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- Actress
- Soundtrack
Anne Francis got into show business quite early in life. She was born on September 16, 1930 in Ossining, New York (which is near Sing Sing prison), the only child of Phillip Ward Francis, a businessman/salesman, and the former Edith Albertson. A natural little beauty, she became a John Robert Powers model at age 6(!) and swiftly moved into radio soap work and television in New York. By age 11, she was making her stage debut on Broadway playing the child version of Gertrude Lawrence in the star's 1941 hit vehicle "Lady in the Dark". During this productive time, she attended New York's Professional Children's School.
Metro-Goldwyn-Mayer put the lovely, blue-eyed, wavy-blonde hopeful under contract during the post-war World War II years. While Anne appeared in a couple of obscure bobbysoxer bits, nothing much came of it. Frustrated at the standard cheesecake treatment she was receiving in Hollywood, the serious-minded actress trekked back to New York where she appeared to good notice on television's "Golden Age" drama and found some summer stock work on the sly ("My Sister Eileen").
Discovered and signed by 20th Century-Fox's Darryl F. Zanuck after playing a seductive, child-bearing juvenile delinquent in the low budget film So Young, So Bad (1950), Anne soon starred in a number of promising ingénue roles, including Elopement (1951), Lydia Bailey (1952), and Dreamboat (1952) but she still could not seem to rise above the starlet typecast. At MGM, she found promising leading lady work in a few noteworthy 1950s classics: Bad Day at Black Rock (1955); Blackboard Jungle (1955); and the science fiction cult classic Forbidden Planet (1956). While co-starring with Hollywood's hunkiest best, including Paul Newman, Dale Robertson, Glenn Ford and Cornel Wilde, her roles still emphasized more her glam appeal than her acting capabilities. In the 1960s, Anne began refocusing strongly on the smaller screen, finding a comfortable niche on television series. She found a most appreciative audience in two classic The Twilight Zone (1959) episodes and then as a self-sufficient, Emma Peel-like detective in Aaron Spelling's short-lived cult series Honey West (1965), where she combined glamour and a sexy veneer with judo throws, karate chops and trendy fashions. The role earned her a Golden Globe Award and Emmy Award nomination.
The actress returned to films only on occasion, the most controversial being Funny Girl (1968), in which her co-starring role as Barbra Streisand's pal was heartlessly reduced to a glorified cameo. Her gratuitous co-star parts opposite some of filmdom's top comics' in their lesser vehicles -- Jerry Lewis' Hook, Line and Sinker (1969) and Don Knotts' The Love God? (1969) -- did little to show off her talents or upgrade her career. For the next couple of decades, Anne remained a welcome and steadfast presence in a slew of television movies (The Intruders (1970), Haunts of the Very Rich (1972), Little Mo (1978), A Masterpiece of Murder (1986)), usually providing colorful, wisecracking support. She billed herself as Anne Lloyd Francis on occasion in later years.
For such a promising start and with such amazing stamina and longevity, the girl with the sexy beauty mark probably deserved better. Yet in reflection, her output, especially in her character years, has been strong and varied, and her realistic take on the whole Hollywood industry quite balanced. Twice divorced with one daughter from her second marriage, Anne adopted (as a single mother) a girl back in 1970 in California. She has long been involved with a metaphysical-based church, channeling her own thoughts and feelings into the inspirational 1982 book "Voices from Home: An Inner Journey". Later, she has spent more time off-camera and involved in such charitable programs as "Direct Relief", "Angel View" and the "Desert AIDS Project", among others. Her health declined sharply in the final years. Diagnosed with lung cancer in 2007, the actress died on January 2, 2011, from complications of pancreatic cancer in a Santa Barbara (California) retirement home.- Actor
- Producer
- Writer
Robert Mitchum was an underrated American leading man of enormous ability, who sublimated his talents beneath an air of disinterest. He was born in Bridgeport, Connecticut, to Ann Harriet (Gunderson), a Norwegian immigrant, and James Thomas Mitchum, a shipyard/railroad worker. His father died in a train accident when he was two, and Robert and his siblings (including brother John Mitchum, later also an actor) were raised by his mother and stepfather (a British army major) in Connecticut, New York, and Delaware. An early contempt for authority led to discipline problems, and Mitchum spent good portions of his teen years adventuring on the open road. He later claimed that on one of these trips, at the age of 14, he was charged with vagrancy and sentenced to a Georgia chain gang, from which he escaped. Working a wide variety of jobs (including ghostwriter for astrologist Carroll Righter), Mitchum discovered acting in a Long Beach, California, amateur theater company. He worked at Lockheed Aircraft, where job stress caused him to suffer temporary blindness. About this time he began to obtain small roles in films, appearing in dozens within a very brief time. In 1945, he was cast as Lt. Walker in Story of G.I. Joe (1945) and received an Oscar nomination as Best Supporting Actor. His star ascended rapidly, and he became an icon of 1940s film noir, though equally adept at westerns and romantic dramas. His apparently lazy style and seen-it-all demeanor proved highly attractive to men and women, and by the 1950s, he was a true superstar despite a brief prison term for marijuana usage in 1949, which seemed to enhance rather than diminish his "bad boy" appeal. Though seemingly dismissive of "art," he worked in tremendously artistically thoughtful projects such as Charles Laughton's The Night of the Hunter (1955) and even co-wrote and composed an oratorio produced at the Hollywood Bowl by Orson Welles. A master of accents and seemingly unconcerned about his star image, he played in both forgettable and unforgettable films with unswerving nonchalance, leading many to overlook the prodigious talent he can bring to a project that he finds compelling. He moved into television in the 1980s as his film opportunities diminished, winning new fans with The Winds of War (1983) and War and Remembrance (1988). His sons James Mitchum and Christopher Mitchum are actors, as is his grandson Bentley Mitchum. His last film was James Dean: Race with Destiny (1997) with Casper Van Dien as James Dean.- Director
- Writer
- Producer
F.W. Murnau was a German film director. He was greatly influenced by Schopenhauer, Nietzsche, Shakespeare and Ibsen plays he had seen at the age of 12, and became a friend of director Max Reinhardt. During World War I he served as a company commander at the eastern front and was in the German air force, surviving several crashes without any severe injuries.
One of Murnau's acclaimed works is the 1922 film Nosferatu, an adaptation of Bram Stoker's Dracula. Although not a commercial success due to copyright issues with Stoker's novel, the film is considered a masterpiece of Expressionist film.
He later emigrated to Hollywood in 1926, where he joined the Fox Studio and made three films: Sunrise (1927), 4 Devils (1928) and City Girl (1930). The first of these three is widely regarded as one of the greatest films ever made.
In 1931 Murnau travelled to Bora Bora to make the film Tabu (1931) with documentary film pioneer Robert J. Flaherty, who left after artistic disputes with Murnau, who had to finish the movie on his own. A week prior to the opening of the film Tabu, Murnau died in a Santa Barbara hospital from injuries he had received in an automobile accident that occurred along the Pacific Coast Highway near Rincon Beach, southeast of Santa Barbara. Only 11 people attended his funeral. Among them were Robert J. Flaherty, Emil Jannings, Greta Garbo and Fritz Lang, who delivered the eulogy.
Of the 21 films Murnau directed, eight are considered to be completely lost.
