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Roshan was born on 14 July 1917 in Gujranwala, Punjab, British India [now in Punjab, Pakistan]. He was a composer and actor, known for Taj Mahal (1963), Raising Helen (2004) and Vallah Kya Baat Hai (1962). He was married to Ira Roshan. He died on 16 November 1967 in Bombay, Maharashtra, India.

Abhas Kumar Ganguly was born in Khandwa, now in Madhya Pradesh. His dad's name was Kunjilal, a lawyer by profession, and his mom's name was Gouri Devi, who came from a wealthy family.

Kishore was the youngest in the Ganguly family, preceded by Ashok Kumar, Sati, & Anoop Kumar (I). Sati was married to Sashadhar Mukherjee, who was the brother of film-maker Subodh Mukherji, and Bollywood actors Joy Mukherjee & Deb Mukherjee. Sati's son, Shomu Mukherjee, went on to marry Tanuja Samarth, and who subsequently gave birth to Kajol and Tanishaa Mukerji. Tanuja is the sister of Nutan, who, in turn, is the mother of actor Mohnish Behl. Tanuja and Nutan are the daughters of the famed Shobhna Samarth. Sati was also aunt-by-marriage to Ram Mukherjee, who would subsequently marry and give birth to Raj Mukherjee and Bollywood actress, Rani Mukerji. Ashok's daughter is noted Bollywood actress, Preeti Ganguli, who is married to comedian and character actor, Deven Verma. Ashok's grand-daughter is actress, Anuradha Patel.

While Ashok went on to become a successful actor, Abhas, who was renamed Kishore, shunned acting, and preferred singing and mimicking K.L. Saigal. His brother, Anoop, while struggling to make a name himself, noticed this, and encouraged Kishore to sing in his own voice.

When Sachin Dev Burman happened to visit Ashok, he heard Kishore singing, and immediately signed him to sing for Bollywood movies. After Sachin's passing away, his son, Rahul Dev Burman took over and openly favored Kishore over other male singers.

He always wanted to be a singer, but acting was thrust upon him, and he did his best to live up to it. A Leo, Kishore was also known for his mad-cap comedy movies, and for his eccentricity as he used to 'talk' to his trees in his home, and had even put up a sign 'Mental Hospital' right outside his residence in Khandwa. He was also parsimonious, so much so that he was in arrears to the Indian Income Tax authorities, yet never missed a chance to make fun of them (Aur Peechey Pad Gaya Income Taxum, Jai Govindam Jai Gopalam).

When he refused to endorse former Indian Prime Minister's 20 point Program during the 1975-1977 Emergency, he was banned from the Government-controlled media namely All India Radio and Vividh Bharati. Even duets with his voice were censored. He was not the only one in Bollywood, as others like I.S. Johar, Dev Anand, Shatrughan Sinha openly condemned Mrs. Gandhi's regime. After the emergency, her political party (Congress) was overwhelmingly ousted by the electorate in favor of the Janata Party.

Kishore made a record by being the only singer to have sung in more than 90 films for a single hero which was for Rajesh Khanna. Kishore sang in 91 films for Rajesh Khanna.His closest friends were Rajesh Khanna, R.D.Burman, S.D.Burman, Mohammad Rafi.He refused to lend his voice to Amitabh Bachchan in period 1982-1987 many times, when the latter refused to do a guest appearance in a Kishore-produced film and this affected Bachchan's career as many of his films flopped post 1983.

His marriages to some of the most popular and attractive Bollywood actresses (Madhubala, Yogeeta Bali,Leena Chandavarkar) not only raised eyebrows, but added to his popularity.Fact was each of these women with exception of Yogita Bali fell in love with Kishore Kumar. Madhubala loved him immensely but had health issues so died. Then in 1976 Yogita claimed to love him and married Kishore, but then Kishore realized she had married him for his money so divorced her. Leena was a widower but Kishore fell in love with her and proposed her and they were happily married till his death.

He introduced his son, Amit Kumar, (sired from his first wife Ruma Ghosh aka Ruma Guha Thakurta) to sing, often along with him, and then amazed his fans by marrying widowed Leena Chandavarkar, who was just two years older than Amit.

He sang 245 songs picturised on Rajesh Khanna across 92 films, which is an unbeaten record for singer-actor combination. Kishore sang 245 songs for Rajesh Khanna, 202 for Jeetendra, 119 for Dev Anand and 131 for Amitabh.

