3,167 reviews
Ridley Scott's Gladiator is not a perfect film, I would think that the hardiest of fans, of which I'm firmly one, know this deep down. Yet just like Commodus in the film is keen to point out that he himself has other virtues that are worthy, so does Gladiator the film. Enough in fact to make it an everlasting favourite of genre fans and worthy of the Academy Award acknowledgements it received.
In narrative terms the plot and story arc is simplicity supreme, something Scott and Russell Crowe have never shied away from. There has to my knowledge as well, never been a denial of the debt Gladiator owes to Anthony Mann's 1964 Epic, The Fall of the Roman Empire. Some folk seem very irritated by this, which is strange because the makers of Gladiator were not standing up bold as brass to proclaim they were unique with their movie, what they did do was reinvigorate a stagnant genre of film for a new generational audience. And it bloody worked, the influence and interest in all things Roman or historically swashbuckling of film that followed post Gladiator's success is there for all to see.
What we do in life echoes in eternity.
So no originality in story, then. While some of the CGI is hardly "Grade A" stuff, and there's a little over - mugging acting in support ranks as some of the cast struggle to grasp the period setting required, yet the way Gladiator can make the emotionally committed feel - overrides film making irks. Crowe's Maximus is the man men want to be and the man women want to be with. As he runs through the gamut of life's pains and emotionally fortified trials and tribulations, we are with him every step of the way, urging him towards his day of revenge splattered destiny; with Crowe superb in every pained frame, winning the Academy Award for Best Actor that he should have won for The Insider the previous year.
Backing Crowe up is Joaquin Phoenix giving Commodus preening villainy and Connie Nielsen graceful as Lucilla (pitch Nielsen's turn here against that of Diane Kruger's in Troy to see the class difference for historical period playing). Oliver Reed, leaving the mortal coil but leaving behind a spicy two fold performance as Proximo the Gladiator task master. Olly superb in both body and CGI soul. Richard Harris tugging the heart strings, Derek Jacobi classy, David Hemmings also, while Djimon Hounso gives Juba - Maximus right hand man and confidante - a level of character gravitas that's inspiring.
I didn't know man could build such things.
Dialogue is literate and poetic, resplendent with iconic speeches. Action is never far away, but never at the expense of wrought human characterisations. The flaming arrows and blood letting of the Germania conflict kicks things off with pulse raising clarity, and Scott and his team never sag from this standard. The gladiator arena fights are edge of the seat inducing, the recreation for the Battle of Carthage a stunning piece of action sequence construction. And then the finale, the culmination of two men's destinies, no soft soaping from Scott and Crowe, it lands in the heart with a resounding thunderclap. A great swords and sandals movie that tipped its helmet to past masters whilst simultaneously bringing the genre alive again. Bravo Maximus Decimus Meridius. 10/10
In narrative terms the plot and story arc is simplicity supreme, something Scott and Russell Crowe have never shied away from. There has to my knowledge as well, never been a denial of the debt Gladiator owes to Anthony Mann's 1964 Epic, The Fall of the Roman Empire. Some folk seem very irritated by this, which is strange because the makers of Gladiator were not standing up bold as brass to proclaim they were unique with their movie, what they did do was reinvigorate a stagnant genre of film for a new generational audience. And it bloody worked, the influence and interest in all things Roman or historically swashbuckling of film that followed post Gladiator's success is there for all to see.
What we do in life echoes in eternity.
So no originality in story, then. While some of the CGI is hardly "Grade A" stuff, and there's a little over - mugging acting in support ranks as some of the cast struggle to grasp the period setting required, yet the way Gladiator can make the emotionally committed feel - overrides film making irks. Crowe's Maximus is the man men want to be and the man women want to be with. As he runs through the gamut of life's pains and emotionally fortified trials and tribulations, we are with him every step of the way, urging him towards his day of revenge splattered destiny; with Crowe superb in every pained frame, winning the Academy Award for Best Actor that he should have won for The Insider the previous year.