In July 2015 Murnau's grave was broken into, the remains disturbed and the skull removed by persons unknown. Wax residue was reportedly found at the site, leading some to speculate that candles had been lit, perhaps with an occult or ceremonial significance. As this disturbance was not an isolated incident, the cemetery managers are considering sealing the grave.- Actor
- Animation Department
- Soundtrack
He had one of Hollywood's most distinctive faces and a stentorian baritone voice to match. Character actor John Dehner, was born John Forkum in Staten Island, New York, the son of a globe-trotting artist. He attended school in France and Norway, in the process learning to speak four languages fluently. Back in the U.S., he graduated from high school in New York and proceeded to study for a diploma in art at the University of California. Any plans he might have had of following in his father's footsteps were derailed, however, when the acting bug suddenly took hold. In short order, the cash-strapped Dehner relocated to sunny California in search of a job. He worked for a while as a professional pianist and band leader but was then able to finagle a position as an assistant animator with Disney Studios for a salary of $18 a week. Dehner had a hand in several classic feature sequences, including Fantasia (1940) and Bambi (1942), as well as a few Donald Duck and Pluto cartoons. He returned to Disney in later years as a narrator and also played the part of Viceroy Don Esteban in an episode of the TV series Zorro (1957).
After leaving the Disney art department, Dehner did a stint as a public relations officer in the army during World War II and then returned to California as a radio announcer and news editor for stations KMBC and KFWB. In the course of many years, Dehner amassed a remarkable series of radio acting credits, most notably starring as Paladin in "Have Gun - Will Travel" and in similarly popular action programs like "Gunsmoke" and "Fort Laramie" (this, in spite of turning down several offers to play Marshall Matt Dillon on TV because he did not want to be typecast in westerns!). In films from the mid-40s, Dehner served a lengthy apprenticeship in assorted bit parts before graduating as one of Hollywood's most reliable villains, be they suave gamblers, crooked bankers, grifters or gunslingers. Just as often, his authoritarian demeanor proved perfect casting for stern fathers, military brass or cops. In The Left Handed Gun (1958), Dehner received second billing as Pat Garrett, co-starring opposite Paul Newman's Billy the Kid. On the small screen, he invariably made an impact as guest star in myriad classic TV shows, including Yancy Derringer (1958), Tales of Wells Fargo (1957), The Roaring 20's (1960), Maverick (1957), Bronco (1958), 77 Sunset Strip (1958), Rawhide (1959) and The Doris Day Show (1968) (a regular part during seasons four and five, as Doris's editor Cy Bennett). Dehner appeared in three episodes of The Twilight Zone (1959), reserving one of his best performances (displaying a wonderfully dry comic talent) as the titular huckster in late 1800s Arizona, in the episode "Mr. Garrity and the Graves" (1963).
One of Hollywood's most hard-working character actors, John Dehner died in Santa Barbara, California, on February 4 at the age of 76.- Sultry, brunette Faith Domergue was born in New Orleans, part Creole, but primarily of Irish and English extraction. She was adopted when she was six weeks old. In 1927 her adoptive parents took her to live in California, where she was educated at Catholic schools in Santa Monica. She had her first flirt with the acting profession while still at school, on stage at the Bliss Hayden Theatre. Just after her graduation she suffered a disfiguring injury during a car accident when she was thrown into a windshield, and spent 18 months undergoing intensive plastic surgery. Still in her teens, she was briefly married to Acapulco night club owner and bandleader Teddy Stauffer.
By 1941 she was properly back in circulation. "Discovered" by a Warner Brothers talent scout, she was signed to a contract and her name streamlined a la Hollywood to "Faith Dorn". Sometime at the end of May that year young Faith found herself at a studio party (it was not unheard of for underage ingénues to be thrown together with rich or influential men) given on board the Southern Cross, a yacht owned by billionaire Howard Hughes. Hughes, 21 years her senior, became quickly infatuated with the teenager and bought out her contract from Warner Brothers for $50,000, then signed her to the studio he owned, RKO Pictures. He also mollified her adoptive parents by buying them a house, and he paid for Faith to take lessons to perfect her diction and acting. The romantic affair continued on-and-off until mid-1943, and was eventually scuttled by Hughes' various indiscretions with stars Lana Turner, Ava Gardner and Rita Hayworth.
In 1945 Faith reclaimed her original name, Domergue (insisting it be pronounced "Dah-mure") and, by the following year, made her screen debut in Young Widow (1946), a film starring another Hughes find, Jane Russell. Hughes then spent the extravagant--for the time--amount of $3.2 million on Vendetta (1950), the picture that was to catapult Faith to stardom. Three directors went to work on the project, only to be fired in quick succession: Max Ophüls, Preston Sturges and Stuart Heisler. Faith's lack of theatrical training also proved to be a detriment. The picture was eventually completed by Mel Ferrer, but not released until 1950. When it finally arrived in cinemas, it--like Hughes other fiasco, the Spruce Goose--failed to take off. An earlier effort, the film noir Where Danger Lives (1950), was also released at this time. It starred Domergue in the role as a homicidal femme fatale, opposite Robert Mitchum as the lover she manipulates into taking the blame for her murdering millionaire hubby Claude Rains. In spite of another huge publicity campaign, with Faith featured on the cover of "Look" Magazine and articles in numerous other publications, this film also performed indifferently at the box office and caused Hughes to lose interest in his erstwhile protégé.
During the next few years Faith began to freelance at other studios, appearing in westerns: The Duel at Silver Creek (1952), with Audie Murphy; The Great Sioux Uprising (1953), with Jeff Chandler; and Santa Fe Passage (1955) with John Payne at Republic. In 1955 she starred in the first of a trio of sci-fi/horror outings for which she is chiefly remembered. In This Island Earth (1955), shot in Technicolor at Universal, she played a scientist kidnapped by aliens and, with her colleagues, pressed into service defending their world against interplanetary attack. Helped by a clever script and make-up artist Bud Westmore's $24,000 creation of a bug-eyed mutant monster, the film was a huge success and has become a cult favorite. Faith essayed yet another scientist engaged in destroying Ray Harryhausen's giant octopus (six-tentacled, because of the minuscule budget) in It Came from Beneath the Sea (1955). In Cult of the Cobra (1955), Faith replaced Mari Blanchard in the role of the high-priestess of a cobra-worshiping cult who assumes the shape of a serpent in order to kill six GIs who have witnessed a secret ceremony.
Following her separation from Argentine writer/director Hugo Fregonese, Faith made three films in England, most notably as queen of the London underworld in Vernon Sewell's Spin a Dark Web (1956) (aka "Spin a Dark Web"). During the 1960s she concentrated on television and appeared in everything from Bonanza (1959) to Combat! (1962), from Perry Mason (1957) to Bronco (1958). After making several films in Italy (and getting married for a third time, to assistant director and theatrical producer Paolo Cossa in 1966)) , she revisited the horror genre in the cheap but cheerful The House of Seven Corpses (1973), as the emotive star of a horror movie who awakens the deceased after reading from the "Tibetan Book of the Dead".
Faith Domergue never quite made it as a major star, unlike Jane Russell. She did, however, acquire something of a cult following because of her involvement in the seminal This Island Earth (1955), as well as her other science-fiction films from this period. Ironically, Faith later confessed that she never much cared for the genre. - Actor
- Writer
- Producer
Harry Carey, Jr., had been reliable character actor for decades, mostly in Westerns, before he retired. He is the son of the actor Harry Carey and the actress Olive Carey. He was born on his parents' 1000-acre ranch near Saugus, in the northwestern part of Los Angeles County, which is now next door to Santa Clarita, a large town that certainly did not exist in 1947 or for decades longer. Thus, the young Harry Carey, Jr., grew up among cattle and horses at the ranch. Because of a large group of Navajo Indians who worked on his parents' ranch, he learned to speak the Navajo language at the same time that he was learning to speak English.