He had recorded the duets "Kaho Kahan Chale" for the film Bulundi, "Pyar Ka Dard Hai" from Dard and "Tum Jo Chale Gaye" from Aas Paas, a few days before his heart attack in 1981. He suffered his first heart attack on 24th January 1981 in Kolkata in the noon hours and within a gap of another four hours, suffered his second heart attack. The first solo song sung by him, after recovery from his two attacks was "Mere Sang Sang Aya" from Rajput (1982) and the duet with Asha - "Mausam Bheega Bheega" from Gehra Zakhm.

In the comedy, Badhti Ka Naam Dadhi (1974) a song 'Karne Chaley Thhey Shaadi Meri, Khud Ban Baithey Dulha', sung by Amit, hilariously chastised his dad for getting married, instead of searching for a bride for his son.

Through Leena he sired another son, Sumeet Kumar. Their marriage was intact until his unexpected passing on October 13, 1987, due to heart failure for the third time.

Kishore has not only been immortalized by his songs, but also by his talents as an Actor, Producer, Director, Script-Writer, & Lyricist. His movies continue to be popular even now on TV, as do his songs on both TV and radio.

Amjad Khan was a renowned Bollywood actor and film director, widely popular for his performance as Gabbar Singh in Sholay (1975). He went to both R. D. National College and St. Andrew's High School in Bandra.

Khan was the president of the Actors Guild Association and took a keen interest in the matters of the film industry. As a youngster, Khan acted with his father, Jayant, in movies like Nazneen (1951) and Ab Dilli Dur Nahin (1957).

With the film Hindustan Ki Kasam (1973), he first appeared as a professional silver-screen performer. When he played Gabbar Singh in Sholay (1975), he transformed the stereotypical Bollywood bad guy into a new genre icon. Gabbar transformed into him preparing for the role- this has been his most famous role of all time.

In Prakash Mehra's Muqaddar Ka Sikandar (1978), he portrayed the part of Dilawar, a gangster. He was also cast in several other movies, including Shatranj Ke Khilari (1977), Hum Kisise Kum Naheen (1977), Ganga Ki Saugand (1978), Des Pardes (1978), Dada (1979), Chambal Ki Kassam (1980), Naseeb (1981), Satte Pe Satta (1982), and Nastik (1983).

In films like Yaarana (1981) and Laawaris (1981), he portrayed likeable protagonists. In addition to his dramatic roles, he branched out and performed comedic roles in the films Qurbani (1980), Love Story (1981), Chameli Ki Shaadi (1986).

In the Hindi parody film Ramgarh Ke Sholay (1991), helmed by Ajit Dewani, he once again played the part of Gabbar Singh, and the film became an unexpected blockbuster.

He debuted as a director with Chor Police (1983), in which he also co-starred with Parveen Babi, Shatrughan Sinha, Kader Khan, and Shakti Kapoor. His film Ameer Aadmi Ghareeb Aadmi (1985) was released in 1985- it was a great commercial success. He also appeared in a small role in [link= tt0154591 in 1973.

He won the best supporting actor in the BFJA Awards for Sholay in 1976. Apart from that, he won best supporting actor at the Filmfare awards for Dada (1980) and Yaarana (1982). Khan also won best performance in a comedic role at the Filmfare awards for Maa Kasam (1986).

Smita Patil, born in Pune, Maharashtra, India, was a highly acclaimed Indian actress known for her exceptional performances in Hindi and Marathi cinema. Regarded as one of the finest actresses in Indian cinema, Smita Patil's career was marked by her ability to portray a wide range of characters with authenticity and depth.

Smita Patil began her acting career in Marathi theater before making her film debut with the Marathi film "Shyamchi Aai" (1974). She gained attention for her breakthrough performance in Shyam Benegal's "Manthan" (1976), which marked the beginning of her collaboration with the renowned filmmaker. Smita Patil went on to work in several of Benegal's films, including "Bhumika" (1977), for which she received the National Film Award for Best Actress.

Her impactful performances in films such as "Aakrosh" (1980), "Chakra" (1981), and "Umbartha" (1982) solidified her position as one of the leading actresses in Indian cinema. Smita Patil was known for choosing roles that challenged societal norms and highlighted social issues. Her ability to infuse realism into her characters and convey emotions with authenticity set her apart.

