8/10
Mommie dearest
21 July 2021
Sylvia Russel is akin to Harriet Craig ,one of Joan Crawford's triumphs (1950) ; and Sonia Dresdel's impressive performance compares favorably with her American colleague's.

Sylvia is even more terrifying than Harriet: if eyes could kill ,hers certainly would."Mother's always watching us, her eyes are X rays ". She's a monster , a mentally-ill person , a frustrated woman who hates mediocrity (represented by her meek husband's world which consists of his dog and his roses),who wants power and uses the others as puppets .

She's got everything to live a comfortable bourgeois life: her son and her son-in-law are both doctors .But a routine life does not satisfy her ,the coming of handsome Austin makes her even more destructive .

But it had begun before: a woman asking the vet to put a good old dog to sleep? A mother who warns her daughter against her husband? Who urges her maid to seduce her son-in-law by making her read "lady Chatterley's lover",a book forbidden in the UK till 1960 (an under-the- counter French edition : the novel was first tranferred to the screen by Yves Allégret in 1955 in this country ,but in a chaste way)?

Sylvia gets her kicks by destroying her family's life ; you should see her sweetly smile when she sees her "power" on the others .

This is first-rate film noir ; Sonia Dresdel's piercing eyes (when she watches her sick husband , they will give you the jitters)will haunt you after the viewing .Try to forget them!
23 out of 24 found this helpful. Was this review helpful? Sign in to vote.
Permalink

Recently Viewed