouli Lanners as two cops trying to solve a gruesome murder. The movie, produced by Haut et Court (“The Class”), delves into issues of gender and violence.
Other top Cesar contenders include Cedric Klapisch’s dance-filled “Rise,...
Nominated for 11 Cesar nominations, “The Innocent” is a heist romantic comedy starring Garrel, Roschdy Zem and Noemie Merlant, who previously starred in “Portrait of a Lady on Fire” and most recently in “Tár.” Produced by Anne-Dominique Toussaint at Les Films des Tournelles, the crowdpleaser world premiered out of competition at Cannes for the 75th anniversary of the festival.
“The Night of the 12th,” meanwhile, is in the running for 10 Cesar awards. The brooding topical procedural, which also opened as part of Cannes’ Premiere section, stars Bastien Bouillon and Bouli Lanners as two cops trying to solve a gruesome murder. The movie, produced by Haut et Court (“The Class”), delves into issues of gender and violence.
Other top Cesar contenders include Cedric Klapisch’s dance-filled “Rise,...
- 25/1/2023
- Elsa Keslassy के द्वारा
- Variety Film + TV
French sales companies are getting behind Mia’s film and TV market in Rome this week.
French sales companies will be out in force at Rome’s Mia film and TV market (October 13-17) as the global film and TV market circuit continues to shift due to the pandemic Covid-19.
French sellers have been busy networking at the Venice and San Sebastian film festivals this autumn, but Mia represents the first physical market since Cannes in July for most after only a handful of European professionals made the trip to Toronto in September.
Mia will also be the last opportunity...
French sales companies will be out in force at Rome’s Mia film and TV market (October 13-17) as the global film and TV market circuit continues to shift due to the pandemic Covid-19.
French sellers have been busy networking at the Venice and San Sebastian film festivals this autumn, but Mia represents the first physical market since Cannes in July for most after only a handful of European professionals made the trip to Toronto in September.
Mia will also be the last opportunity...
- 12/10/2021
- Melanie Goodfellow के द्वारा
- ScreenDaily
Colcoa Classics to stage Bertrand Tavernier tribute.
The North American Premiere of Emmanuel Carrère’s Cannes Directors’ Fortnight opener Between Two Worlds starring Juliette Binoche will open the in-person 25th Colcoa French film and series festival on November 1.
The event runs until November 7 and will screen 55 films and series at the DGA Theatre in Hollywood with a Colcoa Classics tribute to Bertrand Tavernier.
The closing films are Xavier Giannoli’s recent Venice Film Festival Lost Illusions and Arthur Harari’s 2021 Cannes Un Certain Regard opener Onoda, 10,000 Nights In The Jungle.
The feature line-up includes Leyla Bouzid’s A Tale Of Love And Desire...
The North American Premiere of Emmanuel Carrère’s Cannes Directors’ Fortnight opener Between Two Worlds starring Juliette Binoche will open the in-person 25th Colcoa French film and series festival on November 1.
The event runs until November 7 and will screen 55 films and series at the DGA Theatre in Hollywood with a Colcoa Classics tribute to Bertrand Tavernier.
The closing films are Xavier Giannoli’s recent Venice Film Festival Lost Illusions and Arthur Harari’s 2021 Cannes Un Certain Regard opener Onoda, 10,000 Nights In The Jungle.
The feature line-up includes Leyla Bouzid’s A Tale Of Love And Desire...
- 11/10/2021
- Jeremy Kay के द्वारा
- ScreenDaily
Emmanuel Carrère’s Ouistreham (Between Two Worlds) has been set as the opening film of the 25th Colcoa French Film and Series Festival. The anniversary edition of the City of Lights, City of Angels fest kicks off on November 1 with the Juliette Binoche-starrer that opened Directors’ Fortnight in Cannes last July before winning the Audience Award at San Sebastian. Cohen Media Group releases in the U.S. in 2022.
Colcoa is running as a live week-long event taking place at the DGA Theater Complex from November 1-7. This year’s edition is dedicated to late filmmaker Bertrand Tavernier and will pay homage to him in the Classics section. The full program will include 55 films and series, as well as 19 shorts. Thirty of the films will compete for the Colcoa Cinema Awards and the Colcoa High School Screenings program will also return, welcoming 3,000 high school students from across Southern California.
Two...
Colcoa is running as a live week-long event taking place at the DGA Theater Complex from November 1-7. This year’s edition is dedicated to late filmmaker Bertrand Tavernier and will pay homage to him in the Classics section. The full program will include 55 films and series, as well as 19 shorts. Thirty of the films will compete for the Colcoa Cinema Awards and the Colcoa High School Screenings program will also return, welcoming 3,000 high school students from across Southern California.
Two...
- 11/10/2021
- Nancy Tartaglione के द्वारा
- Deadline Film + TV
The company unveiled its French slate for the first half of 2021 at the online edition of Unifrance Rendez-Vous with French Cinema.
Paris-based mk2 films has launched sales on Robert Guédiguian’s youthful 1960s West Africa-set love story Mali Twist at this year’s Unifrance Rendez-Vous with French Cinema, which is running online from January 13 to 15.
The company has unveiled a first look image (see above) of the feature set against the backdrop of the febrile atmosphere of post-Colonial Mali, where youngsters danced to rock and roll music in the capital of Bamako against a backdrop of dreams of political renewal.
Paris-based mk2 films has launched sales on Robert Guédiguian’s youthful 1960s West Africa-set love story Mali Twist at this year’s Unifrance Rendez-Vous with French Cinema, which is running online from January 13 to 15.
The company has unveiled a first look image (see above) of the feature set against the backdrop of the febrile atmosphere of post-Colonial Mali, where youngsters danced to rock and roll music in the capital of Bamako against a backdrop of dreams of political renewal.
- 13/1/2021
- Melanie Goodfellow के द्वारा
- ScreenDaily
Fanny Ardant, Melvil Poupaud, Cécile de France and Florence Loiret-Caille lead the cast of this feature film by Agat Film & Ex Nihilo and Karé Productions, which is sold by mk2 Films. Since 14 September, Carine Tardieu has been shooting The Young Lovers, her 4th full-length film after In Mom’s Head, The Dandelions and Just To Be Sure (unveiled in the Directors’ Fortnight in 2017). Starring in the cast are Fanny Ardant (recently awarded the Best Supporting Role César for her part in La Belle Époque and touring cinemas as of 28 October courtesy of DNA), Melvil Poupaud, Belgium’s Cécile de France (recently nominated...
French sellers will market premiere a number of Cannes 2020 label titles.
MK2 Films is launching Carine Tardieu’s romantic drama The Young Lovers, starring Fanny Ardant opposite Melvil Poupaud as a 70-year-old woman who embarks on an affair with a married doctor 25 years her junior, and Ratatouille screenwriter Jim Capobianco’s stop-motion animation feature The Inventor about the life of Leonardo da Vinci, featuring Stephen Fry and Daisy Ridley in the voice cast. It will also market premiere Cannes 2020 titles The Big Hit by Emmanuel Courcol and Israeli filmmaker Nir Bergman’s father-and-son tale Here We Are.
Charades is running...
MK2 Films is launching Carine Tardieu’s romantic drama The Young Lovers, starring Fanny Ardant opposite Melvil Poupaud as a 70-year-old woman who embarks on an affair with a married doctor 25 years her junior, and Ratatouille screenwriter Jim Capobianco’s stop-motion animation feature The Inventor about the life of Leonardo da Vinci, featuring Stephen Fry and Daisy Ridley in the voice cast. It will also market premiere Cannes 2020 titles The Big Hit by Emmanuel Courcol and Israeli filmmaker Nir Bergman’s father-and-son tale Here We Are.
Charades is running...
- 21/6/2020
- 1100388¦Melanie Goodfellow¦69¦ के द्वारा
- ScreenDaily
Romantic drama will challenge societal norms.
Paris-based mk2 films has boarded sales on Carine Tardieu’s upcoming romantic drama The Young Lovers, starring Fanny Ardant opposite Melvil Poupaud as a 70-year-old woman who embarks on an affair with a married doctor 25 years her junior.
“It’s a modern and nuanced drama where love defies society’s standards,” said mk2 films sales chief Fionnuala Jamison.
Ardant plays an elegant, retired architect whose path crosses with a happily married doctor in his 40s, who first made an impression on her in a brief meeting 15 years previously.
Both are quite troubled to meet again and begin an affair.
Paris-based mk2 films has boarded sales on Carine Tardieu’s upcoming romantic drama The Young Lovers, starring Fanny Ardant opposite Melvil Poupaud as a 70-year-old woman who embarks on an affair with a married doctor 25 years her junior.
“It’s a modern and nuanced drama where love defies society’s standards,” said mk2 films sales chief Fionnuala Jamison.
Ardant plays an elegant, retired architect whose path crosses with a happily married doctor in his 40s, who first made an impression on her in a brief meeting 15 years previously.
Both are quite troubled to meet again and begin an affair.
- 19/6/2020
- 1100388¦Melanie Goodfellow¦69¦ के द्वारा
- ScreenDaily
Romantic drama will challenge societal norms.
Paris-based mk2 films has boarded sales on Carine Tardieu’s upcoming romantic drama The Young Lovers, starring Fanny Ardant opposite Melvil Poupard as a 70-year-old woman who embarks on an affair with a married doctor 25 years her junior.