Backing Crowe up is Joaquin Phoenix giving Commodus preening villainy and Connie Nielsen graceful as Lucilla (pitch Nielsen's turn here against that of Diane Kruger's in Troy to see the class difference for historical period playing). Oliver Reed, leaving the mortal coil but leaving behind a spicy two fold performance as Proximo the Gladiator task master. Olly superb in both body and CGI soul. Richard Harris tugging the heart strings, Derek Jacobi classy, David Hemmings also, while Djimon Hounso gives Juba - Maximus right hand man and confidante - a level of character gravitas that's inspiring.
I didn't know man could build such things.
Dialogue is literate and poetic, resplendent with iconic speeches. Action is never far away, but never at the expense of wrought human characterisations. The flaming arrows and blood letting of the Germania conflict kicks things off with pulse raising clarity, and Scott and his team never sag from this standard. The gladiator arena fights are edge of the seat inducing, the recreation for the Battle of Carthage a stunning piece of action sequence construction. And then the finale, the culmination of two men's destinies, no soft soaping from Scott and Crowe, it lands in the heart with a resounding thunderclap. A great swords and sandals movie that tipped its helmet to past masters whilst simultaneously bringing the genre alive again. Bravo Maximus Decimus Meridius. 10/10
- hitchcockthelegend
- Aug 5, 2014
- Permalink
- ajkbiotech
- Apr 5, 2021
- Permalink
Gladiator is the best bread and circus. A moving and very entertaining action epic with Russel Crowe and Joaquin Phoenix at the top of their game.
I absolutely love Joaquin Phoenix in this movie. He's the kind of villain you love to hate. So pathetic and childish. So ruthless and creepy. Just right amount of cartoonish. I wanted to punch him in the face.
It can be corny and it drags a bit during the escape plan part of the plot, but it has enough emotion and brutal violence to keep the audience entertained, and that's what a good gladiator match should be.
I absolutely love Joaquin Phoenix in this movie. He's the kind of villain you love to hate. So pathetic and childish. So ruthless and creepy. Just right amount of cartoonish. I wanted to punch him in the face.
It can be corny and it drags a bit during the escape plan part of the plot, but it has enough emotion and brutal violence to keep the audience entertained, and that's what a good gladiator match should be.
Seriously the best fantasy film of the modern area with great acting and emotional rollercoastering all the way through. The soundtrack by Zimmer really propels this film
- allicouldbe
- Feb 17, 2019
- Permalink
One of the best films of a generation, it's a bold claim, but Gladiator truly is that good. Every single element is perfect, the story is phenomenal, one to absorb you for the full running time. The visuals are incredible, an epic masterpiece for the eyes as well as the soul. The acting first rate, surely the aim of any film is to move you, this does just that and then some.
The best of Russell Crow are far as I'm concerned, he really does command the screen throughout, Joaquin Phoenix is just as good, it makes me so sad that this was the last film of the late great Oliver Reed, and of course he's awesome.
I must also comment on the incredible soundtrack, the sublime music of Has Zimmer coupled with the ancient, enchanting voice of Lisa Gerrard, the music is the same glorious standard as the film, Now we are free still gives me chills, and takes me back to the film.
One of my top ten films of all time, a masterpiece, 10/10.
The best of Russell Crow are far as I'm concerned, he really does command the screen throughout, Joaquin Phoenix is just as good, it makes me so sad that this was the last film of the late great Oliver Reed, and of course he's awesome.
I must also comment on the incredible soundtrack, the sublime music of Has Zimmer coupled with the ancient, enchanting voice of Lisa Gerrard, the music is the same glorious standard as the film, Now we are free still gives me chills, and takes me back to the film.
One of my top ten films of all time, a masterpiece, 10/10.
