Le leggende occidentali Pat Garrett, Doc Holliday e Billy the Kid si giocano l'uno contro l'altro per la legge e le attenzioni della vivace volpe di campagna Rio McDonald.Le leggende occidentali Pat Garrett, Doc Holliday e Billy the Kid si giocano l'uno contro l'altro per la legge e le attenzioni della vivace volpe di campagna Rio McDonald.Le leggende occidentali Pat Garrett, Doc Holliday e Billy the Kid si giocano l'uno contro l'altro per la legge e le attenzioni della vivace volpe di campagna Rio McDonald.
- Billy the Kid
- (as Jack Beutel)
- Boy
- (non citato nei titoli originali)
- Mike - Waiter
- (non citato nei titoli originali)
- Deputy
- (non citato nei titoli originali)
- Boy
- (non citato nei titoli originali)
- Deputy
- (non citato nei titoli originali)
- Deputy
- (non citato nei titoli originali)
- Drunken Cowboy
- (non citato nei titoli originali)
- Dolan - Man Entering Saloon
- (non citato nei titoli originali)
- Swanson - Deputy
- (non citato nei titoli originali)
- Townsman Bystander
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizJane Russell got the role after a nationwide search by Howard Hughes for a busty actress.
- BlooperIn the final scene, a car can be seen in the distance passing from left to right.
- Citazioni
Billy the Kid: I think I'll have another drink of water.
Doc Holliday: What are you talking about? You didn't have one in the first place.
Billy the Kid: I know, but I had the same idea about an hour ago.
Doc Holliday: It wouldn't do any good. Take my advice.
Billy the Kid: What?
Doc Holliday: Killing a woman.
Billy the Kid: Why not?
Doc Holliday: Because they're all alike. There isn't anything they wouldn't do for you... or to you.
- Curiosità sui creditiPrologue: "The Outlaw" is a story of the untamed West.
Frontier days when the reckless fire of guns and passions blazed an era of death, destruction, and lawlessness.
Days when the fiery desert sun beat down avengingly on the many who dared defy justice and outrage decency.
- Versioni alternativeThe director's cut copyrighted February 15, 1941, had a running time of 123 minutes. After additional shooting from mid to end March, 1941, the producer submitted a re-edited version of circa 117 minutes for certification by the PCA, and was still denied it. In May 1941, the producer submitted a version with additional cuts (115 min), and was still denied certification. The PCA claimed that of seven copies for distribution in San Francisco, California, in February 5, 1943, only copy #3 was in compliance with the cuts imposed by the PCA - which may mean that at least both versions (117 and 115 min) were theatrically shown at the limited premiere. Based on a letter by the PCA president, one may believe that the NYC September 15, 1947, re-issue with «objectionable material adequately altered» was a re-cut version running under 115 minutes. Meanwhile, the London, UK, premiere of November 29, 1946 of the «uncensored version» may have been the 117-min version. Various theatrical and VHS versions exist, accommodating different censorship and distributors' criteria, running anywhere from 95 to 105 minutes.
- ConnessioniFeatured in Hollywood the Golden Years: The RKO Story: Howard's Way (1987)
- Colonne sonoreSymphony No. 6 in B Minor, Opus 74, 'Pathétique'
(1893) (uncredited)
Music by Pyotr Ilyich Tchaikovsky
First movement theme played during the opening credits
Variations also played throughout as the love theme between Billy and Rio
The build-up of Jane Russell (no pun intended) was one of the great publicity moves in film history. That famous shot of her lolling around on a bale of hay with her famous chest falling about was enough to entice most red-blooded males to this film And she didn't disappoint as Rio, the girlfriend of many, faithful to none. Throw in Pat Garrett, Billy the Kid and Doc Holliday (where did he come from?) and you've got a mix of relationships that vies with "Brokeback Mountain" for male bonding. And just for the hell of it, add some Indians which cause our heroes to embark in a cloud of dust across the landscape.
I found Jack Buetel (or Beutel) a rather attractive actor in a wispy kind of way. Jane Russell's chest probably weighed more than he did. Unfortunately he never recovered from this film outing and sank into oblivion This film is about as coherent as a Marx Brothers romp but not nearly as intentionally funny. The whole thing is contrived, there's a lot of talk, talk, talk, and if there is some underlying message, I missed it. BUT, you have to see it for the camp value......it's really more fun than it should be. Maybe Mr. Hughes meant it that way. On second thought, I guess not.
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- Tempo di esecuzione1 ora 56 minuti
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