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Frank Tuttle, the man who made a star of Alan Ladd with the twisted film noir This Gun for Hire (1942), began as a comedy specialist, churning out three or more films a year as vehicles for Eddie Cantor, Edgar Bergen and his knee-pal Charlie McCarthy, Burns & Allen et cetera. Pleasure Cruise (1933) is a pre-Code farce centered on improbably couple Roland Young and Genevieve Tobin.Young plays a penniless author working as house-husband to the gainfully employed Tobin, while seething with jealousy at the thought of the young blades romancing her in the office. In one of many unusual stylistic touches, we see her portrait come to life and watch as she mingles with the staff, none of whom looks to be under sixty, and they're not exactly silver foxes. The stage is set for a film mocking male paranoia and jealousy and questioning notions of fidelity, virtue, and honesty.Young is his usual self,...

They’re non-corporeal cut-ups, rich ghosts on the town with nothing better to do than spice up the love life of Roland Young’s harried, henpecked bank president. Hal Roach’s screwball hit did good things for everybody concerned, especially star Cary Grant and bit player Arthur Lake. But the show’s nostalgic heart is Billie Burke, of the tinkly-glass voice. Also starring platinum blonde Constance Bennett, Alan Mowbray and Eugene Pallette.

Topper

Blu-ray

Vci

1937 / B&W / 1:37 flat full frame / 97 min. / Street Date October, 2017 / 20.99

Starring: Constance Bennett, Cary Grant, Roland Young, Billie Burke, Alan Mowbray, Eugene Pallette, Arthur Lake, Hedda Hopper, Virginia Sale, Theodore von Eltz, J. Farrell MacDonald, Elaine Shepard, Ward Bond, Hoagy Carmichael, Lana Turner, Russell Wade, Claire Windsor.

Cinematography: Norbert Brodine

Film Editor: William Terhune

Art Director: William Stevens

Original Music: Marvin Hatley

Written by Jack Jevne, Eric Hatch, Eddie Moran from a novel by Thorne Smith...

Joining us today is Tina Hassannia to discuss Leo McCareys’ Ruggles of Red Gap which comes with a hearty recommendation to watch immediately!

From Masters of Cinema:

The great Charles Laughton found one of his most iconic roles in Leo McCarey’s definitive screen version of Harry Leon Wilson’s best-seller Ruggles of Red Gap – a wryly humorous tapestry of the American West at the turn of the 20th century.

When the Earl of Burnstead (Roland Young) transfers the services of Ruggles (Laughton), his immaculate English valet, to Egbert Floud (Charlie Ruggles), a wealthy, brash American, the repercussions prove more dramatic than anyone could have anticipated. Relocating to Red Gap, Washington, Ruggles slowly overcomes his disconcertment as he encounters new alliances, enemies, the route to independence, and, possibly, love.A riotous clash between the Old World and the New, McCarey’s legendary comic instincts combine with his customary tender respect...

'And Then There Were None' movie with Barry Fitzgerald, Walter Huston, June Duprez, Louis Hayward and Roland Young. 'And Then There Were None' movie remake to be directed by Oscar nominee Morten Tyldum One of the best-known Agatha Christie novels, And Then There Were None will be getting another big-screen transfer. 20th Century Fox has acquired the movie rights to the literary suspense thriller first published in the U.K. (as Ten Little Niggers) in 1939. Morten Tyldum, this year's Best Director Academy Award nominee for The Imitation Game, is reportedly set to direct. The source for this story is Deadline.com, which adds that Tyldum himself “helped hone the pitch” for the acquisition while Eric Heisserer (A Nightmare on Elm Street 2010, The Thing 2011) will handle the screenplay adaptation. And Then There Were None is supposed to have sold more than 100 million copies worldwide, thus holding the...