- Sleepin_Dragon
- Mar 11, 2022
- Permalink
20 years on, the first DVD I bought is still a barnstorming, thrilling ride. There's so much to recommend this - Lisa Gerrard & Hans Zimmer's iconic score, the canny casting of Joaquin Phoenix as a foil for Crowe; the realisation that I quote this film in everyday conversation far more than I thought I did. If it should have won the Oscars is a moot point - this is another of Ridley Scott's superb worldbuilding - one of his primary film-making skills, giving us a Rome that feels recognisable yet still a break from the cliché's that had seeped in to popular culture before this. That the film's status was boosted by the DVD boom as it made its way to home release is undeniable, but this remains a film that thrills, absorbs and grips.
- david-meldrum
- Aug 20, 2020
- Permalink
How good is Russell Crowe though, easily one of my favourite actors. Joaquin Phoenix play the role of a little weasel very well. Absolute classic of a film.
- nathanmanson
- Dec 5, 2020
- Permalink
"Are you not entertained?!?!"
One of the most perfect movies ever made. The pacing, the characterization & development. Hans Zimmer's score. John Mathieson's cinematography. Career-making acting from Russell Crowe, Joaquin Phoenix, Connie Nielsen, & Djimon Hounsou. Everything is on point.
This movie is an integral part of Ridley Scott's holy trinity, along with Blade Runner & Alien. Endlessly rewatchable. Endlessly quotable. An epic tragedy on the level of Shakespeare & Ancient Greece.
This movie will be just as popular a hundred years from now, and no movie about Ancient Rome will have topped it.
One of the most perfect movies ever made. The pacing, the characterization & development. Hans Zimmer's score. John Mathieson's cinematography. Career-making acting from Russell Crowe, Joaquin Phoenix, Connie Nielsen, & Djimon Hounsou. Everything is on point.
This movie is an integral part of Ridley Scott's holy trinity, along with Blade Runner & Alien. Endlessly rewatchable. Endlessly quotable. An epic tragedy on the level of Shakespeare & Ancient Greece.
This movie will be just as popular a hundred years from now, and no movie about Ancient Rome will have topped it.
- kbuttstadt
- Feb 16, 2021
- Permalink
Gladiator is a historical epic from director Ridley Scott. After being betrayed by the new Caesar, Roman general Maximus is sold into slavery as a gladiator where he rises to fame as a people's champion and finds an opportunity to exact his revenge. Russell Crowe, Joaquin Phoenix, and Connie Nielsen lead the cast and deliver strong performances. Additionally, the gladiator fights are especially dynamic and exciting, featuring several different styles of combat. The costumes and sets are also remarkably well-done, and create a vivid depiction of ancient Rome. And, Hans Zimmer's score does an excellent job at capturing the tone of the film. Thrilling and action-packed, Gladiator delivers a compelling tale. "Are you not entertained?!"
Once again, Director Ridley Scott proves to be as professional as one can be. The recreation of ancient Rome is splendid, with all its magnificent buildings and atmosphere and he is able to show with all brightness the greatness of the Roman Empire, with its political problems and military discipline, and love and treason, of hate and jealousy, that still have a place in our world today. But the story has a glow of its own, to which all the beautiful scenery (believe me, it's awesome!!!) and great cinematography are just balancing factors. The plot is a rich one, that is as dynamic as it is present. He once again, after Blade Runner, 1492, and others helps us visit the depths of the human soul, which remains the same over all our historical and social experience. Even the fights, are displayed in such a way that all the blood is quite discrete, but still, making us feel like screaming and jumping out of our seats. I would also like to point out the performances of the cast, that is surprisingly good. We have some actors and actresses, who are not Hollywood icons, but are are greatly able to move the audience among screams and tears. All in all, we have guys like Russel Crowe, who are coming out to be part of a new and extremely promising harvest of people who are making each time more fans around the world. Well, you should see for yourself!
- marianstelian
- Dec 28, 2020
- Permalink
- Hancock_the_Superb
- Dec 20, 2007
- Permalink
- cmortimer362
- Jul 13, 2012
- Permalink
"Gladiator" definitely is a classic film as it combines a simple, but moving, story with beautiful scenery, filming, direction and score it is truly a "complete" movie.
