User reviews

The Golden Compass in my eyes was the must see film of this Christmas. I am a huge fan of the His Dark Materials books, and was reading all three in preparation for the movie to come, I was praying this would be the new fantasy epic to watch. I suppose I got myself way too hyped for this movie, even the slightly negative reviews didn't stop me from being excited, so what a shame to say this cannot help but be a disappointment for me. I have a few major problems with this mainly, mainly I suppose because of the changes from the book, in fact had I have not read the book I most probably would have completely adored the movie rather than have just liked it. The Golden Compass is not a bad movie, its definitely better than the first Narnia movie and Harry Potter movie, but after reading the book I couldn't help but criticise because I know how amazing this movie could have been. Thankfuly the entire cast, yes the entire cast, are absolutely perfect, there are two notable set pieces and the storyline still keeps its grip on the audience despite being rushed. The lack of the ending from the book actually didn't even bother me that much, so long as people who have read the book are aware its going to be in the second movie then I believe that they won't be that bothered. Overall Golden Compass is an entertaining two hours, that could benefit from another half hour. Its a great film to watch for Christmas and will hopefully do well at the box office so the Subtle Knife is made very soon.

The biggest surprise of the cast definitely comes from Dakota Blue Richards as the lead, Lyra. In the trailers I actually thought that Lyra looked terrible, her voice sounded monotone and the girl showed no expression. Thankfuly in the movie that is far from the truth. Richards pulls off the character of Lyra perfectly, she's cheeky, at times rude but alway likable and definitely well acted. Her cockney accent surprisingly works and never gets too irritating, although at first it takes some adjusting too, and her emotions throughout the film are very well displayed. She carries the entire movie very well and it will be great to see her return in the future films as I know how much dramatic stuff she will have to do. But its Nicole Kidman who practically runs over the hills with this movie. Mrs Coulter was always my favourite character in the movie, and Kidman delivers an icy turn as the villainess. Kidman makes her multi-layered and highly memorable, her best scenes definitely being towards the end. Daniel Craig unfortunately features very little, but he delivers a great performance. Eva Green is superb as Serafine Pekkala but once again features way too little for my liking. The other two superb characters, and my joint second favourite performances, come from Ian Mckellen doing the voice of Iorek, and Sam Eliott who is perfectly cast as Lee Scoresby.

However despite the incredible performances its the cruel way things have been changed or cut that made me incapable of ever giving this higher than a 7/10. I will never understand to this day why the polar bear fight was changed from near the end to the middle, and why the Bolvangar scenes are so unnecessarily rushed its almost cruel. Also changing certain characters and changing certain facts just infuriated me all the more! But the ultimate problem with the movie is the fact it is way too rushed. Occasionally it is a blessing to get a two hour movie rather than a bloated two and a half hour once, but this story requires all the time it can get, and with events just taking up mere seconds and events being cut out (fans of the book will hate The Cocktail Party not being in the film) makes the film feel too short and missing something. Thankfuly the bear fight is as incredible as I hoped for, it ends in very cool way, and the final battle at Bolvangar, while way too short is definitely well done. The movie also packs an emotional punch at times, the intercision scenes are pitch perfect and the ending is amazing in my eyes in terms of emotion. The effects of the daemons are very well done, and the daemons themselves are pretty cool, most namely Mrs Coulter's golden monkey which will terrify kids for a while.

The Golden Compass is hardly the new Lord of the Rings as many, including me admittedly, had hoped for, but thankfully it looks much more promising than the Narnia series and perhaps with a new director, and less editing, this series could really take off. But for now I just need to get over my slight disappointment of it. Still very much worth watching though.

An evil empire called the Magestirium attempts total control of the population by hiding the secrets or parallel universes and a unifying particle called Dust in Chris Weitz's clunky but entertaining adaptation of Philip Pullman's "The Golden Compass".