Virginia Bruce: MGM actress ca. 1935. Virginia Bruce movies on TCM: Actress was the cherry on 'The Great Ziegfeld' wedding cake Unfortunately, Turner Classic Movies has chosen not to feature any non-Hollywood stars – or any out-and-out silent film stars – in its 2015 “Summer Under the Stars” series.* On the other hand, TCM has come up with several unusual inclusions, e.g., Lee J. Cobb, Warren Oates, Mae Clarke, and today, Aug. 25, Virginia Bruce. A second-rank MGM leading lady in the 1930s, the Minneapolis-born Virginia Bruce is little remembered today despite her more than 70 feature films in a career that spanned two decades, from the dawn of the talkie era to the dawn of the TV era, in addition to a handful of comebacks going all the way to 1981 – the dawn of the personal computer era. Career highlights were few and not all that bright. Examples range from playing the...

Olivia de Havilland picture U.S. labor history-making 'Gone with the Wind' star and two-time Best Actress winner Olivia de Havilland turns 99 (This Olivia de Havilland article is currently being revised and expanded.) Two-time Best Actress Academy Award winner Olivia de Havilland, the only surviving major Gone with the Wind cast member and oldest surviving Oscar winner, is turning 99 years old today, July 1.[1] Also known for her widely publicized feud with sister Joan Fontaine and for her eight movies with Errol Flynn, de Havilland should be remembered as well for having made Hollywood labor history. This particular history has nothing to do with de Havilland's films, her two Oscars, Gone with the Wind, Joan Fontaine, or Errol Flynn. Instead, history was made as a result of a legal fight: after winning a lawsuit against Warner Bros. in the mid-'40s, Olivia de Havilland put an end to treacherous...

With such a definitive and spoiler-happy title as “He Married His Wife” (even with pronouns lending a level of mystery), plot quickly becomes unimportant. Even the contemporary micro-genre this 1940 film fills, the comedy of remarriage, immediately announces T.H. Randall’s (Joel McCrea) eventual reunion with estranged wife Valerie (Nancy Kelly). In order for the couple to come together, both actors must switch between clown and straight-man acts at screwball pace using the supporting cast as colorful props.This outline worked well for Howard Hawks’s Bringing Up Baby (1938) two years earlier, but that had the remarkable advantage of both Cary Grant and Katherine Hepburn, both known for versatility in anything their studio would throw at them. Conversely, 20th Century Fox put director Roy Del Ruth to the task of He Married His Wife as a workman director capable of identifying the strengths of a trending narrative style for economic opportunity.

Loretta Young films as TCM celebrates her 102nd birthday (photo: Loretta Young ca. 1935) Loretta Young would have turned 102 years old today. Turner Classic Movies is celebrating the birthday of the Salt Lake City-born, Academy Award-winning actress today, January 6, 2015, with no less than ten Loretta Young films, most of them released by Warner Bros. in the early '30s. Young, who began her film career in a bit part in the 1927 Colleen Moore star vehicle Her Wild Oat, remained a Warners contract player from the late '20s up until 1933. (See also: "Loretta Young Movies.") Now, ten Loretta Young films on one day may sound like a lot, but one should remember that most Warner Bros. -- in fact, most Hollywood -- releases of the late '20s and early '30s were either B Movies or programmers. The latter were relatively short (usually 60 to 75 minutes) feature films starring A (or B+) performers,...

Each year, the Library of Congress selects 25 films to be named to the National Film Registry, a proclamation of commitment to preserving the chosen pictures for all time. They can be big studio pictures or experimental short films, goofball comedies or poetic meditations on life. The National Film Registery "showcases the extraordinary diversity of America’s film heritage and the disparate strands making it so vibrant" and by preserving the films, the Library of Congress hopes to "a crucial element of American creativity, culture and history.” This year’s selections span the period 1913 to 2004 and include a number of films you’re familiar with. Unless you’ve never heard of "Saving Private Ryan," "The Big Lebowski," “Rosemary’s Baby” or "Ferris Bueller's Day Off." Highlights from the list include the aforementioned film, Arthur Penn’s Western "Little Big Man," John Lasseter’s 1986 animated film, “Luxo Jr.," 1953’s “House of Wax,...