Smita Patil also made significant contributions to parallel cinema, working with directors like Govind Nihalani ("Ardh Satya," 1983), Shyam Benegal ("Mandi," 1983), and G. Aravindan ("Chidambaram," 1985). Her collaboration with commercial filmmakers, including Ramesh Sippy in "Shakti" (1982) and Prakash Mehra in "Namak Halaal" (1982), showcased her versatility across genres.

Beyond her acting career, Smita Patil was actively involved in social and political causes. She was known for her advocacy of women's rights and her commitment to addressing issues affecting marginalized communities.

Tragically, Smita Patil's life was cut short when she passed away on December 13, 1986, at the age of 31, shortly after giving birth to her son Prateik Babbar. Despite her short-lived career, Smita Patil's impact on Indian cinema remains enduring, and she is remembered as a trailblazer who elevated the art of acting with her remarkable talent and meaningful contributions.

Considered to be a man ahead of his time, Guru Dutt was one of the greatest icons of commercial Indian cinema. Although he made less than ten films, they are believed to be the best to come from Bollywood's Golden Age, known both for their ability to reach out to the common man and for their artistic and lyrical content, and they went on to become trend-setters that have influenced Bollywood ever since. But for all his genius, there was a shroud of tragedy that overshadowed his career and life.

Dutt was born in Mysore on July ninth, 1925, the eldest son of a headmaster and a housewife who was a part-time writer. As a child, he had to deal with a strained relationship between his parents, hostility from his mother's family, and the death of a close relative. He received his early education in Calcutta, and in 1941, he joined the Uday Shankar India Culture Center, where he received basic training in the performing arts under dance maestro Uday Shankar. Afterward, in 1944, he had a short stint as a telephone operator.

Dutt entered the Indian film industry in 1944, working as a choreographer in Prabhat Studios. There, he became friends with Dev Anand (whom he met when they worked on the film Hum Ek Hain (1946)) and Rehman Khan. These early friendships helped ease his way into Bollywood. After Prabhat went under in 1947, Dutt moved to Mumbai, where he worked with the leading directors of the time: Amiya Chakrabarty in Girls' School (1949) and Gyan Mukherjee in Sangram (1946).

He got his big break when Dev Anand invited him to direct a film in his newly formed company Navketan Films. Dutt made his directorial debut with Gamble (1951), which starred Dev Anand. The film was an urban crime thriller that paid homage to classic film noir. However, it also carried its own elements that ensured it was not a remake of a Hollywood film: notably, songs were used to further the story's narrative, and close-up shots were used frequently. The film was a success and became a trend-setter for future crime films. On the personal front, Dutt met his wife, playback singer Geeta Dutt (née Roy), during the song-recording sessions of Gamble (1951), and they married May twenty-sixth, 1953.

Dutt's next releases were The Trap (1952) and Falcon (1953). Dutt made his acting debut in the latter film, which he also directed. But while they were average successes, he finally tasted success with This or That (1954), another crime thriller, but with a far more polished story and look. Then came Mr. & Mrs. '55 (1955), a frothy romantic comedy focusing on women's' rights; and C.I.D. (1956), yet another crime thriller in which Waheeda Rehman made her debut.

His next films, Thirst (1957) and Paper Flowers (1959), are regarded as his best work. Thirst (1957) was his masterpiece, about a poet trying to achieve success in a hypocritical, uncaring world. It was a box-office hit and is ranked as his greatest film ever. In contrast, Paper Flowers (1959) was a miserable flop at the box office: the semi-autobiographical story of a tragic love affair set against the backdrop of the film industry was deemed too morbid for the audience to swallow and went right over audience's heads. Although in later years the film received critical acclaim for its cinematography and has gained a cult following, Dutt, who had put his soul into the film, was devastated over its failure and never directed another film.

Although he had sworn off directing, Dutt continued to produce and act in films, notably the period dramas Chaudhvin Ka Chand (1960) and Sahib Bibi Aur Ghulam (1962). The latter film, interestingly, is controversial because it is debated whether Dutt had ghost-directed the film. Dutt's personal life had become complicated: he had gotten romantically involved with his protégé Waheeda Rehman and his wife Geeta Dutt had separated from him as a result. Rehman too had distanced herself from him. Also, Dutt, an ambitious person, felt he had achieved too much too soon professionally - there was nothing better to be achieved, and this caused a vacuum in his life. Unable to cope with all the trauma and emptiness, he took to heavy drinking.