During World War II, Carey enlisted in the U.S. Navy, and he served in the Pacific Theater first as a Navy medical corpsman. However, he was transferred back to the United States (against his wishes) to serve under his father's good friend, the director John Ford, in making movies for the Navy (training films)and the O.S.S. (propaganda films).
After World War II ended, Carey tried to make a career in singing, but he was not successful at this. Hence, he moved into acting, and after a couple of small acting parts, he was given a chance to work in a motion picture with his father, the John Wayne film Red River (1948). (However, the father and the son did not have any scenes with one another). After the death of Harry Carey, Sr., in 1946, Mr. Ford gave the younger Carey a leading role in the movie that Ford dedicated to the memory of Harry Carey, Sr., in 1948, 3 Godfathers (1948).
As a full-fledged member of the noted John Ford Stock Company, Carey, Jr., appeared in many of Mr. Ford's epic Westerns during the following two decades. Carey also starred in a series-within-a-series on TV, The Adventures of Spin and Marty (1955), which was shown as a part of The Mickey Mouse Club (1955). Very boyish looks characterized Carey's early years, but he matured into a strong and familiar character actor over the following four decades, and he acted in scores of films and TV programs in his long career. Carey, Jr., is married to Marilyn Fix Carey, the daughter of the actor Paul Fix.- Actor
- Director
- Additional Crew
Actor/director/producer Mel Ferrer was born Melchor Gaston Ferrer on August 25, 1917, in Elberon, New Jersey. The son of a Cuban-born surgeon and a Manhattan socialite, he went to prep school and attended Princeton University. From the age of 15 he worked in summer stock. After Princeton he became an editor on a small Vermont newspaper and wrote a children's book, "Tito's Hats." He became a chorus dancer on Broadway in 1938 in two musicals and made his New York debut as an actor two years later. After a bout with polio he started in radio as a disc jockey in Texas and Arkansas and rose to producer-director of top-rated shows for NBC in New York. He made a modest debut as a director at Columbia with the low-budget The Girl of the Limberlost (1945), then returned to acting on Broadway to star in Lillian Smith's "Strange Fruit." He was John Ford's assistant on The Fugitive (1947).
Ferrer made his screen acting debut in Lost Boundaries (1949). He is best remembered for the role of the lame puppeteer in Lili (1953) and as Prince Andrei in War and Peace (1956). He directed Claudette Colbert in The Secret Fury (1950) and Audrey Hepburn - his wife at the time - in Green Mansions (1959). Ferrer produced the hit Wait Until Dark (1967), also with Hepburn. In the following year, the couple separated and ultimately divorced. Since 1960 had been producing and acting mainly in Europe.- Actor
- Writer
- Producer
Jay Thomas was born in Kermit, Texas, to Katherine (Guzzino), a tap-dancing South Louisiana belle of Italian descent, and T. Harry Terrell, Sr., an oil man. Reared in New Orleans, he was always active in sports and performing. He won his first award as emcee of the Jesuit High School talent show. He boxed, wrestled, played football, and ran track. At 16 he started as a stand-up on Bourbon St. He attended Gulf Coast College, University of Tennessee, Vanderbilt University, Central Piedmont College, and Jacksonville University, graduating with an AA, BS, and MA. He became a sports announcer and DJ in college. He also found time to put in three years of small college football as a QB. When NYC beckoned Jay continued his eclectic career as a top rated morning DJ, comic at the Improve in NYC, and began an active off Broadway acting career, that saw him mix drama and comedy. His first TV role was in "Mork and Mindy". Then on to LA radio as the #1 jock at Power 106, The Ensemble Theater Group, and recurring on "Cheers" as Carla's ice hockey playing husband. He won two Emmy awards for portraying Jerry Gold on"Murphy Brown". He starred in his own TV shows "Married People" with Beth Armstrong and "Love and War" with Susan Dey and later Annie Potts. He appeared as a leading guest star in dozens of sitcoms, cop shows, and MOW's opposite Judith Light, John Tuturro, and Christine Lahti. On the big screen he was featured in "Mr. Holland's Opus", "A Smile Like Yours", and "Santa Claus" 2 and 3. Returning to the stage he starred in plays written and directed by Wendy Wasserstein and Woody Allen. Recently he has hosted shows at Carolines in NYC and the Bellagio in Vegas. He guest starred in an episode of "Hung" on HBO. He won the best actor for and was a co-writer of best comedy at the LA iTV Fest for "Talker". And the Jay Thomas talk show airs daily on SiriusXM.- Music Department
- Composer
- Actor
James Horner began studying piano at the age of five, and trained at the Royal College of Music in London, England, before moving to California in the 1970s. After receiving a bachelor's degree in music at USC, he would go on to earn his master's degree at UCLA and teach music theory there. He later completed his Ph.D. in Music Composition and Theory at UCLA. Horner began scoring student films for the American Film Institute in the late 1970s, which paved the way for scoring assignments on a number of small-scale films. His first large, high-profile project was composing music for Star Trek II: The Wrath of Khan (1982), which would lead to numerous other film offers and opportunities to work with world-class performers such as the London Symphony Orchestra. With over 75 projects to his name, and work with people such as George Lucas, Steven Spielberg, James Cameron, Oliver Stone, and Ron Howard, Horner firmly established himself as a strong voice in the world of film scoring. In addition, Horner composed a classical concert piece in the 1980s, called "Spectral Shimmers", which was world premiered by the Indianapolis Symphony Orchestra. Horner passed away in a plane crash on June 22, 2015, two months short of his 62nd birthday.- Dark-haired, Ivy League-looking Bradford Dillman, whose white-collar career spanned nearly five decades, possessed charm and confident good looks that were slightly tainted by a bent smile, darting glance and edgy countenance that often provoked suspicion. Sure enough, the camera picked up on it and he played shady, highly suspect characters throughout most of his career.
The actor was born in San Francisco on April 14, 1930, to Dean and Josephine Dillman. Yale-educated, he graduated with a B.A. in English Literature. Following this he served with the US Marines in Korea (1951-1953) before focusing on acting as a profession. Studying at the Actors Studio, he spent several seasons apprenticing with the Sharon (CT) Playhouse before making his professional acting debut in "The Scarecrow" in 1953.
Dillman took his initial Broadway bow in Eugene O'Neill's play "Long Day's Journey Into Night" in 1956, originating the author's alter ego character Edmund Tyrone and winning a Theatre World Award in the process. This success put him squarely on the map and 20th Century-Fox took immediate advantage by placing the darkly handsome up-and-comer under contract. Cast in the melodrama A Certain Smile (1958), he earned a Golden Globe for "Most Promising Newcomer" playing a Parisian student who loses his girl (Christine Carère) to the worldly Italian roué Rossano Brazzi. He followed this with a strong ensemble appearance in In Love and War (1958), which featured a cast of young rising stars including Hope Lange and Robert Wagner. More acting honors followed after completing the film Compulsion (1959), which told the true story of the infamous 1920s kidnapping/murder case of Nathan Leopold and Richard Loeb. He went on to share a "Best Actor" award at the Cannes Film Festival with fellow co-stars Dean Stockwell, who played the other youthful murderer, and veteran Orson Welles.
