Moonchild (novel)
 Cover of the Weiser edition | |
| Author | Aleister Crowley |
|---|---|
| Cover artist | Beresford Egan |
| Language | English |
| Genre | Occult |
| Publisher | Mandrake Press (1929) Samuel Weiser, Inc. (1970) |
Publication date | 1929 |
| Publication place | United Kingdom |
| Media type | Print (Hardback & Paperback) |
| Pages | 335 pp |
| ISBN | 0-87728-147-5 |
| OCLC | 656135722 |
| 823.912 | |
| LC Class | PR6005 .R7 |
Moonchild (a.k.a., Liber LXXXI [Book 81], or The Butterfly Net) is a novel written by the British occultist Aleister Crowley in 1917. Its plot involves a magical war between a group of white magicians, led by Simon Iff, and a group of black magicians, over an unborn child. It was first published by Mandrake Press in 1929 and its recent edition is published by Weiser.
Albeit not strictly a roman à clef, the novel depicts numerous acquaintances of Crowley's, thinly disguised fictional characters. Grady McMurtry's "Note on Moonchild" provides some insight into the possible real characters on which the author based the characters in the novel.[1] Crowley portrays MacGregor Mathers as the primary villain, including him as a character named SRMD, using the abbreviation of Mathers's magical name. Arthur Edward Waite appears as a villain named Arthwaite, and the unseen head of the Inner Circle of which SRMD was a member. "A.B." is theosophist Annie Besant. Among Crowley's friends and allies, Allan Bennett appears as Mahatera Phang, Leila Waddell as Sister Cybele, the dancer Isadora Duncan appears as Lavinia King, and her companion Mary D'Este (mother of Preston Sturges, who helped Crowley write his magnum opus Magick: Book 4 under her magical name 'Soror Virakam') appears as Lisa la Giuffria. Cyril Grey is Crowley himself, while Simon Iff, who advocates the teachings of Tao, probably is the German occultist and head of Ordo Templi Orientis Theodor Reuss, whom Crowley considered a mentor.[2]
Plot summary
[edit]A year or so before the beginning of World War I, a young woman named Lisa la Giuffria is seduced by a white magician, Cyril Grey, and persuaded into helping him in a magical battle with a black magician and his Black Lodge. Grey is attempting to save and improve the human race and condition by creating a homunculus, through impregnating the girl with the soul of an ethereal being—the Moonchild. To achieve this, she will have to be kept in a secluded environment, and many preparatory magical rituals will be carried out. The black magician Douglas is bent on destroying Grey's plan. However, Grey's ultimate motives may not be what they appear. The Moonchild rituals are carried out in Southern Italy, but the occult organizations are based in Paris and England. At the end of the book, the war breaks out, and the white magicians support the Allies, while the black magicians support the Central Powers.
Critical reception
[edit]On 28 October 1929, the Aberdeen Press & Journal commented on Moonchild:
We are constantly reminded of the moods of Anatole France and the methods of Rabelais. From extensive dissertations on magic and spiritualism we are suddenly switched into humour that is sometimes normal, sometimes sardonic. From a glimpse into the blackest mysteries of Hecate we are transferred to a wonderful white vision of the poets. From the trivialities of peace we emerge into the horrors of the Great War. Moonchild is not more fantastic than a thorough going "thriller", but it is also a satire and an allegory, full of disorder and genius.[3]
Influence
[edit]Although Crowley was a prolific writer of treatises on Western esotericism and occultism, he penned only a few novels. Moonchild, his second published novel after The Diary of a Drug Fiend (1922), is his most famous. Over the years, Moonchild has exerted significant influence on popular culture, particularly on rock music. Rory Gallagher's song "Moonchild", from his 1976 album Calling Card, and John Zorn's 2006 album Moonchild: Songs Without Words both pay tribute to Crowley's novel.[4] Iron Maiden's song of the same name from their 1988 album Seventh Son of a Seventh Son not only references the novel's themes, but the line "hear the mandrake scream" is also a nod to Mandrake Press, the book's original publisher.[5] The 1988 album The Nephilim, by English goth rock band Fields of the Nephilim, makes several references to Crowley's work, while the top-charting single "Moonchild" directly references the novel. A song by King Crimson, from their 1969 debut album In the Court of the Crimson King also has the same title, but the band's co-founder and lyricist Peter Sinfield has stated that it was not a conscious reference to Crowley's work.[6]
The fantasy film Moon Child (1989), by Spanish filmmaker Agustí Villaronga, was inspired by Crowley's work.[7] The unreleased soundtrack for the film was recorded by Australian goth pioneers Dead Can Dance.[8] In Mark Frost's epistolary novel The Secret History of Twin Peaks, there is a chapter on Crowley which suggests that Moonchild was a source of inspiration for his and David Lynch's cult TV series Twin Peaks, particularly with its two warring lodges (a Black and a White Lodge), and several minor characters.
Related writings
[edit]Prior to writing this novel, during a visit to New Orleans in December 1916, Crowley wrote a number of short stories where the character Simon Iff investigates various crimes and mysteries.[9]
Babalon Working
[edit]A project called Babalon Working was undertaken by Jack Parsons and L. Ron Hubbard in 1946, inspired by Moonchild. Babalon Working was supposed to manifest an incarnation of Babalon, who would then carry a "magickal child" or "moonchild".[10][11]
See also
[edit]
Notes
[edit]- ^ McMurtry, Grady. "A Note on Moonchild". Retrieved 1 February 2025.
- ^ From notes in author's hand from his library copy — Swann Auction Galleries, sale 2140, April 3, 2008, lot 45.
- ^ "Fantasy and Genius". Aberdeen Press & Journal. 28 October 1929. p. 4.
- ^ Noël, Benoît. "2021: Moonchild by Aleister Crowley".
- ^ "10 Evil Rock + Metal Songs Inspired by Aleister Crowley". Loudwire. Retrieved 31 January 2025.
- ^ ""Peter Sinfield Q&A"". Songsouponsea.com. Retrieved 31 January 2025.
- ^ "Moon Child". American Genre Film Archive. Retrieved 31 January 2025.
- ^ "Moon Child". Science on Screen. Retrieved 31 January 2025.
- ^ Collected in The Simon Iff Stories and Other Works (Wordsworth Editions, 2012), ISBN 978-1-84022-678-2.
- ^ Urban, Hugh B. (2011). The Church of Scientology: A History of a New Religion. Princeton University Press. pp. 39–42. ISBN 9780691146089.
The aim of Parson's 'Babalon Working' was first to identify a female partner who would serve as his partner in esoteric sexual rituals; the partner would then become the vessel for the 'magickal child' or 'moonchild,' a supernatural offspring that would be the embodiment of ultimate power... According to Parson's account of March 2–3, 1946, Hubbard channeled the voice of Babalon, speaking as the beautiful but terrible lady...
- ^ Urban, Hugh B. (2006). "4. The Beast with Two Backs". Magia Sexualis: Sex, Magic, And Liberation in Modern Western Esotericism. University of California Press. pp. 135–137. ISBN 9780520247765.
The ultimate goal of these operations, carried out during February and March 1946, was to give birth to the magical being, or 'moonchild,' described in Crowley's works. Using the powerful energy of IX degree Sex Magick, the rites were intended to open a doorway through which the goddess Babalon herself might appear in human form.