Review by thompsonkeng

Also known as "And Then There Were None" and other titles, this Agatha Christie murder mystery centers around one of the most clever, if not the most clever, plots of any of her many works. In typical Agatha Christie style, the story twists and turns in unexpected directions, and you either give up trying to identify who the murderer is, or you are surprised that the murderer is someone whom you least expected. It's then fun to go back and see how you missed the subtle clues pointing to the real murderer.

The 1966 movie version is often compared unfavorably to the original, 1945, movie version. Frankly, I prefer the 1966 movie, which is more contemporary in style, and the actor's accents are easier to understand.

"Ten Little Indians" takes place in a castle on a mountaintop in winter. The "castle" has an echo which when combined with the cold and lonely atmosphere, and sometimes sinister lighting, makes for a creepy setting. Thankfully, the movie was shot in black and white.

The acting is quite good, for the most part. But the main reason to see this movie is because of the unique plot puzzle.

The cinema has made many other Agatha Christie movies, two of the best being "Witness For The Prosecution" (1957), and "Murder On The Orient Express" (1974). But none can compare, in my opinion, with the clever plot of "Ten Little Indians".