Directed by
| Gene Kelly | ... | (new sequences) |
Writing Credits
| Leonard Gershe | ... | (narration written by) |
Cast (in credits order) verified as complete
Produced by
| Saul Chaplin | ... | producer |
| Daniel Melnick | ... | producer |
Editing by
| David E. Blewitt | ... | film editor (as David Blewitt) |
| David Bretherton | ... | contributing film editor |
| Bud Friedgen | ... | film editor |
| Peter C. Johnson | ... | contributing film editor |
Makeup Department
| John Inzerella | ... | makeup: new sequences |
| La Rue Matheron | ... | hair stylist |
| Robert J. Schiffer | ... | makeup artist |
| Charles H. Schram | ... | makeup: new sequences (as Charles Schram) |
Production Management
| Maurice Vaccarino | ... | production manager: new sequences |
Second Unit Director or Assistant Director
| William R. Poole | ... | assistant director: new sequences |
Art Department
| Anthony Bavero | ... | property master: new sequences |
| John DeCuir | ... | production design: new sequences (as John De Cuir) |
| Robby Vandermark | ... | standby painter (uncredited) |
Sound Department
| Bill Edmondson | ... | sound: new sequences |
| Aaron Rochin | ... | re-recording mixer |
| Hal Watkins | ... | re-recording mixer |
Visual Effects by
| James F. Liles | ... | optical supervisor (as Jim Liles) |
Animation Department
| Joseph Barbera | ... | executive producer: animation (uncredited) |
| William Hanna | ... | executive producer: animation (uncredited) |
Costume and Wardrobe Department
| Filipo | ... | wardrobe: Mr. Astaire and Mr. Kelly, new sequences |
Editorial Department
| Ramon G. Caballero | ... | assistant film editor |
| Dennis Galling | ... | assistant film editor (as Dennis Lee Galling) |
| Ana Luisa Pérez | ... | assistant film editor (as Ana Luisa Perez) |
| Michael J. Sheridan | ... | assistant film editor |
Music Department
| Saul Chaplin | ... | special lyrics: new sequences |
| Howard Dietz | ... | special lyrics: new sequences |
| Harry V. Lojewski | ... | music supervisor |
| Nelson Riddle | ... | conductor: new sequences / music arranger: new sequences |
| William Saracino | ... | music editor |
| David Crocov | ... | violin (uncredited) |
| Nelson Riddle | ... | composer: new sequences (uncredited) |
| Ethmer Roten | ... | musician: flute (uncredited) |
Additional Crew
| Dorothy Aldrin | ... | script supervisor: new sequences |
| Saul Bass | ... | main credit titles: new sequences |
| Saul Chaplin | ... | album producer (uncredited) |
| Leo McCarey | ... | supervisor (segment "The Finishing Touch") (uncredited) |
| Daniel Melnick | ... | album producer (uncredited) |
| Bob Peak | ... | movie poster illustration (uncredited) |
| H.M. Walker | ... | title designer (segment "The Finishing Touch") (uncredited) |
Thanks
| Jeff Alexander | ... | acknowledgement: the special style and content of the musical sequences were created by |
| Robert Alton | ... | acknowledgement: the special style and content of the musical sequences were created by |
| Robert Arthur | ... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| S.N. Behrman | ... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Busby Berkeley | ... | acknowledgement: the special style and content of the musical sequences were created by |
| Irving Berlin | ... | acknowledgement: the special style and content of the musical sequences were created by |
| Pandro S. Berman | ... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Ralph Blane | ... | acknowledgement: the special style and content of the musical sequences were created by |
| Frank Borzage | ... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Charles Brackett | ... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Lou Breslow | ... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Nicholas Brodszky | ... | acknowledgement: the special style and content of the musical sequences were created by |
| Nacio Herb Brown | ... | acknowledgement: the special style and content of the musical sequences were created by |
| Harold S. Bucquet | ... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Hugo Butler | ... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Sammy Cahn | ... | acknowledgement: the special style and content of the musical sequences were created by |
| Saul Chaplin | ... | acknowledgement: the special style and content of the musical sequences were created by |
| Jack Cole | ... | acknowledgement: the special style and content of the musical sequences were created by |
| Betty Comden | ... | acknowledgement: the special style and content of the musical sequences were created by |
| Bobby Connolly | ... | acknowledgement: the special style and content of the musical sequences were created by |
| John W. Considine Jr. | ... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Jack Conway | ... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| George Cukor | ... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Jack Cummings | ... | acknowledgement: the special style and content of the musical sequences were created by |
| Gene de Paul | ... | acknowledgement: the special style and content of the musical sequences were created by (as Gene De Paul) |
| Buddy G. DeSylva | ... | acknowledgement: the special style and content of the musical sequences were created by (as B.G. De Sylva) |
| Adolph Deutsch | ... | acknowledgement: the special style and content of the musical sequences were created by |
| Helen Deutsch | ... | acknowledgement: the special style and content of the musical sequences were created by |
| Jacques Deval | ... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Howard Dietz | ... | acknowledgement: the special style and content of the musical sequences were created by |
