The story of King Seretse Khama of Botswana and how his loving but controversial marriage to a British white woman, Ruth Williams, put his kingdom into political and diplomatic turmoil.The story of King Seretse Khama of Botswana and how his loving but controversial marriage to a British white woman, Ruth Williams, put his kingdom into political and diplomatic turmoil.The story of King Seretse Khama of Botswana and how his loving but controversial marriage to a British white woman, Ruth Williams, put his kingdom into political and diplomatic turmoil.
- Awards
- 6 wins & 5 nominations total
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe house used as Ruth & Seretse's home in the film was the home of the real Ruth & Seretse.
- GoofsAt about 1'17, the civil servant refers to the new Prime Minister as Sir Winston Churchill. He was not knighted until 1953.
- Quotes
Seretse Khama: No man is free who is not master of himself.
- ConnectionsFeatured in Film '72: Episode #45.8 (2016)
- SoundtracksNo Baby, No Nobody But You
Lyrics and Music by Seger Ellis
Performed by Stan Kenton and June Christy
Published by EMI United Partnership Ltd/EMI Music Publishing Ltd
Licensed Courtesy of Capitol Records Inc.
Under Licence from Universal Music Operations Ltd
Featured review
I lived in Botswana for twenty-five odd years and enjoyed every single moment of it, almost certainly due in large measure to Seretse's enlightened politics and the genuine and natural warmth of the Botswana people. I knew both main characters quite well. Seretse was a very approachable man, even as president, and it was a pleasure to spend some time in his company. He was a man well loved by everyone, black and white. In fact, in Botswana one scarcely thought in those terms. As a politician he had huge charisma and was a great orator. He was also a born leader. I remember well being told by insiders that government Ministers who were in trouble for minor abuse of office or the like, would tremble in fear outside his office when they were to be 'carpeted'.
Ruth was an extraordinarily capable woman and even in her later years had more stamina than almost anyone I have known. She was at work in her office in Gaborone from early morning to the end of the day, patron of the Red Cross, Botswana Council of Women etc etc. Contrary, however, to one reviewer's criticism, Rosalind Pike's portrayal was quite accurate. She was not a strident campaigner but a very effective mover who enjoyed a social life and had many friends. In her widowhood she received constant visits from senior members of the tribe and government and was widely loved and respected by her people. She was most certainly "Mohumagadi" - Mother of the Nation.
This film portrays their personalities pretty accurately and the characterisation of the actors is extraordinarily true to life. Both David Oyelowo and Rosamund Pike were absolutely convincing. The quality of the acting very quickly overcame my initial niggling concern that the physical likenesses were not quite there. The photography of Botswana was outstanding and the familiar views of Serowe from the Palapye 'road' and the scenes in the kgotla were quite emotional for me; I unexpectedly found I had a lump in my throat.
I can understand that, for others, the film may not have the immediacy it has for me, perhaps, but previous criticisms of 'cold' and 'unemotional' - No! Leaving aside my personal interest, it deserved to be the opener for the London Film Festival. Maybe not a total "blockbuster" but an unusual and great film nonetheless. Very close to fact.
Ruth was an extraordinarily capable woman and even in her later years had more stamina than almost anyone I have known. She was at work in her office in Gaborone from early morning to the end of the day, patron of the Red Cross, Botswana Council of Women etc etc. Contrary, however, to one reviewer's criticism, Rosalind Pike's portrayal was quite accurate. She was not a strident campaigner but a very effective mover who enjoyed a social life and had many friends. In her widowhood she received constant visits from senior members of the tribe and government and was widely loved and respected by her people. She was most certainly "Mohumagadi" - Mother of the Nation.
This film portrays their personalities pretty accurately and the characterisation of the actors is extraordinarily true to life. Both David Oyelowo and Rosamund Pike were absolutely convincing. The quality of the acting very quickly overcame my initial niggling concern that the physical likenesses were not quite there. The photography of Botswana was outstanding and the familiar views of Serowe from the Palapye 'road' and the scenes in the kgotla were quite emotional for me; I unexpectedly found I had a lump in my throat.
I can understand that, for others, the film may not have the immediacy it has for me, perhaps, but previous criticisms of 'cold' and 'unemotional' - No! Leaving aside my personal interest, it deserved to be the opener for the London Film Festival. Maybe not a total "blockbuster" but an unusual and great film nonetheless. Very close to fact.
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Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Об'єднане королівство
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $14,000,000 (estimated)
- Gross US & Canada
- $3,902,185
- Opening weekend US & Canada
- $66,510
- Feb 12, 2017
- Gross worldwide
- $14,459,330
- Runtime1 hour 51 minutes
- Color
- Aspect ratio
- 2.35 : 1
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