"Harry Potter" and "The Lord of the Rings" have never apologized about their overt paganism. Likewise, "The Chronicles of Narnia" have never been accused of being subtle as a Christian allegory. These series, in both literary and film forms, have been monster hits due to their unapologetic natures that speak truths to their ardent fan bases. British writer Philip Pullman's darkly subversive anti-religious fantasy books have also been hugely successful, more so overseas than here in the States. Stripped of the books' overt atheistic messages, "The Golden Compass" takes a reverse psychology approach in its film treatment and oddly positions itself as an apology for Pullman's work. The result is a tepid affair that joins a long line of fantasy films about children discovering they are the chosen ones destined to save the world. At least this film is refreshing in its stance on girl-power as represented in the main character Lyra, played wonderfully by newcomer Dakota Blue Richards, who apparently is a graduate of the Dakota Fanning school of acting. Whether or not this tactic to strip the film of its soul (much like the Magesiterium strips children of their daemons) will make the film broadly appealing enough to warrant a franchise has yet to be determined.

The film comes across as more anti-authoritarianism in general than specifically anti-religion. In the 21st century the line between authoritarian politics and organized religion has become increasingly blurred. Since we currently live in a world where a born-again Christian sits in the White House and wages wars in Muslim nations, it's easy to see why folks from both sides of the aisle, ardent fans of the books and conservative Christians alike, have been worked up into a mindless and silly frenzy over even just a watered-down film version of the first of Pullman's "His Dark Materials" trilogy, with one side saying it's not wickedly subversive enough, and the other side saying it's still subversively wicked.

However, viewing the film out of the context of the books upon which it is based and the ridiculous faux-controversy surrounding them, it makes the grade as a big-budget fantasy flick. Yes, there are too many characters to keep track of, and the film has rushed feel to it as if it was edited at the last minute, but it still makes for an interesting trip. Kids will be wowed by the elaborate set designs and CGI effects, which are far superior to the ones in the similarly clunky but still entertaining "Chronicles of Narnia" and culminate in an awesome battle sequence involving armored polar bears--take that Global Warming! Adults will get a kick out the nimble ensemble cast, who all seem to be having a great deal of fun with the self-seriousness of the whole production and are headlined by Nicole Kidman--botoxed, full-lipped and deliciously frosty in a creepy villain role that suits her perfectly.

Possibly the strangest aspect of the film comes as an accidental subtext resulting from its apologetic nature. With its depiction of mystical-minded do-gooders rallying against the totalitarian Magestirium, "The Golden Compass" almost comes across as a period piece anti-Communist allegory rallying for the fall of the Soviet Union. It makes the film feel charmingly dated. There's also the disturbing subtext of child abuse at the hands of the Catholic Church as seen in the Magestirium's cruel experiments with kidnapped children, which makes the film feel charmingly grotesque.

Bottom Line: Any movie that depicts Nicole Kidman walking around with a monkey and preaches the importance of free will, making bonds, sticking together, and fighting for your friends and loved ones can't be all that bad. Despite some of the themes of the books being exorcised and arbitrarily presented by a poorly chosen Chris Weitz (a director known for his comedies "American Pie" and "About a Boy"), "The Golden Compass" still has enough interesting elements and old-fashioned razzle dazzle presented with new age CGI to make it entertaining. At its worst, it presents two hours of dark fantasy-land eye candy. At its best, it encourages adults and children alike to use their free will to do something far better with their two hours, like read.

I am among those who have not read the book and I found it to be initially confusing and boring but the film picks up after Lyra is taken into Mrs. Coultier's lavish house. The pace picks up but it may seem a little too rushed. The ending was sort of continuous, requiring a sequel. I would have liked to see the second movie but unfortunately, there is a rumour that it may not happen which is quite a pity because I thought 'The Golden Compass' was going somewhere. It is not the best movie of its kind but I thought it was not so bad either. The special effects are good. The characters are lively. I loved the daemons. It's got quite a stellar cast but only Nicole Kidman gets enough screen time to be noticed. Gorgeous, glamorous and deceitful, could not picture anyone else for the part of Mrs. Coultier. (I am almost sure that the rest were promised a lengthier role in the sequels). Daniel Craig only has about 15 minutes but he makes the best of it. Sam Elliot is funny. Dakota Blue Richards is a confident young actress and she carries off Lyra well. Overall I enjoyed the world that was created in this movie and the characters. Too bad that it's left incomplete.