| Stanley Donen | ... | acknowledgement: the special style and content of the musical sequences were created by |
| Jack Donohue | ... | acknowledgement: the special style and content of the musical sequences were created by |
| Carmen Dragon | ... | acknowledgement: the special style and content of the musical sequences were created by |
| Vernon Duke | ... | acknowledgement: the special style and content of the musical sequences were created by |
| Jimmy Durante | ... | acknowledgement: the special style and content of the musical sequences were created by |
| Julien Duvivier | ... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Roger Edens | ... | acknowledgement: the special style and content of the musical sequences were created by |
| Gus Edwards | ... | acknowledgement: the special style and content of the musical sequences were created by |
| Howard Estabrook | ... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Percy Faith | ... | acknowledgement: the special style and content of the musical sequences were created by |
| Ted Fetter | ... | acknowledgement: the special style and content of the musical sequences were created by |
| James A. FitzPatrick | ... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Victor Fleming | ... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Sidney Franklin | ... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Arthur Freed | ... | acknowledgement: the special style and content of the musical sequences were created by |
| Jules Furthman | ... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Tay Garnett | ... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| George Gershwin | ... | acknowledgement: the special style and content of the musical sequences were created by |
| Ira Gershwin | ... | acknowledgement: the special style and content of the musical sequences were created by |
| E. Ray Goetz | ... | acknowledgement: the special style and content of the musical sequences were created by |
| Frances Goodrich | ... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Leon Gordon | ... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Ruth Gordon | ... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Martin A. Gosch | ... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Dave Gould | ... | acknowledgement: the special style and content of the musical sequences were created by |
| Edmund Goulding | ... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Adolph Green | ... | acknowledgement: the special style and content of the musical sequences were created by |
| Johnny Green | ... | acknowledgement: the special style and content of the musical sequences were created by |
| Albert Hackett | ... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Oscar Hammerstein II | ... | acknowledgement: the special style and content of the musical sequences were created by |
| Otto A. Harbach | ... | acknowledgement: the special style and content of the musical sequences were created by (as Otto Harbach) |
| Lorenz Hart | ... | acknowledgement: the special style and content of the musical sequences were created by |
| Lennie Hayton | ... | acknowledgement: the special style and content of the musical sequences were created by |
| Samuel Hoffenstein | ... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Robert E. Hopkins | ... | acknowledgment: the non-musical sequences represent outstanding contributions by (as Robert Hopkins) |
| Sidney Howard | ... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Bernard H. Hyman | ... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Bert Kalmar | ... | acknowledgement: the special style and content of the musical sequences were created by |
| Garson Kanin | ... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Bronislau Kaper | ... | acknowledgement: the special style and content of the musical sequences were created by |
| George S. Kaufman | ... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Jerome Kern | ... | acknowledgement: the special style and content of the musical sequences were created by |
| Michael Kidd | ... | acknowledgement: the special style and content of the musical sequences were created by |
| Arthur Kober | ... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| John La Touche | ... | acknowledgement: the special style and content of the musical sequences were created by (as John Latouche) |
| Charles Lederer | ... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Sammy Lee | ... | acknowledgement: the special style and content of the musical sequences were created by |
| Franz Lehár | ... | acknowledgement: the special style and content of the musical sequences were created by |
| Robert Z. Leonard | ... | acknowledgement: the special style and content of the musical sequences were created by |
| Alan Jay Lerner | ... | acknowledgement: the special style and content of the musical sequences were created by |
| Mervyn LeRoy | ... | acknowledgement: the special style and content of the musical sequences were created by (as Mervyn Leroy) |
| Edgar Leslie | ... | acknowledgement: the special style and content of the musical sequences were created by |
| W.P. Lipscomb | ... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Frederick Loewe | ... | acknowledgement: the special style and content of the musical sequences were created by |
| Anita Loos | ... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Ernst Lubitsch | ... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| John Lee Mahin | ... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Rouben Mamoulian | ... | acknowledgement: the special style and content of the musical sequences were created by |