Though he was a magnetic player poised for stardom, Dillman's subsequent films failed to serve him well and were generally unworthy of his talent. Though properly serious and stoic as the title character in Francis of Assisi (1961), the film itself was stilted and weakly scripted. Circle of Deception (1960) was a misguided tale of espionage and intrigue, but it did introduce him to his second wife, supermodel-cum-actress Suzy Parker. While A Rage to Live (1965) with Suzanne Pleshette was trashy soap material, The Plainsman (1966) was rather a silly, juvenile version of the Gary Cooper western classic. As a result of these missteps--and others--he began to top-line lesser quality projects or play supporting roles in "A" pictures. His nothing role as Robert Redford's college pal-turned Hollywood producer in The Way We Were (1973) and his major roles in the ludicrous The Swarm (1978) and Lords of the Deep (1989) became proof in the pudding. His last good film role was in O'Neill's The Iceman Cometh (1973), although he did play an interesting John Wilkes Booth in the speculative re-enactment drama The Lincoln Conspiracy (1977) and had a fun leading role in the Jaws (1975)-like spoof Piranha (1978).
Dillman bore up very well on TV over the years, subsisting on a plethora of mini-movies and guest spots on popular series, playing everything from turncoats to frauds and from adulterers to psychotics. He earned a Daytime Emmy for his appearance in Last Bride of Salem (1974) and starred in two series--Court Martial (1965), as a military lawyer, and King's Crossing (1982), as an alcoholic parent and teacher attempting to straighten out. He also spent a season on the established nighttime soap Falcon Crest (1981) in 1982.
A narrator, director and teacher of acting in later years. Bradford launched a late-in-the career sideline as an author. The football fan inside him compelled him to write "Inside the New York Giants" (1995), a book that rated players drafted by the team since 1967. Two years later he published his memoirs, the curiously-titled "Are You Somebody?: An Actor's Life." He retired from the screen after a few guest star shots on "Murder, She Wrote" in the mid-90s.
From 1956 to 1962, Dillman was married to Frieda Harding, and had two children, Jeffrey and Pamela. Following their divorce, he met well-known model-turned-actress Suzy Parker during the production of Circle of Deception (1960) and the couple married on April 20, 1963. They had three children, Dinah, Charles, and Christopher. Daughter Pamela Dillman has worked as an actress. Dillman was made a widower when Parker died on May 3, 2003. He lived for many years in Montecito, California, and helped raise money for medical research. He died in Santa Barbara, California on January 16, 2018, aged 87, from complications of pneumonia. - Actor
- Director
- Producer
Tough, virile, wavy-haired and ruggedly handsome with trademark forlorn-looking brows that added an intriguing touch of vulnerability to his hard outer core, actor Howard Duff and his wife-at-the-time, actress Ida Lupino, were one of Hollywood's premiere film couples during the 1950s "Golden Age". Prior to that, Duff had relationships with a number of the cinema's most dazzling leading ladies, including Ava Gardner (just prior to her marriage to musician Artie Shaw) and Gloria DeHaven.
Duff's talent first manifested itself on radio as Dashiell Hammett's popular private eye "Sam Spade" (1946-1950), and eventually extended to include stage, film and TV. While never considered a top-tier movie star and, despite his obvious prowess, never considered for any acting awards, Howard Duff was an undeniably strong good guy and potent heavy but perhaps lacked the requisite charisma or profile to move into the ranks of a Burt Lancaster, Kirk Douglas or Robert Mitchum. His career spanned over four decades.
His full name was Howard Green Duff and he was born in Bremerton, Washington on November 24, 1913. Growing up in and around the Seattle area, he attended Roosevelt High School where he played basketball. It was here that he also found an outlet acting in school plays and, following graduation, studied drama. He eventually became an acting member of the Repertory Playhouse in Seattle. Military service interrupted his early career and he served with the U.S. Army Air Force's radio service from 1941 to 1945. Upon his discharge, he returned to his acting pursuits and won the role of "Sam Spade" on NBC Radio in the role Humphrey Bogart made famous in The Maltese Falcon (1941). Lurene Tuttle played his altruistic secretary "Effie" on the series. He eventually left the program when his film career settled in and Stephen Dunne took over the radio voice of the detective in 1950 for its final season.
Duff's post-war movie career started completely on the right foot at Universal with the hard-hitting film noir Brute Force (1947), in which he received good notices as an ill-fated cellmate to Burt Lancaster, Charles Bickford and others. Quite well-known for his radio voice by this time, he was given special billing in the movie's credits as "Radio's Sam Spade". This was followed by equally vital and volatile performances in the prescient semi-documentary-styled police drama The Naked City (1948) and in Arthur Miller's taut family drama All My Sons (1948) starring Lancaster, again, and Edward G. Robinson.
After such a strong showing, Howard career went into a period of moviemaking in which his films were more noted for its entertainment and rousing action than as character-driven pieces. A number of them were routine westerns that paired him opposite some of Hollywood's loveliest ladies: Red Canyon (1949) with Ann Blyth, Calamity Jane and Sam Bass (1949) with Yvonne De Carlo and The Lady from Texas (1951) with Mona Freeman. Other adventure-oriented flicks that more or less came and went included Spaceways (1953), Tanganyika (1954), The Yellow Mountain (1954), Flame of the Islands (1955), Blackjack Ketchum, Desperado (1956) (title role), The Broken Star (1956) and Sierra Stranger (1957). Howard also began appearing infrequently on the stage in the early 1950s with such productions as "Season in the Sun" (1952) and "Anniversary Waltz" (1954).
Those films that rose above the standard included gritty top-billed roles in Johnny Stool Pigeon (1949), Illegal Entry (1949), Shakedown (1950), Spy Hunt (1950) and Woman in Hiding (1950), the last a film noir which paired him with Ida Lupino for the first time. Here, he plays the hero who saves Lupino from a murdering husband (Stephen McNally). In 1951, he married Ms. Lupino, already a well-established star at Warner Bros., who was coming into her own recently as a director. The couple had one daughter, Bridget Duff, born in 1952. Lupino and Duff co-starred in four hard-boiled film dramas during the 1950s -- Jennifer (1953), Private Hell 36 (1954), Women's Prison (1955) and While the City Sleeps (1956). The demise of the studio-guided contract system had an effect on Howard's film career and offers started drying up in the late 1950s.
Fortunately, he found just as wide an appeal on TV, appearing in a number of dramatic showcases for Science Fiction Theatre (1955), Lux Video Theatre (1950) and Climax! (1954). And, in a change of pace, the married couple decided to go for laughs by starring together in the TV series Mr. Adams and Eve (1957). Here, they played gregarious husband-and-wife film stars "Howard Adams" and "Eve Drake". Many of the scripts, though broadly exaggerated for comic effect, were reportedly based on a few of their own real-life experiences. They also guest-starred in an entertaining hour-long episode of the The Lucy-Desi Comedy Hour (1957) in 1959 with the two couples inadvertently booked at the same vacant lodge, together. The show ends up a battle-of-the sexes, free-for-all with the two gals scheming to add a little romance to what has essentially become a fishing vacation for the guys. The 1960s bore more fruit on TV than in film. Sans Lupino, Duff went solo as nightclub owner "Willie Dante" in the tongue-in-cheek adventure series Dante (1960), which lasted less than a season. A few years later, the veteran co-starred with handsome rookie Dennis Cole in what is perhaps his best-remembered series, the police drama The Felony Squad (1966), which was filmed in and around Los Angeles. Duff directed one of those episodes, having directed several episodes of the silly sitcom Camp Runamuck (1965), a year or so earlier. In between series work were guest assignments on such popular primetime shows as Bonanza (1959), The Twilight Zone (1959), Burke's Law (1963) and Combat! (1962).
