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Noted for portraying characters older than his actual age, Whitman Mayo was in his early 40s in the early 1970s when he first played the sexagenarian "Grady" on "Sandford & Son" -- a role that popularized the expression "Good Goobily Goop!" Nearly thirty years later his "Grady" role had just about caught up with him in terms of age and, in terms of Americana, had assumed something of a cult status. In 1996, "Late Night with Conan O'Brien" hosted a tongue-in-cheek "Where's Grady" search for the actor who so well played the part. Though this single role tended to typecast his acting and contributions to the profession, Whitman Mayo did not let it define him. In fact, his professional growth took him some distance from the Watts junkyard of the ABC sitcom. He rounded out his career teaching drama at Clark Atlanta University in Atlanta, Georgia. He was born and grew up in Harlem and Queens, N.Y., moving at 17 to Southern California with his family. He served in the army from 1951-53, then did tours of study at Chaffey College, Los Angeles City College, and UCLA. He began doing a little acting at this time, but nothing stuck. He drifted and liked to boast that he played serious volleyball in Mexico for a year. During these times in his life of not being fixed in a career, he also worked as a probation officer counseling young people, picked grapes, waited tables, and other things for the railroad and a dairy, and not necessarily in that order. In the late 1960s, he joined the New Lafayette Theater repertory company in New York City and began settling down in an acting career. His call to "Sanford & Son" came shortly thereafter when a friend from the New Lafayette group who was by that time writing for Norman Lear recommended Mayo for a part in a single episode. His portrayal caught on and he lasted through the entire duration of the show, even filling in for Redd Foxx when Foxx took a leave. Having a plethora of experience with the tentative in his life, Mayo viewed his continuing success on the series as fleeting and ventured into other trades to assure financial stability; in 1975, for instance, he opened a travel agency in Inglewood, California. In 1994, "burned out," as he said, on Los Angeles, he continued to ply his trade in acting, but moved to Fayetteville, Georgia.- Actress
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A promising blue-to-gray-eyed, blonde-haired child actress of the post-WWII years who had more talent than she was given credit for, little Constance Beekman "Connie" Marshall was born on April 28, 1933 in New York City. Her parents were not of show business stock, her father being a lieutenant with the Allied Military Government in Europe. She was a direct descent of this country's fourth Chief Justice, John Marshall, and was a descendant of Gerardus Beekman, the first Colonial Governor of New York.
Sensitive-looking and sad-eyed, Connie Marshall broke into the competitive side of show business quite young as a pig-tailed model for commercial newspapers and magazines. Frequently used by New York photographers, artists and caricaturists, she began her acting career a year later by happenstance. A failed screen test taken in Hollywood was, by luck, seen by 20th Century-Fox director Lloyd Bacon, who just happened to be casting the role of little Mary Osborne in the warm family comedy-drama, Sunday Dinner for a Soldier (1944). The film went on to star the future husband and wife team of Anne Baxter and John Hodiak, who first met and fell in love while shooting this picture. Director Bacon stopped looking when he came across young Connie.
Educated at the Gardner School in New York, where she appeared in a few plays, and the Fox Studio School, Connie also studied ballet and ballroom dancing. She made a strong impression in her very first film, with a natural forlorn ease as one of the Osborne children that also included up-and-coming Bobby Driscoll. With Connie's second picture Sentimental Journey (1946), she was handed her best weepy-eyed showcase. Terminally ill Julie Beck (played by Maureen O'Hara) adopts an orphan girl (played by Marshall) so Julie's husband, William (John Payne), will have someone to care for after she passes away. Connie held her own and received rave reviews.
She continued to show precocious promise in the post-war years in both sentimental drama and lightweight comedy with Dragonwyck (1946) as the daughter of Vincent Price; Home, Sweet Homicide (1946) as an amateur young sleuth who tries to solve a neighborhood murder aided by brother and sister Peggy Ann Garner and Dean Stockwell; Mother Wore Tights (1947) as the daughter of song-and-dance team Betty Grable and Dan Dailey; and the noted comedy classic, Mr. Blandings Builds His Dream House (1948) as the elder daughter of the titular couple, Mr. and Mrs. Blandings (played by, respectively, Cary Grant and Myrna Loy). She would work with the silver screen's top movie stars over the years, including Gene Tierney and Joan Crawford, but once she outgrew her precociousness, her career began to fade away. She attempted TV with the short-lived series Doc Corkle (1952) and appeared as a feisty teen co-star opposite Gene Autry in his film oater Saginaw Trail (1953), but by 1954, after an unbilled part in Rogue Cop (1954), she was out of the business.
Marshall was forgotten until 2006 when -- five years after her passing -- news of her death on May 22, 2001 at age 68 from cancer became public. Although her potential was never fully utilized, she most certainly deserves a place in the Hollywood annals as one of filmdom's more talented young actors.- Jack Watling was born on 13 January 1923 in Chingford, Essex, England, UK. He was an actor, known for A Night to Remember (1958), The Winslow Boy (1948) and Confidential Report (1955). He was married to Patricia Hicks. He died on 22 May 2001 in Chelmsford, Essex, England, UK.