Spanning the years 1913-2004, the 25 films to be added to the Library of Congress’ National Film Registry for 2014 include Steven Spielberg’s Saving Private Ryan, Roman Polanski’s Rosemary’s Baby, Arthur Penn’s Little Big Man, John Hughes’ Ferris Bueller’s Day Off and the Coen brothers’ The Big Lebowski. The annual selection helps to ensure that the movies will be preserved for all time. This year’s list brings the number of films in the registry to 650.

Also on the list are John Lasseter’s 1986 animated film, Luxo Jr; the original Willy Wonka And The Chocolate Factory with Gene Wilder; and Howard Hawks’ classic 1959 Western Rio Bravo. Documentaries and silent films also make up part of the selection which represents titles that are “culturally, historically or aesthetically” significant; they must also each be at least 10 years old. Check out the rundown of all 25 movies below:

2014 National Film Registry...

Cary Grant movies: 'An Affair to Remember' does justice to its title (photo: Cary Grant ca. late 1940s) Cary Grant excelled at playing Cary Grant. This evening, fans of the charming, sophisticated, debonair actor -- not to be confused with the Bristol-born Archibald Leach -- can rejoice, as no less than eight Cary Grant movies are being shown on Turner Classic Movies, including a handful of his most successful and best-remembered star vehicles from the late '30s to the late '50s. (See also: "Cary Grant Classic Movies" and "Cary Grant and Randolph Scott: Gay Lovers?") The evening begins with what may well be Cary Grant's best-known film, An Affair to Remember. This 1957 romantic comedy-melodrama is unusual in that it's an even more successful remake of a previous critical and box-office hit -- the Academy Award-nominated 1939 release Love Affair -- and that it was directed...

Murder mysteries are so commonplace on TV that each week offers seemingly dozens of them on police procedural series and detective shows. But in the movies, whodunits are surprisingly rare, and really good ones rarer still. There's really only a handful of movies that excel in offering the viewer the pleasure of solving the crime along with a charismatic sleuth, often with an all-star cast of suspects hamming it up as they try not to appear guilty.

One of the best was "Murder on the Orient Express," released 40 years ago this week, on November 24, 1974. Like many films adapted from Agatha Christie novels, this one featured an eccentric but meticulous investigator (in this case, Albert Finney as Belgian epicure Hercule Poirot), a glamorous and claustrophobic setting (here, the famous luxury train from Istanbul to Paris), and a tricky murder plot with an outrageous solution. The film won an Oscar for passenger...

Martha Stewart: Actress / Singer in Fox movies apparently not dead despite two-year-old reports to the contrary (Photo: Martha Stewart and Perry Como in 'Doll Face') According to various online reports, including Variety's, actress and singer Martha Stewart, a pretty blonde featured in supporting roles in a handful of 20th Century Fox movies of the '40s, died at age 89 of "natural causes" in Northeast Harbor, Maine, on February 25, 2012. Needless to say, that was not the same Martha Stewart hawking "delicious foods" and whatever else on American television. But quite possibly, the Martha Stewart who died in February 2012 -- if any -- was not the Martha Stewart of old Fox movies either. And that's why I'm republishing this (former) obit, originally posted more than two and a half years ago: March 11, 2012. Earlier today, a commenter wrote to Alt Film Guide, claiming that the Martha Stewart featured in Doll Face, I Wonder Who's Kissing Her Now,...

Mary Boland movies: Scene-stealing actress has her ‘Summer Under the Stars’ day on TCM Turner Classic Movies will dedicate the next 24 hours, Sunday, August 4, 2013, not to Lana Turner, Lauren Bacall, Katharine Hepburn, Ginger Rogers, Esther Williams, or Bette Davis — TCM’s frequent Warner Bros., MGM, and/or Rko stars — but to the marvelous scene-stealer Mary Boland. A stage actress who was featured in a handful of movies in the 1910s, Boland came into her own as a stellar film supporting player in the early ’30s, initially at Paramount and later at most other Hollywood studios. First, the bad news: TCM’s "Summer Under the Stars" Mary Boland Day will feature only two movies from Boland’s Paramount period: the 1935 Best Picture Academy Award nominee Ruggles of Red Gap, which TCM has shown before, and one TCM premiere. So, no rarities like Secrets of a Secretary, Mama Loves Papa, Melody in Spring,...