I am mostly compelled with the beautiful script which in a way reminds me of poetry, though it is still everyday language. I love the acting portrayed by the late Oliver Reed and also Richard Harris. Russell Crowe, Djimon Housou and Joaquin Phoenix are also superb and the parts suit them perfectly. There are also a number of less "popular" artists who also deserve a big "bravo". Amongst them I have to mention ex-Mr Universe Ralph Moeller who is mostly used as the comic relief of the movie. In Gladiator we can also the beautiful and popular Maltese TV Star and actress Ruth Frendo, who although has a small part, she is totally brilliant and outstanding.
Actually I got to IMDb while I was looking for her name on the internet, in fact on IMDb she has some very stunning photos. I was lucky to meet Ruth Frendo whilst she was filming in another Maltese production. Ruth Frendo is not only a gorgeous and talented actress but she is also amazingly intelligent and very down-to-earth. We will definitely be seeing more of her work in the future...
The scenery used for "Gladiator" is brilliant and the opening battle scene is definitely one of my top favorite scenes. The modern camera technique contrasts sharply to the brutality of the gladiators actions and blood shed during the movie; and I love the light contrasts thanks to the lenses which most definitely have been used to create a surreal feel to the entire movie.
"Gladiator" deserves all the awards and great reviews it has received, and for those of you who still haven't gone and watched it I can assure you that it will be well worth your time and money. So go on and rent it now!
I am mostly compelled with the beautiful script which in a way reminds me of poetry, though it is still everyday language. I love the acting portrayed by the late Oliver Reed and also Richard Harris. Russell Crowe, Djimon Housou and Joaquin Phoenix are also superb and the parts suit them perfectly. There are also a number of less "popular" artists who also deserve a big "bravo". Amongst them I have to mention ex-Mr Universe Ralph Moeller who is mostly used as the comic relief of the movie. In Gladiator we can also the beautiful and popular Maltese TV Star and actress Ruth Frendo, who although has a small part, she is totally brilliant and outstanding.
Actually I got to IMDb while I was looking for her name on the internet, in fact on IMDb she has some very stunning photos. I was lucky to meet Ruth Frendo whilst she was filming in another Maltese production. Ruth Frendo is not only a gorgeous and talented actress but she is also amazingly intelligent and very down-to-earth. We will definitely be seeing more of her work in the future...
The scenery used for "Gladiator" is brilliant and the opening battle scene is definitely one of my top favorite scenes. The modern camera technique contrasts sharply to the brutality of the gladiators actions and blood shed during the movie; and I love the light contrasts thanks to the lenses which most definitely have been used to create a surreal feel to the entire movie.
"Gladiator" deserves all the awards and great reviews it has received, and for those of you who still haven't gone and watched it I can assure you that it will be well worth your time and money. So go on and rent it now!
Most films require that the viewer identifies with the character to truly be engrossed with the film. If you can't feel something for the character, than the audience is lost.
Luckily, in Ridley Scott's case, Russel Crowe is so captivating and convincing as a general loved by his troops and as a slave loved by the people that the movie really works. Possibly one of the greatest actors today, Crowe carries this epic film on his very capable shoulders.
Not to say that he is the only reason this works. The supporting cast, most notably Connie Neilsen, buoy the film to new perspectives.
Jacquin Phoenix definitely captures the egotisitcal persona he should display, stealing every scene he's in. Phoenix will surely be put on the map with Gladiator.
But the real shining star in this film are the incredible action sequences which jolt the viewer right in with the opening sequences, as Maximus' true worth to the Roman Empire is displayed. Scott's camera work within these completed sequences takes a modern twist that really works for the gruesome scenes.
Crowe will now get the respect he deserves for this collosal performance. Gladiator makes the most of its 2 and a half hours, marking a triumphant comeback for the long forgotten epics of the classic days of film. ALL HAIL MAXIMUS!
Luckily, in Ridley Scott's case, Russel Crowe is so captivating and convincing as a general loved by his troops and as a slave loved by the people that the movie really works. Possibly one of the greatest actors today, Crowe carries this epic film on his very capable shoulders.