On October tenth, 1964, Dutt was found dead in his bed. The cause of death was deemed a combination of alcohol and sleeping pills, although a debate still lingers over whether his death was by accident or a successful suicide attempt. Geeta Dutt suffered a nervous break-down as a result of his death and also took to alcohol, eventually drinking herself to death, dying in 1972 as a result of cirrhosis of the liver.

His death was an irreplaceable loss to Indian cinema. And it was a tragic twist of fate that his films, most of which were discounted in his life-time, would be regarded as cult classics after his death. Guru Dutt would always be known, even if posthumously, as the Guru of Bollywood's Golden Age and one of the world's most important international auteurs.

Arguably the most beautiful artiste to ever grace the Indian screen, Madhubala rose from humble beginnings to become the most captivating star India has ever produced. Madhubala was born Mumtaz Jehan Begum on Valentine's Day 1933, in a poor, conservative family of Pathan Muslims in Delhi, a part of a prolific brood of sisters, and entered the world of films at the tender age of eight. After about five years of playing child roles, Madhubala got her first break in a lead role in Neel Kamal (1947), produced anddirected by her mentor, veteran filmmaker Kidar Sharma. At the age of 14, she played a romantic lead against another fledgling star, Raj Kapoor, and Madhubala had finally arrived on the Indian screen. Over the next two years she had blossomed into a truly rapturous beauty (which earned her the sobriquet of the Venus Of the Indian Screen) and with the movie Mahal (1949), literally overnight, she was a superstar.

It has been often said that her beauty overshadowed her acting talents, which to an extent is true; however this was more due to poor judgement than lack of talent. Being encumbered by a large family to support, and forever living under the domination of an imperious father who, she made several poor choices in movies which seriously undermined her credibility as a serious performer, to the extent of being labelled "box-office poison". However, her more or less dismal repertoire in the 50s was marked by spots of true brilliance - movies like Tarana (1951), Mr. & Mrs. '55 (1955) and of course her swansong Mughal-E-Azam (1960) showcased her remarkable talents as a serious artiste across several genres and revealed what this ethereal beauty was truly capable of.

Sadly, she was plagued by a persistent heart disease that confined her to a bed for almost nine torturous years, and eventually claimed her life on February 23 1969, nine days after her 36th birthday. In this short life, she had made over 70 movies, and to this day remains one of the most enduring legends of Indian cinema.

I.S. Johar was born on 16 February 1920 in Tollagannj, British India [now in Pakistan]. He was an actor and writer, known for Death on the Nile (1978), Lawrence of Arabia (1962) and Johny Mera Naam (1970). He died on 10 March 1984 in Bombay, Maharashtra, India.

Divya was born on February 25, 1974 to Meeta and Om Prakash Bharti.

Opting for acting, she quit college, & landed a role in 'Bobbili Raja' (Telegu) in 1990 at just 16 years of age. This movie became a hit, and was dubbed into Hindi and released as 'Raampur Ka Raja'.

Divya made her debut in Bollywood in 1992 'Dil Hi To Hai', then in a musical romance 'Dil Ka Kya Kasoor', but it was the multi-starer 'Vishwatma' that really got her noticed. Thereafter she acted in 13 more movies amidst speculations that she would be the next Sridevi.

Her personal life was not as well chartered as her tinsel one, for she fell in love with Sajid Nadiadwala, married him secretly as her parents strongly disapproved, changed her religion from Hindu to Islam, and her name to Sana.

Her life tragically came to an end on April 5, 1993 when she fell from the balcony of her 5th floor flat in Yari Road, Versova.

Two of her movies 'Rang' and 'Shatranj' were released after her passing, and were dedicated to her memory. Her film-maker husband has also dedicated several of his films to her name.

Manmohan Desai was born on 26 February 1937 in Bombay, Bombay Presidency, British India. He was a director and writer, known for Naseeb (1981), Kismat (1969) and Mard (1985). He died on 1 March 1994 in Bombay, Maharashtra, India.

The Empress of Indian Cinema!

A Sweetheart of 1950s, & The Undisputed Goddess of 1960s Bollywood, Meena Kumari bestrode the movies like few women in history have!