The marriage of Ida and Howard did not last, however, and the famous married couple separated in 1966 after 15 years of marriage. Ida and Howard didn't officially divorce, however, until 1984. Howard later married a non-professional, Judy Jenkinson, who survived him. While much of Howard's work in later years was standard, if unmemorable, every now and then he would demonstrate the fine talent he was. A couple of his better film performances came as a sex-minded, booze-swilling relative in A Wedding (1978) and as Dustin Hoffman's attorney in the Oscar-winning drama Kramer vs. Kramer (1979). He also enjoyed a villainous role in the short-lived series Flamingo Road (1980) and had a lengthy stint on Knots Landing (1979) during the 1984-1985 season. Duff died at age 76 of a heart attack, on July 8, 1990, in Santa Barbara, California.- Actor
- Director
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Born in Canada, John Ireland was raised in New York. Performing as a swimmer in a water carnival, he moved into the legitimate theater, often appearing in minor roles in Broadway plays. His first big break in pictures came in 1945 when he appeared as Windy the introspective letter-writing G.I. in the classic war epic A Walk in the Sun (1945). Ireland was then often featured (mostly as a heavy) in several films. In 1949, he was nominated for best supporting actor for his role as the reporter in All the King's Men (1949). During the early 1950s, Ireland often starred as the emoting, brooding hero, almost exclusively in "B" pictures. In 1953, with his son Peter Ireland and wife, Joanne Dru, Ireland co-produced and co-directed the western mini-classic Hannah Lee: An American Primitive (1953) (aka Outlaw Territory). From the mid-'50s on. he appeared mainly in Italian "quickie" features and showed up occasionally in supporting roles in major pictures (Spartacus (1960)). Occasionally, his name was mentioned in tabloids of the times, in connection with young starlets, namely Natalie Wood and Sue Lyon. He was to play the role of the patriarch on the Ponderosa in Bonanza: The Next Generation (1988) but the series was not picked up. In addition to Hannah Lee: An American Primitive (1953), his best work was in Little Big Horn (1951) and The Bushwhackers (1951). In his later years, he owned and operated a tiny restaurant, Ireland's, in Santa Barbara, California.- Actor
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Peter Whitney's over-powering frame, swarthy looks, bushy brows and maniacal look in his eye made him one of the most fearsome character actors to lump around in 1940s-60s film and TV.
Born on May 24, 1916 in New Jersey of German ancestry, Peter King Engle was educated at Exeter Academy. He eventually moved to the Los Angeles area and trained with the Pasadena Community Playhouse, gaining valuable experience in summer stock as well. He made a play for films in the early 1940s, deciding also to use his wife Adrienne's middle name of Whitney for his own stage moniker. He felt his real name of Engle sounded too German and might be detrimental to his WWII-era career. He and Adrienne went on to have three children. His mammoth features and pudding-like puss reminded one easily of a Charles Laughton without table manners.
Whitney started his supporting career off promisingly at Warner Bros. at the outbreak of America's involvement in WWII showing potential in such films as Underground (1941), his debut, Nine Lives Are Not Enough (1941) and Blues in the Night (1941) as assorted henchmen, cronies and just downright mean guys. Taking part in "A" quality casts such as in Action in the North Atlantic (1943) and Mr. Skeffington (1944), Whitney played two of his most notorious roles at war's end, that of murderous hillbilly twins Mert and Bert Fleagle in the riotous Fred MacMurray comedy Murder, He Says (1945) and as Peter Lorre's seedy partner in the film noir Three Strangers (1946). Whitney broke with Warner Bros. in the post-war years but still yielded some fine entertainment with roles in such "B" fare as The Notorious Lone Wolf (1946), Blonde Alibi (1946), and an odd, romantic turn as Lt. Gates in the creepy Rondo Hatton crimer The Brute Man (1946).
In the mid-1950s, television took over a larger portion of his career. His imposing mug was featured in about every popular western and crime drama there was including "Gunsmoke", "Wagon Train", "Rawhide", "The Rifleman", "Bonanza", "Perry Mason", and "Peter Gunn". He finally cut loose a bit and spoofed his own grubby rube image with guest turns on such bucolic series as "Petticoat Junction", and "The Beverly Hillbillies", the latter playing a greedy ne'er-do-well fellow rustic in four episodes with the name of Lafe Crick. His obesity contributed to an early fatal heart attack at age 55 in 1972, which robbed Hollywood of a wondedes with the rfully unappetizing and scurrilous character actor. In addition to his wife and three children, Whitney was survived by four grandchildren.- Actor
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Dreamy Tab Hunter stood out in film history as one of the hottest teen idols of the 1950s era. With blond, tanned, surfer-boy good looks, he was artificially groomed and nicknamed "The Sigh Guy" by the Hollywood studio system, yet managed to continue his career long after his "golden boy" prime.
Hunter was born Arthur Kelm on July 11, 1931 in New York City, to Gertrude (Gelien) and Charles Kelm. His father was Jewish and his mother was a German Catholic immigrant. Following his parents' divorce, Hunter grew up in California with his mother, older brother Walter, and maternal grandparents, Ida (Sonnenfleth) and John Henry Gelien. His mother changed her sons' surnames to her maiden name, Gelien. Leaving school and joining the Coast Guard at age fifteen (he lied about his age), he was eventually discharged when the age deception was revealed. Returning home, his life-long passion for horseback riding led to a job with a riding academy.
Hunter's fetching handsomeness and trim, athletic physique eventually steered the Californian toward the idea of acting. An introduction to famed agent Henry Willson had Tab signing on the dotted line and what emerged, along with a major career, was the stage moniker of "Tab Hunter." Willson was also responsible with pointing hopeful Roy Fitzgerald towards stardom under the pseudonym Rock Hudson. With no previous experience Tab made his first, albeit minor, film debut in the racially trenchant drama The Lawless (1950) starring Gail Russell and Macdonald Carey. His only line in the movie was eventually cut upon release. It didn't seem to make a difference for he co-starred in his very next film, the British-made Island of Desire (1952) opposite a somewhat older (by ten years) Linda Darnell, which was set during WWII on a deserted, tropical South Seas isle. His shirt remained off for a good portion of the film, which certainly did not go unnoticed by his ever-growing legion of female (and male) fans.
Signed by Warner Bros., stardom was clinched a few years later with another WWII epic Battle Cry (1955), based on the Leon Uris novel, in which he again played a boyish soldier sharing torrid scenes with an older woman (this time Dorothy Malone, playing a love-starved Navy wife). Thoroughly primed as one of Hollywood's top beefcake commodities, the tabloid magazines had a field day initiating an aggressive campaign to "out" Hunter as gay, which would have ruined him. To combat the destructive tactics, Tab was seen escorting a number of Hollywood's lovelies at premieres and parties. In the meantime, he was seldom out of his military fatigues on film, keeping his fans satisfied in such popular dramas as The Sea Chase (1955), The Burning Hills (1956) and The Girl He Left Behind (1956)--the last two opposite the equally popular Natalie Wood. At around this time, Hunter managed to parlay his boy-next-door film celebrity into a singing career. He topped the charts for over a month with the single "Young Love" in 1957 and produced other "top 40" singles as well.