Not to say that he is the only reason this works. The supporting cast, most notably Connie Neilsen, buoy the film to new perspectives.
Jacquin Phoenix definitely captures the egotisitcal persona he should display, stealing every scene he's in. Phoenix will surely be put on the map with Gladiator.
But the real shining star in this film are the incredible action sequences which jolt the viewer right in with the opening sequences, as Maximus' true worth to the Roman Empire is displayed. Scott's camera work within these completed sequences takes a modern twist that really works for the gruesome scenes.
Crowe will now get the respect he deserves for this collosal performance. Gladiator makes the most of its 2 and a half hours, marking a triumphant comeback for the long forgotten epics of the classic days of film. ALL HAIL MAXIMUS!
Great Story! Great Writing! Great Acting! Great Directing! Great Score! This movie has it all. I especially enjoyed the mood of the film. Even though it has a lot of action, there is a subtle elegance throughout the picture that gives it great style. The movie flows effortlessly from scene to scene, while at the same time creating wonderful intensity and nail-biting excitement.
The acting in the movie more than lives up to expectations. Russell Crowe is brilliant in his role as Maximus, the "general who became a slave, who became a gladiator, who defied an emperor." Crowe's intense style is perfect for the relentless determination and confidence of Maximus. Joaquin Phoenix is equally wonderful in his role as Commodus, the corrupt emperor. He plays a great villain because he is able to give Commodus depth by showing certain vulnerable or fragile sides, while at the same time instantly transforming to let the ruthless nature of his volatile character shine. It also helps that Joaquin has the classic Caesar look that works perfectly with his role.
Connie Nielsen is also very good as Lucilla. However, perhaps the two finest performances in the movie were given by a couple of acting veterans in supporting roles. Richard Harris and Oliver Reed were exceptional in what will be remembered as crowning achievements at the end of their careers. Harris was perfect as Marcus Aurelius, the aging Caesar who reflects upon his life and contemplates how the world will remember him. And Reed, especially, gave my personal favorite performance in the movie as Proximo, the trainer for the gladiators. The way he spoke about the life of a gladiator, the splendor of Rome, and the "thrill of the Coliseum" really added excitement and anticipation during the viewing of the movie.
Gladiator is filled with many memorable moments that one would need to see more than once to fully appreciate. The excitement felt for me when Rome is first shown in all its wonder and marvel is my favorite scene. But the whole movie is a rush! Hans Zimmer provides the absolute perfect score to capture the different moods in the movie. Ridley Scott sets the perfect tone with his artistic and creative directing. I would recommend it to anyone who can stomach intensity and enjoy an epic story for the ages. Next to Braveheart, this movie is the greatest of all-time!
The acting in the movie more than lives up to expectations. Russell Crowe is brilliant in his role as Maximus, the "general who became a slave, who became a gladiator, who defied an emperor." Crowe's intense style is perfect for the relentless determination and confidence of Maximus. Joaquin Phoenix is equally wonderful in his role as Commodus, the corrupt emperor. He plays a great villain because he is able to give Commodus depth by showing certain vulnerable or fragile sides, while at the same time instantly transforming to let the ruthless nature of his volatile character shine. It also helps that Joaquin has the classic Caesar look that works perfectly with his role.
Connie Nielsen is also very good as Lucilla. However, perhaps the two finest performances in the movie were given by a couple of acting veterans in supporting roles. Richard Harris and Oliver Reed were exceptional in what will be remembered as crowning achievements at the end of their careers. Harris was perfect as Marcus Aurelius, the aging Caesar who reflects upon his life and contemplates how the world will remember him. And Reed, especially, gave my personal favorite performance in the movie as Proximo, the trainer for the gladiators. The way he spoke about the life of a gladiator, the splendor of Rome, and the "thrill of the Coliseum" really added excitement and anticipation during the viewing of the movie.