“It’s a modern and nuanced drama where love defies society’s standards,” said mk2 films sales chief Fionnuala Jamison.
Ardant plays an elegant, retired architect whose path crosses with a happily married doctor in his 40s, who first made an impression on her in a brief meeting 15 years previously.
Both are quite troubled to meet again and begin an affair.
Paris-based mk2 films has boarded sales on Carine Tardieu’s upcoming romantic drama The Young Lovers, starring Fanny Ardant opposite Melvil Poupard as a 70-year-old woman who embarks on an affair with a married doctor 25 years her junior.
“It’s a modern and nuanced drama where love defies society’s standards,” said mk2 films sales chief Fionnuala Jamison.
Ardant plays an elegant, retired architect whose path crosses with a happily married doctor in his 40s, who first made an impression on her in a brief meeting 15 years previously.
Both are quite troubled to meet again and begin an affair.
- 19/6/2020
- 1100388¦Melanie Goodfellow¦69¦ के द्वारा
- ScreenDaily
The French institution will also support films by Carine Tardieu, Patric Chiha, Thomas Salvador, Rachid Hami and Audrey Diwan. As the entire film chain readies itself for the resumption of activities in France (with a return to filming now imminent and the re-opening of cinemas planned for 22 June), the Cnc has revealed a lengthy list of 11 projects (six from the second session and five from the first) which were chosen during the 2nd advance on receipts committee of 2020. Standing tall among them is La Petite Bande, which will be the 10th feature film by Pierre Salvadori, whose first opus The Trouble With You went down well at the 2018 Directors’ Fortnight before earning itself nine César nominations. Following in the footsteps of a small group of young boys and based - according to the...
You can’t choose who your parents are – or can you?
In the sharp and funny French comedy Just to Be Sure (Otez-moi d’un doute), that question becomes the driving force behind two interconnected stories involving paternity and possible incest, as a widowed father discovers that his own dad may not be his biological one, while learning that his budding love interest may actually be his sister.
It all sounds like the recipe for either a really bad soap opera or something hatched from the mind of Lars von Trier, but in her third feature effort, writer-director Carine Tardieu (The...
In the sharp and funny French comedy Just to Be Sure (Otez-moi d’un doute), that question becomes the driving force behind two interconnected stories involving paternity and possible incest, as a widowed father discovers that his own dad may not be his biological one, while learning that his budding love interest may actually be his sister.
It all sounds like the recipe for either a really bad soap opera or something hatched from the mind of Lars von Trier, but in her third feature effort, writer-director Carine Tardieu (The...
- 20/5/2017
- Jordan Mintzer के द्वारा
- The Hollywood Reporter - Movie News
The lineup for the 2017 Directors’ Fortnight (Quinzaine des Réalisateurs) at Cannes has been announced:Opening Film: Un beau soleil interieur (Claire Denis)Closing Film:Patti Cake$ (Geremy Jasper)Feature Films A Ciambra (Jonas Carpignano)Alive in France (Abel Ferrara)L'amant d'un jour (Philippe Garrel)Bushwick (Cary Murnion & Jonathan Milott) Cuori Puri (Roberto de Paolis)The Florida Project (Sean Baker)Frost (Sharunas Bartas)I'm Not a Witch (Rungano Nyoni) Jeannette, l'enfance de Jeanne D'Arc (Bruno Dumont)L'intrusa (Leonardo di Constanzo)La Defensa del Dragón (Natalia Santa)Marlina the Murderer in Four Acts (Mouly Surya) Mobile Homes (Vladimir de Fontenay)Nothingwood (Sonia Kronlund) Ôtez-moi d'un doute (Carine Tardieu) The Rider (Chloe Zhao)West of the Jordan River (Field Day Revisited) (Amos Gitai)SHORTSÁgua Mole (Laura Goncalves & Alexandra Ramires)La bouche (Camilo Restrepo)Copa-loca (Christos Massalas)Crème de menthe (David Philippe Gagne & Jean-Marc E. Roy)Farpões, Baldios (Marta Matheus)Min Börda (Niki Lindroth von Bahr...
- 24/4/2017
- MUBI
Following the main line-up at this year’s Cannes Film Festival, the first sidebar has been unveiled. Directors’ Fortnight has revealed their enticing slate, including the opening film, Claire Denis‘ Juliette Binoche-led Un Beau Soleil Interieur (formerly Dark Glasses).
Also in the line-up is Abel Ferrara‘s Alive in France, Sean Baker‘s Tangerine follow-up The Florida Project, Philippe Garrel‘s L’Amant D’Un Jour, Bruno Dumont‘s Jeannette, L’Enfance De Jeanne D’Arc, and Jonas Carpignano‘s A Ciambra. Peculiarly, there’s also two previous festival films we were quite mixed/negative on, Patti Cake$ and Bushwick. Check out the full line-up below.
Feature Films
Un Beau Soleil Interieur, dir. Claire Denis – Opening Night Film
A Ciambra, dir. Jonas Carpignano
Alive in France, dir. Abel Ferrara (pictured below)
L’Amant D’Un Jour, dir. Philippe Garrel
Bushwick, dir. Cary Murnion & Jonathan Milott
Cuori Puri, dir. Roberto De Paolis
The Florida Project,...
Also in the line-up is Abel Ferrara‘s Alive in France, Sean Baker‘s Tangerine follow-up The Florida Project, Philippe Garrel‘s L’Amant D’Un Jour, Bruno Dumont‘s Jeannette, L’Enfance De Jeanne D’Arc, and Jonas Carpignano‘s A Ciambra. Peculiarly, there’s also two previous festival films we were quite mixed/negative on, Patti Cake$ and Bushwick. Check out the full line-up below.
Feature Films
Un Beau Soleil Interieur, dir. Claire Denis – Opening Night Film
A Ciambra, dir. Jonas Carpignano
Alive in France, dir. Abel Ferrara (pictured below)
L’Amant D’Un Jour, dir. Philippe Garrel
Bushwick, dir. Cary Murnion & Jonathan Milott
Cuori Puri, dir. Roberto De Paolis
The Florida Project,...
- 20/4/2017
- Jordan Raup के द्वारा
- The Film Stage
Baker, Nyoni, Jasper and Carpignano join Cannes veterans Denis, Ferrara, Dumont, Garrel and Gitai.Scroll Down For Full List
Tangerine director Sean Baker, the UK’s Rungano Nyoni and Italo-American film-maker Jonas Carpignano will be among the buzzed-about names premiering new works at the 49th edition of Cannes Directors’ Fortnight this year (18-28 May).
Artistic director Edouard Waintrop unveiled the eclectic selection, comprising 19 feature-length films and another 11 shorts, at a press conference at the Cinéma Le Grand Action in Paris on Thursday (20 April).
Read more: Cannes 2017: Official Selection in full
Opening And Closing Films
Claire Denis will open the 49th edition – running May 18-28 - with Un Beau Soleil Intérieur starring Juliette Binoche, Gérard Depardieu and Xavier Beauvois.
Us director Geremy Jasper’s debut feature Patti Cake$ - which world premiered at Sundance this year has been selected as the closing film.
Us Presence
It is one of two Sundance titles in this year’s selection...
Tangerine director Sean Baker, the UK’s Rungano Nyoni and Italo-American film-maker Jonas Carpignano will be among the buzzed-about names premiering new works at the 49th edition of Cannes Directors’ Fortnight this year (18-28 May).
Artistic director Edouard Waintrop unveiled the eclectic selection, comprising 19 feature-length films and another 11 shorts, at a press conference at the Cinéma Le Grand Action in Paris on Thursday (20 April).
Read more: Cannes 2017: Official Selection in full
Opening And Closing Films
Claire Denis will open the 49th edition – running May 18-28 - with Un Beau Soleil Intérieur starring Juliette Binoche, Gérard Depardieu and Xavier Beauvois.
Us director Geremy Jasper’s debut feature Patti Cake$ - which world premiered at Sundance this year has been selected as the closing film.
Us Presence
It is one of two Sundance titles in this year’s selection...
- 20/4/2017
- ScreenDaily
The 49th annual edition of the Cannes Film Festival’s lauded Directors’ Fortnight section announced its picks this morning. The section is a non-competitive sidebar, but members of the Société des Réalisateurs Français, which organizes the event, do dole out honors.
Directors’ Fortnight artistic director Edouard Waintrop announced the titles in a roughly 40 minute presentation Thursday. The section opens with the latest film from Claire Denis, “Un Beau Soleil Interieur,” an adaptation of Roland Barthes’ “A Lover’s Discourse: Fragments,” which stars Juliette Binoche and Gerard Depardieu. Major auteurs in the lineup include Bruno Dumont, with his musical “Jeannette: The Childhood of Joan of Arc,” and Bael Ferrara, who will return to Cannes after several years with “Alive In France,” a documentary that follows Ferrara and his band as they tour France.
Other notable titles include “The Florida Project,” Sean Baker’s follow-up to “Tangerine,” and “A Ciambra,” from “Mediterranea” director Jonas Carpignano.