The golden compass is a pretty comparable children's movie. The acting is well done, both from the kids and adults. The cast ensemble is made up of some fairly prominent names. I quite enjoyed watching, though I'm still not sure I get what dust is, or why the college let Nicole Kidman take the girl "as an assistant". It was all fairly good, watching ioryek slap the jaw off a polar bear was a highlight. But my main grievance is that they set up for a sequel that never happened, leaving the ending lacking.

Literary adaptations are always a testy business, with filmmakers consistently trying to appease fans of the original work while still making sufficient changes to make the material work as a film. With this in mind, as well as the inevitable uproar from various religious sects, The Golden Compass, adapted from the first book in Philip Pullman's 'His Dark Materials' trilogy was hardly an easy sell, and by no means a sure bid for box office success. Despite all of the negative factors against it, the film, while not the timeless fantasy epic it would like to be, proves a decent adaptation of Pullman's work and a sufficiently entertaining piece of escapism to boot.

Despite initial skepticism, director Chris Weitz of American Pie infamy demonstrates sufficient care and interest in his subject matter to bring the novel to life in a suitably quality fashion. Despite the occasional moment of flashy cinematography or special effects giving the impression of a child experimenting with his film-making toys, Weitz demonstrates a firm and steady grip on his film, keeping the tone light for a younger audience while retaining the occasional darker moment from the book to keep fans satisfied. Weitz's screenplay, while nowhere near as disappointing as it could have been, falls prey to the typical film fantasy pitfall of consistently struggling to force-feed as much information to the audience as possible as quickly and in as simplistic a fashion as possible, leading to a somewhat rushed narrative and an irritating lack of character development or exposition. Fans of the source material will likely grumble due to the occasional creative change, some more noticeable than others, while those unfamiliar with Pullman's books may be lost in a flurry of confusion, bombarded with a constant array of new names, faces and theoretical concepts. However, despite a disappointingly simplistic tone, the sheer enjoyment factor of the novel is not lost, and such is the film's primary strength: entertainment, if at the cost of profundity.

The special effects are for the most part top notch - the shapeshifting daemon effects are impressively integrated, the armoured bear fight is without question the pure, unfiltered exhilarating spectacle of the year, and the final mass battle sequence is similarly thrilling. The film's sets, costumes and props are spellbinding, easily giving the viewer the sense of being immersed in an imaginative alternate world with all of the visual splendour befitting such a fantasy epic. However, the film's musical score is a painful rehash of far too many clichéd epic film scores of late - far too overdone to be in the least emotionally affecting.

The stellar cast prove to be the film's high point, each inhabiting their roles with a comfort suggesting they had been born to play their respective parts. Newcomer Dakota Blue Richards is a revelation, surpassing the wooden efforts of most other child actors and carrying her lead role with ease, holding her own alongside her incredibly accomplished adult co-stars. Nicole Kidman is sheer perfection as the malevolent yet hypnotic Mrs. Coulter, effortlessly walking away with the show - every moment on screen, every glance, every movement is entirely in character, so fully does Kidman make the role her own. Daniel Craig proves a very fitting choice as scientific explorer Lord Asriel, making good use of his far too fleeting screen time, though one can't help but wish his character had a slight bit more of an edge to him.

Sam Elliot gives his strongest performance in years, instilling sardonic aeronaut Lee Scoresby with an offbeat charisma and sly humour wonderfully fitting the role and Eva Green is an ethereal and captivating presence as mysterious witch Serafina Pekkala. The somberous tones of Ian McKellan prove ideal in breathing life and soul into armoured bear Iorek Byrnison, and young Freddie Highmore is well cast as the voice of Lyra's daemon, Pantalaimon. Derek Jacobi and Simon McBurney give strong, if one dimensional performances as heads of the ominous Magesterium organization, as does Christopher Lee, whose 'blink-and-you-miss- him' role appears to be nothing less than a blatant cash in on The Lord of the Rings, but who delivers his one line well at any rate.