Combing enchanting grace, amazingly heart-melting expression, & consistently solid progressive content base, this Giant of Cinema will remain immortal as perhaps the greatest feminine incarnation of filmdom!

Born in 1933 into a poor Parsee theatre family of Ali Bux and actor-dancer Prabhavati Devi (converted to Iqbal Begum) (Prabhavati's mother's first husband till death, incidentally, being the cousin of Rabindranath Tagore, Prabhavati in turn borne of her second husband, a very famous Urdu poet of Meerut, from where she migrated to pursue a career in music) in Bombay, Maharashtra, India, she entered films to support her family in difficult times.

She was six when hired for Leatherface (1939) in 1939 by Vijay Bhatt and named Baby Meena. Later she became Meena Kumari when cast for Bhatt's Baiju Bawra (1952).

She did mythological films with Homi Wadia and then comedies like Miss Mary (1957). She became personified as the archetypal good Hindu wife through many roles, long suffering and always true to the man. She excelled at tragedy and was often shown in a white sari carrying the film with her emotive acting. She was also thought to be the only actress who could sell a film on the strength of her name alone. Her major films are Daaera (1953), Baiju Bawra (1952), 0046164, and of course her most well known film, Pakeezah (1972). She was married to Kamal Amrohi with whom she started making "Pakeezah". They separated in 1964.

She was also an accomplished Urdu writer and had several poems published by Gulzar after her death. She battled alcoholism and loneliness and finally died, alone, in 1972.

Harihar Jariwala a.k.a. Sanjeev Kumar was born in a Gujrati family in 1938. He portrayed many roles irrespective of the age or the type of chararcter. The actor ballooned in size in later years of his life due to the gastronomical pleasures he had inherited by sleeping in a kitchen while he was a child (which became the cause of his death in 1985 when he died of a heart ailment). Interestingly the actor was one of the very few who didn't have any competition within the industry. Sanjeev's notable performances were in films like Sholay, Parichay, Aandhi, Angoor and the Satyajit Ray masterpiece Shatranj Kay Khiladi.

Geeta Bali was born on 30 November 1930 in Amritsar, Punjab, British India. She was an actress and producer, known for Albela (1951), Bawre Nain (1950) and Sohag Raat (1948). She was married to Shammi Kapoor. She died on 21 January 1965 in Bombay, Maharashtra, India.

Prithviraj Kapoor was born on 3 November 1906 in Samundri, Punjab, British India. He was an actor and director, known for Mughal-E-Azam (1960), Maharathi Karna (1944) and Bidyapati (1937). He was married to Rama Kapoor. He died on 29 May 1972 in Bombay, Maharashtra, India.

Om Shiv Puri met his wife at Jaipur Radio Station where they worked together. In fact, they had worked together on radio and in plays. Even at NSD, they were together - in the same batch they fell in love. They married, but not before they had waited for nine years (1968). After that, they started a theatre group Dishantar, which did so well that tickets were sold in black for almost every show. Om Shivpuri started his film career in 1971 with Mani Kaul's Ashad Ka Ek Din, soon followed by Gulzar's Koshish in 1972.

Finally he shifted to Mumbai in 1974. Thereafter in his career spanning over two decades he acted in over 175 Hindi films playing roles as varied as villains to supporting cast.

Amrish Puri probably the best known villain in the industry was younger brother of Madan Puri, Chaman Puri was their eldest brother.

Abhinav Chaturvedi who played Nanhe in "Humlog" (1984) TV Series started his acting career at the tender age of five with Om Shivpuri's group.

Premnath Malhotra was born on 21 November 1926 in Peshawar, North-West Frontier Province, British India. He was an actor and director, known for Johny Mera Naam (1970), Roti Kapada Aur Makaan (1974) and Barsaat (1949). He was married to Bina Rai. He died on 3 November 1992 in Bombay, Maharashtra, India.

Rehman Khan was born in Lahore, British India on June 23, 1923 in a Pathan family believed to be the descendants of Afghanistan's King Amanuallah. His family subsequently re-located to Jabalpur where he attended the Robinson College. After completing college he joined the Indian Air Force as a Pilot.