Directors’ Fortnight artistic director Edouard Waintrop announced the titles in a roughly 40 minute presentation Thursday. The section opens with the latest film from Claire Denis, “Un Beau Soleil Interieur,” an adaptation of Roland Barthes’ “A Lover’s Discourse: Fragments,” which stars Juliette Binoche and Gerard Depardieu. Major auteurs in the lineup include Bruno Dumont, with his musical “Jeannette: The Childhood of Joan of Arc,” and Bael Ferrara, who will return to Cannes after several years with “Alive In France,” a documentary that follows Ferrara and his band as they tour France.
Other notable titles include “The Florida Project,” Sean Baker’s follow-up to “Tangerine,” and “A Ciambra,” from “Mediterranea” director Jonas Carpignano.
- 20/4/2017
- Graham Winfrey के द्वारा
- Indiewire
Col*Coa is winding down, but you can still catch a few stellar films and see the award winners for free Monday, April 22, 2013.
Award Screenings at 6:00 pm: The evening will start with the rerun of two awarded films in the Renoir and Truffaut Theaters at the DGA. Films will be announced on Sunday April 21 on the Col*Coa website, on Facebook, Twitter and on the Col•Coa info line (310) 289 5346. Free admission on a First comes First Served basis. No RSVP needed.
You can stay and also see the Closing Night Films at 8:30 pm at the DGA. Reservations needed. Those are both North American Premieres of two very anticipated French films. The thriller Moebus by Eric Rochant will show for free as will the comedy Like Brothers by Hugo Gélin.
Being among the French filmmakers (and I saw way too few of the films) gave me such a surprising sense of renewal - again because of this upcoming generation. After seeing City of Lights, the short by Pascal Tessaud which preceded the classic Jacques Demy film Bay of Angels starring a platinum blond gambling-addicted Jeanne Moreau in Cannes, Nice and Monte Carlo in 1963, we spoke at length about what is called "The New Vibe". City of Lights stars a deeply quiet young man from "les banlieus", the notorious "suburbs" surrounding Paris where the international mix of young (and old) proletariat population is invisible to the rest of France except when the anger erupts into riots. This first generation has the French education but not the money or jobs and it hurts. They have picked up the cameras and with no money are creating films which express their lives in many ways like the new Latin American filmmakers or the new Eastern European filmmakers. Tessaud gave me an entire education in the hour we talked and I will share this in time. For now, aside from his wonderfuly trenchant film which played like a feature, which captured the Paris this young generation recognizes as The City of Lights - dancing, the kitchen of a very upscale restaurant, the dreary streets filled with construction, there is another example of The New Vibe, started by Rachid Djaïdani (a story in himself) the film Hold Back (Rengaine) leads the pack of the 20-some-odd new films of The New Vibe. It is produced by Anne-Dominque Toussaint (Les Films des Tournelles) whose films are too numerous to name but include my favorite The Hedgehog which I wrote about at Col*Coa two years ago, Col*Coa's current Cycling with Moliere, 2002's Respiro and many many others. Hold Back took 9 years to make and most of the team was unpaid. The New Vibe makes films without the aid of the French system of funding; it is more guerilla-style, not New Wave, not Dogma but New Vibe. Hold Back took Cannes by storm when it showed last year in Directors Fortnight and went on to New Directors/ New Films in New York. The classic story of a Catholic and a Muslim who want to marry but whose family objects, this rendition the Juliet has a brother who marches throughout Paris to alert her 39 other brothers that she wants to marry outside her cultural and religious traditions. "This fresh debut mixes fable, plucky social commentary - particularly about France's Arab community - and inventive comic setpieces" (Col*Coa)
Hold Back (Rengaine) (Isa: Pathe) goes beyond the funny but "establishmant" film Intouchable which played here last year. It is the exact opposite of such films as Sister or even Aliyah (Isa: Rezo) which played here this year and also in Directors Fortnight last year. Aliyah is about a young French Jewish man who must make his last drug sale in order to escape his brother's destructive behavior. He escapes by immigrating to Israel. These films are made by filmmakers within the French establishment and describe a proletariat existence which exists in their bourgeois minds. They lack a certain "verite" which can only be captured by one who knows viscerally what such marginal existence is.
At the opposite end of the contemporary spectrum of films today, a real establishment film is You Ain't Seen Nothing Yet by Alain Renais (you have to be a Renais fan to love it who was so avant-garde in his day). Those old New Wave films one could see here stand out in beautiful contrast to today's New Vibe: Renais' Stavisky or the 1963 film The Fire Within (Le feu follet) by Louis Malle again starring the beautiful Jeanne Moreau. I missed them both to my regret. When I miss a film I always tell myself I can see it when it's released or on DVD or Mubi, but rarely do I get to see it. Instead I can only read about it as here written up by Beth Hanna on Indiewire blog ToH. The Fire Within was part of Wes Anderson's choices, one of the various showcases of Col*Coa. Says Hanna: "Anderson's taste is impeccable: He has selected Louis Malle's 1963 lyrical depression drama The Fire Within." It was made after the classic Elevator to the Gallows (1958) which Miles Davis scored and which also starred the young Jeanne Moreau. She also could be seen her in Col*Coa in the classic 1963 Jacques Demy-directed Bay of Angels.
Col*Coa really offered something for everyone this year. Another of my favorite film genres, the Jewish film, was represented by Aliyah and The Dandelions (Du Vent dans mes mollets) (Isa: Gaumont), Stavisky, and It Happened in St. Tropez (Isa: Pathe), a classic French comedy -- though a bit dark and yet still comedic, about romance, love and marriage switching between generations in a neurotic, comfortably wealthy Jewish family. The Dandelions was, according to my friend Debra Levine, a writer on culture including film and dance, (see her blog artsmeme), "darling, so touching, so well made, so creative ... i really liked it. Went into that rabbit hole of little girls together ... Barbie doll play. Crazy creative play. As looney as kids can be."
Ian Birnie's favorite film was Becoming Traviata. Greg Katchel's favorite originally was Rendez-vous à Kiruna by Anna Novion, but when I saw him later in the festival his favorite was Cycling with Moliere (Alceste a bicyclette) (Isa: Pathe), again produced by Anne-Dominque Toussaint and directed by Philippe Le Guay who directed one of my favorites, The Women on the 6th Floor. Greg also liked Three Worlds though it was a bit "schematic" in depicting the clash of different cultures which were also shown in Hold Back.
Of the few films I was able to see, the most interesting was Augustine by Alice Winokur. It is the French response to David Cronenberg's A Dangerous Method and the British film Hysteria. All three were about the turn of the century concern of psychologists or doctors with female hysteria. This one concerned Jean-Martin Charcot and the neurologist's belief that hysteria was a neurological disease and he used hypnosis to get at its roots, whild in A Dangerous Method it was seen by Freud and Jung as a mental disorder and in Hysteria by Tanya Wexler (Tiff 2011) in which Dr. Mortimer Granville devises the invention of the first vibrator in the name of medical science.
Take a look at Indiewire's own article here for more on Los Angeles's greatest French attraction, the second largest French film festival in the world.
Several American distributors will present their films at Col•Coa before their U.S. release: Kino Lorber – You Ain’t Seen Nothing Yet, co-written and directed by Alain Resnais (Focus on a Filmmaker); Mpi Media – Thérèse, the last film of director/co-writer Claude Miller starring Audrey Tautou; Cohen Media Group – In the House, written and directed by François Ozon and The Attack, co-written and directed by Ziad Doueiri; Distrib Films for two documentaries: Becoming Traviata and The Invisibles; Film Movement for two thrillers: Aliyah and Three Worlds; The Weinstein Company - Populaire.
Below you can see the international sales agents for the current features showing.