While fans of the novels may lament the watering down of the philosophical undertones of Pullman's novel, and the film being directed towards a younger audience, on the whole, despite the inescapable criticisms, as a sprawling piece of fantasy escapism, immersing the viewer in a world of armoured bears, daemons and witches, the film is a rousing success. It's just a shame to see such a strong premise fraught with such an overbearing air of caution and safety to please the lower common denominator, and one can't help but wish the producers had been slightly more daring, and captured a trace more of Pullman's nervy grit and spark to make the film a slightly less generic Hollywood blockbuster, and more satisfying overall. The film certainly isn't the 'next Lord of the Rings' which New Line certainly seems to intend for it to become, but an enjoyable and sufficiently impressive effort to warrant the next installment in the series, The Subtle Knife being made.

-7.5/10

I remembered that I liked this movie when I watched it a while ago. But I did not remember that it was THIS good! The only reason for the far too low rating(s) that I can see is christian fanatics that finds ANYTHING resembling criticism towards the church as heresy, or people that have read the book(s) and find that this movie have deviated too far from the original. But for me, the acting, the plot, the visuals, the special effects and the daemons running and flying around, was amazing. If you as I am, are not a christian fundamentalist, or have read the book(s) and like fantasy, I really believe that you as well will enjoy this movie.

Some great scenes, some fascinating artwork, and, although in rather short supply, some enchanting acting performances such as from Eva Green who portrayed a witch, or from Sam Elliot who was superb, or from young Dakota Blue Richards who was indeed good, and Nicole Kidman, who always is impressive though this time maybe was not at her best.

I enjoyed the film, yes, but... something was missing and I just can not put my finger on it. The film seems to rush through the story, not flow with the story. The end comes to soon, and yet no conclusions are drawn so that a sequel will obviously follow. However, whether I would bother watching it when it does come, I really am not sure.

A nice little film... but by no means brilliant.

I went into this film fearing the worst. I had become concerned over the past months as it became increasingly clear that the film was at great risk of losing direction, the vision if you will, that had drawn readers to the books series in the first place. That it was doomed. I feared this strange kind of anti-Narnia, was likely being so diluted that BO disaster was certain. That may still be the case if the bulk of early reviews are to be believed (but see Ebert's all-out glowing review.) Admittedly, the movie probably works better if you have read the first book (I had), but those readers are precisely the people who would likely complain the most. I worried and yet . . .

Despite its breathtaking pace, both in terms of action and concept introduction -- we all agree this is not your typical fantasy -- the Golden Compass worked for me. I thought the people involved had done the best they could in making this movie tell the story, making the best possible film despite the conflict and panic that must have gone into it. The sincerity shows. The cast is superb, the action sequences, the effects, the sheer look of the film, are triumphs. I stayed through all the credits, which seemed to last for almost as long as the movie, and good gracious, what a lot of people worked on this! It's expensive all right, but the money is all on the screen. These people should be saluted.

Dakota Blue Richards (it appears if you want your daughter to have a movie career these days, you had best name her Dakota) in a great year for the debut of young actresses, stands out as the best of them. She has poise, indomitable courage, fierce determination and it just keeps coming. The whole movie depends on her and if she had faltered, they truly would have had a disaster on their hands, a "calender" movie with no where to go and nothing to do. Whatever the ultimate financial fate of the film, I think young Miss Richards has a great future ahead of her.

So I am recommending the film highly, though I respect the objections that have been made against it. I think if people just relax and go with it they will find themselves enjoying it immensely. However, if you grit your teeth and go into critic mode, yep, you guess it, you won't enjoy it at all.