Like other fortunate celebrity-based singers such as Shelley Fabares and Paul Petersen, his musical reign was brief. Out of it, however, came the most notable success of his film career top-billing as baseball fan Joe Hardy in the classic Faustian musical Damn Yankees (1958) opposite Gwen Verdon and Ray Walston, who recreated their devil-making Broadway roles. Musically, Tab may have been overshadowed but he brought with him major star power and the film became a crowd pleaser. He continued on with the William A. Wellman-directed Lafayette Escadrille (1958) as, yet again, a wholesome soldier, this time in World War I. More spicy love scenes came with That Kind of Woman (1959), an adult comedy-drama which focused on soldier Hunter and va-va-voom mistress Sophia Loren demonstrating some sexual chemistry on a train.
Seldom a favorite with the film critics, the 1960s brought about a career change for Tab. He begged out of his restrictive contract with Warners and ultimately paid the price. With no studio to protect him, he was at the mercy of several trumped-up lawsuits. Worse yet, handsome Troy Donahue had replaced him as the new beefcake on the block. With no film offers coming his way, he starred in his own series The Tab Hunter Show (1960), a rather featherweight sitcom that centered around his swinging bachelor pad. The series last only one season. On the positive side he clocked in with over 200 TV programs over the long stretch and was nominated for an Emmy award for his outstanding performance opposite Geraldine Page in a Playhouse 90 episode. Following the sparkling film comedy The Pleasure of His Company (1961) opposite Debbie Reynolds, the quality of his films fell off drastically as he found himself top-lining such innocuous fare as Operation Bikini (1963), Ride the Wild Surf (1964) (1965), City in the Sea (1965) [aka War-Gods of the Deep], and Birds Do It (1966) both here and overseas.
As for stage, a brief chance to star on Broadway happened in 1964 alongside the highly volatile Tallulah Bankhead in Tennessee Williams's "The Milk Train Doesn't Stop Here Anymore." It lasted five performances. He then started to travel the dinner theater circuit. Enduring a severe lull, Tab bounced back in the 1980s and 1990s -- more mature, less wholesome, but ever the looker. He gamely spoofed his old clean-cut image by appearing in delightfully tasteless John Waters' films as a romantic dangling carrot to heavyset transvestite "actress" Divine. Polyester (1981) was the first mainstream hit for Waters and Tab went on to team up with Allan Glaser to co-produce and co-star a Waters-like western spoof Lust in the Dust (1984).
Co-starring with "Exorcist" star Linda Blair in the bizarre horror film Grotesque (1988), Tab's last on-camera appearance would be in a small role in the film Dark Horse (1992), which he produced. He preferred spending most of his time secluded on his ranch and breeding horses. In 2005, he returned to the limelight when he "came out" with a tell-all memoir on his Hollywood years. His long-time partner was film producer Allan Glaser.
Tab died on July 8, 2018, in Santa Barbara, California, three days shy of his 87th birthday.- Actress
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Jeanne Crain was born in Barstow, California, on May 25, 1925. The daughter of a high school English teacher and his wife, Jeanne was moved to Los Angeles not long after her birth after her father got another teaching position in that city. While in junior high school, Jeanne played the lead in a school production which set her on the path to acting. When she was in high school Jeanne was asked to take a screen test to appear in a film by Orson Welles. Unfortunately, she didn't get the part, but it did set her sights on being a movie actress.
After high school, Jeanne enrolled at UCLA to study drama. At the age of 18, Jeanne won a bit part in Fox Studio's film entitled The Gang's All Here (1943) and a small contract. Her next film saw Jeanne elevated to a more substantial part in Home in Indiana (1944) the following year, which was filmed in neighboring Kentucky. The movie was an unquestionable hit. On the strength of that box-office success, Jeanne was given a raise and star billing, as Maggie Preston, in the next film of 1944, In the Meantime, Darling (1944). Unfortunately, the critics not only roasted the film, but singled out Jeanne's performance in particular. She rebounded nicely in her last film of the year, Winged Victory (1944). The audiences loved it and the film was profitable.
In 1945, Jeanne was cast in State Fair (1945) as Margie Frake who travels to the fair and falls in love with a reporter played by Dana Andrews. Now, Jeanne got a bigger contract and more recognition. Later that year, Jeanne married Paul Brooks on New Year's Eve. Although her mother wasn't supportive of the marriage, the union lasted until her husband's death and produced seven children. The year 1947 was an off year for Jeanne, as she took time off to bear the Brooks' first child.
In 1949, Jeanne appeared in three films, A Letter to Three Wives (1949), The Fan (1949), and Pinky (1949). It was this latter film which garnered her an Oscar nomination as Best Actress for her role as Pinky Johnson, a nurse who sets up a clinic in the Deep South. She lost to Olivia de Havilland for The Heiress (1949). Jeanne left Fox after filming Vicki (1953) in 1953, with Jean Peters. She had made 23 films for the studio that started her career, but she needed a well-deserved change. As with any good artist, Jeanne wanted to expand her range instead of playing the girl-next-door types.
She went briefly to Warner Brothers for the filming of Duel in the Jungle (1954) in 1954. The film was lukewarm at best. Jeanne, then, signed a contract, that same year, with Universal Studios with promises of better, high profile roles. She went into production in the film Man Without a Star (1955) which was a hit with audiences and critics. After The Joker Is Wild (1957) in 1957, Jeanne took time off for her family and to appear in a few television programs. She returned, briefly, to film in Guns of the Timberland (1960) in 1960. The films were sporadic after that. In 1967, she appeared in a low-budget suspense yarn called Hot Rods to Hell (1966). Her final film was as Clara Shaw in 1972's Skyjacked (1972).
Jeanne died of a heart attack in Santa Barbara, California, on December 14, 2003. Her husband Paul Brooks had died two months earlier.- Actor
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Brian Bedford was born on 16 February 1935 in Morley, Yorkshire, England, UK. He was an actor and director, known for Robin Hood (1973), Nixon (1995) and Grand Prix (1966). He was married to Tim MacDonald. He died on 13 January 2016 in Santa Barbara, California, USA.- Actress
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Lola Lane, born Dorothy Mullican, grew up Indianola, Iowa. Small-town life was not to her taste and she yearned to be in show business. She was also a bit of a rebel. At one time, in her teens, she 'scandalized' the townsfolk by dancing a particularly suggestive Charleston right in front of the church--which was emptying after Sunday service.
She secured her first job playing piano accompaniment to silent films in the local movie theater for seven dollars a week. She then worked briefly in an ice cream factory, but soon had enough and quit, leaving for Des Moines (in accordance with her mother's dictates) to study music. She spent two years at the local conservatory, Simpson College, but--still the rebel--cut classes and was expelled, much to her joy. There are several versions as to what happened next: according to one, her sister Leota Lane was "discovered" by vaudevillian Gus Edwards (who was always scouting for talented youngsters) singing in an Iowa theater. Dorothy then chaperoned Leota on her trip to New York and both girls subsequently appeared in "Greenwich Village Follies" on Broadway. According to the New York Times obit of Lola Lane (June 25, 1981), Edwards discovered her "singing in a flower shop in Des Moines". Dorothy herself claimed that she wrote Edwards in New York, borrowed $200 and went to his house for an audition.