In 1944 he opted out of the Indian Air Force and started working at Prabhat Studios, Bombay, as a 3rd Assistant to Bollywood Director, Vikram Bedekar, who was then filming 'Lakharani'. On the sets of 'Chand' the crew were unable to find anyone who could tie a Pathani Turban, Rehman resolved this problem, and was given a small two lined dialog role in the film.

His first major role was in 'Hum Ek Hain' with Dev Anand during 1946, and then as legendary Emperor Shahjahan in 'Shahjahan' in the same year. He ended up starring in over 70 movies, in character roles, mostly debonair and aristocratic, often as a villain. Some of his more memorable films included 'Pyaasa', 'Sahib Biwi Aur Ghulam', 'Waqt', 'Dil Diya Dard Liya', and 'Chaudvi Ka Chand'. He was a close friend of Film-maker/Actor, Guru Dutt.

His acting career was cut short during 1977 when he suffered three massive heart attacks, which he barely survived, only to be inflicted by throat cancer - which led to the loss of his voice, and ultimately took his life during 1979.

Rehman is still remembered by his fans, and his movies continue to be popular even today on various Hindi language channels.

Balraj Sahni, born in Rawalpindi, British India (present-day Pakistan), was an acclaimed Indian film and stage actor. Known for his powerful and impactful performances, Balraj Sahni became a prominent figure in the golden era of Indian cinema.

Balraj Sahni initially pursued a career in the civil service but eventually found his true calling in acting. He became associated with the Indian People's Theatre Association (IPTA), a leftist cultural organization, where he honed his skills and passion for acting. His association with IPTA marked the beginning of his journey in theater.

Balraj Sahni made his film debut in 1946 with the film "Insaaf," but he gained widespread recognition and acclaim for his role in the film "Do Bigha Zamin" (1953), directed by Bimal Roy. His portrayal of Shambhu Mahato, a poor farmer struggling to save his land, showcased his acting prowess and earned him accolades. The film won the International Prize at the Cannes Film Festival in 1954.

Throughout the 1950s and 1960s, Balraj Sahni delivered memorable performances in films such as "Kabuliwala" (1961), "Waqt" (1965), and "Neel Kamal" (1968). He often played roles that reflected the socio-economic realities of the time, and his ability to bring depth and authenticity to his characters set him apart as one of the finest actors in Indian cinema.

Balraj Sahni's filmography includes a diverse range of roles, from intense and dramatic characters to light-hearted and comedic ones. He collaborated with renowned filmmakers like Bimal Roy, Guru Dutt, and Yash Chopra, leaving an indelible mark on Indian cinema.

Apart from his acting career, Balraj Sahni was also a noted writer and penned several books, including his autobiography "Meri Filmi Aatmakatha" (My Filmy Autobiography).

Balraj Sahni's contribution to Indian cinema was not only recognized within the industry but also by the government. He received the Padma Shri, one of the highest civilian awards in India, in 1969. Unfortunately, Balraj Sahni's life was cut short, and he passed away on April 13, 1973, leaving behind a legacy of remarkable performances and a lasting impact on Indian cinema.

Raj Khosla was born on 31 May 1925 in Ludhiana, Punjab, British India. He was a director and writer, known for Main Tulsi Tere Aangan Ki (1978), Ek Musafir Ek Hasina (1962) and Anita (1967). He died on 9 June 1991 in Bombay, Maharashtra, India.

Bimal Roy (July 12, 1909 - January 8, 1966) was an Indian film director. He is particularly noted for his realistic and socialistic films such as Do Bigha Zamin (1953), Bandini (1963), Biraj Bahu (1954), Madhumati (1958) which he employed to portray realism. He won a number of awards throughout his career, including eleven Filmfare Awards, two National Film Awards, and the International Prize of the Cannes Film Festival. Madhumati won 9 Filmfare Awards in 1958, a record held for 37 years.

Vinod Mehra was born on 13 February 1945 in Amritsar, Punjab, India. He was an actor and director, known for Gurudev (1993), Crime and Punishment (1974) and Parde Ke Peechey (1971). He was married to Meena Broca, Bindiya Goswami, Kiran and Neeta Mehta. He died on 30 October 1990 in Bombay, Maharashtra, India.

He has 3 kids who all our successful in life. The first child Manisha is married to Daksh Shetty. The second child Divya has a successful business. And the third child Rajni is also married, she's married to Sanjiv Rajadhyaksha and they have a child who is now 15 years old Uma Rajadhyaksha. Rajni and Sanjiv both are Veterinarians, they both have a clinic together called Small Animal Clinic in Khar.