11.6 / 11.6 (Isa: Wild Bunch)
Directed by: Philippe Godeau
Written by: Philippe Godeau, Agnès De Sacy
A Few Hours Of Spring / Quelques heures de printemps (Isa: Rezo)
Directed by: Stéphane Brizé ♀
Written by: Stéphane Brizé, Florence Vignon
Cast: Vincent Lindon, Hélène Vincent, Emmanuelle Seigner, Olivier Perrier
Aliyah/Alyah ✡ (Isa: Rezo, U.S.: Film Movement
Directed by: Élie Wajeman
Written by: Élie Wajeman, Gaëlle Macé
Armed Hands / Mains armées (Isa: Films Distribution)
Directed by: Pierre Jolivet
Written by: Pierre Jolivet, Simon Michaël
Augustine / Augustine (Isa: Kinology, U.S.: Music Box)
Directed by: Alice Winocour ♀
Written by: Alice Winocour
Aya Of Yop City / Aya de Yopougon (Isa: TF1)
Directed by: Clément Oubrerie, Marguerite Abouet ♀
Written by: Marguerite Abouet
Bay Of Angels / La Baie des anges (U.S.: Criterion)
Directed by: Jacques Demy
Written by: Jacques Demy
Becoming Traviata /Traviata et nous (Isa: Films Boutique, U.S. Distrib Films and Cinema Guild)
Directed by: Philippe Béziat
Written by: Philippe Béziat
Cycling With MOLIÈRE / Alceste à bicyclette (Isa: Pathe)
Directed by: Philippe Le Guay
Written by: Philippe Le Guay, based on an original idea by Fabrice Luchini and Philippe Le Guay
Fly Me To The Moon / Un plan parfait (Isa: Kinology)
Directed By: Pascal Chaumeil
Written By: Laurent Zeitoun, Yoann Gromb, Philippe Mechelen
Haute Cuisine / Les Saveurs du palais (Isa: Wild Bunch, U.S.: The Weinstein Company)
Directed by: Christian Vincent
Written by: Etienne Comar & Christian Vincent, based on the life of Danièle Mazet-Delpeuch
Hidden Beauties / Mille-Feuille (Isa: Other Angle Pictures)
Directed by: Nouri Bouzid
Written by: Nouri Bouzid, Joumène Limam
Hold Back / Rengaine (Isa: Pathe)
Directed by: Rachid Djaïdani
Written by: Rachid Djaïdani
In The House / Dans la maison (Isa: Wild Bunch, U.S.: Cohen Media Group)
Directed by: François Ozon
Written by: François Ozon
It Happened In Saint-tropez / Des Gens qui s’embrassent (Isa: Pathe)
Directed by: Danièle Thompson ♀
Written by: Danièle Thompson, Christopher Thompson
Jappeloup/ Jappeloup (Isa: Pathe)
Directed by: Christian Duguay
Written by: Guillaume Canet
Le Grand Soir / Le grand soir (Isa: Funny Balloons)
Directed by: Benoît Delépine and Gustave de Kervern
Written by: Benoît Delépine and Gustave de Kervern
Little Lion / Comme un Lion (Isa: Pyramide)
Directed by: Samuel Collardey
Written by: Catherine Paillé, Nadège Trebal, Samuel Collardey
Moon Man / Jean de la lune (Isa: Le Pacte)
Directed By: Stephan Schesch
Written By: Stephan Schesch, Ralph Martin. Based on the book by: Tomi Ungerer
Populaire / Populaire (Isa: Wild Bunch, U.S.: TWC)
Directed By: Régis Roinsard
Written By: Régis Roinsard, Daniel Presley, Romain Compingt
Rendezvous In Kiruna / Rendez-vous à Kiruna (Isa: Pyramide)
Directed by: Anne Novion ♀
Written by: Olivier Massart, Anne Novion, Pierre Novion
Sons Of The Wind / Les Fils du vent (Isa: Wide)
Directed by: Bruno Le Jean
Written by: Bruno Le Jean
Stavisky / Stavisky (1974) (Isa: StudioCanal)
Directed by: Alain Resnais
Written by: Jorge Semprún
The Attack / L’Attentat
France, Belgium, Lebanon, Qatar, 2013
Directed by: Ziad Doueiri (Isa: Wild Bunch, U.S.: Cohen Media Group)
The BRONTË Sisters / Les Soeurs Brontë (Isa: Gaumont, U.S.: Cohen Media Group)
Directed by: André Téchiné
Written by: André Téchiné, Jean Gruault, Pascal Bonitzer
The Dandelions / Du Vent dans mes mollets ✡
Directed By: Carine Tardieu ♀
Written By: Carine Tardieu, Raphaële Moussafir, Olivier Beer
The Fire Within / Le Feu Follet (1963) (Isa: Pyramide, U.S.: Janus Films)
Directed by: Louis Malle
Written by: Louis Malle
The Invisibles / Les Invisibles (Isa: Doc & Film, U.S. Distrib Films))
Directed By: Sébastien Lifshitz
The Man Who Laughs/ L’Homme qui rit (Isa: EuropaCorps)
Directed by: Jean-Pierre Améris
Written by: Jean-Pierre Améris , Guillaume Laurant
THÉRÈSE / Thérèse Desqueyroux (Isa: TF1, U.S.: Mpi)
Directed by: Claude Miller
Written by: Claude Miller, Natalie Carter
Three Worlds / Trois mondes (Isa: Pyramide, U.S.: Film Movement)
Directed by: Catherine Corsini ♀
Written by: Catherine Corsini, Benoît Graffin
To Our Loves / À nos amours (1983) (U.S. Janus)
Directed By: Maurice Pialat
Written By: Arlette Langmann, Maurice Pialat
True Friends / Amitiés sincères (Isa: Snd Groupe 6)
Directed By: Stéphan Archinard, François Prévôt-Leygonie
Written By: Stéphan Archinard, François Prévôt-Leygonie, Marie-Pierre Huster
Welcome To Argentina / Mariage à Mendoza (Isa: Kinology)
Directed By: Édouard Deluc
Written By: Anaïs Carpita, Édouard Deluc, Thomas Lilti, Philippe Rebbot
What’S In A Name / Le prénom (Isa: Pathe, U.S. Under The Milky Way)
Directed by: Alexandre de La Patellière, Matthieu Delaporte
Written by: Alexandre de La Patellière, Matthieu Delaporte
You Ain’T Seen Nothin’ Yet / Vous n’avez encore rien vu (Isa: StudioCanal, U.S.: Kino Lorber)
Directed By: Alain Resnais
Written By: Alain Resnais, Laurent Herbiet...
Award Screenings at 6:00 pm: The evening will start with the rerun of two awarded films in the Renoir and Truffaut Theaters at the DGA. Films will be announced on Sunday April 21 on the Col*Coa website, on Facebook, Twitter and on the Col•Coa info line (310) 289 5346. Free admission on a First comes First Served basis. No RSVP needed.
You can stay and also see the Closing Night Films at 8:30 pm at the DGA. Reservations needed. Those are both North American Premieres of two very anticipated French films. The thriller Moebus by Eric Rochant will show for free as will the comedy Like Brothers by Hugo Gélin.
Being among the French filmmakers (and I saw way too few of the films) gave me such a surprising sense of renewal - again because of this upcoming generation. After seeing City of Lights, the short by Pascal Tessaud which preceded the classic Jacques Demy film Bay of Angels starring a platinum blond gambling-addicted Jeanne Moreau in Cannes, Nice and Monte Carlo in 1963, we spoke at length about what is called "The New Vibe". City of Lights stars a deeply quiet young man from "les banlieus", the notorious "suburbs" surrounding Paris where the international mix of young (and old) proletariat population is invisible to the rest of France except when the anger erupts into riots. This first generation has the French education but not the money or jobs and it hurts. They have picked up the cameras and with no money are creating films which express their lives in many ways like the new Latin American filmmakers or the new Eastern European filmmakers. Tessaud gave me an entire education in the hour we talked and I will share this in time. For now, aside from his wonderfuly trenchant film which played like a feature, which captured the Paris this young generation recognizes as The City of Lights - dancing, the kitchen of a very upscale restaurant, the dreary streets filled with construction, there is another example of The New Vibe, started by Rachid Djaïdani (a story in himself) the film Hold Back (Rengaine) leads the pack of the 20-some-odd new films of The New Vibe. It is produced by Anne-Dominque Toussaint (Les Films des Tournelles) whose films are too numerous to name but include my favorite The Hedgehog which I wrote about at Col*Coa two years ago, Col*Coa's current Cycling with Moliere, 2002's Respiro and many many others. Hold Back took 9 years to make and most of the team was unpaid. The New Vibe makes films without the aid of the French system of funding; it is more guerilla-style, not New Wave, not Dogma but New Vibe. Hold Back took Cannes by storm when it showed last year in Directors Fortnight and went on to New Directors/ New Films in New York. The classic story of a Catholic and a Muslim who want to marry but whose family objects, this rendition the Juliet has a brother who marches throughout Paris to alert her 39 other brothers that she wants to marry outside her cultural and religious traditions. "This fresh debut mixes fable, plucky social commentary - particularly about France's Arab community - and inventive comic setpieces" (Col*Coa)
Hold Back (Rengaine) (Isa: Pathe) goes beyond the funny but "establishmant" film Intouchable which played here last year. It is the exact opposite of such films as Sister or even Aliyah (Isa: Rezo) which played here this year and also in Directors Fortnight last year. Aliyah is about a young French Jewish man who must make his last drug sale in order to escape his brother's destructive behavior. He escapes by immigrating to Israel. These films are made by filmmakers within the French establishment and describe a proletariat existence which exists in their bourgeois minds. They lack a certain "verite" which can only be captured by one who knows viscerally what such marginal existence is.
At the opposite end of the contemporary spectrum of films today, a real establishment film is You Ain't Seen Nothing Yet by Alain Renais (you have to be a Renais fan to love it who was so avant-garde in his day). Those old New Wave films one could see here stand out in beautiful contrast to today's New Vibe: Renais' Stavisky or the 1963 film The Fire Within (Le feu follet) by Louis Malle again starring the beautiful Jeanne Moreau. I missed them both to my regret. When I miss a film I always tell myself I can see it when it's released or on DVD or Mubi, but rarely do I get to see it. Instead I can only read about it as here written up by Beth Hanna on Indiewire blog ToH. The Fire Within was part of Wes Anderson's choices, one of the various showcases of Col*Coa. Says Hanna: "Anderson's taste is impeccable: He has selected Louis Malle's 1963 lyrical depression drama The Fire Within." It was made after the classic Elevator to the Gallows (1958) which Miles Davis scored and which also starred the young Jeanne Moreau. She also could be seen her in Col*Coa in the classic 1963 Jacques Demy-directed Bay of Angels.