Gladiator is filled with many memorable moments that one would need to see more than once to fully appreciate. The excitement felt for me when Rome is first shown in all its wonder and marvel is my favorite scene. But the whole movie is a rush! Hans Zimmer provides the absolute perfect score to capture the different moods in the movie. Ridley Scott sets the perfect tone with his artistic and creative directing. I would recommend it to anyone who can stomach intensity and enjoy an epic story for the ages. Next to Braveheart, this movie is the greatest of all-time!
Ridley Scott rarely disappoints with his films. All of them, including the unjustly-maligned Legend, are visually stunning and just show the director's artistic genius. Gladiator should be up there as one of the best films he's done, if not the best. Almost everything on screen is very graphic, making some scenes upsetting to watch, but the visuals are just outstanding. The music score by Hans Zimmer just adds to the drama that is already there in the script. which is well written and rather Shakespearean. The performances were brilliant, especially Joaquin Pheonix and Oliver Reed. Russell Crowe is wholly convincing in the title role, and Richard Harris and Connie Nielson are also excellent. The costumes are brilliant, as well as the sets. In conclusion, Gladiator is a near masterpiece, only marred by some upsetting scenes. 9/10 Bethany Cox.
- TheLittleSongbird
- May 14, 2009
- Permalink
- comingaround
- Aug 18, 2000
- Permalink
I love history, and to me, Gladiator is a masterpiece. It is the most accurate picture of the Roman Empire Hollywood has ever put out. People declare Spartacus a masterpiece, but Gladiator far outdoes Spartacus in quality. The costuming, the acting, the screenplay, the scenery, and the fighting styles made me think that I had traveled back to 180 A.D. Russell Crowe is a true Hollywood tough guy, and he is superb in this movie. Joaquin Phoenix is outstanding as a villain, one of the best in movie history. He played his character as if it were a psychologist's dream case. Connie Nielsen plays one of the strongest female characters that I have ever seen. The choreographer of the action sequences was brilliant. Ridley Scott did an outstanding job in recreating the Empire, including the multitude of ethnic groups within the Empire and accurately depicting everyday life. If you're looking for insight into what the Roman Empire was like, this is a perfect depiction.
- copperccso
- Sep 6, 2002
- Permalink
It's starts out like any good epic should with a masterfully filmed and executed exciting battle sequence that sets up the audience for one of those rare Hollywoodian confections that are both entertaining and artsy. Unfortunately, it all goes downhill from there. It isn't the performers faults since every single one of them give amazing, emotional, even, at times, riveting performances (the kinds you should find in better movies) and who give the whole picture more class than it deserves. It isn't Hanz Zimmer's nor Lisa Gerrard's fault since they have composed a score that's almost (and I do mean almost) as unforgettable as the Godfather's. And it certainly isn't Ridely Scott's fault since he yet again succeeds in immersing the audience in the world he has created. No, the ones who are to blame are the people who wrote the saccharine, clichéd, soap-opery script and who, in the process, have wasted all of this incredible talent. They should be fed to the lions. It's an entertaining B-movie that could have been a classic. Just like Titanic in a way.
The movie is the story of Maximus (Crowe), a general who leads the Roman army to victory over Germania in the beginning of the movie. The dying emperor of Rome, Marcus Aurelius, is watching this battle.
The emperor's son, Commodus, then arrives with his sister Lucilla, and it is discovered that Commodus fully expects to be announced the new emperor of Rome in a few days. Aurelius, however, has other plans--he wants to make Maximus emperor, and requests that of the general, who wants nothing more than to go home to his family.
I went into this movie having just watched Ben-Hur in my film studies class and having watched an episode of Xena only a couple of weeks earlier that featured the story of Marc Anthony and Cleopatra. So you could say I was in the perfect mindset to watch a "sword-and-sandal" movie. I wasn't sure what to expect, having somehow avoided all the hype that accompanied this movie. But I was not disappointed.
Gladiator features some wonderful cinematography by John Mathieson. The battle scenes are very graphic. (This movie is not for the squeamish, that's for sure.) There were some scenes in particular that really struck me, such as when Crowe appears to be floating over the ground very fast. The use of color and color tones added a great deal to the mood of the movie. Excellent.
