43
Metascore
34 reviews · Provided by Metacritic.com
- 80VarietyRobert KoehlerVarietyRobert KoehlerThe funny stuff continues for a quite satisfying conclusion during the wedding prep and ceremonies, which Stifler single-handedly transforms into his own personal gross-out comedy masterpiece.
- 75The Globe and Mail (Toronto)Ray ConlogueThe Globe and Mail (Toronto)Ray ConlogueSpeaking personally, I wouldn't voluntarily go to this flick. But for those with a greater gross-out threshold, it's a better film than anyone should normally expect in this genre.
- 75PremiereKelly BorgesonPremiereKelly BorgesonSo tasteless, so fiendishly puerile that it’s hilarious.
- 70The A.V. ClubNathan RabinThe A.V. ClubNathan RabinCombining raunchiness and sweetness in a slapdash but generally effective manner.
- 67Seattle Post-IntelligencerSean AxmakerSeattle Post-IntelligencerSean AxmakerIt's often helplessly hilarious in its adolescent gross-out way, yet the cast periodically invests the film with sweetness.
- 50New York Daily NewsJack MathewsNew York Daily NewsJack MathewsThere are a couple of surprises in the I-can't-believe-they're-doing-this vein, but mostly, "Pie 3" is an aimless charade of doggy poo, latex breasts and really, really bad language.
- 50Miami HeraldRene RodriguezMiami HeraldRene RodriguezBest of all, though, is Seann William Scott as the profoundly annoying, profoundly vulgar Stifler.
- 50Dallas ObserverLuke Y. ThompsonDallas ObserverLuke Y. ThompsonAgainst all odds, the American Pie movies have actually gotten a little better each time out, though that's certainly not to say that they're, uhhh, "masterpieces."
- 50Village VoiceVillage VoiceThe deliriously overacting Scott is game for anything, too much really, but as a one-man army against the tide of Z100-scored banality, he's the closest thing the movie has to a savior.
- 25Christian Science MonitorDavid SterrittChristian Science MonitorDavid SterrittWhatever novelty this series ever possessed has gone down the proverbial tube. The actors are on autopilot, and Adam Herz's screenplay panders to its immature target audience so cravenly and relentlessly that it verges on incompetence.