Col*Coa really offered something for everyone this year. Another of my favorite film genres, the Jewish film, was represented by Aliyah and The Dandelions (Du Vent dans mes mollets) (Isa: Gaumont), Stavisky, and It Happened in St. Tropez (Isa: Pathe), a classic French comedy -- though a bit dark and yet still comedic, about romance, love and marriage switching between generations in a neurotic, comfortably wealthy Jewish family. The Dandelions was, according to my friend Debra Levine, a writer on culture including film and dance, (see her blog artsmeme), "darling, so touching, so well made, so creative ... i really liked it. Went into that rabbit hole of little girls together ... Barbie doll play. Crazy creative play. As looney as kids can be."
Ian Birnie's favorite film was Becoming Traviata. Greg Katchel's favorite originally was Rendez-vous à Kiruna by Anna Novion, but when I saw him later in the festival his favorite was Cycling with Moliere (Alceste a bicyclette) (Isa: Pathe), again produced by Anne-Dominque Toussaint and directed by Philippe Le Guay who directed one of my favorites, The Women on the 6th Floor. Greg also liked Three Worlds though it was a bit "schematic" in depicting the clash of different cultures which were also shown in Hold Back.
Of the few films I was able to see, the most interesting was Augustine by Alice Winokur. It is the French response to David Cronenberg's A Dangerous Method and the British film Hysteria. All three were about the turn of the century concern of psychologists or doctors with female hysteria. This one concerned Jean-Martin Charcot and the neurologist's belief that hysteria was a neurological disease and he used hypnosis to get at its roots, whild in A Dangerous Method it was seen by Freud and Jung as a mental disorder and in Hysteria by Tanya Wexler (Tiff 2011) in which Dr. Mortimer Granville devises the invention of the first vibrator in the name of medical science.
Take a look at Indiewire's own article here for more on Los Angeles's greatest French attraction, the second largest French film festival in the world.
Several American distributors will present their films at Col•Coa before their U.S. release: Kino Lorber – You Ain’t Seen Nothing Yet, co-written and directed by Alain Resnais (Focus on a Filmmaker); Mpi Media – Thérèse, the last film of director/co-writer Claude Miller starring Audrey Tautou; Cohen Media Group – In the House, written and directed by François Ozon and The Attack, co-written and directed by Ziad Doueiri; Distrib Films for two documentaries: Becoming Traviata and The Invisibles; Film Movement for two thrillers: Aliyah and Three Worlds; The Weinstein Company - Populaire.
Below you can see the international sales agents for the current features showing.
11.6 / 11.6 (Isa: Wild Bunch)
Directed by: Philippe Godeau
Written by: Philippe Godeau, Agnès De Sacy
A Few Hours Of Spring / Quelques heures de printemps (Isa: Rezo)
Directed by: Stéphane Brizé ♀
Written by: Stéphane Brizé, Florence Vignon
Cast: Vincent Lindon, Hélène Vincent, Emmanuelle Seigner, Olivier Perrier
Aliyah/Alyah ✡ (Isa: Rezo, U.S.: Film Movement
Directed by: Élie Wajeman
Written by: Élie Wajeman, Gaëlle Macé
Armed Hands / Mains armées (Isa: Films Distribution)
Directed by: Pierre Jolivet
Written by: Pierre Jolivet, Simon Michaël
Augustine / Augustine (Isa: Kinology, U.S.: Music Box)
Directed by: Alice Winocour ♀
Written by: Alice Winocour
Aya Of Yop City / Aya de Yopougon (Isa: TF1)
Directed by: Clément Oubrerie, Marguerite Abouet ♀
Written by: Marguerite Abouet
Bay Of Angels / La Baie des anges (U.S.: Criterion)
Directed by: Jacques Demy
Written by: Jacques Demy
Becoming Traviata /Traviata et nous (Isa: Films Boutique, U.S. Distrib Films and Cinema Guild)
Directed by: Philippe Béziat
Written by: Philippe Béziat
Cycling With MOLIÈRE / Alceste à bicyclette (Isa: Pathe)
Directed by: Philippe Le Guay
Written by: Philippe Le Guay, based on an original idea by Fabrice Luchini and Philippe Le Guay
Fly Me To The Moon / Un plan parfait (Isa: Kinology)
Directed By: Pascal Chaumeil
Written By: Laurent Zeitoun, Yoann Gromb, Philippe Mechelen
Haute Cuisine / Les Saveurs du palais (Isa: Wild Bunch, U.S.: The Weinstein Company)
Directed by: Christian Vincent
Written by: Etienne Comar & Christian Vincent, based on the life of Danièle Mazet-Delpeuch
Hidden Beauties / Mille-Feuille (Isa: Other Angle Pictures)
Directed by: Nouri Bouzid
Written by: Nouri Bouzid, Joumène Limam
Hold Back / Rengaine (Isa: Pathe)
Directed by: Rachid Djaïdani
Written by: Rachid Djaïdani
In The House / Dans la maison (Isa: Wild Bunch, U.S.: Cohen Media Group)
Directed by: François Ozon
Written by: François Ozon
It Happened In Saint-tropez / Des Gens qui s’embrassent (Isa: Pathe)
Directed by: Danièle Thompson ♀
Written by: Danièle Thompson, Christopher Thompson
Jappeloup/ Jappeloup (Isa: Pathe)
Directed by: Christian Duguay
Written by: Guillaume Canet
Le Grand Soir / Le grand soir (Isa: Funny Balloons)
Directed by: Benoît Delépine and Gustave de Kervern
Written by: Benoît Delépine and Gustave de Kervern
Little Lion / Comme un Lion (Isa: Pyramide)
Directed by: Samuel Collardey
Written by: Catherine Paillé, Nadège Trebal, Samuel Collardey
Moon Man / Jean de la lune (Isa: Le Pacte)
Directed By: Stephan Schesch
Written By: Stephan Schesch, Ralph Martin. Based on the book by: Tomi Ungerer
Populaire / Populaire (Isa: Wild Bunch, U.S.: TWC)
Directed By: Régis Roinsard
Written By: Régis Roinsard, Daniel Presley, Romain Compingt
Rendezvous In Kiruna / Rendez-vous à Kiruna (Isa: Pyramide)
Directed by: Anne Novion ♀
Written by: Olivier Massart, Anne Novion, Pierre Novion
Sons Of The Wind / Les Fils du vent (Isa: Wide)
Directed by: Bruno Le Jean
Written by: Bruno Le Jean
Stavisky / Stavisky (1974) (Isa: StudioCanal)
Directed by: Alain Resnais
Written by: Jorge Semprún
The Attack / L’Attentat
France, Belgium, Lebanon, Qatar, 2013
Directed by: Ziad Doueiri (Isa: Wild Bunch, U.S.: Cohen Media Group)
The BRONTË Sisters / Les Soeurs Brontë (Isa: Gaumont, U.S.: Cohen Media Group)
Directed by: André Téchiné
Written by: André Téchiné, Jean Gruault, Pascal Bonitzer
The Dandelions / Du Vent dans mes mollets ✡
Directed By: Carine Tardieu ♀
Written By: Carine Tardieu, Raphaële Moussafir, Olivier Beer
The Fire Within / Le Feu Follet (1963) (Isa: Pyramide, U.S.: Janus Films)
Directed by: Louis Malle
Written by: Louis Malle
The Invisibles / Les Invisibles (Isa: Doc & Film, U.S. Distrib Films))
Directed By: Sébastien Lifshitz
The Man Who Laughs/ L’Homme qui rit (Isa: EuropaCorps)
Directed by: Jean-Pierre Améris
Written by: Jean-Pierre Améris , Guillaume Laurant
THÉRÈSE / Thérèse Desqueyroux (Isa: TF1, U.S.: Mpi)
Directed by: Claude Miller
Written by: Claude Miller, Natalie Carter
Three Worlds / Trois mondes (Isa: Pyramide, U.S.: Film Movement)
Directed by: Catherine Corsini ♀
Written by: Catherine Corsini, Benoît Graffin
To Our Loves / À nos amours (1983) (U.S. Janus)
Directed By: Maurice Pialat
Written By: Arlette Langmann, Maurice Pialat
True Friends / Amitiés sincères (Isa: Snd Groupe 6)
Directed By: Stéphan Archinard, François Prévôt-Leygonie
Written By: Stéphan Archinard, François Prévôt-Leygonie, Marie-Pierre Huster
Welcome To Argentina / Mariage à Mendoza (Isa: Kinology)
Directed By: Édouard Deluc
Written By: Anaïs Carpita, Édouard Deluc, Thomas Lilti, Philippe Rebbot
What’S In A Name / Le prénom (Isa: Pathe, U.S. Under The Milky Way)
Directed by: Alexandre de La Patellière, Matthieu Delaporte
Written by: Alexandre de La Patellière, Matthieu Delaporte
You Ain’T Seen Nothin’ Yet / Vous n’avez encore rien vu (Isa: StudioCanal, U.S.: Kino Lorber)
Directed By: Alain Resnais
Written By: Alain Resnais, Laurent Herbiet...
- 20/4/2013
- Sydney Levine के द्वारा
- Sydney's Buzz
Still from Populaire
After Delhi, the French Film Festival will travel to Mumbai from March 2-5, 2013. Six contemporary French films will be screened at PVR Juhu and Liberty Cinema in Mumbai.
The four day festival will open with Régis Roinsard’s Populaire and close with Noémie Lvovsky’s Camille Rewinds (Camille redouble).