The script was being written and re-written as the filming was going on, yet it doesn't show that the actors had no idea how the movie was going to end when they began filming. The acting is terrific. Russell Crowe is wonderfully cast as Maximus. Many reviewers agree that he is now officially a star. Joaquin Phoenix also proves his mettle as the emotionally troubled Commodus, whose behavior and emotion toward his sister could give anyone the creeps. Connie Nielsen makes you believe that, as Lucilla, she really is torn between natural loyalty to her brother and doing what she knows is right. Oliver Reed, in his last performance, is memorable in his role of Proximo, the former gladiator who is the owner of Maximus and brings him to Rome. In short, the actors were brilliant in their roles, not over-acting, but giving subtle, strong performances.
The script itself is very good. Although some elements are a little hard to believe--the fact that no one recognizes Maximus when he's a slave?--this film calls for a willing suspension of disbelief, which one would happily comply with. (It's really no fun to nitpick such a movie.)
It's true that this movie does pretty much follow the Braveheart formula. However, this movie includes some elements, such as the cinematography and the incredibly graphic battle scenes (one reviewer likened it to Saving Private Ryan, "only better"), that are spectacular in itself. Overall, a great movie that I highly recommend.
The emperor's son, Commodus, then arrives with his sister Lucilla, and it is discovered that Commodus fully expects to be announced the new emperor of Rome in a few days. Aurelius, however, has other plans--he wants to make Maximus emperor, and requests that of the general, who wants nothing more than to go home to his family.
I went into this movie having just watched Ben-Hur in my film studies class and having watched an episode of Xena only a couple of weeks earlier that featured the story of Marc Anthony and Cleopatra. So you could say I was in the perfect mindset to watch a "sword-and-sandal" movie. I wasn't sure what to expect, having somehow avoided all the hype that accompanied this movie. But I was not disappointed.
Gladiator features some wonderful cinematography by John Mathieson. The battle scenes are very graphic. (This movie is not for the squeamish, that's for sure.) There were some scenes in particular that really struck me, such as when Crowe appears to be floating over the ground very fast. The use of color and color tones added a great deal to the mood of the movie. Excellent.
The script was being written and re-written as the filming was going on, yet it doesn't show that the actors had no idea how the movie was going to end when they began filming. The acting is terrific. Russell Crowe is wonderfully cast as Maximus. Many reviewers agree that he is now officially a star. Joaquin Phoenix also proves his mettle as the emotionally troubled Commodus, whose behavior and emotion toward his sister could give anyone the creeps. Connie Nielsen makes you believe that, as Lucilla, she really is torn between natural loyalty to her brother and doing what she knows is right. Oliver Reed, in his last performance, is memorable in his role of Proximo, the former gladiator who is the owner of Maximus and brings him to Rome. In short, the actors were brilliant in their roles, not over-acting, but giving subtle, strong performances.
The script itself is very good. Although some elements are a little hard to believe--the fact that no one recognizes Maximus when he's a slave?--this film calls for a willing suspension of disbelief, which one would happily comply with. (It's really no fun to nitpick such a movie.)
It's true that this movie does pretty much follow the Braveheart formula. However, this movie includes some elements, such as the cinematography and the incredibly graphic battle scenes (one reviewer likened it to Saving Private Ryan, "only better"), that are spectacular in itself. Overall, a great movie that I highly recommend.
- wideawakedreamer
- Jun 3, 2000
- Permalink
There is much to appreciate about about this picture but at the same time there is much to castigate as well. What could have been a thoroughly involving story turns out to be crippled by a lean script, some very indecisive direction and choppy editing. Not to mention some bad casting in the form of Richard Harris as Marcus Aurelius, a role which cries out to have been the last role played by Anthony Quinn.
