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Ajouter une intrigue dans votre langueAt a tough penitentiary, prisoner Joe Collins plans to rebel against Captain Munsey, the power-mad chief guard.At a tough penitentiary, prisoner Joe Collins plans to rebel against Captain Munsey, the power-mad chief guard.At a tough penitentiary, prisoner Joe Collins plans to rebel against Captain Munsey, the power-mad chief guard.
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- AnecdotesThe second of three films that Burt Lancaster made for producer Mark Hellinger who discovered the former acrobat and turned him into a movie star. The first of these was Robert Siodmak's "The Killers" in 1946, and the last, "Criss-Cross" in 1949, also for Siodmak, a film Hellinger never lived to see, as he died before production began.
- GaffesSoldier is in prison after taking the blame for a murder that took place when he was serving in Italy with the U.S. Army. Therefore, he would not have been in a civilian state prison. He would have been sent to the U.S. Disciplinary Barracks at Fort Leavenworth, as he would have been court-martialed while still being a member of the U.S. Army. At the least, he would have been sent to a federal prison if he'd somehow (highly unlikely) been able to get sent to a civilian facility.
- Crédits fousStarring Burt Lancaster - Hume Cronyn - Charles Bickford as the men on the "Inside" Yvonne De Carlo - Ann Blyth - Ella Raines - Anita Colby as the women on the "Outside"
- ConnexionsEdited into Histoire(s) du cinéma: Seul le cinéma (1994)
- Bandes originalesTannhäuser Overture
(uncredited)
Written by Richard Wagner
Heard when Munsey is interrogating the convict
Commentaire à la une
One of the best prison movies ever made.Jules Dassin's direction is so strong ,so precise,so mind-boggling it packs a real wallop.Hume Cronyn gives a subdued but extremely scary portrayal of a sadistic brute.Always in a suave voice,always saying "I want to help you",there's only one way for him:the hard one.Burt Lancaster is equally efficient as a tough inmate .But the whole cast cannot be too highly praised.
The cast and credits read :"the women from outside" .There are four flashbacks which really fit into the movie.All of them last barely two or three minutes but they could provide material for four other movies. The first one (Flossie's ) verges on farce ,it is the comic relief of a desperate movie and we need it!Then the "fur coat" segment which is some kind of Cinderella turned film noir.The third one,perhaps the less interesting (everything is relative!), features Yvonne De Carlo as an Italian girl during the war the former soldier was in love with .And finally Burt Lancaster's story, he tries to find money to pay his girlfriend's operation.
These flashbacks are not gratuitous:all that is left to those men is memories .Besides,the last line tells us something like that:"nobody will escape!nobody!" More than ten years before ,Dassin had shown what French director Jacques Becker would do in his famous prison movie "le trou" (1960) : the prison as a metaphor of the human condition.
There are lots of scenes which will leave you on the edge of your seat.My favorite scene: the informer's death while Lancaster is securing his alibi with the doc.But the final is awesome too,something apocalyptic.
The cast and credits read :"the women from outside" .There are four flashbacks which really fit into the movie.All of them last barely two or three minutes but they could provide material for four other movies. The first one (Flossie's ) verges on farce ,it is the comic relief of a desperate movie and we need it!Then the "fur coat" segment which is some kind of Cinderella turned film noir.The third one,perhaps the less interesting (everything is relative!), features Yvonne De Carlo as an Italian girl during the war the former soldier was in love with .And finally Burt Lancaster's story, he tries to find money to pay his girlfriend's operation.
These flashbacks are not gratuitous:all that is left to those men is memories .Besides,the last line tells us something like that:"nobody will escape!nobody!" More than ten years before ,Dassin had shown what French director Jacques Becker would do in his famous prison movie "le trou" (1960) : the prison as a metaphor of the human condition.
There are lots of scenes which will leave you on the edge of your seat.My favorite scene: the informer's death while Lancaster is securing his alibi with the doc.But the final is awesome too,something apocalyptic.
- dbdumonteil
- 25 févr. 2006
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What is the French language plot outline for Les Démons de la liberté (1947)?
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