Entry is free on first come first served basis; entry passes will be available 45 minutes before the show timing at the venue.
A part of the Bonjour India- Festival of France, the festival will travel to five more cities in India. Bonjour India 2013 is a cultural exchange programme between India and France in the fields of art, literature, cinema, education, sports, fashion, photography and the performing arts. The film festival aims to promote contemporary French cinema in India.
Schedule:
Saturday, March 2 – Liberty Cinema
4:00 pm: Populaire by Régis Roinsard
6:30 pm: In the House (Dans la maison) by François Ozon
Sunday,...
After Delhi, the French Film Festival will travel to Mumbai from March 2-5, 2013. Six contemporary French films will be screened at PVR Juhu and Liberty Cinema in Mumbai.
The four day festival will open with Régis Roinsard’s Populaire and close with Noémie Lvovsky’s Camille Rewinds (Camille redouble).
Entry is free on first come first served basis; entry passes will be available 45 minutes before the show timing at the venue.
A part of the Bonjour India- Festival of France, the festival will travel to five more cities in India. Bonjour India 2013 is a cultural exchange programme between India and France in the fields of art, literature, cinema, education, sports, fashion, photography and the performing arts. The film festival aims to promote contemporary French cinema in India.
Schedule:
Saturday, March 2 – Liberty Cinema
4:00 pm: Populaire by Régis Roinsard
6:30 pm: In the House (Dans la maison) by François Ozon
Sunday,...
- 27/2/2013
- NewsDesk के द्वारा
- DearCinema.com
Still from The Dandelions
Six contemporary French films will be screened at PVR Anupam Saket in New Delhi as part of the Bonjour India- Festival of France from February 22 – 24, 2013. The festival will travel to seven cities with an aim to promote contemporary French cinema in India.
Entry is free on first come first served basis; entry passes will be available 45 minutes before the show timing at the venue.
Bonjour India 2013 is a cultural exchange programme between India and France in the fields of art, literature, cinema, education, sports, fashion, photography and the performing arts.
Schedule:
Friday, February 22
6:00 pm: Populaire by Régis Roinsard
9:00 pm: In the House (Dans la maison) by François Ozon
Saturday, February 23
3:00 pm: Zarafa by Rémi Bezançon
6:00 pm: Hand in Hand (Main dans la main) by Valérie Donzelli
Sunday, February 24
3:00 pm: The Dandelions (Du vent dans mes mollets) by Carine Tardieu
6:00 pm:...
Six contemporary French films will be screened at PVR Anupam Saket in New Delhi as part of the Bonjour India- Festival of France from February 22 – 24, 2013. The festival will travel to seven cities with an aim to promote contemporary French cinema in India.
Entry is free on first come first served basis; entry passes will be available 45 minutes before the show timing at the venue.
Bonjour India 2013 is a cultural exchange programme between India and France in the fields of art, literature, cinema, education, sports, fashion, photography and the performing arts.
Schedule:
Friday, February 22
6:00 pm: Populaire by Régis Roinsard
9:00 pm: In the House (Dans la maison) by François Ozon
Saturday, February 23
3:00 pm: Zarafa by Rémi Bezançon
6:00 pm: Hand in Hand (Main dans la main) by Valérie Donzelli
Sunday, February 24
3:00 pm: The Dandelions (Du vent dans mes mollets) by Carine Tardieu
6:00 pm:...
- 23/2/2013
- NewsDesk के द्वारा
- DearCinema.com
Festival initiative “U.S. in Progress” introduces four U.S. productions in post-production to European buyers.
American Independent films, French Independent Films and Oscar Nominated Foreign Language Films will be showcased.
The Weinstein Company’s Harvey Weinstein wil receive a tribute and will host a retrospective of his films.
Donald Sutherland will host a screening of Klute and will receive a Medal of Arts and Letters bestowed by Frederic Mitterrand.
The Champs Elysees Film Festival’s U.S. President is Michael Madsen
The French Festival President is Lambert Wilson
The discussions held so often about the sustainability of arthouse theaters, about the joining of forces between them and festivals and the ownership of festivals themselves, and sometimes of theaters as well, by distributors as a way to sustain the three key players of this precious triangle of culture, continue as the first Champs Elysees Film Festival presents a jam-packed line up and full program of events at its inaugural edition.
The seven day festival, June 6-12, has been formed and is owned by the independent distributor Sophie Dulac. It is exciting for me to go to see the arthouses we have already written about in the area of the Champs Elysees - the Balzac, its rival the Lincoln, the Publicis, and the two major chains, Gaumont Champs Elysees and Ugc George V. Another interesting aspect of this upcoming event is the festival's ownership by a French distributor, Sophie Dulac. This is one of two similarities between Gutek and Dulac. The New Horizons and the American Film Festivals are owned by Roman Gutek whose distribution company Gutek is the largest arthouse distributor in Poland. Similarly Sophie Dulac seems to "own" this festival. Somewhat analagous to this is the "owning" of distribution company Tribeca Films by the Tribeca Film Festival or the Sundance Select Distribution arm owned by the Sundance Film Festival. The New York Film Festival and the Toronto International Film Festivals have yet to declare themselves distributors but do own the arthouses in which to show "their" films year round in festival settings.
Dulac explains the impetus to launch the Champs Elysees Film Festival, “As Paris’ first truly international film festival, our mission is to create a bridge between the independent American and French film industries. In the most beautiful city in the world and one with a worldwide association to cinema, the Champs Elysées Film Festival will be a celebration of film promoting the work of young filmmakers and honoring the work of established directors.” She adds, “We want to throw a spotlight on independent film from France and the U.S. We will welcome famous names, offer new films, open up discussions between members of the film industry, give short films a special showcase and invite audiences to gala previews.”
I personally hope the tourists of Champs Elysees see this as a special opportunity to share inside festival experiences with international professionals and that it brings in more business than ordinary theatrical fare brings to the same theaters, thus proving that festivals serve as a new branch of film distribution and that the joining of forces between distributor, exhibitor and festival point toward a new mode of profitability for all parties.
U.S. in Progress was first presented at the American Film Festival in Wroclaw Poland in November. This is the second similarity between Dulac and Gutek. U.S. in Progress will now be here as well. U.S. in Progress is in fact a joint initiative between the American Film Festival in Wroclaw, the Champs Elysees Film Festival in Paris and Black Rabbit Film, a company of Adeline Monzier who also created the association of European indie distributors called EuropaDistribution. It is the first and only industry event devoted to U.S. indies in Europe. Its aim is to present U.S. indie films in post-production to European buyers in order to foster the circulation and distribution of American indie films in Europe. This presentation of American independent films in post-production to European buyers to promote the distribution of American independent films in Europe is uniquely one of the top new developments in the industry. The program works to forge inroads between the generation of talented American filmmakers emerging today and European buyers. I am so proud to be serving on its jury as I did on the first edition as well.
The other sections are: Official Selection of American Independent Films, French Galas, American Galas, Oscar Nominated Foreign Language Films and Shorts. A tribute to Harvey Weinstein will be presented on June 6 at an event to celebrate his career. Weinstein will participate in a roundtable conversation to discuss French/American co-productions and a Retrospective of 11 of his films will be shown throughout the week.
The American independent films selected as part of the inaugural program include Richard Linklater’s Bernie (Isa: Hyde Park, U.S.: Millennium) with Jack Black, Shirley Maclaine and Matthew McConaughey; Jesus Henry Christ (Isa: Im Global, U.S. E1) with Toni Collette and Michael Sheen; Bruce Beresford’s Peace, Love & Misunderstanding (Isa: Voltage, U.S. IFC) starring Jane Fonda, Catherine Keener and Elizabeth Olsen and Marina Abramovic: The Artist is Present (Isa: Submarine, U.S. Music Box). An Audience Award will be given out to the most popular American Independent. American Galas include Jennifer Westfeldt’s Friends with Kids (Isa: Red Granite, U.S. Roadside Attractions/ Lionsgate) and Wes Craven’s My Soul to Take (2010) in 3D.
French films include Comme Un Homme (Isa: Memento) directed by Safy Nebbou; Journal de France (Isa: Wild Bunch) directed by Claudine Nougaret and Raymond Depardon; Vous n'avez encore rien vu (Isa: Studiocanal) directed by Alain Resnais and Wrong (Isa: Kinology) helmed by Quentin Dupieux.
The Champs Elysees Film Festival has selected esteemed French Actor Lambert Wilson for the role of French President and Michael Madsen has accepted the role of the Festival’s U.S. President.
The festival will pay tribute to the actor Donald Sutherland who will be at the Festival to host a screening of the masterpiece Klute directed by Alan J. Pakula followed by a “Hollywood Conversation” with the iconic actor. Frederic Mitterrand will bestow Sutherland with the medal of Commander of Arts and Letters that evening.
Official Selection of American Independent Films
Blank City, a documentary directed by Celine Danhier’s
Bernie directed by Richard Linklater starring Jack Black, Shirley Maclaine and Matthew McConaughey
Jesus Henry Christ with Toni Colette, Jason Spevack and Michael Sheen
Keep The Lights On directed by Ira Sachs
Luv directed by Sheldon Candis
Marina Abramovic: The Artist Is Present, Matthew Akers acclaimed documentary
Not Waving But Drowning directed by Devyn Waitt, winner of U.S. in Progress Prize, Wroclaw, Poland.