The film starts out well and looks bleakly authentic in its depiction of the pivotal battle in the wars between the barbarian tribes of Germania and the Roman Empire. But as the story gives way to 40 minutes of exposition following Commodus and Lucilla's introduction, Ridley Scott seems to tack things on whenever the script runs into weak spots. This leaves the film without a flowing narrative and it seems to want to please a mindless summer movie action market while at the same time aspiring to be something deeper. What it leaves us with is a schizophrenic, unequivocal story full of contradictions.
There seems to be an epidemic in the past three or four years - films like this, Titanic, The Patriot, Pearl Harbor, Enemy at the Gates etc, try hard to be great epic films but at their core they are very slight and even trivial. The story in Gladiator holds promise but what little conflict there is set up and thrown at us in the first hour, leaving just a linear resolution to unfold for the remainder. A shame because so many elements could have been introduced in this story to make it truly an awesome and thoughtful epic. I guess complex stories like Spartacus and Ben-Hur will never be made again. This one falls somewhere short, though better than Demitrius and the Gladiators and the film it heavily borrows its narrative structure from - The fall of the Roman Empire.
Technically the CGI is at times seamless and other times poor. When our troop of Gladiators run into the colosseum for the first time however the effect is absolutely jaw dropping and the scene that follows certainly delivers the action goods. The acting is very good throughout except for Tomas Arana as Quintus (about as bad as John Dall in Spartacus) and the aforementioned Richard Harris.
Like Braveheart, not a bad entertainment experience but highly Hollywoodized and with an uneven narrative. But unlike Braveheart, the ending to Gladiator is a just a little embarrassing as it rips off both Braveheart and Titanic to far less effect. If you can get past the flaws, not the worst Roman spectacle on offer. Too highly rated at 8.1/10.
The film starts out well and looks bleakly authentic in its depiction of the pivotal battle in the wars between the barbarian tribes of Germania and the Roman Empire. But as the story gives way to 40 minutes of exposition following Commodus and Lucilla's introduction, Ridley Scott seems to tack things on whenever the script runs into weak spots. This leaves the film without a flowing narrative and it seems to want to please a mindless summer movie action market while at the same time aspiring to be something deeper. What it leaves us with is a schizophrenic, unequivocal story full of contradictions.
There seems to be an epidemic in the past three or four years - films like this, Titanic, The Patriot, Pearl Harbor, Enemy at the Gates etc, try hard to be great epic films but at their core they are very slight and even trivial. The story in Gladiator holds promise but what little conflict there is set up and thrown at us in the first hour, leaving just a linear resolution to unfold for the remainder. A shame because so many elements could have been introduced in this story to make it truly an awesome and thoughtful epic. I guess complex stories like Spartacus and Ben-Hur will never be made again. This one falls somewhere short, though better than Demitrius and the Gladiators and the film it heavily borrows its narrative structure from - The fall of the Roman Empire.
Technically the CGI is at times seamless and other times poor. When our troop of Gladiators run into the colosseum for the first time however the effect is absolutely jaw dropping and the scene that follows certainly delivers the action goods. The acting is very good throughout except for Tomas Arana as Quintus (about as bad as John Dall in Spartacus) and the aforementioned Richard Harris.
Like Braveheart, not a bad entertainment experience but highly Hollywoodized and with an uneven narrative. But unlike Braveheart, the ending to Gladiator is a just a little embarrassing as it rips off both Braveheart and Titanic to far less effect. If you can get past the flaws, not the worst Roman spectacle on offer. Too highly rated at 8.1/10.
Not sure were to start. A great director a very fine cast. A pointless movie. It starts with again a PotC soundtrack by Hans Zimmer. I'm perfectly sure he can write an excellent score but he has been hiding that virtue for a very long time. I'm almost convinced that Mr. Ridley Scott let Mr. George Lucas take the honor's. The characters are quite as flat as they are on Star Wars 1 2 and 3. Even cinematography makes you squirm. Zoom in on a actor while he is monologuing? That hasn't been done since the 70ties and was dealt with there and than. Both Ben Hur and Spartacus were done over 40 years ago and were more convincing and better acted. Also watch Titus and be really stunned by acting soundtrack and story.
skip it
skip it