Review by shariqmahbub

At first I dismissed this movie, with its repetitive capturing of the spectacle of a Spanish bullfight, where the bull is already injured and certain to be killed in a brutal way. The documentary focuses on the hunter and the hunted, the dance of mortality and winner and loser. While the stadium audience cheers off-camera. The set-up reminded me of movies of Ancient Rome, like Gladiator, where the those who are about to die are thrown to the lions, the lions having the advantage, like the bullfighters here, and the stadium audience sitting in glee, and thrill as to whose blood will be spilled. We, the cinema audience, are also lulled into this dance of death, and the animal grunts (bull and matador), the posturing and angling (bull and matador), the aggression and intimacy of a fight to the death are repeated in various arenas and it is hypnotic. You don't want the matador to be injured, and yet he takes such risks.

So, I said that I almost dismissed this film, but as I have been thinking about it since, I feel Serra has captured very important themes in this very focused matador film. He captures the bravado and judgment and hubris of the hunter (the matador), where the opponent is "bad" and deserves to be killed. Take this male aggression out of the bull-fighting arena and you will see it all around the world, and it is cheered on when it is seen in leaders who belittle the "bad" guy or teach them a lesson. You might say that the animalistic side of human nature that wants blood, revenge and wants to take a victory lap and be applauded for such is captured.

The matador believe he is incredibly courageous ("you've got balls bigger than this stadium"), and his worth comes from this dance of death. I do not support and encourage aggression or bullying, so this was an insight into an atavism of male aggression that is celebrated in Spain in the bullfighting arena, and is perhaps representative of the bloody history of the country as well (the inquisition, the conquistadors killing many in the Americas in the name of their King and God). So, indirectly, Serra might be showing us a part of the soul of Spain and its still preserved rituals based on violence and aggression that are still celebrated.