Peace, Love & Misunderstanding directed by Bruce Beresford starring Jane Fonda, Catherine Keener and Elizabeth Olsen
Tabloid, Errol Morris fascinating documentary
The Perfect Family, directed by Anne Renton and starring Kathleen Turner, Emily Deschanel and Jason Ritter
French Galas
Adieu Berthe directed by Bruno Podalydès
Comme Un Homme directed by Safy Nebbou
Du Vent Dans Mes Mollets directed by Carine Tardieu
Journal De France directed by Claudine Nougaret and Raymond Depardon
La Clinique De L’Amour directed by Artus de Penguern
L’Air De Rien directed by Grégory Magne and Stéphane Viard
Mains Armees directed by Pierre Jolivet
Quand Je Serai Petit directed by Jean-Paul Rouve
Vous N’Avez Encore Rien Vu directed by Alain Resnais
Wrong helmed by Quentin Dupieux.
American Galas
After Life directed by Agnieszka Wojtow
Brake directed by Gabe Torres
Bitch Slap directed by Rick Jacobson
Friends With Kids directed by Jennifer Westfeldt
My Soul To Take (3D) directed by Wes Craven
Perfect Host directed by Nick Tomnay
Terri, directed by Azazel Jacobs
Summertime directed by Matthew Gordon.
The Champs Elysees Film Festival intends to reflect the diversity of international production by offering the public a selection of the 2012 Oscar nominated foreign language films, some never before seen in France:
Bullhead directed by Michael R.Roskam (Belgium)
Dans Ses Veux directed by Juan José Campanella (Spain/Argentina)(2010)
Monsieur Lazhar directed by Philippe Falardeau (Canada)
Une Separation directed by Asghar Farhadi (Iran)
72 Days directed by Danilo Serbedzija (Croatia)
Letters To Angel directed by Sulev Keedus (Estonia)
Volcano directed by Runar Runarsson (Iceland)
Films being screened as part of Harvey Weinstein’s retrospective include The Aviator, Chicago, Gangs Of New York, Jackie Brown, Kill Bill 1&2, The English Patient, Pulp Fiction, Shakespeare In Love, Good Will Hunting and The Yards.
More than thirty short films comprise the Champs Elysees Film Festival’s Official Selection of Short Films which were selected by a French industry team as well as four major film school programs: University of Southern California’s School of Cinematic Arts, New York University’s Tisch School of the Arts and Columbia University’s Columbia University Film Festival for the United States and Paris-based film school La Femis for France:
French Shorts Selection
Hurlement D’Un Poisson directed by Sébastien Carfora
It’S A Miracul’House directed by Stéphane Freiss
Les Meutes directed by Manuel Schapira
Mon Canard directed by Emmanuelle Michelet & Vincent Fouquet
Les Grossesses De Charlemagne directed by Nicolas Slomka and Matthieu Rumani,
Plume directed by Barry Purves
Personne(S) directed by Marc Fouchard
La Fille De L’Homme directed by Manuel Schapira
Kiss & Kill directed by Alain Ross
USC School of Cinematic Arts Shorts Selection
Little Spoon directed by Lauren Fash
Ellen directed by Kyle Hausmann-Stokes
Efrain directed by Matthew Breault
Fig directed by Ryan Coogler
The Nature Of Fall directed by Tomer Stolz
New York University Tisch School of the Arts Shorts Selection
Little Horse directed by Levi Abrino
Border Land directed by Alexander Smolowe
Premature directed by Rashaad Ernesto Green
Down In Number 5 directed by Kim Spurlock
Columbia University Film Festival Shorts Selection
Rolling On The Floor Laughing directed by Rusel Harbaugh
Motherland directed by Shario Siddiqui
Hatch directed by Christoph Kusching
Crossing directed by Gina Atwater
Off Season directed by Jonathan Van Tulleken
The Hirosaki Players directed by Jeff Sousa
La Femis Shorts Selection
Goose directed by Morgan Simon
Demain Ce Sera Bien directed by Pauline Gay
On Traks directed by Laurent Navarri
Bye Bye Wild Boy directed by Julie Lena...
American Independent films, French Independent Films and Oscar Nominated Foreign Language Films will be showcased.
The Weinstein Company’s Harvey Weinstein wil receive a tribute and will host a retrospective of his films.
Donald Sutherland will host a screening of Klute and will receive a Medal of Arts and Letters bestowed by Frederic Mitterrand.
The Champs Elysees Film Festival’s U.S. President is Michael Madsen
The French Festival President is Lambert Wilson
The discussions held so often about the sustainability of arthouse theaters, about the joining of forces between them and festivals and the ownership of festivals themselves, and sometimes of theaters as well, by distributors as a way to sustain the three key players of this precious triangle of culture, continue as the first Champs Elysees Film Festival presents a jam-packed line up and full program of events at its inaugural edition.
The seven day festival, June 6-12, has been formed and is owned by the independent distributor Sophie Dulac. It is exciting for me to go to see the arthouses we have already written about in the area of the Champs Elysees - the Balzac, its rival the Lincoln, the Publicis, and the two major chains, Gaumont Champs Elysees and Ugc George V. Another interesting aspect of this upcoming event is the festival's ownership by a French distributor, Sophie Dulac. This is one of two similarities between Gutek and Dulac. The New Horizons and the American Film Festivals are owned by Roman Gutek whose distribution company Gutek is the largest arthouse distributor in Poland. Similarly Sophie Dulac seems to "own" this festival. Somewhat analagous to this is the "owning" of distribution company Tribeca Films by the Tribeca Film Festival or the Sundance Select Distribution arm owned by the Sundance Film Festival. The New York Film Festival and the Toronto International Film Festivals have yet to declare themselves distributors but do own the arthouses in which to show "their" films year round in festival settings.
Dulac explains the impetus to launch the Champs Elysees Film Festival, “As Paris’ first truly international film festival, our mission is to create a bridge between the independent American and French film industries. In the most beautiful city in the world and one with a worldwide association to cinema, the Champs Elysées Film Festival will be a celebration of film promoting the work of young filmmakers and honoring the work of established directors.” She adds, “We want to throw a spotlight on independent film from France and the U.S. We will welcome famous names, offer new films, open up discussions between members of the film industry, give short films a special showcase and invite audiences to gala previews.”
I personally hope the tourists of Champs Elysees see this as a special opportunity to share inside festival experiences with international professionals and that it brings in more business than ordinary theatrical fare brings to the same theaters, thus proving that festivals serve as a new branch of film distribution and that the joining of forces between distributor, exhibitor and festival point toward a new mode of profitability for all parties.
U.S. in Progress was first presented at the American Film Festival in Wroclaw Poland in November. This is the second similarity between Dulac and Gutek. U.S. in Progress will now be here as well. U.S. in Progress is in fact a joint initiative between the American Film Festival in Wroclaw, the Champs Elysees Film Festival in Paris and Black Rabbit Film, a company of Adeline Monzier who also created the association of European indie distributors called EuropaDistribution. It is the first and only industry event devoted to U.S. indies in Europe. Its aim is to present U.S. indie films in post-production to European buyers in order to foster the circulation and distribution of American indie films in Europe. This presentation of American independent films in post-production to European buyers to promote the distribution of American independent films in Europe is uniquely one of the top new developments in the industry. The program works to forge inroads between the generation of talented American filmmakers emerging today and European buyers. I am so proud to be serving on its jury as I did on the first edition as well.
The other sections are: Official Selection of American Independent Films, French Galas, American Galas, Oscar Nominated Foreign Language Films and Shorts. A tribute to Harvey Weinstein will be presented on June 6 at an event to celebrate his career. Weinstein will participate in a roundtable conversation to discuss French/American co-productions and a Retrospective of 11 of his films will be shown throughout the week.
The American independent films selected as part of the inaugural program include Richard Linklater’s Bernie (Isa: Hyde Park, U.S.: Millennium) with Jack Black, Shirley Maclaine and Matthew McConaughey; Jesus Henry Christ (Isa: Im Global, U.S. E1) with Toni Collette and Michael Sheen; Bruce Beresford’s Peace, Love & Misunderstanding (Isa: Voltage, U.S. IFC) starring Jane Fonda, Catherine Keener and Elizabeth Olsen and Marina Abramovic: The Artist is Present (Isa: Submarine, U.S. Music Box). An Audience Award will be given out to the most popular American Independent. American Galas include Jennifer Westfeldt’s Friends with Kids (Isa: Red Granite, U.S. Roadside Attractions/ Lionsgate) and Wes Craven’s My Soul to Take (2010) in 3D.
French films include Comme Un Homme (Isa: Memento) directed by Safy Nebbou; Journal de France (Isa: Wild Bunch) directed by Claudine Nougaret and Raymond Depardon; Vous n'avez encore rien vu (Isa: Studiocanal) directed by Alain Resnais and Wrong (Isa: Kinology) helmed by Quentin Dupieux.
The Champs Elysees Film Festival has selected esteemed French Actor Lambert Wilson for the role of French President and Michael Madsen has accepted the role of the Festival’s U.S. President.