Whichever story is true, Dorothy ended up with a $450-a-week vaudeville contract. Around this time, she and her other sisters (Leota, Martha, Rosemary and Priscilla) changed their surname. Dorothy Mullican became Lola Lane. She toured with Gus Edwards in "Ritz Carlton Nights" and in 1928 appeared in "The War Song" on Broadway. During one of her performances, she was spotted by Benjamin Stoloff who was conducting auditions for a part in his movie Speakeasy (1929). Needless to say, she got the part.
While never becoming as big a star as her sister Priscilla Lane, Lola had a fairly successful career in the movies. She won critical acclaim for her performance in Marked Woman (1937) as a hard-boiled night club hostess and was rewarded with a contract at Warner Brothers. She continued to play similar characters in films like Gangs of Chicago (1940), as well as appearing in occasional "potboilers" like Zanzibar (1940). Lola also played female reporter Torchy Blane (Torchy Blane in Panama (1938)), which served as inspiration for Superman's girlfriend Lois Lane. Lola retired from the screen in 1946.- Born on January 9, 1931, in Los Angeles, California, Patrick (Pat) Douglas Conway was the son of Hollywood "royalty"-film actor/director/producer Hugh ("Jack") Ryan Conway and his second wife, Virginia C. Bushman Conway, daughter of famous silent screen star Francis X. Bushman. Pat was a real cowboy, growing up on his father's 125-acre Pacific Palisades ranch where he learned to ride and rope before he was 10, and helping with his father's cattle herd. After graduating from Menlo Junior College at San Francisco, he studied acting at the Pasadena Playhouse, then traveled to London to study Shakespearean theater for six months at the famous Old Vic. He served a hitch in the U. S. Marine Corps before returning to Hollywood and a contract with MGM.
Pat played a number of roles in several movies and television shows in the early 1950s. Then at the age of 26, the handsome 6'3", blue-eyed, dark-haired, 175-pound actor landed the role for which he is best known, that of Sheriff Clay Hollister, the young, tough but fair sheriff of Tombstone in pre-statehood Arizona in the weekly TV series "Tombstone Territory." He was originally cast to play the deputy in the series but was promoted to the starring role when the director saw his potential; they had to reshoot the first episode as a result. The series ran from Oct. 16, 1957, through July 1960; Conway starred in all 92 episodes. Published interviews from the era describe the young actor as "nice", "shy", and "serious" about his acting. His hobbies included reading, cooking, music, sailing and skin diving; he admitted to being a solitary individual. When "Tombstone Territory" ended, he was busy making guest appearances in many of the western series then populating the airwaves, including "Gunsmoke", "Rawhide" and "Bonanza." He also appeared in two movies ("Geronimo" in 1962 and "Brighty of the Grand Canyon" in 1967). His final appearances were in 1975 in "The Streets of San Francisco" and the television movie "The Abduction of Saint Anne." He died on April 24, 1981, in Santa Barbara County, California, at the age of 50. - Actress
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Dame Judith Anderson was born Frances Margaret Anderson on February 10, 1897 in Adelaide, South Australia. She began her acting career in Australia before moving to New York in 1918. There she established herself as one of the greatest theatrical actresses and was a major star on Broadway throughout the 1930s, 1940s and 1950s. Her notable stage works included the role of Lady Macbeth, which she played first in the 1920s, and gave an Emmy Award-winning television performance in Macbeth (1960). Anderson's long association with Euripides' "Medea" began with her acclaimed Tony Award-winning 1948 stage performance in the title role. She appeared in the television version of Medea (1983) in the supporting character of the Nurse.
Anderson made her Hollywood film debut under director Rowland Brown in a supporting role in Blood Money (1933). Her striking, not conventionally attractive features were complemented with her powerful presence, mastery of timing and an effortless style. Anderson made a film career as a supporting character actress in several significant films including Alfred Hitchcock's Rebecca (1940), for which she was Oscar nominated for Best Supporting Actress. She worked with director Otto Preminger in Laura (1944), then with René Clair in And Then There Were None (1945). Her remarkable performance in a supporting role in Cat on a Hot Tin Roof (1958) fit in a stellar acting ensemble under director Richard Brooks.
Anderson was awarded Dame Commander of the Order of the British Empire in the 1960 Queen's New Year's Honours List for her services to the performing arts. Living in Santa Barbara in her later years, she also had a successful stint on the soap opera Santa Barbara (1984) and was nominated for a Daytime Emmy Award in 1984. In the same year, at age 87, she appeared in Star Trek III: The Search for Spock (1984) as the High Priestess, and was nominated for a Saturn Award for that role. She was awarded Companion of the Order of Australia in the 1991 Queen's Birthday Honours List for her services to the performing arts. Anderson died at age 94 of pneumonia on January 3, 1992 in Santa Barbara, California.- Gorgeous, busty, and slender blonde looker Kymberly Ellen Herrin was born on October 2, 1957, in Santa Barbara County, California. She was of mixed French, Swedish, and Filipino descent. Herrin graduated from Santa Barbara Senior High School in 1975. She was the Playmate of the Month in the March 1981 issue of "Playboy". She attended Santa Barbara City College from 1991 to 1994.
She graced the covers of both the September 1982 and September 1983 issues of "Playboy". Herrin posed for a handful of "Playboy" special editions and was featured in a couple of "Playboy" videos. In addition, she modeled for other clients such as Ralph Lauren and "FIT" magazine (she also did fitness and swimwear ads).
Herrin acted in a few movies: she played Angelina in the prologue of Romancing the Stone (1984) as a sensuous specter. Dan Aykroyd has an erotic dream about her in Ghostbusters (1984). She was appropriately cast as a Playboy Playmate in Beverly Hills Cop II (1987). Even more memorably, she was the blonde woman in red in the music video for "Legs" by ZZ Top. She made a guest appearance on an episode of Matt Houston (1982).
Herrin died at age 65 on October 28, 2022, in Santa Barbara, California. - Actor
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British leading man of primarily American films, one of the great stars of the Golden Age. Raised in Ealing, the son of a successful silk merchant, he attended boarding school in Sussex, where he discovered amateur theatre. He intended to attend Cambridge and become an engineer, but his father's death cost him the financial support necessary. He joined the London Scottish Regionals and at the outbreak of World War I was sent to France. Seriously wounded at the battle of Messines--he was gassed--he was invalided out of service scarcely two months after shipping out for France. Upon his recovery he tried to enter the consular service, but a chance encounter got him a small role in a London play. He dropped other plans and concentrated on the theatre, and was rewarded with a succession of increasingly prominent parts. He made extra money appearing in a few minor films, and in 1920 set out for New York in hopes of finding greater fortune there than in war-depressed England. After two years of impoverishment he was cast in a Broadway hit, "La Tendresse". Director Henry King spotted him in the show and cast him as Lillian Gish's leading man in The White Sister (1923). His success in the film led to a contract with Samuel Goldwyn, and his career as a Hollywood leading man was underway. He became a vastly popular star of silent films, in romances as well as adventure films. The coming of sound made his extraordinarily beautiful speaking voice even more important to the film industry. He played sophisticated, thoughtful characters of integrity with enormous aplomb, and swashbuckled expertly when called to do so in films like The Prisoner of Zenda (1937). A decade later he received an Academy Award for his splendid portrayal of a tormented actor in A Double Life (1947). Much of his later career was devoted to "The Halls of Ivy", a radio show that later was transferred to television The Halls of Ivy (1954). He continued to work until nearly the end of his life, which came in 1958 after a brief lung illness. He was survived by his second wife, actress Benita Hume, and their daughter Juliet Benita Colman.- Mary Grace Canfield was born on 3 September 1924 in Rochester, New York, USA. She was an actress, known for Green Acres (1965), Pollyanna (1960) and The Best of Broadway (1954). She was married to John Theodore Bischof and Charles Orlebar Carey Jr.. She died on 15 February 2014 in Santa Barbara, California, USA.
