“The Wolf Man” (1941)
“The Wolf Man” is actually Universal Pictures’ second attempt to tackle werewolves, after the box office failure of 1935’s “Werewolf in London” (notably, not an American werewolf). But it was the far better received of the two and is now lumped in with “Dracula” and “Frankenstein” as one of the classics from the studio’s monster mania days. Lon Chaney Jr. stars as the titular dogman, an American who returns to his ancestral home in Wales to bury his brother and soon falls in love with a local girl (Evelyn Ankers). Alas, he gets turned into a werewolf saving her from a monster; classic rom-com stuff. Like many of the Universal monster films, what stands out from “The Wolf Man” today isn’t its special effects makeup — although Chaney’s werewolf transformation was highly acclaimed at the time — but its thick atmosphere, situating its players in a moody landscape of fog and dark forest, and the quality of its lead’s performance. Chaney is dynamite both in and out of the wolf suit, giving a performance that’s charasmatic, melancholy, and devastatingly sad.