(Erle C Kenton, 1932/Leo McCarey, 1935; Eureka! PG)

With one foot in the theatre and another in the cinema throughout his career, Charles Laughton (1899-1962) was one the greatest actors of his time, whose only movie as director, The Night of the Hunter, is a stand-alone masterpiece. A protean figure despite his bulk, his roles ranged from the sadly sympathetic (The Hunchback of Notre Dame) to the unforgettably sadistic (Mutiny on the Bounty). His success in Hollywood was immediate, and these two films in Eureka!'s Masters of Cinema series (each containing both DVD and Blu-ray formats) demonstrate his versatility.

In Erle C Kenton's sophisticated horror movie Island of Lost Souls (1932), long refused a BBFC certificate for its repugnance and alleged blasphemy, he is Dr Moreau, Hg Wells's mad scientist, ruling a Pacific island populated by increasingly rebellious mutants of his own overweening creation. One of the pathetic creatures is played by Bela Lugosi.

Leo McCarey's 1935 Ruggles of Red Gap gets my vote for the most patriotic American movie ever made. It is purely, beautifully what it appears to be: a comedy about a man forced to take a crash course in American manners and principles who, in the way of many immigrants, gradually comes to love and appreciate the place more deeply than some natives. Ironically, this valentine to the U.S. has been available chiefly in a Region 2 import DVD with permanent French subtitles. But now a 35-millimeter print is getting a run at the Film Forum from April 4-10, ahead of its dual-format release by the U.K.'s Masters of Cinema.

The fish-out-of-water tale concerns valet Marmaduke Ruggles (Charles Laughton), whose employer, Lord Burnstead (Roland Young) loses him in a poker game to Egbert Floud (Charles Ruggles, in a cute coincidence). Floud is a brayingly rustic American millionaire whose...

Linda Darnell Linda Darnell on TCM: A Letter To Three Wives, No Way Out Schedule (Et) and synopses from the TCM website: 6:00 Am Zero Hour! (1957) When a flight crew falls ill only man who can land the plane is afraid of flying. Dir: Hall Bartlett. Cast: Dana Andrews, Linda Darnell, Sterling Hayden. Bw-81 mins, Letterbox Format. 7:30 Am Sweet And Low Down (1944) Dir: Archie Mayo. Cast: Benny Goodman, Linda Darnell, Jack Oakie. Bw-76 mins. 9:00 Am Rise And Shine (1941) The college president head cheerleader and a gambling gangster try to keep a flunking football star in the game. Dir: Allan Dwan. Cast: Jack Oakie, George Murphy, Linda Darnell. Bw-88 mins. 10:45 Am Brigham Young (1940) Two young Mormons struggle to survive their people's journey to a new home in the West. Dir: Henry Hathaway. Cast: Tyrone Power, Linda Darnell, Dean Jagger. Bw-113 mins. 12:45 Pm Two Flags West (1950) A bitter...

Brigitte Helm in Fritz Lang's Metropolis (top); Jack Holt, Fay Wray in Frank Capra's Dirigible (middle); Walter Huston, Barry Fitzgerald, Roland Young, Louis Hayward, Judith Anderson in René Clair's And Then There Were None (bottom) London's BFI Southbank will be screening several Frank Capra efforts today and on Saturday, in addition to films based on Agatha Christie's works and the restored Metropolis. Most notable among those screenings is probably a 1986 British television production named Shades of Darkness: Agatha Christie’s The Last Séance. Directed by June Wyndham-Davies, the 50-minute show stars Jeanne Moreau in a "suitably spooky, at times surreal" supernatural tale about spiritualism. Frank Capra will be represented with Dirigible (1931), an early adventure tale set in the South Pole that features Fay Wray sandwiched between popular late-'20s players Jack Holt and Ralph Graves; The Bitter Tea of General Yen (1932), an overbaked interethnic romance-drama-tragedy starring...

