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La jolie métisse Pearl Chavez devient la pupille du premier amour de son père décédé et se retrouve déchirée entre ses deux fils, l'un bon, l'autre méchant.La jolie métisse Pearl Chavez devient la pupille du premier amour de son père décédé et se retrouve déchirée entre ses deux fils, l'un bon, l'autre méchant.La jolie métisse Pearl Chavez devient la pupille du premier amour de son père décédé et se retrouve déchirée entre ses deux fils, l'un bon, l'autre méchant.
- Nommé pour 2 Oscars
- 1 victoire et 4 nominations au total
Griff Barnett
- The Bordertown Jailer
- (non crédité)
John Barton
- Party Guest
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesAccording to King Vidor, director Josef von Sternberg was hired only as a lighting expert by David O. Selznick in order to give his wife--and the film's star--Jennifer Jones a more glamorous look.
- GaffesThe opening shows saguaro cacti in the valley. The film is supposed to take place in Texas, but southern Arizona is the only place in the US with saguaro cacti, unless they've been transplanted.
- Citations
The Sinkiller: Under that heathen blanket, there's a full-blossomed woman built by the devil to drive men crazy.
- Versions alternativesThe original "roadshow" version ran 144 minutes. The additional 16 minutes, over the commonly-shown 128 minute version, consisted of a musical "prelude," an "overture" (which contained a spoken prologue, by Orson Welles), and exit music, but no additional scenes in the film. The two additional opening sequences were each inadvertently given the other's label.
- ConnexionsEdited into Histoire(s) du cinéma: Une histoire seule (1989)
Commentaire à la une
The restored "Road Show" DVD of David O. Selznick's production of "Duel in the Sun" is a most impressive experience. What this restoration has done is to place the viewer back to 1946 at the premiere itself.
Selznick's vision was huge, romantic, and sumptuous. He had the means to spare no expense or effort in realizing this grandiose concept. The result is a sweeping drama set in the west, yet rising above the normal trappings of most movie westerns.
First a trio of photographers headed by the peerless Lee Garmes, and assisted by Ray Rennahan and Hal Rosson, provided a rich and colorful canvas of romantic artistry and beauty. Then a screenplay by producer Selznick emphasized the Gothic and overripe emotions with great relish. If you're going to do it, do it, was the attitude. Let the trash explode on the screen. Added to this formidable group of artists came director King Vidor, beautifully directing a carefully chosen and extremely talented cast, and creating some magnificent and memorable set pieces.
Lastly came the legendary composer, Dimitri Tiomkin, crafting a superb score, exuding the pent up and released emotions of the characters and painting the hot and sultry essence of the desert setting. The way to fully experience the Selznick vision is to take the time to position one's self before the DVD monitor, adjust the sound volume to near peak level, and absorb the score from the first note of the 15-minute Prelude, the 5-minute Overture, through the 144-minute drama, and continue until the final, crashing chord of the 5-minute Postlude (Exit Music). Only then will the true meaning and power of "Duel in the Sun" be realized.
It's a one-of-a-kind film work, and a lasting tribute to that mad, disorganized, titanic and great genius of film production, Selznick.
Selznick's vision was huge, romantic, and sumptuous. He had the means to spare no expense or effort in realizing this grandiose concept. The result is a sweeping drama set in the west, yet rising above the normal trappings of most movie westerns.
First a trio of photographers headed by the peerless Lee Garmes, and assisted by Ray Rennahan and Hal Rosson, provided a rich and colorful canvas of romantic artistry and beauty. Then a screenplay by producer Selznick emphasized the Gothic and overripe emotions with great relish. If you're going to do it, do it, was the attitude. Let the trash explode on the screen. Added to this formidable group of artists came director King Vidor, beautifully directing a carefully chosen and extremely talented cast, and creating some magnificent and memorable set pieces.
Lastly came the legendary composer, Dimitri Tiomkin, crafting a superb score, exuding the pent up and released emotions of the characters and painting the hot and sultry essence of the desert setting. The way to fully experience the Selznick vision is to take the time to position one's self before the DVD monitor, adjust the sound volume to near peak level, and absorb the score from the first note of the 15-minute Prelude, the 5-minute Overture, through the 144-minute drama, and continue until the final, crashing chord of the 5-minute Postlude (Exit Music). Only then will the true meaning and power of "Duel in the Sun" be realized.
It's a one-of-a-kind film work, and a lasting tribute to that mad, disorganized, titanic and great genius of film production, Selznick.
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Duel in the Sun
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 8 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 20 408 163 $US
- Montant brut mondial
- 20 428 771 $US
- Durée2 heures 26 minutes
- Rapport de forme
- 1.37 : 1
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By what name was Duel au soleil (1946) officially released in India in English?
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