His debut film was Khazanchi 1941 in which he played a small role of co-cyclist in the song "Sawan Ke Nazare Hai" along with Jankidas, Ramola Devi & Manorama. The film was directed by Dalsukh M.Pancholi. Madan Lal Puri was born in 1915 to S. Nihal Chanda Puri and Ved Kaur. He had four siblings, elder brother Chaman Lal Puri, younger brothers Amrish Puri and Harish Lal Puri and younger sister Chandrakanta Mehra. He was the first cousin of the legendary singer K.L. Saigal. He was known as Maddie Uncle to youngsters. He has three sons Pravesh Puri (grandson is Vikram Puri), Kamlesh Puri (granddaughters Kanchan Puri & Sonal Puri) & Ramnesh Puri (grandson Amrit Puri & granddaughter Ishita Puri), all of whom are based in Mumbai. He died in 1985 of a heart attack at the age of 69. He was a resident of Venus Apartments, "F", 11th floor, on Worli Seaface in Mumbai. Several films were released after his death right until 1989 with his final film being Santosh.

Nargis was born on June 1, 1929 as Fatima Rashid in Rawalpindi, British India, daughter to Jaddanbai and Uttamchand Mohanchand, a former Hindu Mohyal Brahmin who converted to Islam as Abdul Rashid. Her mother was a well-known dancer, singer, actor, composer, and director. This is what paved the way for Fatima to become a child artiste (Baby Nargis) as early as 1935. She was the half-sister of Bollywood actors, Anwar Hussain and Akhtar Hussain.

Nargis, and actor Raj Kapoor formed a reel romantic couple. It is well known that they had an off-screen romance. Raj, who was already married, refused to divorce his wife and marry Nargis.

After playing the mother of Sunil Dutt in the movie 'Mother India', she subsequently married him on March 11, 1958 . She had three children, namely Bollywood actor, Sanjay Dutt, and two daughters, Priya, and Anju. Her son Sanjay was married to actress Richa Sharma, who passed away due to cancer. They have a daughter named Trishala. His second wife was Rhea Pillai whom he subsequently divorced. He is now married to Manyata Dutt, formerly known as Dilnawaz Shaikh. They are the parents of twins, Iqra and Shahraan. Her daughter, Anju, is married to Bollywood actor, Kumar Gaurav, who is the son of actor Rajendra Kumar. Her husband, Sunil, Dutt, went on to win a seat in the Indian Parliament, and after his passing, their daughter, Priya, won his vacant seat.

Nargis passed away due to pancreatic cancer on May 3, 1981.

Rahul Dev Burman was born on 27 June 1939 in Calcutta, Bengal Presidency, British India. He was a composer and actor, known for Sholay (1975), 1942: A Love Story (1994) and Procession of Memories (1973). He was married to Asha Bhosle and Rita Patel. He died on 4 January 1994 in Bombay, Maharashtra, India.

Rajni Bala was a prominent Hindi cinema actress of yesteryear's, who mostly appeared in side roles in the movies of 60's and 70's. She has acted in a number of super hit movies of her times in which she acted along with some of the leading names of the Indian Cinema like Mr. Dilip Kumar, ' Dev Anand' & other prominent actors of that period. She acted in the Hindi movies from very early age & witnessed the transition of movies from black and white to the colored screen. Some of her movies like 'Shriman Shrimati', Roti Kapda Aur Makaan', Pran Jaye Par Vachan Na Jaye' etc., are still watched and appreciated by the viewers. In her acting career, she also made a niche, as an 'Item Girl'. She made dance appearance in movies like 'Dus Numbri' and 'Aparadhi'. After a long break from movies, she again faced the camera for television as Lord Rama's step mother Sumitra, in Ramanand Sagar's epic serial ' Ramayan'. She also appeared in other famous television serial ' Vikram Aur Betaal', which was aired on DD. She essayed the roles of Hindu deities such as 'Maa Durga, 'Parvati' and 'Maa Santoshi', later in her career. She was widely liked for these mythological appearances a lot.

Along with ' Jayshree Talpade' & ' Helen' , the leading dancers of that time, she led the dancing bandwagon of the Bollywood during 1970's. She lived in Mumbai and died on 6 December 2010.