As for myself, I would have liked the producers to have gone with the original extended version - everyone knows the last few minutes were cut. Moreover, with a full three hour version just like "Lord of the Rings," I think all the objections would have been met. A director's cut will likely appear some day and I think at that point people will realize how great this movie truly is. Such an enhanced cut would fill in a lot of the details of this world, more fully develop the scenes and characters, and truly give a feeling of being part of the adventure, instead of just watching it. Of course, for the Golden Compass series, by then it may well be too late.

Here's hoping it's not (I dare not say praying). Here's hoping that audiences will respond so this noble beginning of a great philosophical adventure and permit it to continue.

It's all bottom line at this point, folks.

The film looked good but I felt that the film had been dumbed down to make it suitable for all. A lot of people leaving the cinema had the same opinion. If the film had been longer then it could've contained more of the book and included more of the theological aspects. I think the books were so good because they expected a depth of understanding from the reader and presented ideas about the soul, etc. in an intelligent way. The reader was expected to think, something the film doesn't! The film seemed really cheesy, rather like the Chronicles of Narnia. I was hoping for something with a bit more depth, like Lord of the Rings. The cast was good and the locations all looked as I'd imagined they would. Young children will probably enjoy this and it may encourage them to read the novels.

For some strange reason, a theater in the middle of the cornfield in Indiana had a sneak preview of the Golden Compass, and being a fan of the books I decided to take advantage of it. I wasn't sure what I was getting into, as there seems to be a rather large glut of Harry Potter and Lord of the Rings wannabes crowding theaters now and in the near future. This version of the Golden Compass beautifully brings the books to life and was very pleasing to watch with rather nice visuals. The acting is quite good, especially from the young lead, and the animation makes one wonder what they can't do with computers these days. The only true complaint I have about this movie is that it is difficult to understand and follow if one is not familiar with the books. Some scenes at the beginning seems disconnected, but after the halfway point the story comes together. The Golden Compass series is rather dark in its nature, and I'm glad that the movie didn't pull any punches with the supernatural combat (which is awesome, specifically when the witches and bears do battle). Some liberty is taken with the story as expected, and many church references are renamed, but the quality of the story never suffers. I recommend the movie and I look forward to seeing the rest of the trilogy completed.

All the elements of a 10 star movie are obviously prevalent here, but they don't all get put into play.

I don't understand why New Line advertised this as the "next Lord Of The Rings epic", when they gave that movie close to three hours of film time and this only two! (?) Another half hour at least of this movie would have done it more justice, because it felt extremely rushed. It seemed like they were throwing information out at you too quick to fully grasp, and never letting the cast just immerse themselves in it.

The music here was nothing short of ordinary. I don't remember a single song from the movie save the "gyption theme". I honestly think the music could have been 100 times better, and bring more immersion in.

However, I believed the cast was great. It is truly great that Lyra, portrayed by Dakota Blue Richards, now has a face. They picked someone with the look and talent to really shine. Lord Asriel, portrayed by Daniel Craig and Ms. Coulter, portrayed by Nicole Kidman were played fantastically. Although Daniel Craig fans will be disappointed. He only has a 15 minute cameo. Lee Scoresby, portrayed by Sam Elliot, was great. It seems they intended him for a bit of comic relief, but I just had hoped they gave him more time to show it off due to the non-stop drama sequences.

The scenery was amazing, and very believable. The daemons, magic, witches, are all very well done and very beautiful.

I see this movie as a financial failure. You have to look at this from a critical view, the "new comers". The people the movie is trying to grab. I brought ten people to the advanced screening December 1st, four of which had read the books (myself included). They (and myself) had said that the plot was too rushed. The six that had not read them either said it was too confusing and ending up requiring explanations, or said it was too boring because they didn't take the time to flesh out the characters. Coincidentally, one of them got too frustrated with it and bored and walked out.

Fanaticly, I really like this movie (but it is real rushed), however I tried looking at this movie with a newcomer view. Reality wise, people walking in who aren't loyal fanatics are probably going to be very disappointed. Unfortunately, the list of "loyal fanatics" isn't going to be enough to make this movie a success. At any rate, this is definitely no Lord Of The Rings... It's just another flick to watch on a rainy afternoon.