| Herman J. Mankiewicz | ... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Joseph L. Mankiewicz | ... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Hugh Martin | ... | acknowledgement: the special style and content of the musical sequences were created by |
| Samuel Marx | ... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| James Kevin McGuinness | ... | acknowledgment: the non-musical sequences represent outstanding contributions by (as James K. McGuinness) |
| John Meehan | ... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Johnny Mercer | ... | acknowledgement: the special style and content of the musical sequences were created by |
| George W. Meyer | ... | acknowledgement: the special style and content of the musical sequences were created by |
| Vincente Minnelli | ... | acknowledgement: the special style and content of the musical sequences were created by |
| Alfred Newman | ... | acknowledgement: the special style and content of the musical sequences were created by |
| Ivor Novello | ... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| George Oppenheimer | ... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Hermes Pan | ... | acknowledgement: the special style and content of the musical sequences were created by |
| Joe Pasternak | ... | acknowledgement: the special style and content of the musical sequences were created by |
| Nat Perrin | ... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Robert Pirosh | ... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Cole Porter | ... | acknowledgement: the special style and content of the musical sequences were created by |
| André Previn | ... | acknowledgement: the special style and content of the musical sequences were created by (as Andre Previn) |
| Gottfried Reinhardt | ... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Walter Reisch | ... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Allen Rivkin | ... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Leo Robin | ... | acknowledgement: the special style and content of the musical sequences were created by |
| Richard Rodgers | ... | acknowledgement: the special style and content of the musical sequences were created by |
| Sigmund Romberg | ... | acknowledgement: the special style and content of the musical sequences were created by |
| Harry Ruby | ... | acknowledgement: the special style and content of the musical sequences were created by |
| Morrie Ryskind | ... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Conrad Salinger | ... | acknowledgement: the special style and content of the musical sequences were created by |
| Victor Saville | ... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Dore Schary | ... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Arthur Schwartz | ... | acknowledgement: the special style and content of the musical sequences were created by |
| George Seaton | ... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| David O. Selznick | ... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Sidney Sheldon | ... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| George Sidney | ... | acknowledgement: the special style and content of the musical sequences were created by |
| Sol C. Siegel | ... | acknowledgement: the special style and content of the musical sequences were created by |
| S. Sylvan Simon | ... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Donald Ogden Stewart | ... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| George Stoll | ... | acknowledgement: the special style and content of the musical sequences were created by |
| Axel Stordahl | ... | acknowledgement: the special style and content of the musical sequences were created by |
| Herbert Stothart | ... | acknowledgement: the special style and content of the musical sequences were created by |
| Johann Strauss | ... | acknowledgement: the special style and content of the musical sequences were created by |
| Hunt Stromberg | ... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Jule Styne | ... | acknowledgement: the special style and content of the musical sequences were created by |
| Norman Taurog | ... | acknowledgement: the special style and content of the musical sequences were created by |
| Kay Thompson | ... | acknowledgement: the special style and content of the musical sequences were created by |
| Richard Thorpe | ... | acknowledgement: the special style and content of the musical sequences were created by |
| W.S. Van Dyke | ... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Jimmy Van Heusen | ... | acknowledgement: the special style and content of the musical sequences were created by (as James Van Heusen) |
| Salka Viertel | ... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Charles Walters | ... | acknowledgement: the special style and content of the musical sequences were created by |
| Harry Warren | ... | acknowledgement: the special style and content of the musical sequences were created by |
| Lawrence Weingarten | ... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| George Wells | ... | acknowledgement: the special style and content of the musical sequences were created by |
| Fred M. Wilcox | ... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Billy Wilder | ... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| P.J. Wolfson | ... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Sam Wood | ... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Sam Zimbalist | ... | acknowledgment: the non-musical sequences represent outstanding contributions by |
