I know that I am in the silent minority that enjoyed the two stand-alone Thor movies. However, just because I like them doesn’t mean that I can’t see their faults. One of the biggest offenses is the lack of comedy in the movies. No, Kat Dennings doesn’t count as comic relief.
Fortunately for us, it appears that things are going to be better in Thor: Ragnarok. No Natalie Portman, no Dennings, and a director that knows comedy. Director Taika Waititi was a perfect choice to take over this franchise.
In a bit of light-hearted fun, Waititi enlisted some help, via Twitter, from a couple of fellow Marvel directors to make sure he makes the perfect Marvel movie. Enjoy the madness.
@JamesGunn @MrPeytonReed Hey guys. When you're making one of these big movies, how many explosions are you supposed to put in? I have one.
— Taika Waititi (@TaikaWaititi...
Fortunately for us, it appears that things are going to be better in Thor: Ragnarok. No Natalie Portman, no Dennings, and a director that knows comedy. Director Taika Waititi was a perfect choice to take over this franchise.
In a bit of light-hearted fun, Waititi enlisted some help, via Twitter, from a couple of fellow Marvel directors to make sure he makes the perfect Marvel movie. Enjoy the madness.
@JamesGunn @MrPeytonReed Hey guys. When you're making one of these big movies, how many explosions are you supposed to put in? I have one.
— Taika Waititi (@TaikaWaititi...
- 5/13/2016
- by Billy Fisher
- GeekTyrant
Coleen Gray actress ca. 1950. Coleen Gray: Actress in early Stanley Kubrick film noir, destroyer of men in cult horror 'classic' Actress Coleen Gray, best known as the leading lady in Stanley Kubrick's film noir The Killing and – as far as B horror movie aficionados are concerned – for playing the title role in The Leech Woman, died at age 92 in Aug. 2015. This two-part article, which focuses on Gray's film career, is a revised and expanded version of the original post published at the time of her death. Born Doris Bernice Jensen on Oct. 23, 1922, in Staplehurst, Nebraska, at a young age she moved with her parents, strict Lutheran Danish farmers, to Minnesota. After getting a degree from St. Paul's Hamline University, she relocated to Southern California to be with her then fiancé, an army private. At first, she eked out a living as a waitress at a La Jolla hotel...
- 10/14/2015
- by Andre Soares
- Alt Film Guide
Coleen Gray actress ca. 1950. Coleen Gray: Actress in early Stanley Kubrick film noir, destroyer of men in cult horror 'classic' Actress Coleen Gray, best known as the leading lady in Stanley Kubrick's film noir The Killing and – as far as B horror movie aficionados are concerned – for playing the title role in The Leech Woman, died at age 92 in Aug. 2015. This two-part article, which focuses on Gray's film career, is a revised and expanded version of the original post published at the time of her death. Born Doris Bernice Jensen on Oct. 23, 1922, in Staplehurst, Nebraska, at a young age she moved with her parents, strict Lutheran Danish farmers, to Minnesota. After getting a degree from St. Paul's Hamline University, she relocated to Southern California to be with her then fiancé, an army private. At first, she eked out a living as a waitress at a La Jolla hotel...
- 10/14/2015
- by Andre Soares
- Alt Film Guide
Part of a series by David Cairns on forgotten pre-Code films.
No Christmas movie is complete without the prospect of a suicidal plunge into icy waters... festive!
Yes, 1935 was the year after the Production Code came in. But these are the Daft Days, between Christmas and New Year, when nothing really matters. Besides, this is a film worth writing about, it has a seasonal hook, is full of early thirties atmosphere, social concerns, and a little suggestiveness, and anyway, it's a remarkable fact about pre-Code cinema that virtually none of them take any interest in Christmas.
They do, however, take a good bit of interest in the winter, since winter is something that has to be prepared for if it's to be survived. Thus comedy relief Vince Barnett in The Girl in 419 (1933) spends most of his scenes talking about the fur coat he's going to buy for his sweetie once he's saved enough money,...
No Christmas movie is complete without the prospect of a suicidal plunge into icy waters... festive!
Yes, 1935 was the year after the Production Code came in. But these are the Daft Days, between Christmas and New Year, when nothing really matters. Besides, this is a film worth writing about, it has a seasonal hook, is full of early thirties atmosphere, social concerns, and a little suggestiveness, and anyway, it's a remarkable fact about pre-Code cinema that virtually none of them take any interest in Christmas.
They do, however, take a good bit of interest in the winter, since winter is something that has to be prepared for if it's to be survived. Thus comedy relief Vince Barnett in The Girl in 419 (1933) spends most of his scenes talking about the fur coat he's going to buy for his sweetie once he's saved enough money,...
- 12/29/2011
- MUBI
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