At one point in the early 1930s, Constance Bennett was the highest-paid actress in Hollywood. (In her early Warner Bros. movies, Bette Davis was clearly modeled after Bennett.) Following a series of risque — but generally dismal — tearjerkers, mostly at Rko, Bennett's stardom had all but fizzled out by 1935. Turner Classic Movies will be showing several of such Bennett vehicles on Friday early morning/afternoon, in addition to the comedies Topper, Merrily We Live, and Topper Takes a Trip, which revived the actress' career in the late '30s. Topper, which co-stars Cary Grant and Roland Young, is enjoyable, but it needed an Ernst Lubitsch to fully bring it to life. Topper Takes a Trip, though much inferior to the original, is harmless enough. What Price Hollywood? is the best one among the tearjerkers. Directed by George Cukor, this tale of a waitress who finds success and heartbreak in Hollywood was...

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Nowadays, moving your businesses' It solution to a hosted cloud-based service--like Google Apps for business--is all the rage. But does it make sense for your (very) small business? In this week's episode, sole proprietor and Google user Roland Young asks if Google Apps for Business is right for his business. I share the advantages of using Google Apps over an individual Google account, and Michael Milton chimes in his advice for Roland.

Here is the Popplet mind map used in today's episode:

To print this mind map, click here (Pdf file).

Special thanks to Michael Milton, Client Manager at Blue State Digital, (and formerly of O'Reilly) and Roland Young for appearing in this episode, and to Popplet. You can download Popplet for the iPad.

The Birthday Boys and Girls of 11/11

1821 Fyodor Dostoevsky, legendary Russian author of Crime and Punishment and The Brothers Karamazov fame. So many movies inspired by his work. But he's not the legendary Russian author that'll be getting all the press this next couple of months. That'd be Leo Tolstoy, soon to be chattered about when The Last Station emerges as an Oscar contender.

1887 Roland Young, popular 30s and 40s character actor (Topper, The Philadelphia Story, Ruggles of Red Gap)

1898 René Clair, (pictured left), wonderful French writer/director. If you've never seen Le Million I urge you to rent it maintenant. His Oscar nominated films include The Gates of Paris (1957) and À nous la liberté (1931)

1899 Pat O'Brien --Ewwww, not that one people -- the actor! whose film career stretches alllllll the way from the 1931 classic The Front Page to 1981's Ragtime.

1901 Sam Spiegel, powerful producer. Boy was he on fire in...

Some months ago, Starlog contributor Gregory William Mank (along with Charles Heard & Bill Nelson) issued Hollywood’S Hellfire Club: The Misadventures Of John Barrymore, W.C. Fields, Errol Flynn & “The Bundy Drive Boys” (Feral House, tpb, $22.95). We’ve now bought and read it—and beyond its charming, dissolute Drew Friedman cover, it’s a joyful, wild party of a book, examining the alcohol-soaked misadventures of a coterie of hard-living actors and others in Hollywood’s 1930s and ’40s glory days.

In addition to those famed constant drinkers Barrymore, Fields and Flynn, the loose-knit Hellfire group included genre great John Carradine, Topper’s Roland Young, character actor star Thomas Mitchell (Stagecoach, Gone With The Wind), British thespian Alan Mowbray (the touring Shakespearean of My Darling Clementine), young Anthony Quinn, eccentric artist Sadakichi Hartmann and writers Ben Hecht and Gene Fowler. Near the tail end of the group’s existence, Vincent Price was also an ad hoc member.

Variety reports that Disney has acquired the rights to the 1937 comedy Topper with an eye on turning the remake into a vehicle for Steve Martin. The original starred Cary Grant and Constance Bennett as a deceased couple who are determined to shake up the life of their friend Topper (Roland Young), a stuffy banker. Martin's Bringing Down the House director, Adam Shankman, is slated to produce; no word on if he will direct as well. Martin will shoot another remake, Cheaper By the Dozen, before moving onto Topper.