The festival will pay tribute to the actor Donald Sutherland who will be at the Festival to host a screening of the masterpiece Klute directed by Alan J. Pakula followed by a “Hollywood Conversation” with the iconic actor. Frederic Mitterrand will bestow Sutherland with the medal of Commander of Arts and Letters that evening.
Official Selection of American Independent Films
Blank City, a documentary directed by Celine Danhier’s
Bernie directed by Richard Linklater starring Jack Black, Shirley Maclaine and Matthew McConaughey
Jesus Henry Christ with Toni Colette, Jason Spevack and Michael Sheen
Keep The Lights On directed by Ira Sachs
Luv directed by Sheldon Candis
Marina Abramovic: The Artist Is Present, Matthew Akers acclaimed documentary
Not Waving But Drowning directed by Devyn Waitt, winner of U.S. in Progress Prize, Wroclaw, Poland.
Peace, Love & Misunderstanding directed by Bruce Beresford starring Jane Fonda, Catherine Keener and Elizabeth Olsen
Tabloid, Errol Morris fascinating documentary
The Perfect Family, directed by Anne Renton and starring Kathleen Turner, Emily Deschanel and Jason Ritter
French Galas
Adieu Berthe directed by Bruno Podalydès
Comme Un Homme directed by Safy Nebbou
Du Vent Dans Mes Mollets directed by Carine Tardieu
Journal De France directed by Claudine Nougaret and Raymond Depardon
La Clinique De L’Amour directed by Artus de Penguern
L’Air De Rien directed by Grégory Magne and Stéphane Viard
Mains Armees directed by Pierre Jolivet
Quand Je Serai Petit directed by Jean-Paul Rouve
Vous N’Avez Encore Rien Vu directed by Alain Resnais
Wrong helmed by Quentin Dupieux.
American Galas
After Life directed by Agnieszka Wojtow
Brake directed by Gabe Torres
Bitch Slap directed by Rick Jacobson
Friends With Kids directed by Jennifer Westfeldt
My Soul To Take (3D) directed by Wes Craven
Perfect Host directed by Nick Tomnay
Terri, directed by Azazel Jacobs
Summertime directed by Matthew Gordon.
The Champs Elysees Film Festival intends to reflect the diversity of international production by offering the public a selection of the 2012 Oscar nominated foreign language films, some never before seen in France:
Bullhead directed by Michael R.Roskam (Belgium)
Dans Ses Veux directed by Juan José Campanella (Spain/Argentina)(2010)
Monsieur Lazhar directed by Philippe Falardeau (Canada)
Une Separation directed by Asghar Farhadi (Iran)
72 Days directed by Danilo Serbedzija (Croatia)
Letters To Angel directed by Sulev Keedus (Estonia)
Volcano directed by Runar Runarsson (Iceland)
Films being screened as part of Harvey Weinstein’s retrospective include The Aviator, Chicago, Gangs Of New York, Jackie Brown, Kill Bill 1&2, The English Patient, Pulp Fiction, Shakespeare In Love, Good Will Hunting and The Yards.
More than thirty short films comprise the Champs Elysees Film Festival’s Official Selection of Short Films which were selected by a French industry team as well as four major film school programs: University of Southern California’s School of Cinematic Arts, New York University’s Tisch School of the Arts and Columbia University’s Columbia University Film Festival for the United States and Paris-based film school La Femis for France:
French Shorts Selection
Hurlement D’Un Poisson directed by Sébastien Carfora
It’S A Miracul’House directed by Stéphane Freiss
Les Meutes directed by Manuel Schapira
Mon Canard directed by Emmanuelle Michelet & Vincent Fouquet
Les Grossesses De Charlemagne directed by Nicolas Slomka and Matthieu Rumani,
Plume directed by Barry Purves
Personne(S) directed by Marc Fouchard
La Fille De L’Homme directed by Manuel Schapira
Kiss & Kill directed by Alain Ross
USC School of Cinematic Arts Shorts Selection
Little Spoon directed by Lauren Fash
Ellen directed by Kyle Hausmann-Stokes
Efrain directed by Matthew Breault
Fig directed by Ryan Coogler
The Nature Of Fall directed by Tomer Stolz
New York University Tisch School of the Arts Shorts Selection
Little Horse directed by Levi Abrino
Border Land directed by Alexander Smolowe
Premature directed by Rashaad Ernesto Green
Down In Number 5 directed by Kim Spurlock
Columbia University Film Festival Shorts Selection
Rolling On The Floor Laughing directed by Rusel Harbaugh
Motherland directed by Shario Siddiqui
Hatch directed by Christoph Kusching
Crossing directed by Gina Atwater
Off Season directed by Jonathan Van Tulleken
The Hirosaki Players directed by Jeff Sousa
La Femis Shorts Selection
Goose directed by Morgan Simon
Demain Ce Sera Bien directed by Pauline Gay
On Traks directed by Laurent Navarri
Bye Bye Wild Boy directed by Julie Lena...
- 7/6/2012
- Sydney Levine के द्वारा
- Sydney's Buzz
Hubert Sauper's Darwin's Nightmare Head-on, Javier Bardem, Imelda Staunton: European Film Awards 2004 European Film Academy Documentary – Prix Arte Aileen: Life And Death Of A Serial Killer by Nick Broomfield & Joan Churchill / UK * Darwin's Nightmare by Hubert Sauper / Austria / France / Belgium Die SPIELWÜTIGEN (Addicted to Acting) by Andres Veiel / Germany La Pelota Vasca, La Piel Contra La Piedra (Basque Ball, Skin Against Stone) by Julio Medem / Spain Le Monde Selon Bush (The World According to Bush) by William Karel / France Mahssomim (Checkpoint) by Yoav Shamir / Israel The Last Victory by John Appel / The Netherlands Touch The Sound by Thomas Riedelsheimer / Germany / UK / Finland European Film Academy Short Film – Prix Uip * Prix Uip Ghent: J'attendrai le suivant… by Philippe Orreindy / France Prix Uip Valladolid: Les Baisers des Autres by Carine Tardieu / France Prix Uip Angers: Poveste La Scara "C" by Cristian Nemescu / Romania Prix Uip Berlin: Un Cartus De Kent Si Un Pachet De Cafea...
- 26/11/2011
- Andre Soares के द्वारा
- Alt Film Guide
Euro Film Fest spotlights the new
BRUSSELS -- The nine-day European Film Festival kicked off here Friday, showcasing debuts or second features from young directors across the continent.
The festival, which celebrates its fifth anniversary this year, will screen 28 new films, 17 of which are first features and 11 of which are second efforts.
Festival director Dominique Janne said he hopes to build the event up as a springboard for new talent.
"The selection was deliberately diverse," he said. "We have rummaged across the whole European territory to find films, which include intimate and dramatic movies as well as absurd comedies -- even activism-cinema and playful children's films."
A separate Cinedecouvertes section is open to 20 international films that will be shown in open-air screenings.
The program features two movies co-produced by Belgium's Dardennes brothers, the two-time Palme d'Or winners. They are German filmmaker Maria Speth's second feature, "Madonnas", and Algerian war thriller "The Colonel" (Mon Colonel), directed by France's Laurent Herbiet and co-scripted by Costa-Gavras.
French films screening at the event include Anne Le Ny's hospital love story "Ceux Qui Reste"; David Oelhoffen's "In Your Wake" (Nos retrouvailles), about a violent father-son relationship; and Carine Tardieu's "In Mom's Head" (La Tete De Maman).
The festival, which celebrates its fifth anniversary this year, will screen 28 new films, 17 of which are first features and 11 of which are second efforts.
Festival director Dominique Janne said he hopes to build the event up as a springboard for new talent.
"The selection was deliberately diverse," he said. "We have rummaged across the whole European territory to find films, which include intimate and dramatic movies as well as absurd comedies -- even activism-cinema and playful children's films."
A separate Cinedecouvertes section is open to 20 international films that will be shown in open-air screenings.
The program features two movies co-produced by Belgium's Dardennes brothers, the two-time Palme d'Or winners. They are German filmmaker Maria Speth's second feature, "Madonnas", and Algerian war thriller "The Colonel" (Mon Colonel), directed by France's Laurent Herbiet and co-scripted by Costa-Gavras.
French films screening at the event include Anne Le Ny's hospital love story "Ceux Qui Reste"; David Oelhoffen's "In Your Wake" (Nos retrouvailles), about a violent father-son relationship; and Carine Tardieu's "In Mom's Head" (La Tete De Maman).
- 30/6/2007
- The Hollywood Reporter - Movie News
IMDb.com, Inc. उपरोक्त न्यूज आर्टिकल, ट्वीट या ब्लॉग पोस्ट के कंटेंट या सटीकता के लिए कोई ज़िम्मेदारी नहीं लेता है. यह कंटेंट केवल हमारे यूज़र के मनोरंजन के लिए प्रकाशित किया गया है. न्यूज आर्टिकल, ट्वीट और ब्लॉग पोस्ट IMDb के विचारों का प्रतिनिधित्व नहीं करते हैं और न ही हम गारंटी दे सकते हैं कि उसमें रिपोर्टिंग पूरी तरह से तथ्यात्मक है. कंटेंट या सटीकता के संबंध में आपकी किसी भी चिंता की रिपोर्ट करने के लिए कृपया संदेह वाले आइटम के लिए जिम्मेदार स्रोत पर जाएं.