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Derrick O'Connor was born in Dublin, Ireland, and raised in London. He was a former member of the Royal Shakespeare Company and the Scottish National Theatre, with many leading stage performances in Edinburgh, Stratford-on-Avon and London's West End. His long and successful career includes numerous starring roles in U.S., British and Australian film and television. O'Connor supports independent filmmaking as an important platform for emerging talent, to ensure a healthy future for the film industry. Projects he has worked on include Seascape (1994) and The First Vampire: Don't Fall for the Devil's Illusions (2004).
O'Connor was seen most recently by American audiences in the feature films Daredevil (2003), End of Days (1999), How to Make an American Quilt (1995) and Lethal Weapon 2 (1989). His many American TV guest appearances include Alias (2001), Tracey Ullman's Tracey Takes On... (1996) and Murder, She Wrote (1984). British film credits include Terry Gilliam's Brazil (1985), Time Bandits (1981) and Jabberwocky (1977), John Boormans Hope and Glory (1987), Harold Pinter's Butley (1974) and Dealers (1989).
O'Connor died in 2018, aged 77.- Actress
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A curvaceous, dark-haired WWII pin-up beauty (aka "The Woo Woo Girl" and "The Girl with the Million Dollar Figure"), "B" film star Lynn Bari had the requisite looks and talent but few of the lucky breaks needed to penetrate the "A" rankings during her extensive Hollywood career. Nevertheless, some worthy performances of hers stand out in late-night viewings.
She was born with the elite-sounding name of Marjorie Schuyler Fisher on December 18, 1919 (various sources also list 1913, 1915 and 1917), in Roanoke, Virginia. She and her elder brother, John, moved with their mother to Boston following the death of their father in 1927. Her mother remarried, this time to a minister, and the family relocated once again when her stepfather was assigned a ministry in California (the Institute of Religious Science in Los Angeles).
Paying her dues for years as a snappy bit-part chorine, secretary, party girl and/or glorified extra while being groomed as a starlet under contract to MGM and Fox, her first released film was the MGM comedy Meet the Baron (1933), in which she provided typical window dressing as a collegian. For the next few years there was little growth at either studio, as she was usually standing amidst others in crowd scenes and looking excited. Finally in Lancer Spy (1937), she received her first billing on screen for a minor part as "Miss Fenwick". Though more bit parts were to dribble in, the year 1938 proved to be her breakthrough year. She finally gained some ground playing the "other woman" role in glossy soaps and musicals, first giving Barbara Stanwyck some trouble in Always Goodbye (1938).
Fox Studios finally handed her some smart co-leads and top supports in such second-tier films as The Return of the Cisco Kid (1939), Pack Up Your Troubles (1939), Hotel for Women (1939), and Hollywood Cavalcade (1939). Anxiously waiting for "the big one", she made do with her strong looks, tending toward unsympathetic parts. She enjoyed the attention she received playing disparaging society ladies, divas, villainesses, and even a strong-willed prairie flower in such films as Pier 13 (1940), Earthbound (1940), Kit Carson (1940), and Sun Valley Serenade (1941), but they did little to advance her in the ranks.
The very best role of her frisky career came with the grade "A" comedy The Magnificent Dope (1942), in which she shared top billing with Henry Fonda and Don Ameche. But good roles were hard to find in Lynn's case, and she good-naturedly took whatever was given her. Other above-average movies (she appeared in well over 150) of this period came with China Girl (1942), Hello Frisco, Hello (1943), The Bridge of San Luis Rey (1944), and Nocturne (1946).
With diminishing offers for film parts by the 1950s, she started leaning heavily towards stage and TV work. She continued her career until the late '60s and then retired. Her last work included the film The Young Runaways (1968) and TV episodes of "The Girl from U.N.C.L.E." and "The F.B.I." Divorced three times in all, husband #2 was volatile manager/producer Sidney Luft, better known as Judy Garland's hubby years later, who was the father of her only child. Her third husband was a doctor/psychiatrist, and she worked as his nurse for quite some time. They divorced in 1972. Plagued by arthritis in later years, Bari passed away from heart problems on November 20, 1989. Although she may have been labeled a "B" leading lady, she definitely was in the "A" ranks when it came to class and beauty.- Actress
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The daughter of a retired sea captain and his much-younger wife, actress Norma Varden was born and raised in turn-of-the-century London. A piano prodigy, she studied in Paris and appeared in concert in England during her teenage years. Acting, however, became her career of choice, studying at the Guildhall School of Music. She took her very first stage bow in a production of Peter Pan. In the adult role of Mrs. Darling, she was actually younger than the actors playing her children. In years to come, Norma would play a number of mature, lady-like roles that were much older than she was.
She performed Shakespeare in repertory and was at first cast in dramatic plays such as The Wandering Jew (1920-her West End debut) and Hamlet (1925) as the Player Queen. In various acting companies, she eventually found a flair for comedy and became the resident character comedienne for the famous Aldwych Theatre farce-ers from 1929 to 1933 à la Marx Bros. foil Margaret Dumont. Finding success there in the comedies A Night Like This and Turkey Time, she later recreated both roles on British film a couple of years later. She went on to prove herself a minor but avid scene-stealer in such movies as Evergreen (1934), The Iron Duke (1934), Stormy Weather (1935) and East Meets West (1936), quickly finding an amusing niche as a haughty society maven. She played both benevolent and supercilious with equal ease -- her height (5'7-1/2"), elongated oval face, vacant manner, plummy voice and slightly drowsy eyes adding immensely to the look and amusement of her characters.
In the early 1940s, the veteran actress visited California, accompanied by her ailing, widowed mother, for a take on the warmer climate and decided to permanently settle. Again, she found herself in demand as a now silvery-haired duchess, queen or Lady something, albeit in less meaty, sometimes even unbilled parts. Although she could dress down when called upon as a bar maid, nurse and landlady, she usually was asked to provide the requisite atmosphere for glossy, opulent settings. Her more noticeable roles came as lecherous Robert Benchley's wealthy, put-upon wife in The Major and the Minor (1942); the vile Lady Abbott in Forever Amber (1947); the giddy socialite nearly strangled by Robert Walker in Hitchcock's classic Strangers on a Train (1951); the impressively bejeweled wife of Charles Coburn, whom Marilyn Monroe fawns over in Gentlemen Prefer Blondes (1953); and the Von Trapp housekeeper Frau Schmidt in The Sound of Music (1965).
Norma became a steadfast radio and TV comedy foil during the 40s, 50s and 60s, often at the mercy of a Lucille Ball or Jack Benny. Her longest radio part was as Basil Rathbone's housekeeper on his Sherlock Holmes radio series. On TV, she appeared in such shows as Mister Ed (1961), The Beverly Hillbillies (1962), Bewitched (1964) and Batman (1966) She had recurring roles as Betty Hutton's aunt on The Betty Hutton Show (1959) and as Shirley Booth's neighbor on Hazel (1961). Never married, Norma's mother passed away in 1969, and the actress retired shortly after. She died of heart failure in 1989, a day before her 91st birthday.